First, we get the transformed Insect sounds of Mira Calix's Nunu; the world premiere of Anna Clyne's Fractured Time, and the joyous cacophony of Julia Wolfe's Tell Me Everything, inspired by a tape of Mexican brass music. Bookending these in the concert's first half are two arrangements of an uncharacteristically brief Julius Eastman piece, Joy Boy from 1974. Opening the programme in a wind-centred iteration, then leading into the interval in a strings-based version, it's a great pocket-sized example of the subtle constant transformation in Eastman's music.
Reich/Richter, composed in 2019 and given album release last year, was composed by Steve Reich to accompany an abstract film by Gerhard Richter. The patterned, textured film was shown to the audience for this performance, but with this obviously unavailable to broadcast listeners the music has to stand by itself. And it most certainly does, in instantly recognisable Reich form across its four sections, but still managing to sound fresh in this late period of the New York legend's career.
pw: sgtg