The album that took the Pat Metheny Group to stardom was a new-sound album in more than one way. Nana Vasconcelos, introduced on As Falls Wichita (see links below), returned to fill out the percussion sound with its Brazilian influence that would become more central to the PMG sound in the coming years. Longtime bassist Steve Rodby also made his debut here, as did Pat's guitar synth.
That legendary Roland GR-300 sound makes its first appearance right from the start, in the brief opening track Baracole, over a nice thumping pulse from Vasconcelos. Then it's straight into one of the most gorgeous mellow classics of this era, Are You Going With Me. First led by Lyle Mays on a synth-harmonica sound, then by Pat on guitar synth, it's one of his sunny-day trips across the Midwest for the ages. The Brazilian influence becomes even more explicit on Au Lait that closes out the album's first half, adding Vasconcelos' voice to the mix as Pat returns to clean guitar.
Side Two introduces more PMG classics to what is perhaps their quintessential album. The upbeat Latin rhythm of Eighteen drives one of the most simply joyful pieces of music they ever recorded, and for maximum contrast the knottiest free jazz of the album comes next in the title track, devised as a tribute to Ornette Coleman. Another tribute follows, this time a sweetly melodic one for James Taylor, before the album closes with the calm melancholy of The Bat Pt. II. An utterly essential jazz fusion masterpiece from start to finish.
link
pw: sgtg
Previously posted at SGTG:
First Circle
The Way Up
Pat Metheny at SGTG:
Watercolors
New Chautauqua
As Falls Wichita (with Lyle Mays)
Song X (with Ornette Coleman)
and featuring Pat:
Dreams So Real
Shadows And Light
The Sound Of Summer Running