Showing posts with label merengue. Show all posts
Showing posts with label merengue. Show all posts

Sunday, June 21, 2020

ETHEL SMITH'S CHA CHA CHA ALBUM





Great album from Ethel Smith (1910 - 1996) who was probably the first to achieve success as a pop organist. Spotted by a talent agent while working as the house organist at the St. Regis Hotel in New York City, she began appearing on radio in the late-1930s, she moved to Hollywood in 1940 and appeared in a string of minor musicals, including "Cuban Pete" with Desi Arnaz in 1941 and "Bathing Beauty" with Esther Williams in 1944. She co-wrote the theme song to "Cuban Pete" and recorded the best-selling cover of "Tico Tico," which later became her own theme song. She recorded and appeared on television through the 1950s and had a lively nightclub act, adding dancing, singing, brightly colored dresses and outlandish hats, and comedy routines to her already spicy organ playing. She also formed her own publishing company and put out a series of instructional books on the Hammond organ. She continued to perform at local clubs in the Palm Beach area after retiring in the mid-1970s. This album came out in 1955....

GET IT HERE



Enjoy!

PEDRO AND HIS AMIGOS - HAVANA AT MIDNIGHT



Here's an album from Pedro and his Amigos that came out in 1958...

GET IT HERE

Enjoy!

Tuesday, November 12, 2019

BESS - RIBA UN RUST



Here's a salsa/merengue album from Bess, an artist from Curacao, this album was recorded in The Netherlands and came out in 1985....

GET IT HERE

Enjoy

Sunday, August 17, 2014

ALFREDITO & HIS ORCHESTRA - CRAZY TITLES FOR DANCING CHA CHA AND MERENGUE



Great album from Alfredito & His Orchestra that came out in 1958. The back cover was done by Frank Jacobs who used to make cartoons for Mad Magazine...

GET IT HERE



enjoy!!!!

Friday, April 11, 2014

Saturday, March 22, 2014

PEPE JARAMILLO WITH HIS LATIN AMERICAN RHYTHM - A MEXICAN ON BROADWAY



Pepe Jamarillo was born in the state of Chihuahua, that part of Mexico which contains the upper stretches of the western Sierra Madre. his love of music and his talent for playing it seem to have been inherited from his mother. At any rate, Pepe began playing the piano when he was only four, working at first entirely by ear, but later - after he had grown up - studying at the Conservatory of Music in Mexico City. Like so many parents, Pepe's father and mother looked on music as a hazardous career, and, while they were happy that their son should make it his hobby, they wanted him to become a dentist. To please them Pepe studied dentistry at the University of Mexico, but after a couple of years he decided this could never be his profession. As his parents insisted that he get some kind of degree, he attended the school of banking, eventually returning to Chihuahua with a degree in banking and secretarial practice.
Pepe worked for a couple of years with a British mining company, spending most of his vacation in Mexico City and, when that job finished, he went back to the capital. There a stroke of luck occurred which changed his entire life. He was having some drinks with a few friends in the bar of the Ritz, the most fashionable hotel in Mexico City, when they noticed there was a piano in the room. "Why don't you play it?" asked his friends, so Pepe sat down and started to entertain them. "Presently the manager came over," recalls Pepe "and asked if I was a professional pianist. "No," I told him, "just playing for my own amusement." When the manager asked if he would like a job performing at the hotel, Pepe thought he was kidding, but decided to keep the joke up. "Well," he said, "if you can pay me what I want, maybe I will". To his astonishment the manager replied, "Come in tomorrow and we'll talk things over".
that is how Pepe Jaramillo became a professional pianist, and for the next three years he performed at he Ritz bar. During that time he also appeared regularly on Radio and TV, as well as being in demand to accompany various singers who visited Mexico City. (He has worked with a great many of the most famous Latin-American and Spanish artists). When Pepe finally left the Ritz, it was to go into a new club - El Quid a very smart restaurant-bar, where he played right up to the moment he would like to see something of the world outside South and North America. After coming to Europe he spent a few months in Paris, then crossed the Channel and come to London early in 1958. Since then he has appeared on radio and TV in this country - including ABC-TV's weekly 'Sentimental Journey' programme - and made his recording debut here with his popular 'Mexico Tropicale' LP. Since then he has made many successful records.


GET IT HERE



enjoy!

Thursday, March 20, 2014

NORO MORALES & HIS ORCHESTRA - HOLIDAY IN HAVANA




One of the most popular Latin band leaders of the 1940s and 1950s. Morales grew up in a musical family, which was invited in 1924 to become the court orchestra of the president of Venezuela. Noro took over as conductor after his father died, eventually moving the band back to Puerto Rico. He moved to New York City in 1935 and within two years was leading his own rhumba band. Installed as the house band at the legendary club El Morocco, Morales was at the center of the rise of Latin jazz in the early 1940s. Xavier Cugat took Morales' composition, "Bim, Bam, Bum" and covered it for one of his earliest hits. Many of the great names in Latin music floated through Morales' band during this time: Machito, Tito Rodriguez, Tito Puente, and, later, Anglo musicians such as Doc Severinsen.

Morales cut a distinctive figure on stage and off, with his large bald head and black mustache. One friend recalled that, "He was always well-dressed, shows shined, nails polished and reeked of expensive cologne....He loved women. He had to work steadily to pay the alimony his three wives collected." Morales remained a popular and successful act on the New York scene for over 20 years, appearing annually at the Daily News Harvest Moon Ball and working clubs such as the Copacabana and the China Doll.

Although he was not averse to catering to popular tastes, Morales usually stayed true to his Latin roots, using a traditional line-up featuring a rhythm section that included bass, bongos, conga, timbales, and claves, with himself on piano. He returned to Puero Rico in 1961 to work at the Hotel la Concha, where he died in 1964 of the effects of chronic diabetes.

This lovely album came out in 1960....

GET IT HERE



enjoy!

Friday, March 14, 2014

FREDDIE SATERIALE'S BIG BAND - CHA CHA CHA'S, MERENGUES, MAMBOS



Here's an album from Freddie Sateriale and his Big Band, can't find any info about him, only that he once did two albums with Perry Como....

GET IT HERE

enjoy!

Saturday, February 15, 2014

XAVIER CUGAT MEGA POST


It's time to do my mega-post on Xavier Cugat. Been looking for a good biography about this incredible artist and I liked this one from www.answers.com:

Xavier Cugat (1900-1990), a classically trained violinist who conducted with his bow, was known in his lifetime as the Rumba King. He is credited with pushing Latino music and dance into popularity in America during the first half of the 20th century.

Best-known for having popularized the rumba in the United States during the 1930s, Xavier Cugat's Latin-influenced band lead the way in a new music craze among the dancing and radio-listening public. A dramatic showman who often wore huge South American hats on stage and who led his band with the wave of a violin bow, Cugat performed in the ritziest of clubs, on the radio, and in the movies. Having made his professional start as a child prodigy playing classical violin, Cugat was never apologetic about his switch to popular music. He was quoted in the Los Angeles Times as saying, "I play music … make an atmosphere that people enjoy. It makes them happy. They smile. They dance. Feel good - who be sorry for that?" Cugat's several marriages, extramarital affairs, and divorces made headlines, but these events did not cause him to repine. He credited his irrepressible interest in women to a Latin temperament and once said he'd marry each of his four wives over again.

Born on January 1, 1900, near Barcelona, Spain, and christened Francisco de Asis Javier Cugat Mingall de Brue y Deulofeo, Cugat was two years old when his father moved the family to Havana, Cuba. Two years later, a neighbor and violinmaker gave the boy a quarter-sized violin as a Christmas present. Cugat's exceptional talents were soon evident, as he developed into a musical prodigy. He played professionally when he was just nine years old, and at age twelve he became first violinist for the Teatro Nacional Symphonic Orchestra.

Tenor Enrico Caruso met Cugat in Havana when he was performing there with the Metropolitan Opera Company, and he enlisted the boy as his accompanist for an American tour. The subsequent events of Cugat's teen years are somewhat obscure. He is known to have played the violin on a WDY broadcast in 1917, which made him one of the first violinists to perform on radio, and some sources list Cugat as having moved to the United States with his parents in 1915. But the bandleader once told the Los Angeles Times a far different story, one where he began by working 14 hours a day for a room, meals, and no pay. "[Caruso died] shortly after I got to New York … and there I was, no friends and not a word of English. And not much money," he said. In any case, Cugat was disappointed in his musical career. Although he played Carnegie Hall twice, toured the United States and Europe with a symphony orchestra, and became a soloist for the Los Angeles Philharmonic, the money - and critical response - was not satisfactory to Cugat.

He then gave up playing the violin for a job with the Los Angeles Times as a cartoonist. Caruso had taught Cugat how to draw caricatures and the young man hoped to use this skill to improve his prospects. Cugat had considerable talents as an artist but soon grew tired of the situation. Quoted in a Los Angeles Times obituary, Cugat explained, "When they tell you to be funny by 10:30 tomorrow morning … I can't do it - I finally quit, and get these six guys to play commercial music with me." Also joining Cugat on the bandstand was his wife-to-be Carmen Castillo as lead singer. The year was 1928 and Latin music was not yet popular. However, the band would land a gig playing during intermissions at the famed Coconut Grove in Los Angeles. At the time, a Gus Arnheim band with singer Bing Crosby was the main act. While in Los Angeles, Cugat also played the violin with two performers on a daily broadcast on KFWB radio.

Fame at the Waldorf-Astoria Hotel

The job that served as Cugat's springboard to fame was at the new Starlight Roof at the Waldorf-Astoria hotel in New York City. The bandleader made a modest start there in 1933 but was soon ensconced in the hotel's "Cugat Room." His dance band played at the posh hotel for 16 years and Cugat became the Waldorf-Astoria's highest-paid bandleader, making $7,000 a week plus a cut of the cover charge take. In 1934 Cugat's band played a three-hour network radio program on Saturday nights.

During a time when dance band leaders Benny Goodman and Glenn Miller were immensely popular, Cugat benefited from a conflict between the American Society of Composers, Authors and Publishers (ASCAP) and the radio networks. ASCAP withheld its music from broadcasts, forcing dance bands to play mostly tired public-domain songs. Cugat, however, had some 500 non-ASCAP Latin tunes at his disposal and had soon attracted a national audience. He became known as the "Rumba King." Some of the performers that Cugat in turn helped to popularize were Desi Arnaz, Dinah Shore, Lina Romay, and Miguelito Valdes. He wrote and recorded hundreds of songs, including "Chiquita Banana," "Rumba Rhapsody," "Kasmiri Love Song," "Rain in Spain," "Babalu," "My Shawl," "Rendezvous in Rio," "Walter Winchell Rumba," "Is It Taboo," and "I'll Never Love Again."

Cugat made the leap to the silver screen in 1942, appearing in You Were Never Lovelier, which starred Rita Hayworth. Cugat had met the actress in California many years before, when she was a dancer known as Margarita Cansino. With his band, Cugat appeared in many more films - often as himself. He was repeatedly seen on screen with the swimming actress Esther Williams; among their motion pictures together were Neptune's Daughter, Bathing Beauty, This Time for Keeps, and On an Island With You. Cugat's caricatures were also featured in some of his films and on a "curtain of stars" in Grauman's Chinese Theater in Hollywood. These events followed an earlier interest in movie making on the part of Cugat, who had previously made films including an ill-fated production during the early sound era. In 1928 he had spent $35,000 to produce a Spanish-language film, only to discover that there were as yet no sound projectors in Latin America.

Cugat's personal life made news many times, as he wed and divorced four times. His marriage to Castillo ended unhappily in 1944. The bandleader was married to Lorraine Allen from 1947 to 1952, when - with the help of private detectives - she caught him in a compromising position in a hotel room with the band's lead singer, Abbe Lane. Cugat wed Lane that same year and stayed married some 14 years, until he found her with another man. In 1966 he married the much younger singer-guitarist Charro Baeza, who is better known by her first name alone. This marriage ended in 1978 and was said to be the only amicable divorce. Cugat's reflections on his love life were recalled in the Los Angeles Times: "I like women - all women… . Also, there is my temperament. I am Latin. I excite. For me, this is life."

Although the Latin music craze that had swelled in the 1930s and 1940s died down, Cugat remained extremely popular. His band was often booked in Las Vegas and he performed until 1969, when Cugat suffered a stroke and became partially paralyzed. The bandleader recovered from the stroke but his health was never the same. After his divorce from Charro, Cugat moved to Barcelona, where he lived for 18 years - until his death in 1990. He had been suffering from heart and lung problems and was in intensive care at the Quiron Clinic when he died.

You can read more here: http://www.answers.com/topic/xavier-cugat

And here's a website with loads of information about Xavier Cugat:

http://www.xaviercugat.com/

I will start this mega-post with this album:

XAVIER CUGAT - THE KING OF RHUMBA



GET IT HERE




THE BEST OF CUGAT



GET IT HERE

MAMBO AT THE WALDORF



GET IT HERE

AN EVENING WITH CUGAT



GET IT HERE


THE MAGIC OF THE RUMBA



GET IT HERE

THE BEST OF XAVIER CUGAT



GET IT HERE

MAMBO - CHA CHA CHA




GET IT HERE


CUGAT CARICATURES



GET IT HERE

THE KING PLAYS SOME ACES



GET IT HERE

CUGAT PLAYS CONTINENTAL HITS



GET IT HERE

MEET XAVIER CUGAT AND ABBE LANE



GET IT HERE

THAT LATIN BEAT!



GET IT HERE


VIVA CUGAT!





GET IT HERE


LATIN AMERICAN RHYTHM




GET IT HERE


And there it is, these are all the Xavier Cugat albums I've been able to find so far...



ENJOY!!!!