Showing posts with label reckless tide. Show all posts
Showing posts with label reckless tide. Show all posts

Tuesday, March 8, 2011

Reckless Tide - Helleraser (2006)

With a cover image like this one, and a credible, exciting album title like Helleraser, I was fully expecting to have my boots shoved down my throat by Reckless Tide's sophomore. Their previous effort, Repent or Seal Your Fate was not entirely void of a curious, modern spin on thrash that incorporated groove metal, varied clean vocals and melodic death influence, but it was lacking intensity and riffs in the long run. Unfortunately, while Helleraser improves upon the production values of that album, and has a half dozen quality guitars scattered about its playtime, it also highly emphasizes the flaws of the debut, with all manner of horrid, generic groove rhythms and radio friendly emo chorus parts that make me want to hurl the morning's coffee straight out my nostrils in disgust.

First, the album opens with some weak songs like "Vicious Tide - Chapter I", which is nothing more than generic groove/thrash mutes akin to Pantera or The Haunted, and then it becomes even more Pantera/Down with "The Preacher" and its bad rock & roll adornments. "Corrupted" opens with a more aggressive, if mediocre fast thrash rhythm but then throws it away on a cheesy Biohazard-like chorus, stealing the thunder from the more gruff vocals being used in the verses. But even more of a crime is "Kleemähendeäbte", a 'reckless' attempt at comedy which opens with some sort of mock-up of pop, then bursts out the most amazing riff on the album...after which it makes some sort of joke on death metal and proceeds to derail itself into covers of "Drunken Sailor", Monty Python's "Lumberjack Song", and other nonsense. What a fucking stupid idea this is, to trash such a promising guitar so! Did someone actually think this contained actual humor? Because it doesn't.

Later on the album you have a few pieces like "House of Cards" and "Entesterone" which are actually fairly reasonable stabs at a sort of melodic death/thrash pop in which there are some actual catchy vocal lines (clean or otherwise) in the chorus. But it's already far too late to find salvation for this scatterbrained trainwreck of an album, and even these have some faux pas like the metalcore sounding death grunts in "House of Cards" that destroy what might otherwise be a Tim Aylmar (Pharaoh) styled chorus with some melodic layering. Helleraser does sound like a million bucks, with clear and distinctly mixed vocals, a decent guitar tone for modern thrash or death metal, but it methodically squanders all of its strengths on pathetic bullshit that makes Repent or Seal Your Fate positively charming by comparison. I realize the idea here was to capture a wider audience than simple thrash or death might have allowed, but its modern and accessible flourishes are poorly scattered to the four winds of forgetful, abysmal composition.

Verdict: Fail [4/10]


http://www.recklesstide.de/

Monday, March 7, 2011

Reckless Tide - Repent or Seal Your Fate (2005)

Reckless Tide are another of the bands to emerge in the 21st century through the Armageddon Music imprint, and their debut Repent or Seal Your Fate shows quite a bit of variation in its style, fusing old school groove/thrash with elements of melodic death metal and some clean vocal chorus sequences that aren't entirely cringe inducing, almost sounding at times like James Hetfield, at others like a power metal or hard rock front man if he were to jam with Hate Squad or The Defaced. But primarily, the songs are stuffed with a thick, almost too thick guitar tune and more brutal, blunt edged vocals that sound more like Marco Aro fronting The Haunted than the thrash of the 80s that many adhere to with a steadfast loyalty.

But every now and then, Repent or Seal Your Fate will put out the stops and offer a half decent riff assault that, while not perfect, at least rips out some more authentic energy. Tracks like "Desperation" and "Self Destruct" might have a steady velocity and some interesting mix of vocals, but the meaty guitars never create the necessary violence, whereas "Misery" has it for at least a minute or so. But there are honestly some really dumb moves here, like the swaggering groove metal of "The Hunt" with its truly weak lyrics that just don't translate into the sharper melodic chorus very well; or "Damned For Now and Nevermore" and "To Die for Creativity", which both open with a half decent melodic death metal styled intro and then devolve into incredibly dull thrashing notations. A few songs manage to half-rock like "Demons and Dictators" and "Equality", but there are just as many constituted of nothing more than filler.

A lot of folks out in the audience hearing this album would far more quickly label it as melodeath with some groove, similar to Carnal Forge, The Haunted, or even in some spots Soilwork (minus the better songwriting), much of which is arguably thrash-based to begin with, but a little credit can be given to the Germans for at least trying to modernize the brand instead of simply writing songs called "Thrash _ _ _ _ _" or endless hymns of inebriation. The mix of vocals is fairly frustrating, because they're clearly trying to add something distinct and end up sounding scattershot; but then, if you're into bands like Shadows Fall this is just par for the course. The Reckless Tide debut definitely punches the listener in the face a few times, but only at random, and it never pulls you more directly into its melee. I think I'll pass.

Verdict: Indifference [5.25/10]

http://www.recklesstide.de/