Affichage des articles dont le libellé est Daunik Lazro. Afficher tous les articles
Affichage des articles dont le libellé est Daunik Lazro. Afficher tous les articles

samedi 22 janvier 2011

Daunik Lazro - Sweet Zee


DAUNIK LAZRO - Sweet Zee (HatArt, 1985)

Daunik Lazro: alto saxophone (1,2,3,4)
Toshinori Kondo: trumpet, voice (1,2)
Tristan Honsinger: cello, voice (1,2)
Jean-Jacques Avenel: bass (1,2)
Raymond Boni: guitar (3)
Carlos Zingaro: violin (3)
George Lewis: trombone (4)
Joëlle Léandre: bass, voice (4)

1. Sweet Zee I
2. Sweet Zee II
3. Empire
4. Enfances

Part 1
Part 2

You also can check the .flac version on inconstant sol

samedi 10 juillet 2010

dimanche 30 mai 2010

samedi 15 mai 2010

Daunik Lazro - Zongbook

Daunik Lazro: alto & baritone saxophones

Reviewby François Couture

Zong Book is the solo CD saxophonist Daunik Lazro needed to establish himself outside of Europe as one of the leading baritone blowers -- and a great altoist too. This highly underrated improviser possesses a huge palette of techniques and colors, and most of them are displayed here. Recorded over two studio sessions almost three years apart (January 1997 and November 1999), this CD offers eight free improvs, plus a beautiful rendition of Albert Ayler's "In Heart Only" (a nice change from "Ghosts" or "Mothers" avant-garde players usually cover). On the two "Monotonic" pieces (both performed on baritone), Lazro focuses on circular breathing and multi-phonics, creating strange landscapes with puzzling sonorities -- "Monotonic 2" is simply mind-boggling, going farther than anything Evan Parker has recorded. "Formule 1" showcases him as a power player, displaying Peter Brötzmann-like energy. There are no easy shortcuts, no over-indulgent clichés in his playing. Even when he sets into a softer mood, as on "Zong From Evananjoe," his lines are ornamented with complex parallel thoughts. Zong Book is not about technique and virtuosity; it is one saxophonist tapping into his inner self and bringing it out. Beautiful and sincere.


1999 ZONG BOOK

Daunik Lazro & Phil Minton - Alive at Sonorités


Daunik Lazro: baritone saxophone
Phil Minton: voice

The sheer humanity of his vocalising comes across most effectively when there are no other instruments around, and even when the sounds produced are trans-human. Then the set with saxophonist Daunik Lazro appeared, an astonishing coordination of two very different but similarly conceived voices, Lazro's baritone horn capable of everything from emphysemic whispers to huge, heavily tongued blarts to singing passages that sit perfectly with Minton's occasional forays into abstract bel canto. Minton's is the nimbler voice, inevitably, and often some of the time Lazro muses behind him in short bursts of cello tone rather than engaging him directly. But the parallelism works and, while there's nothing on the set to match the sheer astonishment of the "Breath Out" sequence on No Doughnuts, the 50 minute Montpellier set is deeply involving and ultimately just as satisfying.
Brian Morton - The Wire

2007 ALIVE AT SONORITES