JAY-JAY JOHANSON "TRAVELLING LIGHT 1996-2000"

I've been on the road, I've been on vacation
I've been traveling light to reach my final destination
Now I'm coming home

So tell the girls that I am back in town, you'd better tell them to beware
Where they may go or they might try to hide, I follow on and I'll be there

So tell the girls that I am back in town, and if it's true I do not know
That every girl around had missed me since I decided to go

I could be your friend, I could be your stranger
I could be the one your mother said would be your danger
Now it's up to you

So tell the girls that I am back in town, you'd better tell them to beware
Where they may go or they might try to hide, I follow on and I'll be there

So tell the girls that I am back in town and if it's true I do not know
That every girl around had missed me since I decided to go

[excerpt from the lyrics of "So Tell the Girls That I'm Back in Town" by Jay-Jay Johanson, 1996]



Jay-Jay Johanson is one of my heroes. Yes, no less than that. So, what can I add? I remember the very first time I watched the promotional clip for his first single "It Hurts Me So" back in 1996: what a coloured and strong voice in such a pale and frail body!

The lyrics and general atmosphere of the song have instantly entrapped me in melancholy and I never recovered since then... No, seriously, I have thought about it many times and now I would like to publicly state that, in this life, Jay-Jay Johanson is the only worthy artist that I discovered stumbling by chance upon MTV at 3:00 a.m., really! Since then I enjoyed each and every album he has made and I never get tired of listening to them.

A few years ago, in the early days of the blog, I already dedicated a few posts to Jay-Jay and you can find them here. The collection of edits, remixes, live recordings, rare tracks, etc. that I'm delighted to feature in this post covers the years 1996-2000 or, if you prefer, his first three albums, namely "Whiskey", "Tattoo" and "Poison". Each of these releases is a trip hop M-A-S-T-E-R-P-I-E-C-E that can easily stand between Portishead's first two albums without being ashamed.

Jay-Jay Johanson at home in Stockholm, 1997

In his twenty-year career, Jay-Jay Johanson has released ten albums and is currently working on his eleventh full-lenght release that will be released sometimes in mid/late 2017. His latest available offering is entitled "Opium" and was released in 2015 on Kwaidan Records. Needless to say that it is another fine example of his great art and I strongly encourage you to check it out, you won't regret it.

The following review of "Opium" was written by French journalist Pierre Siankowski; it fairly summarize Jay-Jay's distinctive features and was used as the album's official press-release:

«It was in 1996 that Jay-Jay Johanson, a young man from a cold climate, fascinated by the Bristol sound they called trip-hop and Portishead in particular, first tapped delicately on our eardrums. The intoxicating album that definitively put this rare and elegant Swede on the map was called "Whiskey". It was the beginning of an enthralling adventure. In only a few songs he revealed a family tree that spread its roots far and wide: on one branch Lee Hazlewood, or pop from Talk Talk or Harry Nilsson, on the other John Coltrane with Johnny Hartman, and a whole army of calm jazz or symphonic recordings sampled from everywhere imaginable. Almost twenty years later he has returned with an incredible new album. This new release is called "Opium" and it contains the very essence of Johanson's music: an ease with inventing melodies, a voice that gently caresses, and the jacked up, heady rhythms that lift and carry the songs. From the peaceful harmonica opening of "Drowsy / Too Young To Say Good Night" to the smoke-wreathed love song "I Don't Know Much About Loving", via titles with a sporadic and light groove ("NDE", "Alone Too Long"), "Opium" is a courageous offering. Johanson opens his heart with fearlessness and modesty, gracefully lowering his guard and evoking the questions that torment men of his age: love, solitude, immaturity. The songwriting is unerring, the words have a suppressed poetry. This new Johanson is the work of a guy who has survived the avalanches, who is no longer looking for answers and is content to sketch out the perspectives in as many songs. Some titles are serious ("Harakiri"), but others immediately take up the reins casting a more gentle, peaceful light, like "Scarecrow," a collaboration with Robin Guthrie that would not have sounded out of place on a Cocteau Twins album, or of the strange positivity of "Be Yourself" or "I Love Him So". The strength of "Opium" is that it asks questions that don't necessarily have an answer; it offers a collection of songs freed from any certitude but which convince through their modesty, through their precision. In short, Jay-Jay at his best.»

Jay-Jay Johanson, 1997

Here's the tracklist of "Travelling Light 1996-2000":

Disc 1

01. It Hurts Me So (Single Edit) (4:14)
02. So Tell the Girls That I Am Back In Town (Radio Edit) (3:49)
03. Mana Mana Mana Mana (Bang Bang Remix) (4:09)
04. Milan. Madrid. Chicago. Paris. (Radio Edit) (3:52)
05. BANG BANG feat. JAY-JAY JOHANSON - Two Fingers (4:32)
06. She's Mine But I'm Not Hers (Remix by Cherno) (4:23)
07. Alone Again (Remix - An Arthur Ashe Experience) (3:31)
08. Keep It A Secret (Radio Edit) (4:01)
09. Believe In Us (Piano Mix by Laurent Levesque) (4:08)
10. I Fantasize of You (Black Session, 30.04.97) (5:40)
11. The Girl I Love Is Gone (Black Session, 30.04.97) (3:53)
12. It Hurts Me So (Black Session, 30.04.97) (4:54)
13. So Tell the Girls That I'm Back In Town (Black Session, 30.04.97) (5:06)
14. Mana Mana Mana Mana (Black Session, 30.04.97) (5:50)
15. I'm Older Now (Black Session, 30.04.97) (4:18)
16. Suicide Is Painless (Black Session, 30.04.97) (3:32)
17. BANG BANG feat. JAY-JAY JOHANSON - Two Fingers (Instrumental) (4:34)

Disc 2

01. It Hurts Me so (Live at Studio Eefinanny, Stockholm, 1997) (5:52)
02. Milan. Madrid. Chicago. Paris. (Live in Strasbourg, 15.11.97) (5:00)
03. Mana Mana Mana Mana (Live in Strasbourg, 15.11.97) (5:22)
04. I'm Older Now (Live in Strasbourg, 15.11.97) (4:16)
05. She's Mine But I'm Not Hers (Live in Strasbourg, 15.11.97) (3:24)
06. Keep It a Secret (Remix - A Tribute To Venus & Serena) (4:25)
07. Believe In Us (Trip Listening Mix by Amadeus Tapioka) (4:46)
08. Far Away (Radio Edit) (4:12)
09. She's Mine But I'm Not Hers (Remix by Robin Guthrie) (4:25)
10. Neon Lights (Kraftwerk cover) (5:43)
11. Fire (Deep Deep Wood Mix) (3:10)
12. La Confusion des Genres Theme (Vocal Version) (3:22)
13. La Confusion des Genres End Theme (Alone Again Remix 2) (3:47)
14. Seven Inch (Vocals by Sadie & Alex Wollf) (4:56)
15. Alone Again ('La Confusion des Genres' hidden track) (1:53)
16. It Hurts Me So (Kareokee Version) (6:12)
      FIDGET feat. JAY-JAY JOHANSON - Hey Little Sister (3:23)

All selections were compiled and mastered in late 2016 / early 2017 and are available in FLAC lossless format along with printable artwork.

Before burning this compilation to CD-R using the provided CUE files you must convert the original FLAC audio file to WAV format using an appropriate software. Please have a look here if you need some help.

As usual, please have a look at the comments for the download link.



Some of the tracks contained on "Whiskey" - or more probably, the whole album - were recorded as early as 1994-1995, while "Poison" was probably already finished by the end of 1999... The "1996-2000" part in the title of this collection refers to the years the tracks were released for the first time. Here's more details about them:

tracks 1.01 and 2.16a are taken from "It Hurts Me So", CD single, 04.04.1996

track 1.02 is taken from the first edition of "So Tell the Girls That I Am Back In Town", CD single, 23.07.1996

track 2.16b is taken from Fidget's "Stop Losing", CD single, 1997

tracks 1.03 and 2.01 are taken from "Mana Mana Mana Mana", CD single, 1997

tracks from 1.10 to 1.16 were recorded live at Studio 105, Paris, France, 30.04.1997

tracks from 1.10 to 1.14 were remastered from "The Black Sessions #104", a CD-R bootleg released by Sangatte Records sometimes in 2004

track 1.15 is taken from the second edition of "So Tell the Girls That I Am Back In Town", CD single, 1997

track 1.16 is taken from "Un Automne 97", a various artists CD that was released as a supplement to French magaine Les Inrockuptibles in October 1997

tracks 1.05 and 1.17 are taken from Bang Bang's "Two Fingers", promotional CD single, 1998

track 1.04 is taken from "Milan. Madrid. Chicago. Paris.", CD single, 07.05.1998

tracks from 2.02 to 2.05 were recorded live in Strasbourg, 15.11.1997

tracks from 2.02 to 2.04 are taken from "Jay-Jay Goes Live", promotional CD single, 1998

track 1.06, 2.05 and 2.09 are taken from from "She's Mine But I'm Not Hers", CD single, 10.09.1998

tracks 1.07, 1.08 and 2.06 are taken from "Keep It a Secret", CD single, 11.02.2000

tracks 2.10 and 2.11 are bonus tracks taken the French edition of "Poison", CD, French edition, 11.04.2000

tracks 1.09 and 2.07 are taken from "Believe In Us", CD single, 05.07.2000

tracks from 2.12 to 2.15 are taken from "La Confusion des Genres", original soundtrack CD, 2000

track 2.08 is taken from "Best of 1996-2013", compilation CD, 2013

The following is a rich selection of original promotional clips, remixes and live tracks that are pertinent to the collection presented in this post, enjoy!

More information about Jay-Jay Johanson is available here:

http://www.jay-jayjohanson.com/

https://www.facebook.com/jayjayjohanson/

https://soundcloud.com/jay-jay-johanson

http://www.michelviotte.fr/spip.php?article58

http://en.wikipedia.org/wiki/Jay-Jay_Johanson

https://www.discogs.com/artist/11481-Jay-Jay-Johanson

http://www.alwaysontherun.net/jayjay.htm

https://www.youtube.com/watch?v=cWU7Mx2vOlU

https://www.youtube.com/watch?v=qLaKwzYXutE

http://www.froggydelight.com/article-16552-Jay_Jay_Johanson.html

http://www.popnews.com/popnews/jay-jay-johanson-et-robin-guthrie-interview

http://crueltobekind.fr/jay-jay-johanson

https://zetalks.wordpress.com/2015/04/08/jay-jay-johanson-develop-your-creativity-and-believe-in-it/

All your inputs are more than welcome: you can reach me at stereocandies [at] hotmail [dot] com or leave a comment in the box below, thank you!

THE NOSEBLEEDS - LIVE (AUDIENCE TAPE, UNKNOWN LOCATION, 1977)

The Nosebleeds formed in Wythenshawe, Manchester, England in 1976 under the name of Wild Ram. They changed their name to Ed Banger and The Nosebleeds in early 1977 with the following line-up: Edmund "Ed Banger" Garrity (vocals), Vincent "Vini" Reilly (guitar), Phillip "Toby" Tomanov (drums) and Pete Crooks (bass).

On July 25, 1977, the band released their one and only single: "Ain't Bin To No Music School / Fascist Pigs". The record was released by Rabid Records and was available both with silver and blue labels; it is reported that 10.000 copies were pressed and sold in total. Both songs on the single were written by Banger/Reilly:

Sadly The Nosebleeds didn't release any album: when Banger and Reilly left, Morrissey (...yes, him!) and Billy Duffy replaced them, but the band survived just for a limited time and no releases came out of that later lineup.

Before dissolving in late May of 1978, The Nosebleeds performed two concerts, one at the Ritz (supporting Magazine) and one at the Manchester Polytechnic for a Rabid Records benefit.

After the group split up Banger released a few solo singles and joined Slaughter and the Dogs during their period as Slaughter, Morrissey went on to form The Smiths, Toby appeared with Ludus, Blue Orchids and Primal Scream, and Pete Crooks joined up with Vini Reilly in the first incarnation of The Durutti Column under the "guide" of Tony Wilson.

The Nosebleeds performing live in 1977

Well, at last I was able to lay my hands on this rare live recording of The Nosebleeds. Location and exact date of recording are unknown but since Ed Banger is on vocals and unmistakable Vini Reilly is on the guitar I guess that this is 1977.

Technically speaking, the recording in my possession is not in the best shape and there are a few cuts here and there. I tried to make my best to enhance the quality, but miracles are beyond me.

Oddly enough, the two tracks published on the "Ain't Bin To No Music School / Fascist Pigs" single are performed at the beginning of the concert... Seeing that usually bands don't play their strongest material as opening numbers, I speculate that maybe the tracklist has been changed and that the original running order may well have been different.

Two songs are specially worthy of being mentioned because they offer succulent curiosities: the guitar solo at the beginning of "Don't Know" is very similar to the one featured on the earlier versions of Joy Division's "Interzone", while "Middle Class Suburban Creep" offers the same riff that Vini Reilly will use a few years later on "Jazz", a track included on his debut album "The Return of the Durutti Column".

Ed Banger performing live with The Nosebleeds in 1977, picture by John Crumpton

Here's the complete tracklist of this precious live document:

01. Ain't Bin To No Music School (2:21)
02. Fascist Pigs (2:24)
03. Uptight (2:07)
04. Rich Kid (2:35)
05. Don't Know (1:00)
06. Middle Class Suburban Creep (1:20)
07. Blackpool Rock (2:18)
08. Another Ounce of Rock (1:31)

All tracks were remastered in October 2012, they are available as a single FLAC lossless format file or high-quality 320 Kbps MP3 file. Both formats include complete printable artwork as PDF files.

Before you burn this album on CD-R using the provided CUE file you will need to convert the original files to WAV format using an appropriate software. Here's an option for FLAC to WAV conversion and one for MP3 to WAV conversion.

As usual, please have a look at the comments for the download links.

The following video offers a rare chance to watch the band performing live on TV in 1977. Some sources mention this as being part of the "So It Goes" series hosted by Tony Wilson but I'm inclined to think that the programme was "Granada Report". Anyway, Tony appears several times in the video and we can see him receiving the warm attentions of Ed Banger... Horrible quality, but what a find!

More information about The Nosebleeds, Ed Banger and the Manchester Punk scene is available here:

http://www.dorsetmusicguide.com/toby-toman-interview/

http://en.wikipedia.org/wiki/Ed_Banger_and_the_Nosebleeds

http://www.punk77.co.uk/groups/nosebleeds.htm

http://www.punk77.co.uk/groups/nosebleeds2.htm

http://www.punk77.co.uk/groups/nosebleedsinterview.htm

http://punkygibbon.co.uk/bands/n/nosebleeds.html

http://www.johncrumpton.co.uk/page15.htm

http://www.youtube.com/watch?v=iGsU2s7Yj1w

http://www.edbanger.net/

http://punkrocker.org.uk/punkscene/manchester77.html

http://punkrocker.org.uk/punkscene/manchester77b.html

If you have any other useful information concerning this post - or if you spot any dead links - please get in touch with me at stereocandies [at] hotmail [dot] com or leave a comment in the box below, thank you!