Buddy Knight
CP-4095 - Why Cry (C.L. Blair, Dorris Dubois)
CP-4096 - Please Come Back (Joe McClain)
Fine Art 217
Buddy Knight
CP-4095 - Why Cry (C.L. Blair, Dorris Dubois)
CP-4096 - Please Come Back (Joe McClain)
Fine Art 217
Tall Tonio And The Mello-Dee's
CP-2199 - Ten-Reasons
W. Stevenson, F. Brown, T. Clark
CP-2200 - Hot-Rod-Car
W. Stevenson, F. Brown, T. Clark, Stebro Pub. Co. (BMI)
Stepp 235x45
1959
Rite numbers are in the dead wax
Tony Clarke Chess promo picture
Tall Tonio is Tony Clarke. His first record on the tiny Stepp label owned by Mickey Stevenson
https://mentalitch.com/the-short-life-and-career-of-tony-clarke/
"Motown was the heartbeat of young America," said Jerome Meriwether, griot and a tour leader at the Motown Historical Museum. "But these cats were the heartbeat of Motown."
guide
Though they get 33,000 visitors a year -- many from Europe -- there are likely to be only four or five other guests when you arrive to join a tour led by -- if you're lucky -- Jerome Meriwether.
Meriwether, it must be said, is the kind of guy who somehow manages to get away with wearing sunglasses on a dark and stormy day.
He calls the old musicians who once hit gold in these rooms "cats.". It also doesn't hurt that he went to school with Smokey Robinson and that his neighbors were "all the cats that were playing over here." He'll show you photos of Detroit-bred stars like Mary Wells ("My Guy"), the Supremes, the Contours and the Miracles, a display case with three pink sequined dresses worn by the Supremes, and five bright green sequined jackets from the Temptations.
1. Give Me Wings (Trad., Arr. J. Miles)
2. Have You Tried Jesus
3. How Big Od Is
4. I Saw The World Shining A Hope For Me
1. Lord Make Perfect And Whole
2. God Is Everywhere
3. O Lord You Consider Me
4. I Got That Feeling
Mildred Hoard - 1st soprano
Delsi Adams - 2nd soprano
Barnetta Norwood - 1st alto
Charles Tompkins - Tenor
Frank White - organist
Milton Pullen - piano
Bass & tambourine - Dave Hamilton
Jody lived with his parents upstairs and his studio was in the basement of the house, it had a small control room with a Ampex 351-2 track,he also had a little dub cutter and the studio was just one 9X12 room but he did have good ears and got a pretty good sound for that set-up, sometimes he would press records on his own Northwest Sound label for people paying to make their own record...he operated there for quite a long time from about 1960 into the 70's.Ted (member of Anvil, a rock band) :
We recorded in a cheap mono studio in Detroit [in 1970] for our first attempt. Julian G. Skinner ran the recording equipment with the back of his twisted hands as he had several palsy. Could not speak well, and would not let us use our amplifiers.
"The tough, independent women performers of today owe a strong debt to Laura Lee, who paved the way with such women's liberationist anthems as Rip Off, Wedlock Is A Padlock, Love and Liberty, and of course the song with which she will be forever associated, "Women's Love Rigghts. The toughest and raucnhiest of the Hot Wax ladies.