Showing posts with label Missouri. Show all posts
Showing posts with label Missouri. Show all posts

Tuesday, June 2, 2020

Lance Appleton : Harp Warming


Lance Appleton

LP : Harp Warming

Side 1 (39525)
A1     I've Got My Feet On The Rock And My Name On The Roll
A2     Harp Warning (for Earl Smith wherever you are)
A3     Father, Let Them All Be One
A4     Hey Sad Stranger  

Side 2 (39526)
B1     Swing Low Sweet Chariot
B2     Lighthouse 
B3     Listen To The Voice
B4     You've Got To Be A Baby
B5     Soon And Very Soon    
B6     King Jesus Is All

Lance Appleton (vocals, harp & flute), Merna Appleton (vocals), Crista Joy Appleton (vocals), Jr. Bennett (fiddle) , Chuck Rich (pedal steel & dobro) , Dan Burton (piano, rhythm guitar) , Gary Smith (lead guitar), Dennis Herrell (bass guiar) Tim Short (drums) Phil Burkhardt recording engineer, Dan Burton & Lance Appleton (remixing engineers)  
Lance Appleton Rt. 4, Box 225, Columbia, Missouri

Thanks to Discogs and to ThriftStoreVinyl (YT)

Tuesday, June 11, 2019

Vera Bloom


Vera Bloom

 22881 - Now It's Raining  
22882 - Baby What You Want Me to Do

Arr by Sherry Taylor, produced by Scotty's studio



Vera Blum (or Bloom), country singer and musician (electric bass). She started playing music at age 14 and has played in several country bands since then. Vera says she “made a few records but did not have a hit. I used the name Marie Mills because they didn’t think Vera Blum would do anything for the public. Neither did Marie Mills.” Vera lives in Wright City and continues a busy musical career.

Vera Blum was, with Dennis Boren, the main stars of the Oran Brook's All-Star Midwest Opry at the end of the sixties. She still performs today in Missouri with the Silver Wings Band.


Sunday, October 22, 2017

Sophia Austin, Jr. (A-B Record Co.)


Sophia Austin, Jr.

32095 - Love, Love Your Man
Sophia Austin
32096 - Save Your Love
Clark C. Bennings

A-B Record, Co.
1973

A for Austin, B for Bennings I guess.  "earthy ethereal inept Soul" according to this ebay listing


 

Sunday, September 25, 2016

George Mack presents Kingsmen Combo


George Mack presents
Kingsmen Combo
vocal James Thompson

CP-4661 - Betty

CP-4662 - Please Be Mine
James-Calvin-Albert, Charm Music BMI

Carter 3025/6
1960



Thursday, April 21, 2016

Cowboy Slim And The Clem Brothers


Cowboy Slim And The Clem Brothers

24877 - Huntsville Walls
24878 - Land Of The Living

GRS Recordings CW-101
Springfield, Missouri
Bi-Lu Enterprises

1969

Allen G. Clem (Cowboy Slim) and brothers on a label owned by Lu Ann Wolfe (1923-2008) and Rev. Billy Wolfe (1924-1991).
The reverend and his wife also operated K.C.O.D. Broadcasting Corp.. Baptist Bible College, Springfield, Missouri.



Sunday, March 8, 2015

Davie Lee with Emmett Carter Combo


Davie Lee
 with
 Emmett Carter Combo

CP-1323 - You Told Me
(Lee)
Jame-Earl-Isrel-Dave-Carter

St.Jude 3031
Subsidiary of Carter Records, St. Louis, Missouri
1957




Monday, February 16, 2015

Gus Sanders on Cavern


Gus Sanders
J.Moudy, Lari-Jon Music BMI
 
16770 -  It's A Joke  
G. Sanders, Lari-Jon Music BMI

Produced By John Pearson  

Cavern 2206
 16400 E. Truman Road, Independence, Mo.

1967

 

Cavern Studios was an industrial cave used as a recording studio in Independence, MO that was active from the 1960s to 1980s. It was Kansas City's first 16-track recording studio. Some of the artists that recorded there include Danny Cox, Brewer and Shipley, and James Brown.

The record labels Cave , Pearce, Cavern Custom Recordings, and Cavern Records also share this same physical address and released a variety of genres of music from the midwest region.


Independence has always been full of holes: subterranean tunnels, secret passages, mines, hidden hollows, and reverberating caverns. A place tailor-made for making lots of noise in private, the Kansas City suburb of Independence, Missouri, is riddled with untold natural cavities and a slew of manmade mines that’ve been delivering zinc, copper, nickel, and cobalt for more than a hundred years. But when Gerald “Jerry” Riegle rented space in the old Pixley Quarry, an active limestone mine, his intent was to work a vein of recorded sound. One of the strangest recording studios ever built, the aptly-named and actually subterranean Cavern Sound soon collected a cast of characters—the country-loving general manager, the young rocker, the Sun Records rockabilly pilot—and a dedicated clientele of religious groups, schools, country singers, and rock ‘n’ roll dreamers hoping to stumble across the true sound of the underground.

From 1967 to 1973, Riegle and his partners/engineers John Pearson, Jim Wheeler, Jim Williams, and Chris Bauer tracked thousands of hours of garage bands, school choirs, gospel trios, folk duos, and anyone who could scratch up enough cash to cover their $300 day rate. James Brown spent the better part of April 1972 in the Cave, cutting a number of his own sides alongside Lyn Collins’ crowd-pleasing killer “Think.” Prior to going “One Toke Over The Line,” Brewer & Shipley went underground for a spell. And don’t get us started on the legions of country acts that entered the depths following their acquisition of Chips Moman’s AMPEX 16-track and Electrodyne console.

Their in-house labels Cave, Rock, Cavern, and Pearce issued recordings by the Reactions, Burlington Express, Classmen, Fraight, American Sound Limited, Baxter’s Chat, 21st Century Sound Movement, and AJ Rowe, but it’s the unissued moments of dark-dampened clarity where the studio really shines. Larry Sands & the Sound Affair pushed Sneaky Pete Kleinow to the front of the Burrito Brothers, Jaded managed a pre-“Aqualung” flute freak out, and Sheriff channeled their inner NRBQ. A cover of Love’s “7 and 7 Is” was torn through by Plattsburgh, Missouri’s only weirdos, the Montaris. Was it the limestone dust in the air? Arsenic in the run off water? Surely “Mustache In Your Face” was the product of some kind of chemical toxin.

Local Customs: Cavern Sound is the story of a studio, certainly. But also tells the tales of studio rats, high school hopefuls, and unflagging lifers on the fringe of the music business. Fly over country? They were so underground they couldn’t hear the planes, let alone see them.
https://numerogroup.wordpress.com/2014/08/04/announcing-the-third-entry-into-our-local-customs-series-num054-cavern-sound/



Sunday, June 8, 2014

Don Cochran (Pig Pen Boogie, Big K)


Don Cochran

40063 - The Arkansas Line
Donald J. Brundridge MOMU Pub.  BMI
 
Harold Hassler, Shelter BMI

Special effects Bill Johnson
Producer : C.Kellogg - D. Cochran

Big K Records
11517 No. Oak, Kansas City, Missouri 64155

1979

Don Cochran's previous record on Big K was the intriguing "What do you charge to haunt houses". No further info.

Wednesday, November 27, 2013

Herman McFadden on Cawthron


Herman McFadden
Chuck Tillman and Band

1833 - The Girl I Love
Herman McFadden, Lyco, BMI

1834 - Gal Crazy 
James Waugh, Lyco, BMI
Cawthron 505

4767 Maffitt Avenue, St. Louis, Mo.

1959



Gal Crazy


The Billboard of June 29, 1959 has this record in a listing of new releases. The reviewer was not very enthusiastic. He gave two stars for "The Girl I Love": Feelingful rockabilly-styled delivery by McFadden on so-so tune with interesting backing". For the flip he had just one star left: "Routine rocker is sung in personable fashion." It cannot have helped that Billboard erroneously gave the label's name as "Cawthorne". 

Chuck Tillman led his own bands in St. Louis for a few years. Tillman played tenor sax on "Gal Crazy" (Cawthron 505-B) and flute on "The Girl I Love" (505-A).

The detailed activities of Dunlap J. Cawthron (the "J" is for James) and his companies remain somewhat unclear.   According to a letter from Los Angeles Gospel DJ John Phillips to Armin Büttner, the "Allegro Recording and Music Studio" was run by Cawthron in Los Angeles from 1955 to around 1965. However most (if not all) records on his first – eponymous - label, Cawthron, were issued around 1959 with a St. Louis address.   John Phillips told researcher Opal Louis Nations that Cawthron had a day job as traveling government meat inspector in the late fifties and early sixties. So could it be possible that Cawthron had bases in both towns?

 Source: THE CAWTHRON, C&C AND ALLEGRO LABELS, compiled by Armin Büttner and Opal Louis Nations  http://www.jazzdocumentation.ch/allegro/cawthron.html

Friday, November 22, 2013

Little Herbert and The Arabians on Teek


Vocal by Little Herbert and The Arabians

CP-6497 - Bouncing Ball

Teek 4824-1/2

1961

Cut by Bennie Smith, the dean of St. Louis electric guitarists, who taught many students through the years.  He also coached Benny Sharpe during an early incarnation of The Sharpees called The Turbans which included Stacy Johnson, Vernon Guy, Morris Henderson and Little Herbert.   

Little Herbert Reeves later sang lead on The Sharpees'  "Do The 45" (Knockout Records)


 

Thursday, December 20, 2012

The Flock-Rocker on Planet


The Flock-Rocker
The Crown Prince Of The Blues

CP-1597 - After Hours (No. 2)

Mitchell Hearns, Planet Music BMI
Guitar solo by Johnnie B. Goode

     Planet Record Co. 103
St. Louis 13, MO.

Released 58/08/21

note : guitarist Johnnie B. Goode is probably Bennie Smith, tough Blues Records discography doesn't list him as member at  the Planet session, incidentally erroneously dated 1961  (see discography below)






Born Mitchell Hearns, the Flock-Rocker, also known as Gabriel,  was born in Louisiana, he attended Lincoln High School in East St. Louis at the same time as Miles Davis.  Gabriel was buddies with Davis brother, Vernon Davis, and the two played in school bands together.  He had his own band in the 1950s that included the "Dean of St. Louis Electric Guitarists" Bennie Smith.

Through the years, Gabriel came to know many of the musical greats. Gabriel has hung out with Muddy Waters, Howlin Wolf and Chuck Berry. A buddy of another blues and rock elder, Ike Turner, Gabriel occasionally mentions on air that he used to shuttle Turners ex-wife, Tina Turner, to gigs because Ike trusted Gabriel not to make a pass at her.


He ran a record store called the House Of The Blues in St. Louis where he sold nothing but blues and gospel music. He owned part of the old Majestic Theater in East St. Louis, but problems with his business partner cost him more than $20,000 in the deal, a financial debacle from which he says he's never quite recovered.

" The first mistake I made was opening the thing up with a convicted felon, Gabriel says. He couldn't get a license, so I put up all the money for it. The thing went belly up, and they're still sending me bills. Now that place is on the registry of historic buildings. Who was the idiot there? Poor, dumb me. "



St. Louis Radio Hall of Fame :

 Gabriel was a personality on WOKZ in Alton, IL., in 1952, mixing blues and R&B with hillbilly records, jazz and the old standards.
     His next stop was WTMV in East St. Louis where he did live remotes, moving across the river to KATZ where he started doing fill-in work for vacationing deejays. When PD Dave Dixon went on vacation, he asked Gabriel to take over his many remotes.
     Gabriel was then hired to do the Sunday gospel shows on KATZ, which led to a full-time slot from 7:30 - 9:00 each night, for which he won the St. Louis Sentinel's award for Best Radio Personality. He later took the 1 - 6 a.m. slot from the late 1950s until 1969.   Then it was on to a year-long Sunday night stint on the market's most eclectic radio station, KDNA, which was supported solely by listener contributions.
     He left the market briefly from 1973-1976, returning to a job at WESL. He ended up doing a weekly show on KDHX in 1989 on which he re-created the programs he had done in the 60s. In 1999 he won the Riverfront Times award as the Top St. Louis Radio Personality.
     Gabriel produced and recorded some R&B and blues classics, including the first 45 by Tina Turner, which was recorded in Ike Turner's living room and kitchen on Virginia Place in East St. Louis in the late 50s. At various times he also ran a couple record stores, a theater featuring live music acts and a nightclub.

At KDHX

He only plays music out of his own collection. While KDHX has a large and varied music library, it pales in comparison to Gabriel's, which dates back to the 1920s and includes approximately 50,000 records, tapes and CDs.

During breaks, the portly man rolls up the sleeves of his blue and black flannel shirt and shuffles over to the suitcases, the cuffs of his faded black denim pants stopping at the tops of his dusty wingtips with worn soft rubber soles.

He flips through his tapes looking for some song that probably only he could remember. Gabriel has spent the better part of the past three years transferring his old vinyl sides to the computer so he can burn them onto CDs, which are easier for him to carry.

Back in the day, I would have four or five of those suitcases filled up with 45's, 78's and everything you can imagine, Gabriel says. That was like movin' your whole house.

This suitcase DJ system has been with Gabriel as long as he's been on the air. And he's been on the air a long, long time.

Jim O'Neal, owner of Stackhouse Records has been working on a Gabriel collection for over a decade, hunting-down original 45s, 78s and acetates from all over the collector’s market  (from a now defunct website, http://www.realbluesmagazine.com/BluesNews.htm)  :

 Jim O’Neal’s Stackhouse label will be releasing the much-anticipated compilation on the legendary The Flock Rocker (a.k.a. Gabriel & His Trumpet) who had over a dozen releases on the Planet, Norman, Tempora 500 and Royal American labels, all out of St. Louis/East St. Louis.   What’s really special about these recordings is that various members of Ike Turner’s Kings of Rhythm do backing along with the super-hot Bennie Smith on guitar. Jim has been working on this collection for over a decade, hunting-down original 45s, 78s and acetates from all over the Collector’s market.    
 
 Jim O'Neal made a mention of the scheduled release on his blog (November 6, 2009) here :
 Next Stackhouse release is the long-awaited compilation of 1950s and ‘60s sides by East St. Louis DJ, singer, and trumpet player Gabriel (he has a last name but doesn’t think you or the IRS need to know it) –- rocking, sometimes zany stuff including snippets from his radio shows and tracks with the great Bennie Smith on guitar. Gabriel still broadcasts every Sunday night at midnight on KDHX – check out his show at www.kdhx.org.

But I can't find any evidence that the compilation was ever released.  And Stackhouse Records seems to be inactive now
 .
 

 Flock-Rocker discography
 (scanned from the Mike Leadbitter and Neil Slaven Blues discography)


Mitchel Hearns recorded as The Flock-Rocker,  Gabriel,   Gabrel, his trumpet and Band of Angels,  and Gabriel & the Angels.

Not to be confused with the Gabriel and the Angels on April, Amy and Swan  :
 Gabriel and the Angels was the remnants of the FIVE SHARPS. A very popular combo consisting of Rick Kellis (Gabriel) on SAX, etc., Ed Badyna on Trumpet and Valve Trombone, Frank Pizzutello on Bass and Accordian, Rick Magee on Guitar, Larry Costanzo on Drums. Rick Kellis replaced the Original SAX man Joe Mariano who is also retired from the Insurance business. The FIVE SHARPS were very well known around N.J,PA,DE, and N.Y. Especially the Shore Points and Universities.


Sources, ressources

  • DJ Gabriel embodies the St. Louis blues, article by Daniel P. Finney Of the Post-Dispatch 11/06/2004
  •  Flock-Rocker discography (see pic above) : Blues Records 1943-1970: Volume 1 A-K by Mike Leadbitter and Neil Slaven

Tuesday, May 8, 2012

Linda Talley on Raindrop

Link
Linda Talley
Music By The Mavericks

26327 - My Heart Overruled My Mind
(Robert G. Chilton, Jr., Drone Music Pub. BMI)

26328 - Don't Ever Trust A Man

Raindrop Records

St. Charles, Missouri

1970



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Saturday, March 3, 2012

Miss Evelyn Tyler & the Tyler Singers


Miss Evelyn Tyler & the Tyler Singers

15073 – He Won't Forsake His Own
15074 - Precious Lord

Cleveland Tyler, Arr. & Director

Shippings Records
3126a Easton Ave.
St. Louis, MO

1965



My earliest memory I was singing with my dad…a quartet singer,” said Evelyn Turrentine-Agee about her singing career. “He’d hold me up and say, ‘Sing baby sing.’”

Sing she did, first in a girl quartet group formed by her father, Cleveland Tyler, The Tylerettes and then – by age 17 – singing in a quartet with her male cousins.

Evelyn and her family got their first real break after her father befriended a man by the name of Artie Shippings. When Mr. Shippings discovered how talented her father was, he started his own record label and signed her father to it. Because of Evelyn’s interest and talent in performing Gospel music, her father also formed and managed a young female quartet group for her on the same label. Evelyn’s first quartet group was an all-female, teenage quartet called “The Tylerettes.” Evelyn was only 13 years old at that time. But managing five teenage girls proved to be too much for Evelyn’s father, so he replaced the other four girls in the group with four of Evelyn’s male cousins. And Evelyn’s father changed the name of her group from “The Tylerettes” to “The Tyler Singers.”

The very first song that “The Tyler Singers” recorded onto was an old Gospel song favorite called “Precious Lord.” However, just as things were looking up, “The Tyler Singers” broke up. The split occurred after Evelyn married Curtis Turrentine in 1962. Curtis Turrentine was an electrical engineer. So shortly, after they were married, Curtis relocated his new bride to Detroit, MI to be near his family and he had heard jobs were more plentiful in Detroit.

While in college earning her degree from the University of Detroit she continued singing as a member of the Masonettes, the Gospel Echoettes and in her own group the Gospel Warriors.

Evelyn would take a 10-year hiatus from the Gospel music scene but the Holy Spirit told her “to stop feeling sorry about her career and to get up and work.” So in 1999, after receiving orders from on high to continue waging her war on sin, Evelyn for W.O.S. (War On Sin) Records and recorded her first project entitled, God Did It.


Her father, Bro. Cleveland Tyler (1920-2006) started a popular gospel quartet music group called The Gospel Melody Men in the 1940's.




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Sunday, November 27, 2011

The Rockin' Flames on Jan


The Rockin' Flames

CP-2931 - Cricket
CP-2932 - Shim Sham

Jan 14160

Marshall, Missouri

1960

A pair of instrumentals



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Sunday, July 24, 2011

Jack and Jumpin' Jacks on Kay

Jack and Jumpin' Jacks

CP - 1819 ~ Thumpin' the Blues
CP --1820 ~ More More

Kay Records #701
E. St Louis, Illinois

1959


"Thumpin' The Blues" was recorded again in 1968 at Monument Studios, Nashville, Tn. and issued as by Jack and the Contrasts on Precise Records (1646 Washington Ave. Alton, Illinois) b/w She's Mine. Arranger was Don Tucker.


Jack and the Contrasts

Jack is Jack B. Crider :

" He is very well known in the St.louis /Alton/Wood River/Cottage Hills area! His name is Jack B.Crider Sr. He has been recording /Singing /Songwriting and performing live for 40 plus years..." Read More HERE








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Tuesday, May 24, 2011

The Bronner Brothers on Shippings




The Bronner Brothers Spiritual Quartet

9643 ~ Walking Through The Streets

9644 ~ You Ought To Pray Sometime

Shippings 14778

3126A Easton Ave., St. Louis 6, Mo.

1963

Black Gospel



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Sunday, November 14, 2010

The Duster's/Belvaderes on Hudson


The Duster’s

Hudson 4

CP-1048 ~ Don't Leave Me To Cry

CP-1049 ~ I Love You (Baby)

1955

This vocal group comprised Tommy Tucker -tenor, Clarence LeVille or Lavell- bass, James Crosby-tenor, Yonnie Peoples and Dave Johnson-lead.

Hudson 4 was also issued as by The Belvaderes.

Tommy Tucker (born Robert Higginbotham, 5 March 1933 - 22 January 1982) was born in Springfield, Ohio. He is best known for the 1964 hit song, "Hi-Heel Sneakers", that went to number 11 on the Billboard Hot 100 chart.



Hudson 4 - 45 rpm - red vinyl - Belvaderes

Hudson 4 - 78 rm - Duster's

Hudson Records was located in St. Louis, Missouri and owned by Ted Hudson. Information below was found at The Living Legends Foundation website :

Theoplis ‘Ted’ Hudson

"The easiest way to sum up my forty-six years in the music industry is to say, "Time flies when you're having fun." My whole family enjoyed music. We would frequently patronize the only African American music store in St. Louis. In 1950, I realized the popularity of this entertainment medium, and its potential for growth. As a result, I opened my first retail record store, "Hudson's Embassy Records, Inc." The logo was a phonograph record with the credo "First With The Latest" emblazoned on the rim.


The "Embassy" portion of my name came from the concept that American Embassies serve as safe havens for American Citizens overseas. I wanted to give artist a safe and friendly outlet for their music and music lovers a safe and friendly place to listen to and purchase music. By 1982, Hudson's Embassy Records, Inc. expanded to eleven retail record stores. In addition, the concept for "Hudson's Embassy" was franchised six times. In 1965, I opened one of the first African-American owned distribution companies serving approximately 100 independent record labels and artists with distributions along the the Eastern seaboard, Midwest and Southeast.


Ted's One Stop, Inc. opened in 1968 as a wholesale operation servicing local and regional retail record stores. I also opened an advertising/promotional agency, a recording studio for independent record labels and artists and an electronics wholesale business. I am fortunate to have been a founding member of the National Association of Television and Radio Announcers (NATRA) and the Black Music Association (BMA). As for the future, I recently resigned my political office as Committeeman of the 19th Ward of the City of St. Louis. My wife and I plan to sit back and enjoy life's little pleasures. I'll probably always own some type of business, it's just who I am.


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Friday, November 5, 2010

Jonny Bragg on Red Flame


Jonny Bragg and the Red Blazers

Red Flame 101

6459 - Flame of Love
(Bragg-Lawrance, Rite Music)

6460 - Storybook Love
(Bragg, Rite Music)

Produced by Dick Lawrance

1961 teen record on a Kirksville, Mo. label owned by Dick Lowrance, who may have been helped to start his own label by Skip Frazee and Bill Lubensky, owners of Jan Records located in Marshall, Missouri (as the Rite account number found in the Red Flame disc is the same as the one found in dead wax of the Jan records (#156).

The following releases were pressed by the RCA Custom Division.


Red Flame label discography

1002 Ike Haley & the Red Blazers
Lucille
A Thousand Miles Away

1003 The Red Blazers
The Weaver
Hot Potatoes

1004 Ike Haley & the Red Blazers
There Is Something On Your Mind
Stronger Than Dirt

1005 The Twilighters
Spellbound
My Little Angel


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Tuesday, August 3, 2010

Rod Brown on K-Ark



Rod Brown

K-Ark 101

CP-2705 -Would You Baby Doll?
CP-2706 - Willow of Love


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Sunday, July 11, 2010

Evert Songer on Rama


Evert Songer

Rama 101
(St. Louis, Missouri)

CP-3835 ~ California Rock
CP-3836 ~ My Jealousy

Evert Songer has had at least another release as Everett Songer and the Echoes : "Ann" b/w "I Sang I Love You" on Top Side, another St. Louis label. He is now a Maynard, Arkansas resident.



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