Showing posts with label pushkin sonnet. Show all posts
Showing posts with label pushkin sonnet. Show all posts

Saturday, April 26, 2025

Day 26 ... NaPoWriMo / Poem-a-Day 2025 // Stafford 100


Can't believe we're hitting 100 poems in the Stafford Challenge today. I'm still on schedule and only 265 poems to go!

Maureen Thorson’s NaPoWriMo prompt: “Try your hand at a sonnet – or at least something 'sonnet-shaped.' Think about the concept of the sonnet as a song, and let the format of a song inform your attempt. Be as strict or not strict as you want.”

Robert Lee Brewer’s Poem-a-Day prompt: “[W]rite a hermit crab poem [that] takes on the form of another type of literature. So a hermit crab poem might be a poem that looks like a to-do list, footnotes, obituary, spam messages, or a message on a postcard.”


Today, I offer a Pushkin sonnet, which uses elements of the Shakespearean, Clarean (couplet), and Petrarchan forms, rhymed abab ccdd effe gg. The Pushkin sonnet form is very snooty about stressed and unstressed rhymes at particular points, which I'm ignoring, so that's where I'm being "not strict." Merging both prompts in a hermit crab poem that focuses on my sciatica health problem right now.

Shopping List

avocados, grapes
egg noodles for lo mein
crepes
cool, hip cane

gabapentin
tizanidine
Tylenol
extra strength Tylenol!

physical therapy
Mayo visit
epidural shot
surgery?

goal: pain relief
sciatica-free life

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

Here's the "cool, hip cane" I got from — can you believe it? — Ace Hardware!


Here's Alan's poem today, also a Pushkin sonnet in iambic pentameter. Bravo! I hope you feel better soon.

Checkup Interview

I have the April crud, my head’s on fire,
my chest feels full of cotton fluff, I cough
but never quite enough, and I perspire
like marathoners in July. I’m off
my feed, Doc, too—now just a whiff of food
can make my insides turn, and that’s not good.
No ma’am, I don’t smoke any cigarettes,
and I don’t drink a bit—no vice regrets,
the ones the state can tax or otherwise—
it’s just the job. I feel as if I’m trapped.
I push for weeks, and energy gets sapped
away for stupid reasons. I despise
the insincerity of social “thanks”
that land as true as stage magician blanks.

—Draft by Thomas Alan Holmes    [Do not copy or quote . . . thanks.]

Friends, won’t you comment, please? Love to know what you’re thinking. Thanks!

Ingat, everyone.   


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Wednesday, April 29, 2020

Day 29 ... NaPoWriMo / Poem-a-Day 2020


Robert Lee Brewer’s Poem-a-Day prompt: “For today’s prompt, take the phrase ‘Total (blank),’ replace the blank with a word or phrase, make the new phrase the title of your poem, and then, write your poem. Possible titles could include: ‘Total Madness,’ ‘Total Victory,’ ‘Totally Awesome,’ and/or ‘Total Cereal.’”

Maureen Thorson’s NaPoWriMo prompt: “Today, I challenge you to write a paean to the stalwart hero of your household: your pet. . . . If you don’t have a pet, perhaps you know one or remember one who deserves to be immortalized in verse.


When I read the NaPoWriMo prompt, I gotta tell ya I was dismayed. I wanted to write another poem for my aswang novella, but I couldn't imagine my two aswang characters having pets. To up the difficulty factor, as I said yesterday, I wanted to write a Pushkin sonnet this month. And also, I have wanted to write a fun, lighthearted aswang poem, which is complicated by the fact that my characters are fearsome, man-eating monsters. Besides, I had killed one of them off a few days ago! Well, despite all these difficulties, I got it done. In under an hour!

Total Surprise on Halloween

Clara lay in bed recalling
Tiyago in much happier times,
memories that had her smiling,
pranks and little harmless crimes.

One Halloween when she was pregnant
the two imagined themselves as parents
taking their little one on the streets
of San Francisco: trick or treat.

Tiyago shifted into his canine
form, as big as a Great Dane,
and out they went, dog and dame,
taking a stroll in the moonshine.

Laughing children gathered around
in costume and petted her lovely hound.

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

Yesterday, I wrote a Pushkin sonnet (or Onegin Stanza) but it was in pentameter; the original form is in tetrameter. Here is the rhyme scheme and metric pattern: aBaBccDDeFFeGG, where the lower-case letters end in an unstressed syllable and the upper case letters indicate a stressed ending. Quite a challenge, but I think I was able to carry it off.

When I wrote "Great Dane" above, I was thinking generically. Then I googled. I didn't realize what the biggest Great Dane ever, Little George, looks like! Crazy! It's partly the angle and the woman is back a bit, but still that's one big dog.



Alan got his poem done early today; he got it to me by 9:00am! Congrats, Alan. And thanks . . . you inspired me to complete my poem early too. Good job with the total title and also getting a pet-of-sorts in there!

Total Immersion

What thoughts I have of you this morning, Jack, as the crow caws in the black locust
                near the back of the lot,
the black locust that turns on itself knotting, seeming to break itself over years in its
                refusal to yield to its own worst growths,
a malignancy surfaced on the smooth round overturned bowl of a hillside back there,
                covering instead something rising and nourishing dough, the ground fertile even
                for the unwelcome,
like the black locust, which can send runners for yards across yards and can force
                constant attention on our part,
like the cawing crow that takes that high perch for the perspective and warns of dangers
                to come
in a familiar call.
I have left Mardi Gras beads looping over loose nails in the side fence, offering them to
                the crows of our neighborhood,
welcoming them to take what treasures might catch their eyes
because I want them to perch and call to each other in their crow inflection, the corvid
                cadence, the rising and falling raucous musical caw,
their commentary from on high
although they seem ordinary enough close by, they share a community, fuss at each
                other sometimes, and learn
like colleagues,
like us in our working group as we had it,
and as much as I miss you, I am relieved that you do not see the mess that mires us
                survivors now.

I wrote a poem about you years ago without naming you, Jack, and it got published in a
                regional journal,
and, without my knowing it beforehand, the poet laureate of an Appalachian state read
                it aloud to an audience at an Appalachian regional conference,
and some listeners recognized you in my completely fabricated story
that I wove from your voice
and what I knew of your breadth of learning
and from an earthy joke my father would tell in my presence only once I was an older
                teenager,
because I never heard you tell such stories, but I always thought that if you were ever to
                tell one, everyone would ache with laughter afterwards and feel grateful that such
                a broad and generous mind would make room for consideration of all human
                foibles and vulnerabilities,
but I am projecting, of course, because putting my father in a poem about you also
                suggests that I have over the years shifted paths, learning to walk one and then
                finding a corollary path with another, sometimes following but often, when
                fortunate, blazing,
because you knew what you loved about this place, and you could encourage other
                people to value it and love it, too, even the parts of it in themselves they were not
                certain what to do with—
you were creating in the classroom what our great authors make in their tradition, what
                I hope to make, in my modest way, Jack,
sometimes, like so many of us, to expand ourselves from what we have thought we are
                into what we learn we can be.

This morning I see myself weatherbeaten and resist the idea that somehow I have
                purchased some high perspective
and hope only that I can preserve an expanding mind wedged open by consideration of
                many well-expressed ideas
even in rough music, Jack, and you have taught me that.


—Draft by Thomas Alan Holmes    [Do not copy or quote . . . thanks.]

Last day tomorrow. Thanks for coming by to read, everyone! Stay safe out there, especially if you are in a location where authorities are lifting COVID-19 restrictions.


Friends, won’t you comment, please? Love to know what you’re thinking. To comment, look for a red line below that starts Posted by, then click once on the word comments in that line. If you don’t find the word “comments” in that line, then look for a blue link below that says Post a comment and click it once. Thanks!

Ingat, everyone.   


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Tuesday, April 28, 2020

Day 28 ... NaPoWriMo / Poem-a-Day 2020


Robert Lee Brewer’s Poem-a-Day prompt is his usual "Two for Tuesday":
1. “Write a look back poem and/or . . .”
2. “Write a don't look back poem. Because some folks just want to keep their eyes on the road ahead.”
Maureen Thorson’s NaPoWriMo prompt comes from the Emily Dickinson Museum, based on a reminiscence by Dickinson's niece Martha: “Describe a bedroom from your past in a series of descriptive paragraphs or a poem. It could be your childhood room, your grandmother’s room, a college dormitory or another significant space from your life.”


Today's curtal sonnet is again an episode in the aswang novella project. This poem mashes up all three prompts, not only showing (and redecorating) Clara's bedroom but also incorporating both of the Brewer look back and don't look back themes.

New Day: Clara's Bedroom

On Sunday morning, I fixed up our bedroom,
taking Tiyago’s clothes out of the closet
finally, boxing them up to give away.
I put vases of lilies and nasturtiums
on the dresser, and laid a new bedspread,
yellow, discarding the old quilt, green and gray.

Holding the photo of Tiyago, uniformed,
I smiled, looking back to our golden days
at home, eating halo-halo at the market.
For Malcolm’s sake, I must now look forward
                to new nights and days.

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]




Halo-halo, the quintessential
Philippine fruit dessert


And here is Alan's poem today mashing up the bedroom and look back prompts. Bravo, Alan!

My Favorite Bedroom

My favorite bedroom
was in our last home
in Tuscaloosa,
the town house we had
while I was writing
my dissertation,
teaching comp and lit,
and flirting with you.
I don’t remember
anything except
some hot afternoons
when rain broke the heat,
we’d open windows,
lie down together,
and lose long hours.
I could, if you like,
describe every
other bedroom,
mine and ours, I’ve had;
that townhouse bedroom
in Tuscaloosa, though,
is nothing but you
and some thunderstorms,
warm breath and wet heat.

—Draft by Thomas Alan Holmes    [Do not copy or quote . . . thanks.]

I have a second poem today that I actually wrote before the one above. I thought I was going rogue this time with the following COVID-19 poem, but a few hours after finishing it, the aswang poem above using today's prompts started bubbling up.

As Georgia’s Massage Parlors Reopen

Rearranging letters in COVID-NINETEEN
yields INCENTIVE DONE, as in we stayed home,
so we can be out and about now,
but really, can
we? DIE CONVENIENT is another anagram.

Personally, the letters seem vindictive —
I NEED NOT VINCE — and also predictive
in unflattering fashion: VINCE END ON TIE.
Which means, I think, either way I’m going to die.

It would seem there’s no path to domesticate
this pandemic somehow. The word virus
has its roots in “snake venom, slimy juice,
poison,” and so we just have to face it.

Until we have a vaccine, read my lips:
Lockdown is the easy apocalypse.

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

This is a Pushkin Sonnet, also called an Onegin Stanza because Alexander Pushkin invented it to be the basic unit of his novel-in-verse Eugene Onegin. This sonnet form begins with a Shakespearean alternating quatrain (abab), followed by a Clarean couplet quatrain (ccdd), and then a Petrarchan envelope quatrain (effe), and finally a closing couplet (gg), which could figure in any of those three sonnet types. I do depart from the Pushkin format, however, because I use pentameter rather than Pushkin's tetrameter, and I also dispense with his pre-ordained pattern of so-called masculine and feminine line endings. It occurs to me now that, since I am writing a novella-in-verse, I should probably write some Pushkin sonnets for that project. Maybe tomorrow!


Friends, won’t you comment, please? Love to know what you’re thinking. To comment, look for a red line below that starts Posted by, then click once on the word comments in that line. If you don’t find the word “comments” in that line, then look for a blue link below that says Post a comment and click it once. Thanks!

Ingat, everyone.   


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