Dressing Up Quotes

“You said I looked "okay," which is petty much the same thing as saying, "Well, at least your nipples are covered.”
― Jenny Lawson, Furiously Happy: A Funny Book About Horrible Things

“The intelligent woman adapts herself to fashion, but never to fad. She knows what is best for her, and her way of life, and sticks to it. She raises and lowers her hemline — with discretion — but she goes on with her timeless dresses made with the basic lines and fabrics that flatter HER, define HER life style. She’s secure, and so she can be an elegant individual.”
― Joan Crawford, My Way of Life

“So Big Bear dined with the Princess,
"Did you see him? You'd never have guessed!"
His party hat was like her crown,
and they talked until the sun went down.
From the winter poem, The Fairytale Princess”
― Suzy Davies, Celebrate The Seasons

“They [best dressed women] don’t want to look like their daughters. They want their own individual brand of chic. […] The cut and fit must be exactly right, and they are willing to spend hours in the fitting room to make sure of it. They spend money, too. But if any one of them went broke tomorrow she’d rather choose one perfectly cut expensive dress and make it do for years than buy a dozen cheap ones.”
― Joan Crawford, My Way of Life

“I think a marvelous stunt would be to have your best friend (or the most critical acquaintance) take some candid color snapshots of you from all angles, dressed just as you usually appear at, say, six in the evening. The same hairdo, the same makeup, and if possible the same expression on your face. Be honest! Be sure to have her take the rear views, too.
There ought to be some other shots of you wearing your best going-out-to-dinner dress, or your favorite bridge-with-the-girls costume — hat, gloves, bag, and costume jewelry. Everything. Then have that roll of film developed and BLOWN UP. You can’t see much in a tiny snapshot. An eight-by-ten will show you the works — and you probably won’t be very happy with it. Sit down and take a long look at that strange woman.
Is she today’s with-it person — elegant, poised, groomed, glowing with health? Or is she a plump copy of Miss 1950? Is she sleek, or bumpy in the wrong places? How is her posture? Does she look better from the front than from the back? Does she stand gracefully? […] Feet together or one slightly in front of the other, is the most graceful stance.
[…]
I always pin my bad notices on my mirror. How about keeping those eight-by-ten candid shots around your dressing room for a while as you dress?”
― Joan Crawford, My Way of Life

“If you think the dress is right for you, where are you going to wear it? Does it fit into the kind of life you lead? (If you live in the country, what are you doing with all those town suits and hostess pajamas?) Supposing the dress is all right. If so, what shoes do you wear with it? What hat, gloves? Handbag, jewelry? […] So many women fall in love with a dress, bring it home, and find absolutely nothing that will go with it.”
― Joan Crawford, My Way of Life

“[Joan's rule for dressing well] When you finish a creation, take something off. Diminish, diminish, diminish.”
― Joan Crawford, My Way of Life

“Then she washed and dressed very attentively, putting on high-heeled court shoes, silk stockings, a black skirt and crisply ironed white blouse, because she was Viennese and one dressed properly even when one's world had ended.”
― Eva Ibbotson, The Morning Gift

“Dressing up is just like watching cartoons, something you enjoyed as a kid, before it passes through the no man’s land of teen angst, the ironic age of early twenties. And then somehow, miraculously, it crosses back into the realm of the genuine, the nostalgic. A place reserved for wonder.”
― V.E. Schwab

“In ten minutes Peg had returned with a bundle of stuff. She washed her mistress's rat-tails at the stand, and then tucked her back into freshly laundered sheets. Enticing pattern books and journals lay across the coverlet. To Peg's satisfaction, her mistress began to leaf through The Lady's Magazine.
"Your hair has a natural wave." Peg snipped at the ends with the scissors from her chatelaine, curling them into charming spirals. "Would you care for this style?" She held up an illustration of the "Grecian Manner", and deftly wound a bandeau of blue ribbon around her mistress's crown and temple. When Mrs. Croxon lifted the mirror, her face softened. She turned her head from left to right, admiring her reflection.
"Now see that ribbon. That is the color you must have for your new gowns. Forget-me-not, and that pistachio color, they are all fashion. Forget those paces and daffodils.”
― Martine Bailey, A Taste for Nightshade

“Zombies don't dress in nice clothes. I'll need to tear up my dress. Oh, and I'll break off one of my heels to get the zombie lurch. I can shred my stockings, muss my hair, a little makeup..." Her face brightened. "I'll let you get back to work. The next time you see me, I'll look amazing."
She looked amazing now, blazing as hot and wild as a forest fire. It seemed almost criminal that she would hide all that beauty under zombie rags and makeup.
He caught Elias checking her out and his eyes narrowed. Maybe zombie costume wasn't such a bad idea after all.”
― Sara Desai, The Singles Table

“Ladies dress to kill, not realizing fashion is ill.”
― John Joclebs Bassey, Night of a Thousand Thoughts

“Depression [verb]

1. to put on
your best outfit
and feel
like you're dressing
a wound.”
― Andrea Gibson

“Except for camping out at a beach cottage, dungarees have no place in wife-dressing. Pants must be perfectly styled to flatter the female figure. Dungarees, by definition and price, cannot be exquisitely tailored. Leave them to youngsters.”
― Anne Fogarty, Wife Dressing: The Fine Art of Being a Well-Dressed Wife

“A husband's interest in his wife's wardrobe will add to his understanding of her needs and desires as a woman; a wife's regard for her husband's preferences and judgment on how she looks add up to a happy marriage,”
― Anne Fogarty, Wife Dressing: The Fine Art of Being a Well-Dressed Wife

“When they finished dressing, Jimena wore racy red hot pants, a silky blouse with a star-burst pattern, and crazy ankle boots with thin chains draped around her ankles.
"Too cool." Serena admired Jimena's outfit, then she twirled to show off her own shoulder-baring top that exposed her midriff. She had pasted a crystal in her belly button. Kendra's bell-bottoms had been too long, but when she stepped into a pair of gold 70's platform shoes the length became just right.
Catty wore a backless halter top and a pair of lacy bell-bottoms. She held up some stencils. "Kendra is going to start selling these at the shop. Anyone want to try one?" She had two dragons in one hand and a lacy snowflake pattern in the other.
Jimena and Serena started to examine them, when Vanessa walked into the room. She was wearing a pinstripe shirt unbuttoned over a black leather bra top. Kendra's mini-skirt was too big and the waist fell around Vanessa's hips. Her skin looked golden bronze and she had applied one of the snowflake stencils on her stomach.
"Wow," Serena said.
"Talk about going for the jugular," Jimena teased.
"You like it?" she asked and took off the shirt. "It's too hot to wear.”
― Lynne Ewing, The Secret Scroll

“She took down the framed manuscript from the kitchen wall. It was Kendra's prized possession, and part of her felt guilty for what she planned, but it had to be done. She carefully removed the parchment from its frame, then searched through the piles of translations and notes on the kitchen table. Finally she found the Secret Scroll on the chair where Kendra had been the night before. She carried both manuscripts upstairs and set them on her desk.
Next she gathered paints and brushes and sat down. She studied the artwork on the Secret Scroll, then slowly began copying its rich patterns of gold, red, and blue onto Kendra's old manuscript.
It was late afternoon when she finished. She studied her work. She had managed to copy the exotic birds and animals hidden in the foliage on the borders, and even the detailed picture of the goddess locking the jaws of hell. Her work was rough, but at a distance it would fool Toby or any of the Regulators, especially since they were afraid to touch it.
Satisfied, she went to her closet. She searched through her clothes until she found the strapless top with the slit in the front. She slipped it over her head, then grabbed a silky black skirt and stepped into it. She carried her stiletto boots to the bed and tugged them on.
At last she drew black liquid eyeliner over her top lid, added green glitter shadow, rolled thick mascara on her lashes, and brushed her hair. She added gloss to her lips and rubbed sparkle lotion over her arms and chest. Then she remembered the dragon stencils. Soon, she had a sinuous dragon adorning her thigh between the bottom of her skirt and the top of her boots. She liked the look. She turned in front of the full-length mirror behind the bathroom door.
"Dynamite," she whispered. Her reflection thrilled her. She looked vamped-out and mystical. At once, she sensed the fierce power of the dragon rising in her. She felt like an invincible goddess-warrior.”
― Lynne Ewing, The Secret Scroll

“Understate—or as Valentina said, 'diminish.' Let your face be more important than your costume. If you think you may be wearing too much jewelry, you are. Ask your husband how he thinks you look. If he says, 'That's a lovely dress,' try again. What he should say is, 'You look lovely!”
― Joan Crawford, My Way of Life

“People ask me if I turn up at board meetings wearing tailored costumes in muted colors. Oh no, I say. I wear hot and shocking pink and lovely hats. I don’t think any man ever did a poor job because he had an attractively dressed woman to look at. In fact, the sight probably challenges him to be his most brilliant self. But when it comes to the routine of the meeting I do exactly what the men do.”
― Joan Crawford, My Way of Life

“That trick shouldn’t be reserved for the movies or stage. I pass it on for any woman to use […]. For a romantic scene by candlelight, let your face and figure — and your expression — play the leading roles. Underdress. Play down the accessories. Leave the startling hat or jewel at home. For a public appearance, on the other hand, when I’m going to be mingling with hundreds of people, I try to give them something stunning to look at. I especially like to give them color.”
― Joan Crawford, My Way of Life

“My most important [wardrobe] rule is: Never put anything back soiled.”
― Joan Crawford, My Way of Life

“After you have bathed and oiled her with the faintest hint of frankincense, use no other perfume. Apply only the lightest of the cosmetics. She is beautiful without them, so let us not mar her beauty." He studied her. "Dress her in a simple white, semi-sheer tunic. The king will enjoy the ability to see her well. But cover the tunic with a pale blue robe trimmed with purple."
Parisa hurried to the garment room and returned with clothing that matched Hegai's description. "Do these suffice, my lord?"
Hegai took the tunic and robe and nodded. "Soft and beautiful. Yes. This is perfect. Tie the robe with a purple sash. Place a golden pendant around her neck and hang golden earrings from her ears. Let me see her choice of sandals."
Parisa hurried back to the room after laying the garments flat on the bed, which had already been stripped of its linens. She returned with an armful of sandals and set them on a chair.
Heegai bent to examine them and pulled a pair of intricately carved leather devoid of jewels from the pile. "You will go as a virgin with hints of wealth to show off your character and your beauty. You may wear your mother's ring, but do not wear bracelets. The less distraction you give him, the better. The king, you shall see, likes simple pleasures, despite the ornate designs you find throughout the palace."
"And my hair?" Esther's head spun with his quick choices. She sensed by his look that Hegai had planned this for some time, probably in the hopes that she would ask for his help. She breathed a silent prayer of thanks to Adonai, for she knew she could never have decided on her own.
Hegai rubbed his chin and had her turn about. Her long dark hair fell to the middle of her back. To wear it down would be scandalous. Her heart beat faster at the thought, for she had no idea what Hegai would suggest or what the king would desire.
"Wear it up. Hold it in place with combs that are easily removed. The king will enjoy removing them.”
― Jill Eileen Smith, Star of Persia:

“My hair, always pale, is now flossy white and very, very long. It is fine too, finer it seems with each passing day. It is my one vanity- Lord knows I haven't much else to be vain about. Not any more. It has been with me a long time- since 1989, this present crop. I am fortunate indeed that Sylvia is happy to brush it for me, oh so gently; to plait it, day in, day out. It is above and beyond her job description and I am very grateful. I must remember to tell her so.
I missed my chance this morning, I was too excited. When Sylvia brought my juice I could barely drink it. The thread of nervous energy that had infused me all week had overnight become a knot. She helped me into a new peach dress- the one Ruth bought me for Christmas- and exchanged my slippers for the pair of outside shoes usually left to languish in my wardrobe. The leather was firm and Sylvia had to push to make them fit, but such price respectability. I am too old to learn new ways and cannot abide the tendency of the younger residents to wear their slippers out.
Face paint restored some life to my cheeks, but I was careful not to let Sylvia overdo it. I am wary of looking like an undertaker's mannequin. It doesn't take much rouge to tip the balance: the rest of me is so pale, so small.
With some effort I draped the gold locket around my neck, its nineteenth-century elegance incongruous against my utilitarian clothing. I straightened it, wondering at my daring, wondering what Ruth would say when she saw.”
― Kate Morton, The House at Riverton

“They combed my hair and pinned it up, hung rubies in my ears and around my neck, painted rouge on my lips and cheeks, and anointed my wrists and throat with musk. Finally they hustled me in front of the mirror.
A gleaming, crimson-clad lady stared back at me. Until this day, I had worn only the plain black of mourning, even though Father had told us when we were twelve that we could dress as we pleased. Everybody thought that I did it because I was such a pious daughter, but I simply hated pretending that everything was all right.
"You look like a dream." Astraia slid her arm around my waist, smiling tremulously at our reflections.
Everybody said that Astraia was the very image of our mother, and certainly she could not have gotten her looks anywhere else: the plump, dimpled cheeks, the pouting lips, the snub nose and dark curls. But I might have been born straight out of my father's head like Athena: I had his high cheekbones, his aristocratic nose, his straight black hair. In a rare burst of kindness, Aunt Telomache had once told me that while Astraia was "pretty," I was "regal";”
― Rosamund Hodge, Cruel Beauty

“After they toweled her off, Emeline grudgingly let them dress her in a pale gold gown that fell to the floor. A trail of delicate poplar leaves was sewn into the bodice. The leaves, stitched in ivory thread, trailed gently along the boatneck collar, as if blown there by a breeze. They were so finely wrought, she could almost see them moving.
Next, the women braided her black hair into a knot at the nape of her neck, lacing it through with sprigs of Queen Anne's lace.
Last, they took her sliced palm and carefully salved it, then wrapped it tight with slender strips of gauzy white cotton, fastening it with with a golden pin.
"There," said the curvy brown attendant, her voice like summer rain. A smile ghosted her soft lips as she turned Emeline to the gilt mirror. "Look."
In the polished smoky surface, Emeline found a stranger staring back. Gone was the broke musician who desperately needed new jeans, who wore her grandfather's oversized cardigan to keep him close, and who rarely remembered to brush her hair.
The girl standing in the mirror had stepped straight out of a story. Her black eyes were dark pools in her pale face, and her cheekbones were dusted with gold to match her dress.
She looked utterly foreign and strange.”
― Kristen Ciccarelli, Edgewood

“Emeline's attendants fluttered like moths as they dressed her, oblivious to her unhappiness. They helped her into a midnight-blue gown with two glittering cicada wings stitched down the back in gold thread, cascading from the middle of her shoulder blades to the tops of her thighs.”
― Kristen Ciccarelli, Edgewood

“Mulan found it easier to face the morning by pretending that her clothes were armor. The stiff coronation robe Ting was smoothing down over her shoulders? She imagined it woven with threads of spun gold, the embroidered phoenixes stitched with blazing-red iron. Her sash, hanging loose down her back, was a shoulder guard of blue iron, and the phoenixes on her shoes were spikes and spurs.
“Please keep your head forward, Empress.”
A handmaiden gripped a handful of hair, pulling it taut enough to make Mulan’s eyes water. The hair, at least, was easy to imagine as a helmet. By the time the maid finished wrapping it around multiple combs and adorning the layered buns with everything from flowers to jade to tiny golden bells, Mulan’s coiffure would stop arrows far better than anything the imperial blacksmiths could craft.
The maid inserted one last pin and stepped back. “All done.”
She pulled the train of Mulan’s robe out as Mulan stepped in front of a full-length mirror. Mulan’s reflection was warped and metallic on the coppery finish, but she could see that she was made up as intricately as the finest ladies of court, her face powdered white, her eyes lined with charcoal, and her lips painted red as her sash. Her eyebrows had been shaved and drawn back in with blue-black pigment. Tiny silver beads adorned her yellow-tinted forehead, and three flowers had been painted on her right cheek.
“Armor,” Mulan said under her breath.
“Your Majesty?”
“Nothing, just talking to myself.”
― Livia Blackburne, Feather and Flame

“Mulan found it easier to face the morning by pretending that her clothes were armor. The stiff coronation robe Ting was smoothing down over her shoulders. She imagined it woven with threads of spun gold, the embroidered phoenixes stitched with blazing-red iron. Her sash, hanging loose down her back, was a shoulder guard of blue iron, and the phoenixes on her shoes were spikes and spurs.
“Please keep your head forward, Empress.”
A handmaiden gripped a handful of hair, pulling it taut enough to make Mulan’s eyes water. The hair, at least, was easy to imagine as a helmet. By the time the maid finished wrapping it around multiple combs and adorning the layered buns with everything from flowers to jade to tiny golden bells, Mulan’s coiffure would stop arrows far better than anything the imperial blacksmiths could craft.
The maid inserted one last pin and stepped back. “All done.”
She pulled the train of Mulan’s robe out as Mulan stepped in front of a full-length mirror. Mulan’s reflection was warped and metallic on the coppery finish, but she could see that she was made up as intricately as the finest ladies of court, her face powdered white, her eyes lined with charcoal, and her lips painted red as her sash. Her eyebrows had been shaved and drawn back in with blue-black pigment. Tiny silver beads adorned her yellow-tinted forehead, and three flowers had been painted on her right cheek.
“Armor,” Mulan said under her breath.
“Your Majesty?”
“Nothing, just talking to myself.”
― Livia Blackburne

“The best-dressed person is the one you dress.”
― Tamerlan Kuzgov

“Home is the safest place to look homeless.”
― Criss Jami