Showing posts with label Medieval. Show all posts
Showing posts with label Medieval. Show all posts

Tuesday, 1 September 2020

New Medieval Army list eBook released


I've just released all of the TtS! Medieval army lists in a new, free PDF eBook, instead of the previous six separate Excel booklets. The format is much more user friendly than before, with hyperlinks from a contents page that you can use to whizz around them. The Medieval lists are now in green, to distinguish them from their purple Ancient peers. I also took the opportunity to edit the style of the lists and buff the spelling and grammar. I think you will like them! 

You can download them, for free, from here. 

You might also like to download the equivalent Ancient list eBook, if you didn't, last month, and the index which has of all the lists in chronological and alphabetical order. Enjoy!

Friday, 13 December 2019

New Hussite army list published


The new Hussite list, written by chum Peter Anderson (thanks Peter!), is the first published list to include large numbers of war wagons. The Hussite Wars are fascinating and this really is an iconic list that we should have published years ago. You can find the 218th TtS! army list in the  Later Medieval booklet.

The stunning war wagon above was painted by Gregory Blake, who tells me he has a dozen of them, lucky so-'n-so.

Friday, 18 January 2019

Italian Condotta


Here are my Italian Condotta for Chalgrove. Last night I grouted the bases, and now just need to flock and tuft them. I am tempted to replace the pikemen with some spearmen that Shaun McT is painting, and add some tents for a camp, but other than that they are mostly done, which is just as well since I'm a little behind with my Salute preparations! The bases are currently raw umber which seems like an appropriate base colour. :-)

These are on FK&P5 and FK&P6 bases; I really like these because they are a good fit for both 15cm (2 bases)  and 20cm (3 bases) grids.

Tuesday, 1 January 2019

Happy New Year!


Last night, twixt haggis, mulled wine and spectacular London fireworks, I finished and added flags to the final element of my Chalgrove army. These Perry later knights have the banners and colours of the house of Sforza of Milan, from the excellent Pete's flags, which I cannot comment too highly. 

Below you can see the completed (but not fully based) army. In an ideal world I'd love to have more Milanese units, replace the pikemen with spearmen, and the crossbowmen with pavise-less crossbows, but I'm really pleased to have these ready for basing, as I urgently need to embark upon my Salute project. I think this is the first time I've managed to produce an army specifically for Chalgrove. I have lots of other minis ready for basing and plan to return to the Medieval/Renaissance periods after Salute.


If you are coming to Chalgrove on Feb 23rd, please get your army list over to Tim ASAP so that he can check it- he's very good- he spotted two minor errors in my submission. For your interest, I'll publish my own army list, tomorrow or Thursday.

Can I take this opportunity to wish everyone a Very Happy 2019! At first glance, prospects for the year ahead appear challenging, but I am confident that we can rise above them. I have ambitious plans for various gaming and publishing projects...

Wednesday, 25 October 2017

St Crispin's Day


"We few, we happy few, we band of brothers;
For he to-day that sheds his blood with me
Shall be my brother; be he ne'er so vile,
This day shall gentle his condition;
And gentlemen in England now a-bed
Shall think themselves accurs'd they were not here,
And hold their manhoods cheap whiles any speaks
That fought with us upon Saint Crispin's day."


(Minis painted by David Imrie and based by me for a projected To the Strongest! army).

Monday, 13 February 2017

We happy few



These happy few represent Henry V and the centre battle at Agincourt, and were all painted by David Imrie (Saxon Dog). Most are Perry plastics but I believe there are also a couple of his "Claymores" in there. I have simply re-based them on a Batbase for 15cm grid. Will these remain a happy few or grow to become a full army? Probably the former, I'd say, as I couldn't match the quality of the paint jobs. Pics are clickable.


Above, there look even better from the back- I love David's work on the surcoats. Below- not too shabby at an angle, either, especially the standard bearer on the left!


Monday, 2 November 2015

Valtierra 1110 AD

Yesterday I drove (through dense fog) up to the Hereward show in Peterborough to help James Morris and Scrivs lay on a fantastic game using parts of their "El Cid" collections as previously seen in the excellent eponymous Warhammer Historical publication. We gamed the battle using my To the Strongest! rules and the newly-written Andalusian and Early Feudal Spanish army lists.

The scenario was written by James and featured an attack upon an Andalusian army led by the Amir of Zaragoza, returning from a raid and encumbered with loot, by the forces of King Alfonso I "the Battler" of Aragon.

Here are some random shots I took of the two games on my phone. All the pics are "clickable".



Above Alfonso leads the charge in the first game. I've rarely seen a game where the cards were so favourable to one side; he broke right through the Andalusian lines and took a camp. Below is the Andalusian Emir, at the head of a stunningly painted bodyguard.



Above are some more Spanish caballeros; all of the units had super hand-painted banners. Below, Scrivs has been on something of a painting spree. I asked about the lettering on the banners; apparently it is genuine Arabic poetry that he has copied by hand. Astonishing!



The Aragonese caballeros, above, with Alphonso leading the charge stormed to a swift victory in the morning, but were repulsed and defeated in the afternoon game. 

The layout included the gateway of the city of Valtierra, modelled by James, shot here from outside:


and below, from within.


And lastly for Valtierra we have a pic of Scrivs, yours truly and James Morris; it was such a pleasure to game with their great collections! I seem to have become an irregular Newark Irregular.


I failed to get pictures of the other games which included Huntingdon's "Stop the pigeon" which was a big hit with the kids, and a very impressive Dambusters game. I did take a picture of a demo game of Dan Mersey's coming "The Men who Would be Kings" rules, which was being run by Guitar Hero Andy on a couple of my wastelands gaming cloths. It looked great and like a lot of fun! Oh, and I had an enjoyable interview with the Meeples lads. 


The Peterborough show was very impressive especially as it was the first show there. There was plenty of room, the ceilings were high, the lighting excellent and the food and drink very satisfactory. The Peterborough Club (especially Mike Whittaker) did a fantastic job and I expect the show to become a regular feature of my wargaming calendar!

Thursday, 30 October 2014

A medieval bash with To the Strongest!

Last night I mate Ian and I had another play-test of the eponymous rules with medieval armies. Lacking any suitable minis, we used "Battlelore" plastic figures tacked to cardboard bases and the game was no less enjoyable, for this, although it does invite comparison with this rather more aesthetically pleasing play-test run by Scrivs and Mog.


In the above deployment one can see that the terrain is relatively sparse- the English (top, red) have managed to position a couple of small woods on either flank, and a low hill behind them, but the French (bottom, blue), deploying second, have placed most of their cavalry on their wings with the intention of passing around the outside of these.  The English have deployed in depth so as to be ready to counter any outflanking move.


The French move first (above) and charge forward with their knights (unfortunately the right flank stubbornly refuses to move, after playing an Ace which their general replaces with another Ace). In the centre, though, the Dauphin rashly charges into contact with the English archers and on the extreme left the knights flank the English line.  The French bows and crossbows advance, cautiously.


The English line fragmented as they attempted to respond to the flanking threats.  The required movement prevented several of their longbow units from shooting.  Above is the situation at the end of the French second turn. The round blue markers indicate disorder, and the larger wooden discs indicate planted stakes. The smaller round discs are ammo markers.


Above, the French left-hand flanking force almost cut its way through to the English camp, before retreating in the face of superior English numbers. The English left is hard-pressed by a mass of French chivalry.


Above, the English left is crumbling under the pressure of the French knights, but the yeomen still have some arrows left and, below, destroy two units of French noble knights and seriously wound the Dauphin, who is carried from the field. The French wish they had some cavalry who could exploit the wide gap in the centre of the English line. At this point the game is very close, with the French having but three victory medals left, and the English, two.


Finally the low-status French archers in the left foreground below (New fangled longbows? Pah! Zee old ways are zee best), firing off the last of their arrows, are able to kill the disordered English bowmen opposite them, and the English surrender.


The game lasted around 90 minutes, and was very different to last week's test.  The swiftness of the French charge forced the English to redeploy and consequently their archers weren't able to deliver the clouds of arrows that cost the French the last battle.  The lack of terrain was a real issue for the English as the French were able to utilise the greater mobility of their mounted knights and attack on both flanks, in a double envelopment.  The French Heroic Generals passed very many saves!  It was an enjoyable game, as was the Brunello di Montalcino we drank whilst playing it.

I'm now less that three weeks from releasing "To the Strongest" into the wild, initially as a pdf, of which more, anon.