Friday, 9 May 2025
Emergency Questions #4: Near Death Experience
Monday, 23 October 2023
Self-Help For Cynics #11: Why I Hate New Order
I thought I was mistaken
I thought I heard your words
Tell me how do I feel?
Tell me now, how do I feel?
I still find it so hard
To say what I need to say
But I'm quite sure that you'll tell me
Just how I should feel today
When I was 16, I was in love with a girl called Maddie who didn’t know I existed.
No, wait a second, there are certain parts of that
sentence I need to qualify...
1. Was I in love? Do we truly know what love is at 16 years of age? Does our brain ever truly know what love is?
Foreigner - I Want To Know What Love Is
Love is an emotion we primarily link to our hearts, perhaps because our heart beats faster when we see the person we love. Except it’s only doing that because that’s what our brain told it to do.
The Neat - Hormones In Action (In My Heart)
Here’s Professor Timothy Loving from the University of Texas. Yes, that is his real name. Yes, that’s the primary reason I’m quoting him.
Part of the whole attraction process is strongly linked to physiological arousal as a whole. Typically, that's going to start with things like increased heart rate, sweatiness and so on.
Spiritualized - I Think I'm in Love
What else does the brain get up to when it thinks it’s in love?
Healthline tells us...
Simply thinking about the object of your affections is enough to trigger dopamine release, making you feel excited and eager to do whatever it takes to see them.
Then, when you actually do see them, your brain “rewards” you with more dopamine, which you experience as intense pleasure.
I could go on, but putting aside adolescent hormones and teenage notions such “being in love with love”, or as Donny put it…
…I think it’s fair to say I was getting a fair few dopamine hits whenever I saw this girl, spent time with her, or thought about her. Doesn’t sound quite so romantic, that, does it?
2. Was she actually called Maddie? Well, her name was Madeline, and that was how she referred to herself. I never heard anyone else call her Maddie, but I did on occasion. Did I do this as a sign of affection? Clearly. Was it actually what she wanted? I’m not sure.
The reason I called her Maddie (and possibly one of the reasons I was so “in love” with her) is because I was obsessed with the TV show Moonlighting at the time, and its main characters were David (Bruce Willis) Addison and Maddie (Cybill Shepherd) Hayes. I didn’t particularly fancy Cybill Shepherd, and “my” Maddie looked nothing like her, but David and Maddie had a whole “will they / won’t they” thing going on, and in my head I was confusing fantasy with reality, as teenagers are wont to do. The other thing that happened in Moonlighting was that David Addison occasionally broke the fourth wall, and seemed at times to be aware that he was a character in a TV show. This notion appealed to me greatly, and together with my mate Richard, we regularly talked about our own lives as though they were episodes of a TV show. Actually, this was an idea I’d been working on throughout my childhood – in my head, I had my own TV station (one that switched over to being just a radio station when I went to bed… it was complicated). This might seem like irrelevant information, but you’ll need to know it later. There will be a quiz.
3. Clearly Maddie did know I existed since we had regular
conversations, mostly on the long bus journey home where we would often sit together – well,
not together on the same seat, but usually on adjacent seats. And when we got
off the bus, those conversations would often continue while I walked her home –
well, we were going in the same direction, and I carried on up the hill after
she’d crossed the road to go into her own house. Were both of these situations led
by me? I mean, did she ever choose to sit by me or was she always on the bus
when I got on with empty seats in her vicinity? Was I merely preferable to some
of the other losers and malcontents on that bus? Did she secretly want to walk
up that hill on her own but she was just being polite when I tagged along?
Looking back, I might think that. I certainly
manufactured situations in which we could bump into each other or be in the
same place together, but that’s what you do at that age, isn’t it? The whole
thing’s a minefield, and I’m glad I don’t have to deal with it any more. In my
defence, I will offer the rainy lunchtimes we spent together in the music
block, practicing our instruments. (Not a euphemism.) She played piano better
than me, and some other kind of wind instrument (clarinet?) while I had my
tenor horn and we would, on occasion, hang out in one of the practice rooms, mucking
about with music, but mostly just chatting and having a laugh.
(I should perhaps at this point reveal that, about a year or so later, my friend Simon got so sick of me going on about Maddie that he went to ask her if she’d like to go out with me. Because clearly I was never going to do such a thing myself. I was great at dropping hints, but no way was I going to approach her directly. So anyway, Simon asked her out for me… and what ensued? Only one of those awful, embarrassing (for everyone) sitcom scenarios in which Maddie actually thought that Simon was asking her out for himself (rather than me), excitedly accepting, only to then… well, you can guess the rest.)
The Brilliant Corners - Why Do You Have to Go Out With Him When You Could Go Out With Me?
OK, I know what you’re thinking. HOW THE HELL DOES ALL THIS EXPLAIN WHY YOU HATE NEW ORDER!?!
Apologies for the whole Ronnie Corbett bit. I’m getting there.
You just can't believe me
When I show you what you mean to me
You just can't believe me
When I show you what you cannot see
New Order - Confusion
In my previous Self-Help For Cynics Post, I wrote about the Storytelling Brain. How the brain uses stories to create neural pathways which teach us how to deal with things that happen to us in our lives. This appears to be a wonderful thing… until it goes wrong. And when it does go wrong, those same neural pathways end up reinforcing negative opinions, beliefs or ideas based on responses to negative experiences. Dr. Faith explains, in her own inimitable style…
But clearly the storytelling brain has the capacity to be a serious fucking problem too. We start telling ourselves (and believing) certain stories about ourselves and the world around us. Our brains are wired to crave certainty. We WANT to see patterns in what happens to us so we can make better decisions about the world and how we are supposed to keep ourselves safe in it.
The emotional brain makes a decision for us and the thinking brain has to scramble to come up with a reason why.
Which brings me back to the will-they / won’t-they romance in my 16 year old brain.
The Donnas - Do You Wanna Go out with Me?
It was the end of term. Or, in the TV station of my head,
it was the last episode of the series. Everything was building up to a climax,
because that’s what happens at the end of a series. On our final journey home
together before the holidays, I got up the courage to clumsily drop the biggest
hint so far to Maddie that I was interested in being a little more than
friends. The ironic thing is, I have very little memory of what I actually
said, I only recall that it went as well as it could have done (no outright
rejection, anyway… then again, clearly she didn’t swoon into my arms either)
and that I was left with a distinct feeling that when I saw her again… maybe…
we’d be ready to move up to the next level. Like, I dunno, actually sitting
together on the same seat or something.
As a result, I walked home that night in a state of
euphoria. Which is all in the brain, again! Healthline
explains…
That giddy, euphoric excitement you feel when spending time with the person you love (or seeing them across the room, or hearing their name)? You can trace this entirely normal effect of falling in love back to the neurotransmitter dopamine.
Glasvegas - Euphoria, Take My Hand
Ah, that pesky dopamine again. I’m surprised it took me so long to get to that little critter. Harvard Health goes into more detail…
Dopamine is most notably involved in helping us feel pleasure as part of the brain’s reward system. Sex, shopping, smelling cookies baking in the oven — all these things can trigger dopamine release, or a "dopamine rush."
This feel-good
neurotransmitter is also involved in reinforcement. That’s why, once we try one
of those cookies, we might come back for another one (or two, or three).
Hopped up on dopamine following my seemingly successful hint drop, I was keen to share this with my friend Richard, who understood the language of 4th wall breaking imaginary TV shows better than any of my other contemporaries.
A little bit about Richard, before I go on. We’d been
mates for about three or four years by this point, and along with my other mate
Simon, who I’d known since junior school, we’d formed a pretty tight little
group. Best friends? I’m not sure I’ve ever had a best friend, but the three of
us were as close as we could be without ever using that terminology. Although
Simon and I had the longer friendship, and many shared interests, Rich and I
had bonded over a love of music. That began with Queen (particularly A Kind Of
Magic, which was out around then) and classic Motown. Although lately, his
tastes had been changing. He’d become obsessed with the Smiths (who, at the
time, I hated) and the Pet Shop Boys, a band I liked (bought quite a few of
their singles) but clearly didn’t connect with on the same level that he did. I
liked Neil Tennant’s arch lyrics, while Rich liked the beats. It was the
mid-late 80s, and although I didn’t realise it at the time, I was losing him to
dance music.
I don't like country-and-western
I don't like rock music
I don't like, I don't like rockabilly or rock 'n' roll particularly
Don't like much really, do I?
But what I do like I love passionately
On that fateful evening then, I gave him a call to update
him on the end-of-season cliff-hanger involving Maddie… but when he answered
the phone, something was off. There was music playing in the background, and
Rich seemed distracted. As I poured my euphoric heart out, it quickly became
apparent that Rich was only half listening to me, that someone else was there,
and that they were taking up more of his attention. And after a few minutes I
realised that whoever it was, was laughing at me. Laughing at the private
conversation I was having with my friend, at my pathetic attempts at romance,
and that Rich was laughing too.
You call me on the phone, you left me all alone
All I get from you is shellshock
Another day goes by and all I do is cry
All I get from you is shellshock
I stopped and asked Rich what was going on. Who was there
with him? And that’s when he told me.
It was Swanny.
All you need to know about Swanny is that he lived a few doors down from Rich and that he was a complete and utter arsehole. A couple of years prior, he’d indulged (along with a few other kids) in some minor league bullying, of which I was one of his semi-regular marks. And as far as I was concerned, the scars were still fresh.
“What are you doing?” I asked Rich, meaning, “Why are you laughing at me? Why aren’t you being the friend and confidant I’ve come to expect and rely on? Why are you pissing all over my euphoria… with fucking Swanny!?!”
“Nothing,” said Rich. “We’re just listening to the new New Order record.”
I hung up the phone and didn’t speak to Rich again for the next nine months. Eventually Simon managed to get us talking again, and we made up… in a way. But it was never the same.
When I was a very small boy
Very small boys talked to me
Now that we've grown up together
They're afraid of what they see
Thirty-five years later, I still can’t listen to New
Order. This is something which sets me at odds with large sections of the music
blogging community who worship the ground Bernard and Peter (and whatever the
rest of them are called) make beats on. And it’s all down to my story-telling
brain, which has inextricably linked the anger, embarrassment and shame I felt
that evening in 1988 to New Order’s Technique. Neural pathways have been
created which mean that whenever I hear New Order on the radio, or see another
post pop up about them on one of my favourite blogs, I’m taken back to that
night and all those unpleasant feelings.
Since I was born I started to decay
Now nothing ever, ever goes my way
Dr. Faith would no doubt tell me that this can be fixed.
That if I started listening to more New Order, thereby allowing my brain to
create new neural pathways which could over-ride the old ones, that would
eventually lead to positive associations and responses, and my opinion of the
band might change. It is possible to re-wire your brain in this way… after all,
as I mentioned earlier, I used to hate The Smiths, and then in my 20s, various
things happened which allowed me to hear them in a new light. If I put enough
energy and effort into it then, perhaps I could make myself like New Order.
Are there any bands you hate because your brain has linked their music to painful memories?
I would like a place I could call my own
Have a conversation on the telephone
Wake up every day that would be a start
I would not complain of my wounded heart
Thursday, 21 January 2021
My Top Ten "Without Phil Spector..." Songs
After completing my Top Ten tribute to the work of Phil Spector on Tuesday evening, I couldn't help but feel like there was something missing. Yes, I'd covered the very best of Spector's own musical output... but what of his legacy? If it hadn't been for his influence, chances are we wouldn't ever have heard any of the songs below... at least not in the way we know and love them.
(As to the photo above, Bruce probably regrets that now almost as much as the ill-advised Ben Affleck goatee.)
10. Cher - Bang Bang (My Baby Shot Me Down)
Beginning his career as a gofer for Phil Spector, Sonny Bono went on to emulate his former boss on many of the records he produced later in the 60s.
Prior to the sessions that produced this, Ring Ring, and other Spector-esque Abba classics, engineer Michael B. Tretow read Richard Williams' book Out of His Head: The Sound of Phil Spector. After that, he layered on the overdubs, and Abba's sound changed forever.
8. Spiritualized - Ladies & Gentlemen, We Are Floating In Space
Jason Pierce = Phil Spector In Space.
Roy Wood made no secret of the fact that he was aiming to recreate the Wall of Sound on songs like this one and I Wish It Could Be Christmas Everyday. The kitchen sink was full utilised.
6. The Jesus & Mary Chain - Just Like Honey
From the opening echo-drenched drumbeats, stolen directly from Be My Baby, there's little doubt that the Mary Chain had been listening to a lot of Phil Spector.
5. The Walker Brothers - The Sun Ain't Gonna Shine Anymore
Producers Johnny Franz and Ivor Raymonde set out their stall as the British equivalents to Phil Spector, and this is probably the song that came closest to emulating the Wall of Sound sound. Ironically, it was released in 1966, the same year Spector became demoralised with the music industry following the weaker-than-expected chart performance of his masterpiece, River Deep, Mountain High.
4. The Shangri-Las - Leader of the Pack
Produced by George 'Shadow' Morton, who aimed to take Spector's sense of melodrama to the next level... and arguably succeeded on tracks such as this and Past, Present & Future. Morton wore a cape in the studio, but - as far as I know - never pulled a gun on anyone.
3. Meat Loaf - Bat Out Of Hell
As much as Jim Steinman stole from Bruce Springsteen, he stole far more from Phil Spector. If Spector created the Wall of Sound, Steinman built another three walls and then a roof on top. Many see this as excess, but it's that very excess that appeals to me in Steinman's work. He might get more respect if he had a little more restraint... but he's all right in my book.
Back in the 90s, record company bosses tried to get Spector to work with Steinman... to produce, of all people, Celine Dion. Spector refused, saying he had no desire to work with, "amateurs, students, and bad clones of yours truly."
Steinman, in typically Steinman-esque fashion, replied, "I'm thrilled to be insulted by Phil Spector. He's my God, my idol. To be insulted by Phil Spector is a big honour. If he spits on me, I consider myself purified."
2. The Beach Boys - Good Vibrations
I'm sure George will have something to say about me placing this at #2, or for choosing it ahead of anything from Pet Sounds, which Brian Wilson described as an "interpretation" of Phil Spector's Wall of Sound production technique. I will freely admit that I consider God Only Knows to be a better song than Good Vibrations (and maybe even my #1)... but God Only Knows doesn't sound as Spectorish to me as this does.
Brian Wilson created Good Vibrations with the aim of portraying his "whole life performance in one track", telling himself, "This is going to be better than You've Lost That Lovin' Feeling". Spector pulled the song apart, saying there was way too much "tape manipulation" and too many edits for it to be a "beautiful" record.
1. Bruce Springsteen - Born To Run
Well, I'm nothing if not predictable, am I?
Producer Mike Appel explains how Bruce came to him before the recording of Born To Run and said, "I’m trying to meld my lyrics with more Phil Spector-type songs and I’d like to use his production values", which Appel then helped him develop.
“Phil’s greatest lesson," Bruce later said, "was that sound, sound, sound is its own language.”
Friday, 22 January 2016
My Top Ten Yeah Yeah Songs
I really wanted to pay tribute to the late Glenn Frey this week (far too many of our heroes are dying young at the moment), but sadly I'm moving house* on Monday so I don't have a spare second. But Glenn... you'll be missed.
(*I would have reposted My Top Ten Songs About Moving House, but as it's only 18 months since our last move - don't ask - it seemed too soon.)
Instead, here's one I prepared earlier...
It all begins with The Beatles... or so they say. Of course, the Beatles didn't invent rock 'n' roll, but maybe they did invent pop music. OK, pop music had been around for a long time before the Fab Four hit the Cavern, but maybe pop music wouldn't mean what it means today if it hadn't been for the Beatles. I dunno, Bob Stanley or someone far smarter than me about pop music will have a theory on that, I'm sure. Anyway, ten songs indebted, one way or another, to the chorus hook of She Loves You, since, if we can only agree on one thing today, it's that the Beatles surely invented the idea of putting more than one yeah together in a song lyric.
Yeah, yeah, yeah...
Oh, and special mention, of course, to Karen O and The Yeah Yeah Yeahs.
10. Spiritualized - Yeah Yeah
"It's like the Kings of Leon..... but good," is the funniest youtube comment I've read this week.
J. Spaceman is still a bit of a dick though. More incisive musical criticism to follow.
9. Cyndi Lauper - Yeah Yeah
Sometimes, even at the height of her fame, Cyndi was a little bit too kooky for her own good.
8. Cheap Trick - Yeah Yeah
Before they became leading lights of the power pop scene, Cheap Trick had more of a hard rock sound on their eponymous debut album in 1977. Twenty years later, they released a second eponymous album which harkened back to their early days. This comes from that.
7. Jackson Browne - Yeah Yeah
This one's only from a couple of years ago, but it sounds like it could have been lifted from Browne's 70s heyday. The guitar also sounds very reminiscent of Warren Zevon's Werewolves of London, but as Browne produced that and was good friends with Warren, we'll let him off.
6. Black Grape - Yeah Yeah, Brother
Dedicated to the woman who betrayed Shaun Ryder.
You wouldn't want that on your cv.
5. The Pioneers - Let Your Yeah Be Yeah
Written and produced by Jimmy Cliff, taking a biblical quotation (Matthew 5:37, scripture fans) and turning it into a chat up line. The reggae original is the most well-known very, but Brownsville Station also did a pretty cool hard-rocking version too.
4. The Pogues - Yeah Yeah Yeah Yeah
What if the Pogues had been around in the 60s? They might have appeared on Ready, Steady, Go as in this video recreation... but I don't think Shane would have been allowed to sing, "I love your breasts, I love your thighs".
3. Georgie Fame & The Blue Flames - Yeh Yeh
Clive Powell wasn't a very rock 'n' roll name, was it? Apparently, Clive / Georgie holds an interesting Top Ten record. The only three Top Ten singles he ever scored all went to Number One. He released plenty more singles, but the only ones that got into the Top Ten all went to the top of the chart. This was one of them... I'm sure you can guess the other two.
They Might Be Giants did a great cover of this too.
2. The Wedding Present - Yeah Yeah Yeah Yeah Yeah
Always willing to go that extra Yeah to get your attention, David Gedge plays International Man of Mystery in this classic Weddoes single from Watusi.
1. The Flaming Lips - The Yeah Yeah Yeah Song
Just as mental as anything else the Flaming Lips have ever recorded, but with an added political element. Wayne Coyne claims the song isn't only pointing the finger at clueless politicians but also asking us what we would do if we were in the same position.
I never copy stuff word for word from iffypedia, but their description of the video is even more funny than the video itself...
The music video has three segments. In the first, Asian women forcibly tape hamburgers to a businessman and then he is let loose, chased by several shirtless obese men and watched by amused but non-interfering police officers. In the second segment, a woman resembling Gwen Stefani similarly covered by doughnuts (suggesting that the three Asian women are supposed to criticize Stefani's objectification of her entourage of four women who play "Harajuku Girls"), and is chased by the police officers. In the third segment, Wayne Coyne - who portrays a ruthless leader - has raw steaks and some lengths of intestine stapled to him and gets chased by a werewolf.
Which one makes you go Yeah Yeah Yeah? And which one makes you go No No No?
Sunday, 10 November 2013
My Top Ten Don't Cry Songs
Sam isn't a bad kid when it comes to crying. I've heard tell of babies who are much, much worse. But there are times... times when nothing we do will soothe him, when we feel that crushing mix of frustration, guilt and pain which every parent must grow to understand. Still, music has powers to soothe the savage beast, to paraphrase William... Congreve. (Yeah, I thought it was Shakey, too.) Here's ten tunes to do just that...
10. Oasis - Stop Crying Your Heart Out
Every time I include an Oasis song in a Top Ten, an angel loses its wings. This is one of those rare compositions from the monobrowed chuckle brothers that doesn't annoy the jogging bottoms off me. Still... sorry, seraphim.
9. Elkie Brooks - Don't Cry Out Loud
A hit in the US for Melissa Manchester (it was written by Peter Allen and Carole Bayer-Sager), but Elkie's UK hit is a little less Streisand.
8. Frankie Valli & The Four Seasons - Big Girls Don't Cry
Silly boys...
7. The Streets - Dry Your Eyes
I really shouldn't dig Mike Skinner's soppy Ray Winstone Jr. routine... And yet...
6. Guns 'n' Roses - Don't Cry
Never ones to do things by halves, GnR actually released two different versions of this song (the lyrics of the verses were entirely different) as part of the mammoth double album exercise in self-destruction that was Use Your Illusion. This is the alternate version. If you're sad, like me, you might want to compare the two. They blew the video budget on the first version though.
5. Richard Hawley - Don't You Cry
Epic (10 & 1/2 minutes) sadness from the Sheffield Sinatra.
4. The Pretenders - Stop Your Sobbing
Written by Ray Davies (Chrissie Hynde's boyfriend at the time - what a cradle snatcher!) and originally recorded by The Kinks... though the Pretenders made it their own with a little new wave bite. Their debut single - hard to believe it only reached #34 in the charts.
3. Spiritualized - Stop Your Crying
Phil Spector has a lot to answer for.
"Orchestra? Check. Choir? Check. Gratuitous destruction of musical instruments? Check. Kitchen sink? Where's that bloody kitchen sink!?"
2. The Cure - Boys Don't Cry
So, tell me, Mad Bob McMad, why exactly don't boys cry? It can't be for fear of making their eyeliner run...
1. INXS - Baby Don't Cry
Probably my favourite INXS song, a joyously anthemic pop cookie. What U2 might sound like if Bono wasn't such an utter knob.
Which one stops your sobbing?
Friday, 21 June 2013
My Top Ten Longest Songs
As today is the longest day of the year, I thought I'd try something different. Rather than my favourite songs on any particular subject, these are simply the longest tracks in my music player. I've discounted any that were lengthy due to a huge block of silence before a "hidden" track at the end of an album. Each of these really are as long as they say they are...
10. The Hours - See The Light
14 minutes, 17 seconds.
Title track from the second (and last?) Hours album, the full LP version clocks in at just under quarter of an hour. A much shorter version was released as a single, remixed by Calvin Harris (i.e. not as good) and featuring Sienna Miller going bonkers in the video.
9. Nick Cave & The Bad Seeds - Babe, I'm On Fire
14 minutes, 46 seconds.
Everyone says it, from the horse and the pig to the judge in his wig, the blind referee and unlucky amputee to the giant killer bee landing on my knee... and so on and so on and so on...
See also the majestic O'Malley's Bar which clocks in at a mighty 14 minutes 28 seconds and remains one of my all-time favourite Nick Cave recordings.
8. Spiritualized - Cop Shoot Cop...
16 minutes, 12 seconds.
From an album that originally came sealed in a huge, CD-shaped blister pack that you had to pop open / tear the foil before you could play the record. The track is listed as being 17 minutes 13 seconds long but it actually ends at 16' 12" before a minute's silence. Which is nice.
7. Joni Mitchell - Paprika Plains
16 minutes, 19 seconds.
Side 2 of the album Don Juan's Reckless Daughter, Mitchell apparently improvised the piano on the initial recording of this epic before adding orchestral flourishes to the finished mix. It's the sort of record you have to turn the lights down and listen to from start to finish... the sort of record our attention-span deficit way of listening to music these days means we'll rarely see the like of again.
6. George Gershwin - An American In Paris / Rhapsody In Blue
16 minutes, 34 seconds.
I left out the classical music from this countdown (yes, there is some in my collection!) as it would have unfairly dominated. I couldn't exclude Gershwin however, that wonderful bridge between classical and pop. There are various versions of An American In Paris (many full orchestra versions are over 18 minutes) but I stuck with the Gershwin Plays Gershwin version I own, though the one on youtube isn't quite up to mine.
Even better is Rhapsody In Blue at 14 minutes, 24 seconds... sheer bliss!
5. Neil Young - Ordinary People
18 minutes, 12 seconds.
From the album Chrome Dreams II, which also features the 14 minute, 33 second No Hidden Path, which would have squeezed its way onto this chart had I not restricted myself to one long song per artist.
4. Love - Revelation
19 minutes, 4 seconds.
The whole of Side 2 of Love's second album is this one track. Originally named John Lee Hooker, it's pretty much Arthur Lee and mates jamming in the studio till the tape runs out, though the title suggests it has something in common with our Number One song too.
3. Sonic Youth - The Diamond Sea
19 minutes, 36 seconds.
From the album Washing Machine. A five and a half minute single edit was released also (along with a 26 minute "alternative ending" version that would have put this at Number One, except I don't own that version). A pretty cool song, though the last ten minutes is largely piano and feedback, so all in all I'll stick with the single.
2. Paddy McAloon - I Trawl The Megahertz
22 minutes, 6 seconds.
I'm a huge Prefab Sprout fan, so when I first heard Paddy's solo album, I was slightly disappointed. It's very different from the Sprout, but I guess that's the point. Paddy only actually sings on one song and the title track features a story poem narrated by Yvonne Connors. It's a haunting listen, made all the more poignant when you realise it reflects McAloon's worsening eye condition and the lonely nights he spent with only voices on the radio for company.
1. Genesis - Supper's Ready
22 minutes, 54 seconds.
Originally from the album Foxtrot, though my copy comes from the 3-disc Platinum Collection. To be honest, I've only listened to this all the way through a couple of times. It's interesting in places, but perhaps a little bit too prog even for me. Gabriel described it as, "a personal journey that ends up walking through [The Book of Revelation]". Amusingly though, it all begins with him walking across his sitting room and turning off the telly...
Of course, it's not the length that matters, it's what you do with it.
What's your longest song?