Help!

"Help" is a nice companion movie to "A Hard Days Night". It is filmed in color, and while it doesn't have the classic look of black and white "Hard Days Night", the script is better, and the Beatles appear more relaxed acting. The music is very good. Ringo, often in the background during in concerts and on recordings, proves he is the best actor of the Fab Four. Paul, John and George come across the screen as genuine and charismatic. "Help!" is filmed in different locations as well, which add to the film's quality. To me, the Beatles are the greatest rock group in history. Before there was MTV, there was "A Hard Days Night" and "Help!". Nothing in music can top that.

What a goofy, silly, wonderful movie! I used to watch this one all the time as a kid, so it may be the nostalgia talking, but it still holds up well. I was smiling almost the entire time. It was a bit slower than I remember, and my kids may not have enjoyed it as much as I did, but this is probably my favorite Beatles movie.

Okay, so "Help!" isn't quite as creative as "A Hard Day's Night", but the Beatles always were able to do something good. In this case, Ringo happens to have a sacrificial ring belonging to a religious cult. So, the cult sets about trying to get it back. When they fail, they decide to sacrifice Ringo. Meanwhile, a scientist (Victor Spinetti) wants the ring for his own purposes. And of course, there's plenty of great music along the way.

In a way, the whole movie is sort of an excuse to be wacky. Whether it's the seemingly separate apartments that turn out to be one big room, the trap door activated by a glass, the skiing tournament, or the whole Bahamas sequence, they've got something neat every step of the way. Leo McKern, as cult leader Clang, and Eleanor Bron, as cultist Ahme who tries to protect Ringo, provide cool supporting roles.

I guess that if I ever get a woman to watch "Help!" with me, I'll never "Lose That Girl".

Help! has had a bad press, dating back to the 60s - when John Lennon criticises his own work, people listen.

But John wasn't really being fair. His disappointment (and similar comments from the others) reflect that, in this film, the Beatles were playing characters rather than, as in A Hard Day's Night, imitations of themselves.

Personally, I don't see the difference. Unless the cameras are fly-on-the-wall filming you in real life, then you're playing a character - that's what a fiction film is all about! And the Beatles played characters based on themselves in both A Hard Day's Night and Help!, it's just that the former film was staged in a more cine-verite manner.

Help!, on the other hand, is pure escapist nonsense. It's colourful, it has an actual plot (wildly improbable as it might be), the four Beatles discharge their responsibilities adequately, there are some lovely little throwaway bits of humour (check out Paul, Eleanor Bron, George, and the winking), and above everything, the music is great.

Just take it as an opportunity to go back to the summer of 1965 and relish the Beatles providing fun at the height of their popularity!

A great movie. People here seem to complain the plotline was too silly. But keep in mind this was during the Bond phase(almost a forerunner to Get Smart). A sacrificial ring caught on the Famous Ringo's finger. A mad scientist trying to take over the world. An evil cult trying to kill our heroes. A girl from that cult secretly helping our heroes. Typical Bondish plotlines.

It also has great one-liners(Maybe it's that I'm just your average 14 year old American who loves British humor), and just weird ones that sound funny. "I don't subscribe to your religion." "He's out to rule the world if he can get a government grant." "Now, look here, Paul. I've had some great times with this finger. How do you know I wouldn't miss it?"

And, of course, greeeeeaaaaat music.