Return of the Secaucus Seven

This is what good moviemaking is about. If you are looking for million-dollar cost overruns, over-rated movie stars, the same crop of (yawn) "special" effects and trite action-movie plots and dialog, look elsewhere. This is young John Sayles doing his absolute best with limited resources. The characters are realistic, the dialog brilliant yet believable and the script does an excellent job of handling the subject of not only growing up, but growing older with a bittersweet sense of humor.

For years I heard this film described as The Big Chill only three years earlier. A pretty accurate description. The plot and characters are similar, but Return of the Secaucus 7 has more layers, and provides more random "slice of life" scenes. Whilst watching this film, you can't help the feeling you know these people, or someone like them. Sayles manages to prove that real life situations can be interesting, funny and touching; unexpected moments can start a chain of life-altering events.

The New Hampshire scenery is beautiful – nice to see something shot anywhere other than NYC or a Hollywood back lot. A testament to friendship, fun and low-budget filmmaking.

Shocked that there's only three pages of comments for the film widely considered to be one of the fathers of the modern indie film movement. John Saylees used his b-movie money from Roger Corman (the best scripts written for him) and financed this weekend home movie that became a hit and launched Sayle's film career.

Some of the bad reviews are really unfounded. This has some of the best dialog in American film, and though the performances are not all polished, it adds to the reality. There's a sense of genuine community not like the Hollywoodized "Big Chill."

If you stick with the film you'll be rewarded by many nifty scenes and conversations. Gordon Clapp is fun and there are beautifully observed moments of wit and drama. Mark Arnett is particularly good and the moment he recites his litany of protest arrests is great. The film-making is raw, but that's not the point.

However, the DVD version is actually missing a scene on the VHS of the hamburgers being grilled to some sort of rhythmic montage. Why?

Anyway, if you're a fan of great dialog, political commitment, and what can be done for 40 grand and terrific writing, check this classic out.

Some of the comments about "Return" are amazingly vitriolic and appear to have been written by people who hate independent films in general, or who hate "reunion" movies, or who hate low-budget movies, etc., etc., etc. If your comfort zone is Hollywood films with predictable plots and pretty, more or less interchangeable faces you've seen over and over, why watch this film at all?

There are also some misstatements of fact among the comments--it is amazing that someone thinks that "The Big Chill," a blatant piece of Hollywood plagiarism, preceded and inspired this film--but particularly off base is the remark that few of the actors in the film have many additional credits. Yes, there are several actors with only one to three credits. But more than half of them have numerous credits, some as many as 90, and some as writers and producers as well as actors. Furthermore, many of the credits are excellent--most of the TV credits, for example, are for series that are critically acclaimed. In addition, four or five of the actors are well known and respected in the business, whether they are household names or not. If you can use IMDb well enough to make comments, you can also check the accuracy of such statements before making them.

The film may not seem gripping now, since the reunion thing has been done to death. But it is a very important movie, in terms of advancing the popular acceptance of independent films and, of course, launching John Sayles' brilliant career, one which has contributed in a major way to the culture of this country and indeed the world. And it is still good watching for those who do not expect all films to be about action.

I am absolutely stunned by the majority of contributors here who didn't love, or even like this film. One of the best films I've ever seen in terms of dialogue. It's true that if you're in the mood to watch "Raiders of the Lost Ark" with a couple of friends, this is NOT the film for you. Since not much happens in this movie, if you can't appreciate the dialogue, than you won't like this movie at all.

I find it interesting that most of the "stars" of this picture were amateurs, and didn't make another film after this one. The only "major" stars who came out of this were Gordon Clapp (NYPD Blue) and David Strathairn, who wasn't even one of the stars, and was in a supporting role.

I went to a movie theater and saw "Return of the Secaucus Seven" in 1981. I was slightly younger than the characters in the movie but I could relate to their lives. When the Big Chill came out I thought it was a ripoff of Secaucus. In the Big Chill all of the characters have big time jobs - shoe manufacturer, doctor, actor, magazine writer, etc.. In Secaucus most of the characters haven't figured out what they want to do and crashing on the floor is a way of life rather than the expense account Big Chill graduates. The acting is awful. The plot is weak. It is a very rough film. But it has a sense of reality, humor, and place that most professional movies do not have. When I saw this again a few years ago on PBS it was not quite the film I fondly remembered. Perhaps I can no longer relate to post graduate blues or life without children and a mortgage. It is still an impressive low budget first film by John Sayles.