A group of friends, just out of college, struggle with adulthood.A group of friends, just out of college, struggle with adulthood.A group of friends, just out of college, struggle with adulthood.
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When I first saw this film I was about 14. I loved it back then because there were so many cool actors in it. That is why, nothing more and nothing less. But now, as I am a young adult perhaps going through some of the same scenarios and fears and insecurities that these people are in the movie, I can appreciate it a whole lot more. Not only is it a film that has an incredible young cast in it, but it is a film that does a great job of dealing with a plethora of issues. My favourite character was Billy, the Rob Lowe character. Sometimes his intentions weren't always spelled out for us, but there are subleties about the way he plays his character that really hit home. You can tell that he misses the easier days of college. The days where all he had to do was play sports and smoke up a bit. But now he is in real life and he can't quite seem to find his niche. He is still the good looking playboy that can get laid whenever he feels like it, but as for dealing with real life issues, he is confused and scared. And he masks that insecurity by being a playboy. It's a great character study. Many of the other characters in the film have interesting stories as well. None of them have quite figured out what the meaning of life is yet and all of them are kind of living on the edge. All are attempting to get by with what they have, but what it ultimately comes down to is that none of them really knows the answers. Maybe some have become more successful than others but deep down they are all scared of life. Now I don't know about other mid 20's people, but I can sure relate to what they are feeling and going through. And this movie made me feel like I am not the only one that may not have all the answers. If this is a film that you haven't seen in a few years, watch it. Admire what it wants to say. Take it for what it is. I really enjoyed what this film was about. And it made me feel a bit better about life, after all, we're all going through St. Elmo's Fire.
St. Elmo's fire has been on constant play on HBO lately. I turned it on the other night and watched the whole thing. Yeah, it was a nostalgia trip (I remember watching it a few times on cable ten years ago) but it also has some decent scenes and it really captures a "moment," both for recent college grads and for those of us who were enchanted by the brat pack in the 80s.
I've been reading other people's reviews; several of them whine about how "self-absorbed" these characters are.
Well...um... duh. Yeah. Most movies are about self-absorbed people. Self-absorbed people are more interesting, because they don't care what other people think: self absorbed people feel deeply, they make huge mistakes, and they're generally fun to watch. Some of the greatest movies of all time are about self-absorbed people: Annie Hall (Alvy Singer), Amadeus (Mozart), Leaving Las Vegas (Nic Cage), Goodfellas (Every single mobster in the movie). Mother Theresa was completely giving, completely SELFLESS, and yet I haven't seen a great movie about her. That's not the point.
I'm not saying St. Elmo's Fire is a classic. I'm just saying, calm down people. Take the movie for what it is, a stylized look into one moment in life, and don't be so preachy about what kinds of characters are "appropriate" to focus on.
I've been reading other people's reviews; several of them whine about how "self-absorbed" these characters are.
Well...um... duh. Yeah. Most movies are about self-absorbed people. Self-absorbed people are more interesting, because they don't care what other people think: self absorbed people feel deeply, they make huge mistakes, and they're generally fun to watch. Some of the greatest movies of all time are about self-absorbed people: Annie Hall (Alvy Singer), Amadeus (Mozart), Leaving Las Vegas (Nic Cage), Goodfellas (Every single mobster in the movie). Mother Theresa was completely giving, completely SELFLESS, and yet I haven't seen a great movie about her. That's not the point.
I'm not saying St. Elmo's Fire is a classic. I'm just saying, calm down people. Take the movie for what it is, a stylized look into one moment in life, and don't be so preachy about what kinds of characters are "appropriate" to focus on.
Perhaps one must be of a certain age to truly appreciate this film. The "self-absorbed" comments seem to spring, in my mind, from older (middle-aged or elderly) viewers, or maybe just from grad students who are frightened that their prof may be reading their dissertation on this film.
In my experience as a 30 year old woman, most young people who are in their twenties are self-absorbed. I think it's a natural and necessary part of thriving in the current United States' culture. I saw this movie in my late teens, and it made a tremendous emotional impact on me. I did not see the characters as shallow, superficial, or selfish, but just as regular people like myself and my friends.
Even now that I have left my twenties, I can go back and still appreciate St. Elmo's Fire; not just for the 80's nostalgia (though that is a big draw, I must admit) but because I perceive the characters as living stories that I can identify with in parts. Especially as a slightly more mature adult, I can look back and say, "Yeah, I remember going through that." or "I knew someone like that five years ago." St. Elmo's Fire will always have a place in my heart for what it represents to my generation, and to the generation that actually came of age during the film's premiere. Maybe one had to grow up in the 80's - whether in childhood or adolescence - to enjoy St. Elmo's Fire.
Okay. So it's not timeless. Who cares? There are some great scenes in this flick and it's a fun watch, even though it always makes me cry.
In my experience as a 30 year old woman, most young people who are in their twenties are self-absorbed. I think it's a natural and necessary part of thriving in the current United States' culture. I saw this movie in my late teens, and it made a tremendous emotional impact on me. I did not see the characters as shallow, superficial, or selfish, but just as regular people like myself and my friends.
Even now that I have left my twenties, I can go back and still appreciate St. Elmo's Fire; not just for the 80's nostalgia (though that is a big draw, I must admit) but because I perceive the characters as living stories that I can identify with in parts. Especially as a slightly more mature adult, I can look back and say, "Yeah, I remember going through that." or "I knew someone like that five years ago." St. Elmo's Fire will always have a place in my heart for what it represents to my generation, and to the generation that actually came of age during the film's premiere. Maybe one had to grow up in the 80's - whether in childhood or adolescence - to enjoy St. Elmo's Fire.
Okay. So it's not timeless. Who cares? There are some great scenes in this flick and it's a fun watch, even though it always makes me cry.
A few comments here have slammed this movie for being shallow, despite decent performers. Maybe this is not 100% similar to real life. But it does have some parallels, and except for the Judd Neldon character (rather annoying) it is realistic and comedic in some aspects.
Demi Moore as Jules is simply lost in denial borrowing money to keep up an image of success. They are 26 years old and have no clue what is in store. Andrew McCarthy likable and sympathetic. Ally Sheedy, just okay. Rob Lowe is very good as irresponsible Billy, involved with Mare Winningham, the resident unattractive 'old standby' girlfriend.
There are some scenes reminiscent of a frat party. A few scenes with Emilio Estevez, pursuing a pipe-dream romance with Andie McDowell. Basically it addresses recent graduates floundering, attempting different careers and lifestyles, affairs and obsessions. It catches that time period most of us had, when we thought we were so significant in the world, not yet jaded, still trying to find meaning and hope. The Winningham character particularly conveys the aspect of the screenplay. When her father (Martin Balsam) tells her to just get married settle down and have a greeting card franchise (like the rest of her family) No I am committed to my real job, she says as she works as a social worker, still trying to have an affect.
Similar to the later Generation X issues, and the now sense of alienation, everyone goes through similar growing pains, whether 80's materialism, 90's nihilism ('Reality Bites') or today's general alienation and violence. The issues are the same, the culture just manifests them a bit differently. 8/10
Demi Moore as Jules is simply lost in denial borrowing money to keep up an image of success. They are 26 years old and have no clue what is in store. Andrew McCarthy likable and sympathetic. Ally Sheedy, just okay. Rob Lowe is very good as irresponsible Billy, involved with Mare Winningham, the resident unattractive 'old standby' girlfriend.
There are some scenes reminiscent of a frat party. A few scenes with Emilio Estevez, pursuing a pipe-dream romance with Andie McDowell. Basically it addresses recent graduates floundering, attempting different careers and lifestyles, affairs and obsessions. It catches that time period most of us had, when we thought we were so significant in the world, not yet jaded, still trying to find meaning and hope. The Winningham character particularly conveys the aspect of the screenplay. When her father (Martin Balsam) tells her to just get married settle down and have a greeting card franchise (like the rest of her family) No I am committed to my real job, she says as she works as a social worker, still trying to have an affect.
Similar to the later Generation X issues, and the now sense of alienation, everyone goes through similar growing pains, whether 80's materialism, 90's nihilism ('Reality Bites') or today's general alienation and violence. The issues are the same, the culture just manifests them a bit differently. 8/10
This movie was the cliché post college life of the 1980's, the life every one read about, saw on television or what was told it should be. It fit right in to the very interesting 80's format. Although, this movie is also strongly "Brat Pack" driven and if you don't know or can't relate to these actors the movie doesn't stand a chance. It's not bad, just chummy, overly dramatic loathsome characters carried by well liked actor credentials of the time. Typical coming of age flick for over privileged college kids with some interesting character twists throughout. A very early glimpse of a young Demi Moore is of pertinent interest, Judd Nelson delivers, Emilio does his Emilio thing and of course, there's Rob Lowe. A quintessential 80's film. A rainy day check it out flick.
Did you know
- TriviaThe street that the St. Elmo bar is on is in the Universal back lot. Two or three buildings to the left is the Hill Valley Clock Tower from Back to the Future (1985).
- GoofsThe film takes place at and around Georgetown University. However, various characters in the film are seen wearing red/white varsity letter jackets, the colors of the University of Maryland, where the campus scenes were filmed. Georgetown's colors are blue, gray, and white.
- Quotes
Billy: Jules, y'know, honey... this isn't real. You know what it is? It's St. Elmo's Fire. Electric flashes of light that appear in dark skies out of nowhere. Sailors would guide entire journeys by it, but the joke was on them... there was no fire. There wasn't even a St. Elmo. They made it up. They made it up because they thought they needed it to keep them going when times got tough, just like you're making up all of this. We're all going through this. It's our time at the edge.
- ConnectionsFeatured in At the Movies: D.A.R.Y.L./Cocoon/Return to Oz (1985)
- SoundtracksLove Theme from St. Elmo's Fire
Written by David Foster
Produced by David Foster and Humberto Gatica
Performed by David Foster
- How long is St. Elmo's Fire?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- El primer año del resto de nuestras vidas
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $10,000,000 (estimated)
- Gross US & Canada
- $37,803,872
- Opening weekend US & Canada
- $6,128,157
- Jun 30, 1985
- Gross worldwide
- $37,803,872
- Runtime
- 1h 50m(110 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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