Mr. Toad's Wild Ride

I am probably one of the six people who saw this on its first theatrical run in the US. Because of a complicated and ultimately stupid legal battle between distributors involving this and other films this film got so lost that the only promotional material available to the theater I saw it in was a picture from a newspaper, which they pasted into a much too big poster holder.

To add insult to injury despite getting raves from the New York papers, all of which wondered why the distributor was dumping a wonderful "children's" film, a new distributor, Disney released it on video after changing its name to tie into their amusement park ride, there by confusing those of us who saw this as the Wind in the Willows.

This film is a great film. Its simply a fantastic film comedy, never mind the stupid label of children's or family film, this is just great movie making.

The only people I know who are disappointed in it are people expecting a Monty Python film. Although it pretty much reunites all of the surviving Pythons only Jones and Eric Idle are in it for any length of time, Cleese has one scene as a lawyer and Palin is fleetingly seen as the sun. The film is light years from Python, despite having just a touch of Python's madness.

The humor is gentle and loving and keeping both with the period and with modern tastes. The songs are wonderful. Granted the story is changed to deal with the dangers of crass commercialism, the weasels want to turn Toad Hall into a factory, but having seen several version of the story told with people in costume, this is only one of two versions that has ever worked, and this one did it in half the time of the other.

This is a film that will make everyone feel good and which despite the PG rating is great for everyone.

Fantastic family fun sees the Python team back on top form. Director Terry Jones (Who also writes and fantastically plays the part of Green - headed pink - cheeked fly - eating fantastically funny Toad in the film) sees the film to suit all ages. We've got a touching performance from Steve Coogan as heroic/overwimpy Mole, Overcooked portrayal of Rat from Eric Idle, and excellent performance from Nicol Williamson as Badger, and really cherrie performance from Michal Palin as the Sun. But by far the best performance was Antoney Sher's portrayal of the hissable Cheif Weasel. A real feast of cherrie popcorn fodder and tounges remain firmly in cheek throughout. Highly enjoyable.

The Monty Python team are the Pink Floyd of comedy; that is to say, they began brilliantly, shattering paradigms, but gradually subsided into lumbering, stodgy self-parody. (In the Floyd's case, compare and contrast the brilliantly fresh and visionary "See Emily Play" with the depressingly self-regarding millionaire's stadium plod-rock of "Comfortably Numb".)

The trouble is, many people follow rock bands and comedy teams as blindly as they follow political parties, once their basic loyalties have been established. So it is with the Floyd and the Pythons. Two or three Pythons only have to show up in a film or TV show for unthinking accolades to be heaped on it, regardless of whether, viewed objectively, it is any good or not. The Floyd/Pythons continue to bathe in the referred glory of their earlier, genuine achievements. (In any case, Jones and Idle are the only strong Python presences in the film; Palin (the smuggest of superannuated satirists) must have sleep-walked through his exiguous, undemanding role as The Sun, while it must have taken about thirty seconds for Cleese to complete his economy-size cameo.)

As an adaptation of the children's classic, Terry Jones's film is a travesty. Taken on its own terms, it is intermittently entertaining, although it loses focus and becomes excessively silly once Toad has escaped from gaol.

I think the film must be viewed in the context of the time it was made. John Major's faltering Conservative regime still just about held sway in Britain in 1995-6 (the time of the film's production), and the Labour Party had been out of power since 1979. The grasping, treacherous, materialistic weasels - who resemble the Blue Meanies from "Yellow Submarine" - are clearly a satire on the greedy entrepreneurs who had taken centre-stage in British public life after the accession of Margaret Thatcher. (We were still naive enough then to hope that Tony Blair's New Labour would rescue us from the weasels, so to speak. But New Labour were just the same old weasels in disguise.)

Steve Coogan and Nicol Williamson play their roles with more conviction than the film strictly deserves, while the Pythons simply trade on their fans' brand-loyalty. Pretty Julia Sawalha is fetching as the gaolkeeper's daughter

Don't get me wrong, I did really like it, but like most films, there were a number of flaws that undermined what could have been a fun romp for kids. The first, and main problem, was the story. There were some times when it bared some resemblance to one of the best children's books ever written, up there with Peter Pan and the Hans Christian Anderson Fairy tales, for imagination and complexity. However, I especially disliked the dog meat factory subplot, that's where it got really clumsy and it made the climax feel really cluttered. The songs were also nothing to write home about. They were fun to listen to (especially the Weasel song), but they were definitely forgettable. The direction, by I think Terry Jones(also actor), lacked at times the director's usual silliness and fun. There were some scenes, like the train scene where the action felt a bit rushed. However, there were a number of redeeming qualities to the film. Some scenes, like the introduction to Rat, were beautifully shot, and reminded me of Three Men in a Boat. The sets and scenery are very colourful and pretty and the costumes didn't bother me all that much, admittedly though some of the special effects were so-so. The script was good, very witty at times, with some priceless lines especially with Toad, Badger and St John, while maintaining the book's gentleness and drollness which I liked. The performances were in general excellent especially Nicol Williamson as Badger, who brought a much needed gruffness to the character as well as having a gift for comedy. Steve Coogan was touching as Mole. Eric Idle and Terry Jones were very funny in their roles, Idle is wonderfully sympathetic and jovial while Jones has a ball as the juiciest character. The courtroom scene was hilarious because of Toad's increasingly silly breaking-into- song moments, and was the highlight of the film. John Cleese and Stephen Fry were good(Cleese especially), but their appearances were too brief. Anthony Sher was adequately menacing as Chief Weasel, but like everyone else involved, he has been better. All in all, a likable, colourful and funny but unfortunately at times clumsy film, with a 7/10. Bethany Cox

Hey, what's going on?

I've been reading the reviews of this film, and can't understand the (over) reaction to it.

This is a children's film. For children. Adults watching it who are not amused must have hearts of stone - even though it does not follow the current trend of having a subtext directed at the adult audience.

And yet, other reviewers are comparing it to Monty Python, Pink Floyd, The Decline and Fall of the Roman Empire, John Majors pre 97 UK - et al. This is ridiculous.

It's a light hearted representation of the story which does not stick to the original text. I'm sure the author would have laughed in the right places. I've seen (a few) better films of the genre - I've seen many, many worse.

The low points?

• the songs

• the pet food factory plot (Why??)

The high points?

• the fact the songs are very short

• the costumes (an eclectic mix of modern, Victorian, Edwardian, and Middles Ages which I think work really well).

• Toad's green face paint

• The steam train.

Anyway, my children, who can be deeply cynical of films like this, loved it. I laughed. End of story.