A TV interviewer and his cameraman meet a former actress and travel through her memories and career.A TV interviewer and his cameraman meet a former actress and travel through her memories and career.A TV interviewer and his cameraman meet a former actress and travel through her memories and career.
- Awards
- 6 wins & 8 nominations total
Shôzô Îzuka
- Genya Tachibana
- (voice)
Shôko Tsuda
- Eiko Shimao
- (voice)
Hisako Kyôda
- Mother
- (voice)
Tomie Kataoka
- Mino
- (voice)
Takkô Ishimori
- Head Clerk
- (voice)
Masamichi Satô
- Young Genya
- (voice)
Masaya Onosaka
- Kyoji Ida
- (voice)
Stephen Bent
- Junichi Otaki
- (voice: English version)
Greg Chun
- Man of the Key
- (voice: English version)
Matt Devereaux
- The Man with the Scar
- (voice: English version)
Ben Diskin
- Kyoji Ida
- (voice: English version)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
Excellent blending of reality and illusion
The life story of an actress told to reporters that blurs the line between reality and fantasy as the movies she made become he life and vice versa.
A wonderful continuation of of the ideas in the brilliant thriller Perfect Blue, we once again have our perceptions turned upside down and sideways. Who is telling the truth, or more importantly is it even possible to know when all we are anyway is a half remembered collection of memories, are notions thrown at us and left for us to determine on our own. This is a film that probably could never have worked as a live action film simply because the changes between reality, memory and movie could never be as seamless as they are here.
This is a movie for grown ups and very clearly shows why those who think animated films are only for kids is missing out.
A wonderful continuation of of the ideas in the brilliant thriller Perfect Blue, we once again have our perceptions turned upside down and sideways. Who is telling the truth, or more importantly is it even possible to know when all we are anyway is a half remembered collection of memories, are notions thrown at us and left for us to determine on our own. This is a film that probably could never have worked as a live action film simply because the changes between reality, memory and movie could never be as seamless as they are here.
This is a movie for grown ups and very clearly shows why those who think animated films are only for kids is missing out.
Mastery of storytelling
Satoshi Kon is the extremely talented director who brought us the memorable Perfect Blue (1997) and perhaps changed the face of Japanimation forever. Here at his second feature film, ripe after a four years hiatus, he makes the wait well-worthed with a cunning cinematographic experience that literally plunges the viewer into the wonderful world of film.
Using the animation medium to push storytelling in film to new levels of effectiveness, Kon tells the story of a legendary actress who's life and career sparks the interest of documentary director Genya Tachibana. Along with his trusted cameraman, he undertakes to interview the now very old Chiyoko Fujiwara, spotlight actress in her hay days, and together they delve into her past.
This session blooms into a captivating narrative, blending elements of her life with roles in some of her films, and exploring her great search for love. The movie thus explores the personal challenges and self-realization that one undergoes through the different stages of life. It does so with the help of probing questions from Genya and is not shy of being epic in scale, passing seamlessly through fictional eras and time periods, superimposing characters, persons and life teachings. The fusion of reality and fiction is truly remarkable, and Satoshi Kon distinguishes himself from conventional dogmas in that aspect. For him, sky is the limit. He is only limited by his boundless imagination. The result is something fresh and spectacular. From the beauty of the vibrant images to the backdrop of lyricism and poetry, the movie explores life with us... and comes up with interesting conclusions. You will have to see and judge for yourself, but I promise that, if nothing else, it will have made you think.
I was privileged to attend the world premiere at the Montreal FantAsia Festival and was greatly honored to be blessed with the incarnation of the director himself, in flesh and bone. He strikes me as a very intelligent, very mature and wise man. There is an old woman in the film who says to Chiyoko: "I love you and I hate you more than you can imagine." I asked him the significance of that and he simply answered: "I do not really know what it means. I know that I understand many things that I did not 15 years ago. I just tried to project myself in the future, and thought of what I might be able to bestow to a younger inexperienced person like myself, with this increased wisdom that comes with life's trials and tribulations." I admit I am paraphrasing just a little (my japanese is not that good in any case), but that's essentially what he said, and this confirmed my belief, based on the artistic genius and masterful integration of complex thoughts into a simple, flowing, living piece, that this man is gifted. He has an incredible depth and is able to conjure it up to the surface and present it to us. One cannot but delight in his work and wait again for more enlightenment...
A suivre...
Using the animation medium to push storytelling in film to new levels of effectiveness, Kon tells the story of a legendary actress who's life and career sparks the interest of documentary director Genya Tachibana. Along with his trusted cameraman, he undertakes to interview the now very old Chiyoko Fujiwara, spotlight actress in her hay days, and together they delve into her past.
This session blooms into a captivating narrative, blending elements of her life with roles in some of her films, and exploring her great search for love. The movie thus explores the personal challenges and self-realization that one undergoes through the different stages of life. It does so with the help of probing questions from Genya and is not shy of being epic in scale, passing seamlessly through fictional eras and time periods, superimposing characters, persons and life teachings. The fusion of reality and fiction is truly remarkable, and Satoshi Kon distinguishes himself from conventional dogmas in that aspect. For him, sky is the limit. He is only limited by his boundless imagination. The result is something fresh and spectacular. From the beauty of the vibrant images to the backdrop of lyricism and poetry, the movie explores life with us... and comes up with interesting conclusions. You will have to see and judge for yourself, but I promise that, if nothing else, it will have made you think.
I was privileged to attend the world premiere at the Montreal FantAsia Festival and was greatly honored to be blessed with the incarnation of the director himself, in flesh and bone. He strikes me as a very intelligent, very mature and wise man. There is an old woman in the film who says to Chiyoko: "I love you and I hate you more than you can imagine." I asked him the significance of that and he simply answered: "I do not really know what it means. I know that I understand many things that I did not 15 years ago. I just tried to project myself in the future, and thought of what I might be able to bestow to a younger inexperienced person like myself, with this increased wisdom that comes with life's trials and tribulations." I admit I am paraphrasing just a little (my japanese is not that good in any case), but that's essentially what he said, and this confirmed my belief, based on the artistic genius and masterful integration of complex thoughts into a simple, flowing, living piece, that this man is gifted. He has an incredible depth and is able to conjure it up to the surface and present it to us. One cannot but delight in his work and wait again for more enlightenment...
A suivre...
10wassapjy
Our loves and our youth.
Without a doubt, Millennium Actress is a masterpiece. Fluid scene transitions, vibrant colors, and gorgeous pieces of music not only allow, but forces the viewer to feel empathy for the character. I admit, I was teary eyed for several scenes in the movie, it's cinema at its best.
The story, like Kon's Perfect Blue, is told in a way where reality and fantasy are blurred and joined. Unlike Perfect Blue, the truth and fiction are not important matters in Millennium Actress. Perfect Blue was a movie about an event. Millennium Actress is a movie about an emotion: Love. That search for the long lost love is the only thing that keeps one young. Chiyoko, the main character, travels through centuries and millenniums to find it, but always fails. Yet her zealous passion for this quest is what ultimately keeps her young, even at death.
Watching this film, we will all be reminded of that one passion we've had during our youthful days and be reminded about our quest to fulfill that passion. Maybe that feeling will return after you've viewed this movie. Maybe you'll regret certain actions and decisions that you've made in the past. But that's of no importance. Because at that point, the film has done its job and you'll feel a little warmer inside.
The story, like Kon's Perfect Blue, is told in a way where reality and fantasy are blurred and joined. Unlike Perfect Blue, the truth and fiction are not important matters in Millennium Actress. Perfect Blue was a movie about an event. Millennium Actress is a movie about an emotion: Love. That search for the long lost love is the only thing that keeps one young. Chiyoko, the main character, travels through centuries and millenniums to find it, but always fails. Yet her zealous passion for this quest is what ultimately keeps her young, even at death.
Watching this film, we will all be reminded of that one passion we've had during our youthful days and be reminded about our quest to fulfill that passion. Maybe that feeling will return after you've viewed this movie. Maybe you'll regret certain actions and decisions that you've made in the past. But that's of no importance. Because at that point, the film has done its job and you'll feel a little warmer inside.
Good storytelling !!
If you have seen any other movies by Satoshi Kon (Perfect Blue, Tokyo Godfathers), you get the idea that he knows how to tell a story. The stories are told in a dramatic, yet unconventional way. The story is about a Japanese movie studio that is torn down. The current executive in charge gets an interview with the studio's star actress, whom has been living in seclusion for years and does not give interviews. The movie seamlessly integrates dramatic moments, with light humor and stunning visuals. The visuals are breathtakingly imaginative not in that they are exotic and surreal, but rather stunningly realistic. Where Perfect Blue is more about the dark side of human nature, this movie is about the resilience of the human spirit and hope. What is similar, is that the reality of the story is in question. What is real, and what is perceived, is based on the perspective of the viewer. Definitely a must see movie.
-Celluloid Rehab
-Celluloid Rehab
Storytelling
Satoshi Kon shows his skill at drawing you into another world. Millennium Actress has a great story, really great characters, and keeps you fixated from start to finish. Watching this one made me forget this was an anime as I became fascinated by the life moving before me. Chiyoko is amazing at any age or time; her determination, spirit, and energy are infectiously admirable. Note the interviewer and our skeptical camera guy are third party observers in the dark, just like ourselves. Someone watching this mentioned how great the soundtrack is which adds a whole other level and really establishes pace, mood, and atmosphere throughout. A key reminding us of the value of a dream and how far would you go to fulfill it?
This one asks questions, has fun moments, and really touching ones. It's all done so creatively that you come along for the journey and find out it's all worth it.
This one asks questions, has fun moments, and really touching ones. It's all done so creatively that you come along for the journey and find out it's all worth it.
Did you know
- TriviaCranes appear frequently throughout the film, typically with Chiyoko in the same frame. In Japanese culture, cranes represent longevity and fidelity, and are said to live for a thousand years.
- GoofsIn the Japanese Version, the news indicates that the astronauts of the Apollo 11 mission departed from Cape Canaveral in 1969. During the Apollo missions, the name was Cape Kennedy. The name of Cape Canaveral, was re-registered until 1974.
- Quotes
[last lines]
Chiyoko Fujiwara: The part I really loved, was chasing him.
- ConnectionsFeatured in WatchMojo: Top 10 Anime Movies (Redux) (2017)
- SoundtracksRotation (Lotus-2)
Written, Composed and Performed by Susumu Hirasawa
- How long is Millennium Actress?Powered by Alexa
Details
- Release date
- Country of origin
- Languages
- Also known as
- Vai Diễn Ngàn Năm
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $1,200,000 (estimated)
- Gross US & Canada
- $262,891
- Opening weekend US & Canada
- $18,732
- Sep 14, 2003
- Gross worldwide
- $264,771
- Runtime
- 1h 27m(87 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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