A fascinating reissue that comfortably straddles the lines of jazz, folk, and world music, working up a storm by way of a jazz protest album that points toward the Spanish Civil War in particular and the Vietnam War in passing. Haden leads the charge and contributes material, but the real star here may in fact be Carla Bley, who arranged numbers, wrote several, and contributed typically brilliant piano work. Also of particular note in a particularly talented crew is guitarist Sam Brown, the standout of "El Quinto Regimiento/Los Cuatro Generales/Viva la Quince Brigada," a 21-minute marathon. Reissue producer Michael Cuscuna has done his best with the mastering here, but listeners will note a roughness to the sound -- one that is in keeping with the album's tone and attitude. AMG.
Although one would not immediately associate bassist Charlie Haden with pianist Hampton Hawes, they had performed together on an occasional basis since first meeting in 1957. This Artists House LP, a set of five duets, was their last opportunity to play together because Hawes would pass away the following year. The music includes a fairly free improvisation on "Hello/ Goodbye," the duo's intepretation of the title cut, a collaboration on "This Is Called Love" and two originals from the pianist. This quiet and often lyrical set contains a great deal of thoughtful and subtle music by two masters. AMG.
In 1976, bassist Charlie Haden recorded eight duets with musicians whom he admired; the results were originally released on two Horizon LPs as Closeness. In 1988, A&M reissued all of the music on a pair of CDs, titled "Closeness" Duets. For this release, Haden is teamed with pianist Keith Jarrett, plays a memorable "O.C." with altoist Ornette Coleman, interprets a moody piece with harpist Alice Coltrane, and performs the highly political "For a Free Portugal" (which also utilizes excerpts from a record of Angolan music) with percussionist Paul Motian. Recommended, particularly due to the Ornette andJarrett collaborations. AMG.