Tempest - Live in Sweden 1973

Back From The Dead as requested...
Originally posted May 13, 2012 

Tempest - Live in Sweden 1973

FM Source @320 & Flac

Formed by drummer Jon Hiseman in 1974 after the break up of COLOSSEUM, TEMPEST (no relation to the US band of the same name) are most notable for their line up rather than their albums. Hiseman brought in an at the time very young guitarist by the name of Allan Holdsworth, with Mark Clark (bass) and Paul Williams (vocals) completing the band. Clark had also been a member of COLOSSEUM. Paul Williams had played with JOHN MAYALL'S BLUESBREAKERS and JUICY LUCY.

TEMPEST released two albums with Peter "Ollie" Halsall (PATTO, SCAFFOLD) replacing Holdsworth for "Living in Fear", and taking on keyboard duties for that album too. He replaced the departed Williams on vocals, resulting in a completely different sound for that album. Their music is more jazz rock than fusion, and Hiseman's COLOSSEUM influences can be heard in the jazz influences in both albums. While "Living in Fear" was more direct and dynamic than the first self titled album, neither was particularly satisfactory.

Hiseman went on to form COLOSSEUM II, while Holdsworth found varying degrees of success both as a solo artists, and with bands such as GONG, SOFT MACHINE, UK and BRUFORD. The late Ollie Halsall (died 29 May 1992) recorded with BOXER and Kevin Ayers among others. Clarke worked with various bands including NATURAL GAS, URIAH HEEP, MOUNTAIN AND RAINBOW. 

~Bob McBeath, SCOTLAND

Jon Hiseman - Drums
Allan Holdsworth - Guitar, Violin
Mark Clarke - Bass, Vocals
Paul Williams - Vocals, Keyboards

Track List:
1. Gorgon
2. Dark House
3. Grey And Black
4. Upon Tomorrow
5. Foyers Of Fun
6. Up And On
7. Strangeher

42:47
Tracks 1 - 6: Radiohus, Stockholm, Sweden, 17 January 1973
Tracks 7: Radiohus, Malmö, Sweden, 26 January 1973

pass-fbsvw

Sweden '73 (mp3)

Sweden '73 (flac)

>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>

 

 Cyndi Wood - Miss February 1973

Bon Jovi – Under The Covers: The Songs They Didn't Write

 

Bon Jovi – Under The Covers: The Songs They Didn't Write

All Tracks From Live FM Broadcasts, 1985-1993

1. Walk This Way  2. Fever  3. Shout  4. Good Lovin'  5. With a Little Help From My Friends  6. The Boys Are Back in Town  7. Bang Bang  8. You Keep Me Hangin On  9. Help  10. Pretty Woman  11. Goin' Back  12. Good Golly Miss Molly  13. Seven Days  14. I Don't Wanna Go Home  15. Little Wing  16. It's Only Rock 'N' Roll  17. Tom Traubert's Blues

https://workupload.com/file/MLb3R99MtAx

Level 42 - 1986-05-06 - Trocadero, Philadelphia, PA, USA (73'56)(SBD)[MP3-320]

  

Total Length 113:56

 
1 - The Chinese Way 05:31
2 - Love Games 05:51
3 - World Machine 05:48
4 - Turn It On 05:31
5 - Kansas City Milkman 07:09
6 - Instrumental 05:04
7 - Leaving Me Now 08:01
8 - The Chant Has Begun 06:09
9 - Micro-Kid 06:04
10 - The Sun Goes Down (Living It Up) 07:11
11 - Something About You 05:17
12 - Hot Water 06:20

GLOP

 

The Rolling Stones - Lonely At The Top

 

*THANKS TO DAVE

Here is the next set of boots I promised. Nothing really new here that you haven't heard before, but maybe you're late to the game.

SHE PISTOL WHIPPED ME ONCE OR TWICE NEVER EVER TRIED TO TAKE MY LIFE

Mitch Ryder & The Detroit Wheels - Live In Ann Arbor 2008

 

Mitch Ryder & The Detroit Wheels

Saturday, March 22, 2008

Michigan Theater

Ann Arbor, Michigan, United States

1. CC Ryder (5:04)  2. Gimmie Shelter  6:51   3. Jenny Takes A Ride  6:10  4. Devil With The Blue Dress - Good Golly Miss Molly 5:34  5. Not Fade Away 5:50  6. Rock And Roll 3:33  7. Sock It To Me Baby 2:32  8. Where Is The Next One Coming From 3:52  9. War 6:31  10. Freezing In Hell 5:50  11. Heart Of Stone 3:33  12. Little Latin Lupe Lu - Ain't Nobody White 5:24  13. B.I.G.T.I.M.E. 3:48  14. Liberty 6:27  15. When You Were Mine 4:29  16. Tough Kid 6:31  17. It Ain't Easy 3:48  18. Bow Wow Wow 4:07

                                                 https://workupload.com/file/jKzcSaGXP9k

King Biscuit Flower Hour - Krokus, Palladium, NYC January 7, 1985

Krokus
King Biscuit Flower Hour
week of January 27, 1985

Recorded at:
Palladium
New York City, NY
January 7, 1985

01 Bill Minkin - KBFH Intro
02 Commercial - Budweiser (Icicle Works)
03 Commercial - Lifesavers
04 Krokus - Long Stick Goes Boom
05 Krokus - American Woman
06 Krokus - Screaming In The Night
07 Bill Minkin - KBFH Break
08 Commercial - Budweiser (Dio)
09 Commercial - U.S. Army
10 Bill Minkin - KBFH Segment Intro
11 Krokus - Stayed Awake All Night
12 Krokus - Ready To Rock
13 Bill Minkin - KBFH Break
14 Commercial - Budweiser (Oingo Boingo)
15 Commercial - Lifesavers
16 Bill Minkin - KBFH Segment Intro
17 Krokus - Midnite Maniac
18 Krokus - Eat The Rich
19 Krokus - Headhunter
20 Bill Minkin - KBFH Break
21 Commercial - Budweiser (X)
23 Commercial - U.S. Army
24 Bill Minkin - KBFH Outro
25 Bill Minkin - Promo 1 with announcer
26 Krokus - Promo 2 Music Bed

From the Sam Eliot's Mustache Collection
Brought to you by the Collective For Live Music
Includes the cue and promo sheets.

The cue sheet says this was recorded in "upstate New York." Bill Minkin just says "live in New York."  At the start of "Ready To Rock" the singer says "it's New York, the rock capital of the U.S.A." That's something you say in New York City, not in Albany, so I suspected the "upstate New York" claim might be wrong.

Concert Vault lists a show from New York City, January 7, 1985.  Concert Vault does not name a venue.  I've compared the tracks and it's the same concert. That gives us a city and a date.
Setlist.fm has the venue as the Palladium. 

I was unable to find proof confirming this, such as a ticket, poster, print ad, or concert review, but for now, it's the best we can do.

https://mega.nz/file/GI5ARAAC#uALVG-kW-3fnYf_L1raD5eeNhwZgpzMO6mf9A_DFIZY

The Rolling Stones - Olympic Recording Sessions 1968

 

*THANKS TO DAVE. AS PROMISED

                                    I WAS RAISED BY A TOOTHLESS BEARDED HAG

Simon & Garfunkel - First Tour In Japan, Osaka Stadium May 8th 1982

 

Simon & Garfunkel - First Time In Japan

 By 1980, the solo careers of Paul Simon and Art Garfunkel were not doing well, and simultaneously, to help alleviate New York's economic decline, concert promoter Ron Delsener suggested a free concert in Central Park. Delsener contacted Simon with the idea of a Simon & Garfunkel reunion, and once Garfunkel had agreed, plans were drawn up. The concert, held on September 19, 1981 attracted more than 500,000 people, at that time the largest ever pop show attendance. Warner Brothers Records released a live album of the show, The Concert in Central Park, which went double platinum in the US. The event created a renewed interest in Simon & Garfunkel's work, and following a number of heart-to-heart talks attempting to put their disagreements behind them, the duo undertook a world tour beginning in May 1982. • During this time the pair played in Japan for the first time ever. Performing 5 shows in the country - 3 in Tokyo and 2 in Osaka - between the 5th and 12th of May ’82, the concerts attracted massive crowds and the pair’s gig at Osaka Stadium on 5th was recorded and broadcast live across the nation.

https://workupload.com/file/8eJFWSL5e3Q

The Gregg Rolie Band - Rain Dance Live (Out Of Print)

 

The Gregg Rolie Band - Rain Dance Live 

Recorded during 2007 tour

No longer in print

01. Jingo

02. Going Home

03. No One To Depend On

04. As the Years Go Passing By

05. Evil Ways

06. Across the Water

07. Give It To Me

08. Soul Sacrifice

09. Black Magic Woman

10. Gypsy Queen

11. Oye Como Va

12. Bailamos El Son

So retro that it is actually cool! Rain Dance Live is an amazing concert recording by a bunch of veteran blues rockers led by legendary keyboardist / vocalist / producer Gregg Rolie. Rolie was a long time member of Carlos Santana’s band and a founding member of Journey (as well as founder of bands The Storm and Abraxas Pool). Gregg and band recorded this album while on tour in 2007. After giving this a listen it is obvious why Rolie was inducted into the Rock And Roll Hall Of Fame. Fans of Carlos Santana or Stevie Ray Vaughn won’t want to miss this one.

https://workupload.com/file/DGqtkPvPYz8

King Biscuit Flower Hour Show #1 Blood Sweat & Tears, Bruce Springsteen, Mahavishnu Orchestra with John McLaughlin

King Biscuit Flower Hour 
Show #1
Air date: February 18, 1973
Blood Sweat and Tears
Bruce Springsteen
Mahavishnu Orchestra with John McLaughlin

Recorded at:
Blood Sweat and Tears
North Mesquite High School
Dallas, TX

January 20, 1973

Bruce Springsteen
Max's Kansas City, NYC
January 31, 1973

Mahavishnu Orchestra with John McLaughlin
Century Theater, Buffalo, NY
January 27, 1973

01 Bill Minkin - KBFH #1 Intro
02 Commercial - Pioneer
03 Blood Sweat and Tears - I Can't Move No Mountains
04 Blood Sweat and Tears - Snow Queen
05 Blood Sweat and Tears - Maiden Voyage
06 Blood Sweat and Tears - When I Die
07 Bill Minkin - KBFH #1 Break
08 Commercial - Pioneer
09 Commercial - Newmark & Lewis
10 Alison Steele - WNEW ID
11 Bill Minkin - Write To KBFH
12 Bruce Springsteen - Bishop Danced
13 Commercial - Pioneer
14 Commercial - Newmark & Lewis
15 Bill Minkin - Segment Intro
16 Mahavishnu Orchestra with John McLaughlin - Dawn
17 Bill Minkin - KBFH #1 Break
18 Commercial - Newmark & Lewis
19 Bill Minkin - Write To KBFH

Brought to you through the efforts of the Collective For Live Music.

Our pal Sam Eliot's Mustache found this audio on YouTube at https://www.youtube.com/watch?v=q1mZCtJZJWI&t=1849s

He recorded the streaming audio, burned it as WAV files and sent it to me to chapter.

I chaptered it but also took the time to remove several hundred bits of (what I think is...) radio static.  I didn't get everything but it's improved over the streaming audio.

I want to note that while this is "flac files of wavs" it is most likely "lossy" - streaming audio is usually not CD quality audio.  I lack the expertise to analyze the stream (I could figure it out but I have to go to work in an hour...).  Saving as a wav allows us to burn CD-rs so it makes sense and compressing them as flac to save space is also smart. I just want to call out that this is not a direct transfer from a reel source.

The gang felt that this was an historically important show; the start of the rise of syndicated live concerts distributed nationally. This outweighs the fact we didn't record this ourselves and can't verify the source.  

It sounds very good; there's virtually no hiss that I can hear.  Some "hum" that's probably 60 Hz and the 120, 180, etc. harmonics...which could be stage amps and monitors.  Whatever this is, it's really good quality and a great historical document of a vintage radio broadcast.

My guess is this is recorded off-the-air from WNEW in New York. The other announcer (not Bill Minkin) is a female disk jockey; she's inserting intro and outro remarks, and a WNEW-FM station identification.  The commercials are for Newmark & Lewis, which the internet tells me was based in the New York area (mainly Long Island).  I note that the vocal talent on these commercials have a regional New York accent that stands out to my West Coast California accent ears. 

The YouTube channel has a print ad for the show as a graphic; I haven't been able track a high-resolution copy of this down yet.  Does anyone have access to Rolling Stone magazine archives?  

One really weird thing about this show was Springsteen's choice of song. His debut album was released six weeks prior on January 5, 1973.  Now... if your first album was out there, and you had a national performance platform, what would you do?  Well, I'd pick my single "Blinded By The Light" and play the friggin' heck out of it.  What I wouldn't do is pick a song that wasn't on the album...and wasn't on ANY album for the next 25 years (it finally turned up on 1998's "Tracks.)"  But that's what he did.

Another weird thing about the past:  High profile rock bands played high schools.  Blood Sweat & Tears are playing a high school here.  The Kinks played at my high school (Ygnacio Valley High School, Concord, CA) in the summer of 1970.  Miles Davis played at our cross-town rival, Las Lomas High School. Santana played there, too.

----------
Also... I "asked the Internet" and got a Bing Copilot response that I cut and pasted into a jpg in the artwork file.

It says, "the show was special as it marked the reunion of the band after lead vocalist David Clayton-Thomas rejoined the group."

I didn't hear Clayton-Thomas's distinctive vocals on this at all.  He's not there, and Concert Vault says it's Jerry Fisher.  

This is just wrong.

And in point of fact, they do NOT play "Hi De Ho (That Old Sweet Roll)," "Spinning Wheel," "Lucretia McEvil," or "You've Made Me So Very Happy."

This is our future: we ask the Internet, and it gives us incorrect information. 

https://mega.nz/file/fJ50ATrJ#7lXRwF2MuejNOgrwLBsN70GxJhnIkKu_MTSTn4b-LJE

Đ®åⒻṬëŕṽøï says, "Please do not believe everything you read on the internet, including this sentence."

The download was corrected Thursday November 20, 2025 to include the name of the WNEW announcer, Alison Steele, "the Nightbird."

Paul Simon – Live N' Late In The Evening - Tower Theater, Upper Darby Philadelphia, PA. October 7th 1980

 

Paul Simon – Live N' Late In The Evening

Tower Theater Upper Darby Philadelphia, PA.

October 7th 1980

Liberated Bootleg

1. Me and Julio Down in Down By The Schoolyard  2. Still Crazy After All These Years  3. Ace In The Hole  4. Something So Right  5. One Trick Pony  6. Jonah  7. Fifty Ways To Leave Your Lover  8. Late In The Evening  9. American Tune  10. The Boxer  11. The Sound of Silence

Bass – Tony Levin

Drums – Steve Gadd

Guitar – Eric Gale

Guitar, Vocals – Paul Simon

Keyboards, Vocals – Richard Tee

Paul Simon has had many creative periods during his long illustrious career. During the mid-70's he started playing with some of the best jazz/funk musicians New York had to offer. His "One Trick Pony", album as depicted in the movie of the same name, showcased his new funk/jazz band. Steve Gadd on drums, Richard Tee on Keyboards, and Eric Gale on guitar were members of the popular funk/jazz group Stuff. Add Tony Levin on bass, and you have something of a New York super session group backing Simon. This cd is basically "One Trick Pony" live, featuring songs from the album such as "Ace in The Hole", featuring Richard Tee sharing vocals with Simon. It's a rollicking thumper and may be the highlight of the concert. Other standouts are "One Trick Pony", and of course "Late in The Evening". Simon adds fan favorites like "Me & Julio Down by The School Yard", "The Boxer", "Still Crazy", and a live funky version of "50 Ways To Leave Your Lover", which nearly eclipses the version on Simon & Garfunkel "Live in Central Park". Richard Tee's unmistakable fender rhodes sound is prevalent throughout, and Eric Gale shows why he is considered the grand champion of progressive jazz guitar. 

https://workupload.com/file/qZmPHHMPXTB

Tears For Fears - Live London 1983

Back From The Dead...
Originally posted February 26, 2014

Tears For Fears - London, England
April 18, 1983

FM Broadcast Recording @256
KBFH & BBC Rock Hour

Track List:
BBC Rock Hour
01 - Radio Announcer Introduction (0:39)
02 - Memories Fade (6:05)
03 - The Way You Are (5:37)
04 - Suffer The Children (5:05)
05 - Pale Shelter (6:33)
06 - Ideas As Opiates (3:49)
07 - Mad World (3:52)
08 - Watch Me Bleed (4:11)
09 - Change (5:04)
10 - Start Of The Breakdown (6:14)
11 - The Hurting (4:11)
12 - Richard Skinner Outro (0:34)
KBFH
13 - Pale Shelter (7:00)
14 - Suffer The Children (4:19)
15 - Mad World (4:51)
16 - The Hurting (4:26)

 

 

Original post Thanks to T.U.B.E.!

 

pass-fbsvw

London '83

The Who - Super Biscuit "Who's Best" 1986

The Who
Super Biscuit
4/12/86
Who's Best
April 12, 1986

The Who
Recorded at:
Maple Leaf Gardens
Toronto, Ontario

December 17, 1982
Capital Centre
Landover, MD ("Washington, DC")
December 6, 1973

Roger Daltrey
Recorded at:
Tower Theater
Upper Darby, PA ("Philadelphia")

December 5, 1985

Pete Townshend's Deep End
Recorded at:
Brixton Academy
London
November 1-2, 1985

00 NO ARTIST - 1 kHz Tone
01 Bill Minkin - Superbiscuit SB-1 Intro
02 Commercial - Lee Jeans
03 Bill Minkin - Superbiscuit SB-1 Segment Intro
04 Roger Daltrey - Interview
05 The Who - My Generation
06 The Who - I Can't Explain
07 The Who - Pinball Wizard
08 The Who - See Me Feel Me
09 The Who - Who Are You
10 John Entwistle - Interview
11 Commercial - Lee Jeans
12 Bill Minkin - Superbiscuit SB-1 Segment Intro
13 The Who - Baba O'Riley
14 The Who - Won't Get Fooled Again
15 Bill Minkin - Superbiscuit SB-1 Break
16 Commercial - Budweiser
17 Pete Townshend - Interview
18 The Who - The Real Me
19 The Who - Bell Boy
20 Keith Moon - Interview
21 Commercial - Lee Jeans
22 Commercial - Budweiser
23 Commercial - Lee Jeans
24 Roger Daltrey - Interview
25 Roger Daltrey - After The Fire
26 Roger Daltrey - Under A Raging Moon (with P.T. interview)
27 Bill Minkin - Superbiscuit SB-1 Break
28 Commercial - Lee Jeans
29 Commercial - Budweiser (Lou Rawls)
30 Commercial - Lee Jeans
31 Bill Minkin - Superbiscuit SB-1 Segment Intro
32 Pete Townshend's Deep End - Face The Face
33 Pete Townshend's Deep End - Give Blood
34 Bill Minkin - Superbiscuit SB-1 Break
35 Commercial - Budweiser
36 Commercial - Lee Jeans
37 Bill Minkin - Superbiscuit SB-1 Outro
38 Bill Minkin - Superbiscuit SB-1 Promo

Runout grooves:
SB-1A  MCR Joe
SB-1B  MCR Joe
SB-1C  MCR Joe
SB-1D  MCR Joe
SB-1E  MCR Joe
Blank side, no etching

Brought to you by the Collective For Live Music. 

Flac files of wavs, includes 300 dpi scans of the cues and disc labels. This version November 1st, 2025.

This show is the first King Biscuit Flower Hour branded as a "Superbiscuit." It's 90 minutes instead of the usual 60 minutes.  There were shows longer than 60 minutes prior to this but none carried the "Superbiscuit" designation. In the July 1986 edition of Broadcasting, it's mentioned there were six Superbiscuits planned.

Bill Minkin calls the show a "composite concert," which means they patched together parts of two Who concerts from 1973 and 1982 with 1985 tracks from Roger Daltrey and Pete Townshend's Deep End. They've also edited in interviews with Roger Daltrey, John Entwistle, Pete Townshend, and Keith Moon (who had been dead for over seven and a half years at the time of the broadcast).

The usual King Biscuit runout grooves have the letters "KB" for a regular show or BOB (for a Best of the Biscuit) followed by ascending number.  The Super Biscuit does not follow this style...so the show the prior week was #622, and the following week was #623.  The Super Biscuit was marked as SB-1. There were additional 90 minute Super Biscuits by Judas Priest and GTR in 1986.  After that, it's all 60 minute shows, so the six Superbiscuits per year did not happen.

The official cola of the teenage wasteland.

In "Who Are You," King Biscuit censors two f-words by reversing just the offending word ("backmasking"). As I've done before, I produced an uncensored version by reversing the reversed portions and restoring the f-words.  The uncensored version is exactly the same time as the original censored version so it can be seamlessly swapped in as a replacement.  Đ®åⒻṬëŕṽøï advises you to clear the room of children before playing the uncensored version.

At 3:42 in "Won't Get Fooled Again," the stereo sound merges into mono until about 4:18, when it expands back out into stereo.  The version on Concert Vault says their version is 11:06. The Superbiscuit track must be edited as it's only 9:55.

Some of the interviews are mixed over the music.  I've chosen to place the edit points so that you can cut most of them out.  However, a Pete Townsend interview is dropped on top of the last third of Under A Raging Moon, so I've left that one as-is.

I also tossed in some press coverage to keep you reading actual journalism instead of AI-generated glibbity-gloop. The Toronto concert was the first time the Who did a farewell forever tour.  The Toronto Star put together as special newspaper section dedicated to the Who, with full page pictures, biographies, and best of all, WHO THEMED ADVERTISING.

https://mega.nz/file/TFAgkJ5Y#20PUlMnU_jmkptRaBQjoMPK3lHchHDfz4Cq2NsjIn50

Eddie Money – Unplug It In (Acoustic Live 1992 Out Of Print)

 

Eddie Money – Unplug It In - Acoustic Live

01. Gimme Some Water (3:38)

02. She Takes My Breath Away (3:48)

03. Save A Little Room In Your Heart For Me (4:27)

04. You've Really Got A Hold On Me (4:19)

05. Two Tickets To Paradise (3:35)

06. Trinidad (4:45)

07. Fall In Love Again (4:22)

Eddie Money: Vocals

Tommy Girvin: Guitar

Robert Herkert: Guitars

Brian Gary: Piano, Organ

John Snider Jr.: Drums and Percussion

"Unplug It In" is an acoustic EP by Eddie Money, released in 1992. Recorded at Back Alley, Houston, TX on may 14, 1992; The Backroom, Austin, TX on may 15, 1992. Eddie Money was one of the first rockers to make an attempt to capitalize on MTV's successful Unplugged series. Like any "unplugged" recording, the album features a collection of the rocker's biggest hits performed acoustically.

https://workupload.com/file/KhwMFfd6Pys

Molly Hatchet - Westwood One In Concert 83-11 (Jacksonville, 1983)

Molly Hatchet
Westwood On In Concert 83-11
Airs 5/27 - 5/29 (1983)

Recorded at:
Jacksonville Veterans Memorial Coliseum
Jacksonville, FL
Apr 10, 1983 

01 David Perry - In Concert IC 83-11 Intro
02 Commercial - Budweiser (Buddy Guy)
03 Molly Hatchet - Bloody Reunion
04 Molly Hatchet - It's All Over Now
05 Molly Hatchet - What's It Gonna Take
06 Commercial - U.S. Army
07 Commercial - Summer Blonde
08 David Perry - In Concert IC 83-11 Break
09 Molly Hatchet - Both Sides
10 Molly Hatchet - One Man's Pleasure
11 Commercial - Budweiser (George Thorogood)
12 Commercial - Snickers
13 Commercial - U.S. Army
14 David Perry - In Concert IC 83-11 Break
15 Molly Hatchet - What Does It Matter
16 Molly Hatchet - Bounty Hunter
17 Molly Hatchet - Sweet Dixie
18 Commercial - U.S. Army
19 Commercial - Budweiser
20 David Perry - In Concert IC 83-11 Break
21 Molly Hatchet - On The Prowl
22 Molly Hatchet - Fall Of The Peacemakers
23 Commercial - Summer Blonde
24 Commercial - Budweiser (America)
25 Commercial - U.S. Army
26 David Perry - In Concert IC 83-11 Break
27 Molly Hatchet - Gator Country
28 Molly Hatchet - Dreams I'll Never See
29 Molly Hatchet - Flirtin' With Disaster
30 David Perry - In Concert IC 83-11 Outro

Runout grooves
IC-83-11-A  Alshire > L-13969
IC-83-11-B  Alshire > L-13969
IC-83-11-C  Alshire > L-13969
IC-83-11-D  Alshire > L-13969

From the Sam Eliot's Mustache Collection
Brought to you by the Collective For Live Music

I was unable to confirm the commonly attributed date of April 10, 1983 for this show. That date is on Discogs, Setlist.fm, and Concert Archives. I could not find independent confirmation from a primary source such as a newspaper ad or review.  I did find a ticket...but it was ripped in half and you can only make out "83-Sun-7:30 PM"

That's a partial confirmation, as April 10th was a Sunday.

There's also a copy of this attributed to May 23, 1983, which is (once again) the common error mixing up the syndicated broadcast date with the recording date.

https://mega.nz/file/LQ43wQTT#qUN3x4uRdREP_tWeGpCaoLzcCvjhIzyFZmvjtDDN0jQ

We're still trying to track down the name of the band (or artist) on #19.  Who is the mystery Budweiser singer?

UPDATE:  I thought I'd run a search for the Pat Travers portion of the show....and found this...which confirms the April 10th date:  Pat Travers – Going Down To Jacksonville - 1983 – CD (), 2025 [r33770505] | Discogs

Humble Pie - Live at Annie's, Cincinnati, OH, USA 2/17/1983

 

Humble Pie

Live at Annie's, Cincinnati, OH, USA 2/17/1983

1. Intro / Whatcha Gonna Do About It  (4:46)   2. Fool For A Pretty Face (6:01)   3. Hallelujah, I Love Her So (5:04)   4. Five Long Years  (11:14)   5. Rude / Drum Solo / 30 Days In The Hole (16:12)   6. I Don't Need No Doctor (15:11)   7. Big Train Stops At Memphis / Walking The Dog  (16:26)

Steve Marriott - Vocals, Guitars

Jim Leverton (bass, backing vocals)

former Steppenwolf keyboardist Goldy McJohn

Chicago-born drummer Fallon Williams III

 Marriott's last official live performances under the name Humble Pie. He then disbanded the group and returned to England in late 1983. This grouping was originally set to be called The Official Receivers, The Three Trojans (after McJohn departed) or The Pie, but ended up billed by promoters as Humble Pie. McJohn was let go after suffering drug troubles and the remaining trio toured Australia in October 1982 billed as Small Faces to entice patrons. In January 1983 Leverton ran into trouble at U.S. Immigration and was deported back to England.

https://workupload.com/file/m2YbxxjLgzR

Stevie Ray Vaughn - Rough Edges

 

*THANKS TO DAVE

Ok folks for my next two posts (You'll have to look for the other post) I'm giving you some early SRV. This disc along with the other I'm posting, called "In The Open" were lent to me by a friend of mine. He let me borrow a bunch of discs. When you find "In The Open" I will let you know what those discs are. I will tell you there a bunch of Stones things, A Neil Young and a Ronnie Wood disc. I'm pretty sure most of it is posted on numerous other sites. So what I will do is list the titles and you'll have to let me know if you want them posted or not.

                  WELL YOU HEARD ABOUT LOVIN' GIVIN' SIGHT TO THE BLIND

Rosanne Cash - Starfleet Blair - Bogart's, Cincinnati, OH June 2, 1981

Rosanne Cash
Starfleet Blair Presents Rosanne Cash Live In Cincinnati
Airs August 3 to August 9, 1981

Recorded at:
Bogart's
Cincinnati, OH
June 2, 1981

01 Sam Kopper - Intro
02 Commercial - Stroh's
03 Sam Kopper - Segment Intro
04 Roseanne Cash - Rainin'
05 Roseanne Cash - Baby, Better Start Turnin' Em Down
06 Roseanne Cash - Right Or Wrong
07 Roseanne Cash - Blue Moon With Heartache
08 Sam Kopper - Break
09 Commercial - Stroh's
10 Roseanne Cash - Seven Year Ache
11 Roseanne Cash - Hometown Blues
12 Roseanne Cash - Man Smart, Woman Smarter
13 Roseanne Cash - Seeing Is Believing
14 Roseanne Cash - No Memories Hangin' Round
15 Sam Kopper - Break
16 Commercial - Stroh's
17 Roseanne Cash - Oh, Yes I Can
18 Roseanne Cash - My Baby Thinks He's A Train
19 Roseanne Cash - What Kind Of Girl Am I Really Am
20 Sam Kopper - Break
21 Commercial - Stroh's
22 Roseanne Cash - Big River
23 Sam Kopper - Outro

Runout grooves:
381 SB-69-A    (script squiggle)
381 SB-69-B    (script squiggle)
381 SB-69-C    (script squiggle)

The script squiggle looks like a W or M wedged between upper and lower horizontal lines.

Brought to you by the Collective For Live Music.

Flac files of wavs.  Includes 300 dpi scans of the cue sheet, the disc labels, the front, back, and inside covers, a print ad from the Cincinnati Enquirer, and a concert review from the Cincinnati Post.

Roseanne Cash "Roseanne Cash Live In Cincinnatti"

Yes, "Cincinnatti."  That's the spelling on all three disc labels, the commercial spot affidavit, and the cue sheet.

When I bought this, I thought it was part of Starfleet Blair's Jamboree U.S.A. series. The Jamboree U.S.A. shows are very rare; I've only seen a few turn up on Ebay over the last twenty years.  I've identified 14 shows, and there may be more, but only two show up on Discogs: Janie Frickie and Razzy Bailey. I've included a text file with a list of Starfleet Blair's Jamboree U.S.A. shows sourced from information in Billboard, Cashbox, and Discogs.

I don't believe the Roseanne Cash show was part of that series, in spite of using the same cover. I note that the same cover was used for Pretenders Live At The Santa Monica Civic, and that was a Warner Brothers Music Show.  The cover alone isn't enough to prove that's it's a Jamboree U.S.A. show.

There are other details that don't match. Both the Janie Frickie and Razzy Bailey shows are recorded at the Capitol Music Hall, Wheeling, WV.  The Roseanne Cash show is from Bogarts in Cincinnati, OH.

The Jamboree shows have a yellow sticker on the cover displaying "Razzy Bailey Jamboree U.S.A." and "Janie Frickie Jamboree U.S.A."  The Roseanne Cash show has a silver sticker that says,
"Stroh's and Starfleet Present Roseanne Cash."

The Cash show's Air date of August 3 - August 9, 1981, is a longer window than that listed in Billboard for the Jamboree U.S.A shows; seven days as compared to three days. This window overlaps with the air dates of the Jamboree U.S.A. Johnny Cash show (July 31 - August 2) and Johnny Russell (August 7 - 9).

As for the music, this one's a goldmine.  At the time, "Oh, Yes I Can" was unreleased, turning up on 1982's Somewhere In The Stars.  Crowell's "Seeing Is Believing" wasn't available, and had to wait until 1984's Right Or Wrong before you could buy it.  As far as I can tell, her cover of her father's "Big River" is unreleased to this day, and I don't see a release of what I believe is titled "What Kind Of Girl Am I Really Am."

https://mega.nz/file/6Y5RHB4D#Q2TvkVdwUt3ZQLBdaobPECdHX4dRy7DOv1X24e8-N0Y

The Godz Live In Cleveland 1979 *NOW WITH NEW LINK

*   NOW WITH AN EVEN NEWER LINK  BACK FROM THE DEAD                                                                                                                             

Various Artists – Hotels, Motels And Road Shows 1978 (Out Of Print)

 

Various – Hotels, Motels And Road Shows 1978 (Out Of Print)

01 - Out on a Limb - Stillwater

Recorded At The Fox Theatre, Atlanta, Georgia, May 1978

02 - Mind Bender - Stillwater

Recorded At The Fox Theatre, Atlanta, Georgia, May 1978

03 - Grand Larceny - Sea Level

Recorded At The Fox Theatre, Atlanta, Georgia, May 1978

04 - Refried Funky Chicken - Dixie Dregs

Recorded At The Fox Theatre, Atlanta, Georgia, May 1978

05 - Fire on the Mountain - The Marshall Tucker Band

Recorded At The Palace Theatre, Manchester, England, December 1976

06 - Superstar - Bonnie Bramlett

Recorded At The Apollo Centre, Glasgow, Scotland, December 1976

07 - You're So Fine - Grinderswitch

Recorded At The Hammersmith Odeon, London, England, November 1976

08 - Travelin' Shoes - Elvin Bishop

Recorded At The Roxy, Los Angeles, California, October 1976

09 - Take the Highway - The Marshall Tucker Band

Recorded At Uhlein Hall, Performing Arts Center, Milwaukee, Wisconsin 1973

10 - Teaser - Wet Willie

Recorded At The Roxy, Los Angeles, California, March 1976

11 - No Hard Times - Richard Betts

Recorded At Winterland, San Francisco, California, December 1974

12 - Are You Lonely for Me, Baby? - Gregg Allman

Recorded At Carnegie Hall, New York, N. Y., November 1973

13 - Statesboro Blues - The Allman Brothers Band

Recorded At Fillmore East, New York, N. Y., March 1971

https://workupload.com/file/wwmnFPMdG36