*THANKS TO THE ORIGINAL POSTER
ROIO: audio and/or video recording of a performance that was not officially released by the artist, or under other legal authority. Soundboards, Quality Audience Recordings, FM Broadcasts, Concert Videos and Out of Print Recordings.
Friday, March 31, 2023
Wire - 1976 Demos
Wednesday, March 29, 2023
King Gizzard & The Lizard Wizard - Pitchfork Live 2017
Webster Hall
New York, NY
March 31, 2017
SBD from Pitchfork Live performance @VBR
Setlist:
Open Water
Doom City
Anoxia
Billabong Valley
Sleep Drifter
Nuclear Fusion
Rattlesnake
Alter Me I >
Altered Beast II >
Alter Me II >
Altered Beast III
Robot Stop
The River
Gamma Knife >
People Vultures >
Lord Of Lightning >
Cellophane
Am I in Heaven?
pass-fbsvw
Tuesday, March 28, 2023
Monday, March 27, 2023
Hall and Oates / The Ritz, NYC Dec. 10, 1980 - NBC The Source
Sunday, March 26, 2023
Adam And The Ants Studio Demos 1977-1978
U2 - Hammersmith Palais, Dec. 6, 1982 - BBC College Concert #27
for broadcast March 27, 1983
recorded:
Hammersmith Palais, December 6, 1982
Label: London Wavelength – 27
Series: BBC College Concert
02 U2 - Surrender
03 U2 - I Threw A Brick
04 U2 - A Day Without Me
05 U2 - An Cat Dubh
06 U2 - Sunday Bloody Sunday
07 Pete Larkin - BBC College Concert #27 Break
08 U2 - The Electric Co.
09 U2 - October
10 U2 - New Year's Day
11 U2 - Gloria
12 U2 - I Will Follow
13 U2 - Fire
14 Richard Skinner, Pete Larkin - BBC College Concert #27 Outro
Saturday, March 25, 2023
Led Zeppelin - Destroyer Final Edition - Cleveland, OH. 1977
Richfield Coliseum
Cleveland, Ohio
April 27, 1977
Soundboard @flac
*Enclosed Notes*
Destroyer (Cobra, Eelgrass, Empress Valley, Flesh, Last Stand Disc, Shout To the Top, SODD, & the October 2007 issue with dark green discs in jewel case - no label), The Destroyers (Tarantura & Tarantura2000), The Destroyer Gold (Tarantura), Final Statements (Antrabata), Maximum Destroyer (Empress Valley, original and reissue), & Supreme Destroyers I (Empress Valley, 9cd & 3cd)
Foreword
Empress Valley's original Destroyer title was released in 2000. It was more complete with better quality than prior releases and subsequent releases (by other labels and EV's own "Supreme Destroyers" released in 2004) until the "no label" version came out in October of 2007.
The "no label" version wasn't any better - it was pretty close to being an equal. Two months later, Empress Valley released "Maximum Destroyer," which was technically (minor differences) better than their original. Then in May 2008, Eelgrass released the title too, virtually identical to the two titles just mentioned.
Both original Tarantura releases are exactly alike in respect to cuts but are equalized differently. These two titles are missing the first 3.5 seconds of the opening song. They are also missing about 70 seconds of White Summer / Black Mountain Side. A few seconds are also lost at the cut just before Achilles Last Stand. The tape used was highly edited, removing about 5 minutes of tape from between songs.
Antrabata and Shout To the Top are almost completely identical. There are edits between songs too. They both are among the poorest sounding triple cd titles ever released.
Cobra and LSD are both exactly alike in respect to cuts and to good sound. They are missing the first second of the opening song and only have a few edits between songs.
The Tarantura2000 claims to be the longest version and the best sounding. It is missing the first half second of the Song Remains the Same. Like the original Tarantura releases, this one too is missing about 70 seconds of White Summer and it's warm-up. There are distinct changes in sound with each song. The changes are so abrupt, they sound like cuts. The songs are much louder than the time between songs. Additionally, evidence of further tweaking can be heard between songs. (It's the same treatment they've used before, making the audience sound a little like birds. This time it isn't as heavy handed as with earlier titles.) Other less than natural sounds can be hear after Dying and during the cut and repeat after Moby.
Flesh's release is the worst sounding of them all. It is totally overblown - not simply over amplified like Antrabata and STTT, but overblowncruined. The background is rough and muffled without loosing too much of the higher frequencies. At points during the acoustic set, the "equalization" makes the guitars and Bonham sound completely irritating. It's White Summer isn't incomplete like the three Tara's.
The Empress Valley Destroyer (released in 2000) is by far, the best sounding and most complete release ever issued. (Unfortunately, the last dozen seconds of tape after the show seem to be faked by repeating a section.)
Empress Valley's Supreme Destroyers I is a step down from it's original Destroyer. There's a strange sound problem (brief) about 1.5 minutes into Going To California that's not found on any other titles. After that track, the sound trouble starts again and lasts into the beginning of Black Country Woman. Later during that track, the left channel begins to dominate the right. It continues through the end of the disc. It's music and background are not as loud as their original Destroyer. The 9cd box and 3cd release both use the same discs.
SODD's Destroyer has three minor flaws. No Quarter has a glitch that's not found on any other title, and it misses a split second of tape between the discs, during guitar warm up and commentary. A slight bit of tape overlap between the discs would have cured that issue, but they elected not to repeat even a millisecond. Other than that, all other tape is present. The sound quality is excellent and similar to EV's original release.
The "no label" version issued October 2007 is an excellent title. It doesn't miss any tape, barely has overlapping tape between discs, and doesn't have any rogue cuts or glitches. The title has no amplification. If it had been amplified some, it would have been an alternative to EV's original release.
Empress Valley's Maximum Destroyer is a much improved release over their previous version "Supreme Destroyers" and even has some small differences that makes it even better than their original "Destroyer." The title isn't amplified as loud as the original, has it's cue stops positioned a little better, has a little less overlapping tape and blank tape at the end of the discs, and doesn't have any potentially "faked" tape after the show. Their jewel cased version reissues the same discs.
Eelgrass's Destroyer is not a copy of any Empress Valley title. It's an amplified version of the "no label" title, with a few seconds of blank tape added to the end of the discs.
pass-fbsvw
Fixed!
Friday, March 24, 2023
Wire Train / Empire Rock Club, Philadelphia Dec. 13, 1985 WMMR-FM
Empire Rock Club
Philadelphia
December 13, 1985 (midnight set)
WMMR-FM
02 Wire Train - No Pretties
03 Wire Train - Never
04 Wire Train - Last Perfect Thing
05 Wire Train - I Forget It All (When I See You) Walk On The Wild Side
06 Wire Train - Chamber of Hellos
07 Wire Train - When She Was A Girl
08 Wire Train - Love Love
09 Wire Train - I Will
10 Wire Train - God On Our Side
11 Wire Train - Skills of Summer
12 Wire Train - I'll Do You
The first one up is San Francisco's Wire Train. I remember running into main Train Kevin Hunter in the cafeteria at S.F. State, when the band went by The Renegades. After the first album, all new members except for Hunter were recruited to record the second LP.
The Empire Rock Club was in the music business roughly 1983-1990. Located at 7015 E. Roosevelt Boulevard, the building is still standing and in recent years has been a Bingo Hall, discount mattress store, and a beer distributor.
Thursday, March 23, 2023
Thievery Corporation - Live 34 River Party 2012
Back From The Dead...
Originally posted November 17, 2016
July 31, 2012
Time 1:35:15
This band KILLS IT LIVE!!
Lebanese Blonde
Sol Tapado
Liberation Front
Culture of Fear
Illumination
All That We Perceive
33 Degrees
In the Morning
The Numbers Game
Strange Days (The Doors)
Vampires
The Heart's a Lonely Hunter
Unified Tribes
Assault on Babylon
Warning Shots
(The Forgotten People)
Band introduction/Intermission
The Richest Man in Babylon
We Light it Up
Wednesday, March 22, 2023
Family - Live Playhouse Theatre 1971
Back From The Dead...
Originally posted January 17, 2015
London, UK
Soundboard @320
"Family's Live (Mystic Records UK, MYS CD 176) is an incredible document of the group's November 1971 tour of Britain to support their new album Fearless, in which the band pushed the envelope to find new vitality and new meaning in both their earlier songs and in selections from their new album. The lineup at the time, as always, was anchored by the three members who remained in Family from start to finish: drummer Rob Townsend, whose precise timekeeping and explosive fills always kept Family rock-steady; guitarist Charlie Whitney, whose biting solos sounded as menacing as his cocky sneer and his double-necked Gibson guitars looked; and lead singer Roger Chapman, who made Led Zeppelin's Robert Plant sound like a crooner with a bleating vibrato voice that was accurately described as the sound of an "electric goat." Rounding out the group in 1971 were bassist/vocalist John Wetton (yeah, the guy from King Crimson and Asia), who paced Family's music fluidly, and Poli Palmer, who contributed on the flute, piano, synthesizer, and vibraphone -- and excelled at all of them. These performances, from a tape found in Chapman's possession, are a chronicle of a rock and roll band that tore through material with a thunderous, relentless drive few of their peers in British rock could match."
~Unknown
01. Good News Bad News
02. Spanish Tide
03. Part Of The Load
04. Drowned In Wine
05. Holding The Compass
06. Between Blue And Me
07. Children
08. In My Own Time
09. Take Your Partners
10. Weavers Answer
Tuesday, March 21, 2023
The Replacements - Simply Unacceptable
*THANKS TO THE ORIGINAL POSTER
Monday, March 20, 2023
Heart - Live Clearwater, FL. 2002
Heart - Ruth Eckerd Hall
Clearwater, FL.
July 3, 2002
ALD soudboard @flac
Lineage (Tracks 101-210):
ALD/SBD > D8 (listen box--from the parking lot) > Somy M1 DAT > PC > CDR
Lineage (Track 211):
ALD or IEM > Sony M1 > Master > PC > CDR
Additional editing notes:
*
Show was recorded out-of-phase; show was phase-corrected (to be
"in-phase") via Cool Edit Pro (however, Track 211--the soundcheck--was
in-phase to begin with)
* Re-tracked show by combining in Nero, splitting with CD Wave
* Combined soundcheck into a single track (source CDR had it split into 5 pieces)
* Decreased volume in Track 101 by -2dB (0:02-0:21 mark) using Nero's wave editor
* Removed 25 seconds of applause at beginning of Track 102 and faded-in with Nero's wave editor
* Applied fade-out to Track 112 and Track 210 with Nero's wave editor
* Applied fade-in to Track 201 with Nero's wave editor
* Removed many gaps present in Track 201 and Track 205 (bad burn to CDR source?)
* Fixed dropout in one channel in Track 207 (3:24 mark) by pasting from the other channel (using Audacity)
Excellent ALD-Soundboard recording
(a John Tsalikes recording, from the Jim F. collection)
Here's another fine John T./Jim F. recording brought to you by TheCommish!
Band:
Ann Wilson - vocals, guitar, flute
Nancy Wilson - guitar, vocals
Scott Olson - guitar
Mike Inez - bass
Ben Smith - drums
Setlist:
Disc 1
101. Announcements (optional track - not really an intro)
102. Crazy On You
103. Sister Wild Rose
104. The Witch
105. Straight On
106. These Dreams
107. Mistral Wind
108. Alone
109. Dog & Butterfly
110. Mona Lisas and Mad Hatters
111. The Battle of Evermore
112. Heaven
Disc2
201. Magic Man
202. Two Faces of Eve
203. Love Alive
204. Break The Rock
205. Barracuda
206. Encore break #1 (applause)
207. Wild Child
208. Black Dog
209. Encore break #2 (applause)
210. Dreamboat Annie
211. Soundcheck (optional bonus track)
ALD (assisted listening device) soundboard recordings are usually knocked for their "thin" sound quality (high amount of treble, not enough bass), but I don't think that's a real issue here at all. As such, Jim's files have been unaltered for sound quality (i.e., no EQ performed)--if some of you prefer to have more bass in your ALD recordings, I'll let you do your own EQ work since it then becomes a matter of personal taste. As for me, I think the show sounds great, as-is.
Sunday, March 19, 2023
Fleet Foxes - Bremen, Germany 2008
Bremen, Germany
November 22, 2008
West German Radio FM source @320
1 unchaptered file @ 45:48
Thanks to Past Daily!
Saturday, March 18, 2023
Captain Beefheart LIVE in Paris France 1974
Tuesday, March 14, 2023
Heart - Live Daytona Beach 1984
Back From The Dead by request...
Originally posted November 25, 2015
March 23, 1984
FM Source @320
2 Blue Guitar 03:42
3 City's Burning 04:12
4 Crazy On You 04:23
5 Jealousy 03:396 Magic Man 02:57
7 The Heat 04:03
8 Mistral Wind 07:44
9 For Your Love 03:33
10 Johnny Moon 05:16
11 Straight On 03:56
12 Even It Up 04:12
13 Bebe Le Strange 03:21
14 How Can I Refuse 05:31
15 Allies 04:46
16 Barracuda 04:17
pass-fbsvw
Link Corrected...
Heart '07 well be back soon...
Sunday, March 12, 2023
The Smiths - Laguna Hills CA. 1986
Back From The Dead...Link Upgrades!
Originally posted January 19, 2009
The Smiths - Live Irvine Meadows
Laguna Hills, California
August 28, 1986
AKA - Live Irvine & Thank Your Lucky Stars
Soundboard or FM Source @ flac & @320
The Smiths provide a hell of a show, great sound quality. The source is unknown, though it sounds like a soundboard or FM broadcast recording. ENJOY!
Track List:
Please Please Please Let Me Get What I Want
Still Ill
I Want The One I Can't Have
There Is A Light That Never Goes Out
How Soon Is Now?
Frankly Mr Shankly
Panic
Stretch Out & Wait
The Boy With The Thorn In His Side
Is It Really So Strange?
Cemetry Gates
Never Had No One Ever
What She Said/Rubber Ring
That Joke Isn't Funny Anymore
Heaven Knows I'm Miserable Now
The Queen Is Dead
Money Changes Everything
I Know It's Over
*Original Notes*
I finally got around to doing this badly needed remastering. The usual: EQ, volume adjustments, and pitch correction. Sound went from merely good to excellent.
2 songs are missing from the show, I don't believe they circulate otherwise.
All processing by terrapinstation 2008-07-04
Another Porky Prime Cut From Terrapin Station!!!
Notes from PJLM (thanks!!!):
This concert was one of the wildest of the tour. Security had the hardest time restraining fans who desperately wanted to make it on stage. The setlist remained almost unchanged in Laguna Hills, but "Reel Around The Fountain" and "Hand In Glove" were dropped. Actually it is not impossible that "Bigmouth Strikes Again" was dropped as well although it is listed here. It seems the Smiths might not have returned to perform a second encore, given what happened in the first one (read further for details).
Morrissey wasn't very talkative throughout the evening. Besides introducing the lesser known "Panic, "Stretch Out And Wait" and "Is It Really So Strange?", he said "Thank you, you're very kind..." after "There Is A Light That Never Goes Out". Before "Never Had No One Ever", he asked "Any requests?". Titles were shouted from the audience, and to one or some of these he answered with a loud "No!". Before "The Queen Is Dead", other titles were shouted from the audience, and to one of these, Morrissey answered "We don't do that song anymore". In "The Queen Is Dead" he changed a line to "Life is very long, when you're handsome".
After "Meat Is Murder", as the violence was increasing, Morrissey said "I hope that the security don't ruin your night too much, but I'm sure that they'll do their best... never mind, they're outnumbered..." When he returned to the stage for the first encore after the band-only instrumental "Money Changes Everything", seeing how the security manhandled some fans, Morrissey exclaimed "Oh, God!" while Johnny added "Neanderthals, fucking idiots, these guys!". Then one third into following song "I Know It's Over", Morrissey interrupted his singing to shout to a bouncer: "Jesus Christ! Don't be so stupid! Leave him alone, you stupid idiot! Leave him!" He then resumed the song as if nothing had happened. A completely stunning moment.
A very good recording of this concert, probably from the soundboard, is being circulated on the official bootleg "Thank Your Lucky Stars", erroneously credited as being from the previous gig in Los Angeles. It is one of the best bootlegs for the Smiths, for content and sound quality. The whole concert is featured except for "Meat Is Murder" and, if it was actually performed, the final song "Bigmouth Strikes Again".
Fanmade copies of "Thank Your Lucky Stars" have also been seen with different artwork, under the erroneous title "Live In Los Angeles". The cover for one of these shows the four band members standing, same photo shoot as the one that provided the cover for the bootleg "The Cradle Snatchers". The cover to another one subtitled "Live In Los Angeles '86" uses an early photo of the band with Morrissey holding a bouquet of flowers.
In 2005 the tracks from "Thank Your Lucky Stars" were split over a bootleg LP and 2 bootleg 7"s. The LP, titled "Brighter Sides To Life" featured the songs "Still Ill", "I Want The One I Can"t Have", "There Is A Light That Never Goes Out", "How Soon Is Now?", "Frankly, Mr. Shankly", "Panic", "Heaven Knows I'm Miserable Now", "The Queen Is Dead", "Money Changes Everything" and "I Know It"s Over". The 7" bootleg titled "Good Times" featured "Please, Please, Please, Let Me Get What I Want", "That Joke Isn't Funny Anymore", "Stretch Out And Wait" and "The Boy With The Thorn In His Side" and the other bootleg 7", "Break My Spine", featured the remaining 4 songs, "Is It Really So Strange?", "Never Had No One Ever", "Cemetary Gates" and "What She Said/Rubber Ring".
"Wilde About The Smiths", a factory pressed cd in digipack has "I Know It's Over" from this concert with many other live tracks, rarities and radio sessions.
pass - fbsvw
David Byrne, live at the CMAC, Canandaigua, NY, June 2nd, 2009
Back From The Dead by request...
Originally posted by Mitch July 24, 2009
02. Strange Overtones
03. I Zimbra
04. One Fine Day
05. Help Me Somebody
06. Houses in Motion
07. My Big Nurse
08. My Big Hands
09. Heaven
10. Live is Long
11. Cross-Eyed and Painless
12. Born Under Punches
13. Once in a Lifetime
14. Life During Wartime
15. I Feel My Stuff
16. Take Me to the River
17. The Great Curve
18. Air
19. Burning Down the House20. Everything Happens
Saturday, March 11, 2023
Greg Kihn / KBFH #515, Wolfgang's, S.F.
Wolfgang's
02 Commercial - Honda
03 Commercial - Budweiser
04 Greg Kihn Band - (Get Your Kicks on) Route 66
05 Greg Kihn Band - Fascination
06 Greg Kihn Band - Tear That City Down
07 Greg Kihn Band - Talkin' To Myself
08 Bill Minkin - KBFH 515 Break
09 Commercial - Lee Jeans
10 Commercial - Budweiser (Flock of Seagulls)
11 Bill Minkin - KBFH 515 Segment Intro
12 Greg Kihn Band - Work, Work, Work
13 Greg Kihn Band - Happy Man
14 Greg Kihn Band - Every Love Song
15 Greg Kihn Band - Cheri Baby
16 Bill Minkin - KBFH 515 Break
17 Commercial - Honda
18 Commercial - Budweiser (Randy Meisner)
19 Commercial - Lee Jeans
20 Bill Minkin - KBFH 515 Segment Intro
21 Greg Kihn Band - The Breakup Song (They Don't Write 'Em)
22 Greg Kihn Band - Jeopardy
23 Greg Kihn Band - Can't Stop Hurtin' Myself
24 Bill Minkin - KBFH 515 Close
25 Commercial - Budweiser (reggae)
26 Commercial - Lee Jeans
27 Bill Minkin - KBFH 515 End of Show
28 Bill Minkin - KBFH 515 Music bed with announcer
29 Greg Kihn Band - Music bed only
KB•515•A MCR Joe
KB•515•B MCR Joe
KB•515•C MCR Joe
NONE
Included: 300 dpi scans of the cue sheets, disc labels, plus some newspaper pages providing evidence for the recording date of the show.
Mystery solved!
As is often the case, there was no date of recording mentioned by announcer Bill Minkin, and the Internet didn't immediately produce a result. I tracked down the date of the show by starting with the 1984 air date and looking at the SF Chronicle's Sunday entertainment section (the "Pink Section" as it was on pink newsprint...), and working backward to a Greg Kihn listing. Wolfgang's Vault dates this show as September 29, 1983. The listing in the SF Chronicle shows Kihn as playing September 23, 1983. The bands on the 29th were Roomful of Blues, the Nighthawks, and the Johnny Copeland Blues Band. I've included the Wolfgang's ad from two different Sundays to prove it's not a misprint.
Rock and Roll Geography:
Wolfgang's was Bill Graham's night club, at 901 Columbus Avenue in San Francisco. Wolfgang's was open from 1983 until a 1987 fire in the Entella Hotel above the club caused enough damage to close it forever. Sharp-eyed Peter Case fans will note that yes, this the same cheap hotel he wrote about in his song "Entella Hotel." I've also included a story about the fire for your reading entertainment.
https://mega.nz/file/TEQzHQRQ#fq07EI1Ni2WXITFmg15dISMeeTXd4eagJFAY3IVWjB4
Now...I need YOUR help. Yes, you. The guy there, with the computer mouse in his right hand...yeah, I'm talkin' to you, pal... don't act like you don't hear me... can you help Đ®åⒻṬëŕṽøï out here?
Who is on track 18 singing the Budweiser commercial? Dave Edmunds? No, the accent's not right.... Joe Walsh? It's got his nasal, reedy voice. Who is it? It's drivin' me nuts, and I need YOUR help....
UPDATE as of March 16, 2023:
Our good friend of the blog ANONYMOUS came through, and posted this in the comments:
Anonymous March 16, 2023 at 4:03 AM
"1st of all, thanks for the Greg Kihn! Now, about that singer. It's definitely NOT Joe Walsh. Joe could never manage that jump to falsetto, even on his best days. So, considering these things a challenge I spent the last couple hours crawling the net. AND, surprising even myself, I found the answer! It's former Eagle Randy Meisner! Check out the proof here... https://soundcloud.com/randymesinerunofficial/randy-meisner-budweiswer-radio-commercial"
We hereby award the second Voodoo Wagon No-Prize to ANONYMOUS for the HOURS of work tracking down the name of the singer. I want to point out that Anonymous not only provided an answer, but also PROOF.
| Awarded to ANONYMOUS for hours of Scooby-Dooing a mystery... |
Friday, March 10, 2023
David Byrne And Richard Thompson - An Acoustic Evening 1992
Back From The Dead...
Originally posted January 22, 2011
David Byrne & Richard Thompson
An Acoustic Evening - St. Ann And The Holy Trinity
Brooklyn Heights, New York
March 24, 1992
Broadcast Source @320
Wednesday, March 8, 2023
Jeff Beck Group - Final BBC On The Air (1971)
Back From The Dead...
Originally posted by v-chile February 6, 2013
Just another Jeff Beck boot from the "Rough And Ready" era.
Somebody asked for 'Ain`t No Sunshine'?
We got some pretty good luck, we got it on here too...
This boot`s from the Phil Cohen collection...
London BBC 1971
01. Ice Cream Cakes 6:49
02. Definitely Maybe 7:37
03. Ain’t No Sunshine4:30
04. Morning Dew 5:08
05. Keyboard Solo - Going Down 4:11
06. New Ways - Plynth - Train Train 7:44
07. I Got The Feeling12:06
‘71 BBC Studio Session
08. Going Down 3:38
09. Got The Feeling II5:04
Rare Version
10. Got The Feeling III 4:51
11. Situation 5:06
Lineup:
Jeff Beck - guitar
Bob Tench - vocals
Max Middleton - keyboards
Clive Chaman - bass
Cozy Powell - drums
320kbit/s
Studio Recordings
Thanks to the original source!
Enjoy!
Monday, March 6, 2023
Cozy Powell's Hammer - Lost Reel Masters
Originally posted August 4, 2012
Saturday, March 4, 2023
The Smiths - Derby, UK 1983
Back From The Dead...
Originally posted February 10, 2009
The Smiths - Assembly Rooms
Derby, UK.
'The Old Grey Whistle Test'
December 7, 1983
Dream Remaster -FM Source @flac
Track List:
1. Handsome Devil
2. Still Ill
3. This Charming Man
4. Pretty Girls Make Graves
5. Reel Around The Fountain
6. What Difference Does It Make?
7. Miserable Lie
8. This Night Has Opened My Eyes
9. You've Got Everything Now
10. These Things Take Time
11. Hand In Glove
pass - fbsvw
Friday, March 3, 2023
Miles Davis LIVE in Rotterdam NL 1969
Wednesday, March 1, 2023
David Bowie - R.C.A. Nipper Series 1979
*THANKS TO THOSE WHO SHARE
OK, I don't know a lot about this release at all. I'm sure there is a Bowie aficionado who can clue me in on this, now whether they leave a comment or not remains to be seen. Apparently RCA was doing some kind of radio series showcasing their acts. But in this case RCA didn't have a lot of major acts. So maybe there are a grand total of 3 in this series as I can only think of 2 other artists that were making any money for RCA on the charts. That would be Lou Reed and The Scorpions (when they were good) So I would think this is a very limited series. Now if I can find that Lou and Scorps. See scans