Mostrando las entradas con la etiqueta Dance-Pop. Mostrar todas las entradas
Mostrando las entradas con la etiqueta Dance-Pop. Mostrar todas las entradas

domingo, 26 de octubre de 2025

Paula Abdul "Greatest Hits (Brazil, Virgin Records, 848980-2)"

Greatest Hits is the second greatest hits album by American singer Paula Abdul. Released on September 26, 2000 by Virgin Records.

The album contains all of Abdul’s singles from her three studio albums with the exception of "Will You Marry Me?" and "Ain't Never Gonna Give You Up". It does, however, include "Crazy Love" which was previously only available on the Japanese version of Head over Heels, "Bend Time Back 'Round" which was included on the Beverly Hills, 90210 soundtrack, and the previously unreleased "Megamix Medley". By January 2006, the album had sold 138,000 copies in the United States.

Track listing
  1. "Straight Up" (from Forever Your Girl, 1988) 3:52
  2. "Cold Hearted" (from Forever Your Girl) 3:37
  3. "Forever Your Girl" (from Forever Your Girl) 4:13
  4. "The Way That You Love Me" (from Forever Your Girl) 4:01
  5. "Knocked Out" (from Forever Your Girl) 3:32
  6. "Opposites Attract" (with The Wild Pair) (from Forever Your Girl) 3:50
  7. "Bend Time Back 'Round" (from Beverly Hills 90210: The Soundtrack, 1992) 3:57
  8. "Rush Rush" (from Spellbound, 1991)  4:21
  9. "The Promise of a New Day" (from Spellbound) 4:16
  10. "Blowing Kisses in the Wind" (from Spellbound)  4:18
  11. "Vibeology" (from Spellbound) 3:20
  12. "My Love Is for Real" (R&B Remix featuring Ofra Haza) (from Head over Heels, 1995) 4:03
  13. "Crazy Cool" (from Head over Heels) 4:02
  14. "If I Were Your Girl" (from Head over Heels) 3:55
  15. "Megamix Medley" 9:24
  16. "Crazy Love" (from Head over Heels) (Japanese edition) 4:30






















Paula Abdul "The Promise Of A New Day (Cassette Single & Video, USA, Virgin America, 4-98752)"

"The Promise of a New Day" is a song by American singer and entertainer Paula Abdul, recorded for her second studio album Spellbound (1991) and services as the album's opening track. The track, written by Abdul, Peter Lord, Sandra St. Victor, and V. Jeffrey Smith and produced by Lord and Smith, was released as the album's second official single in July 1991 in the United States. The song lyrically finds the singer singing optimistically about a relationship, with a vague sub-context of improvement of the world. It was also her first single released under her own label, Captive Records.

Despite mixed critical reception, "The Promise of a New Day" became another hit single for Abdul. It topped the US Billboard Hot 100 in September 1991, becoming Abdul's sixth and final number-one song as of 2025. Internationally, the track entered the top 10 in Canada, the top 20 in Finland, and the top 40 in Australia, Belgium, the Netherlands, New Zealand, and Sweden.

In an interview with Songfacts, when asked how the song came to be, co-writer Peter Lord said, "Paula had an idea for the title and feel for the song and we built it from there."

The video was directed by Big TV!, a duo made up of Andy Delaney and Monty Whitebloom and of which would be the first of multiple times of Abdul working with them. The live waterfall and tropical footage were filmed on location in Hawaii, but Abdul was unable to attend filming due to prior commitments. Filming and production took place on July 8, 1991, in which Abdul and a number of background dancers filmed on a sound stage in Los Angeles, in which it would be edited in the video through green screen. The video would be released on August 17, 1991 on MTV as an exclusive, where it was shortly placed on heavy rotation.

The video attracted controversy due to the fact that special lenses were used to film the video. This method was in order so that editors could fit in more dancers but unintentionally made Abdul taller and a lot more thinner than what she actually was. The video was later mocked on In Living Color, where it was parodied as "Promise of a Thin Me" and took jabs at Abdul's singing voice and also fat-shamed her.

Tracklist:

Side A
  1. The Promise Of A New Day (7" Edit)
  2. The Promise Of A New Day (West Coast 12")
Side B
  1. The Promise Of A New Day (7" Edit)
  2. The Promise Of A New Day (West Coast 12")
All tracks appear on both sides.



Paula Abdul "Spellbound (Germany, Virgin America, CDVUS 33)"

Spellbound is the second studio album by American singer Paula Abdul, released on May 14, 1991, via Virgin Records and Captive Records. Production was handled by Peter Lord, Paisley Park, V. Jeffrey Smith, Don Was, and Jorge Corante.

The album, although receiving mixed reviews citing that it showcased her limitations as a singer, became a commercial success and topped the US Billboard 200, alongside cracking the top-ten in Australia, Canada, Sweden, and the United Kingdom. Six singles in total were released, including the Billboard Hot 100 number one singles "Rush Rush" and "The Promise of a New Day", the latter becoming her sixth and to-date final number one single. Other singles included the US top-ten hit "Blowing Kisses in the Wind", "Vibeology", which Abdul performed at the 1991 MTV Video Music Awards, "Will You Marry Me?", and the Canada exclusive single "Alright Tonight". The album is currently certified 3x platinum in the United States.

Following the release of the album, Abdul embarked on her first world tour, entitled "Under My Spell Tour", between 1991 and 1992.

Spellbound won a Grammy Award for Best Recording Package. The album art was art directed by Melanie Nissen, designed by Inge Schaap, and lettered by Margo Chase.

Writing for Entertainment Weekly, David Browne gave the album a C+ and remarked that its overproduction only highlights Abdul's limitations as a singer. In a retrospective review for Slant Magazine, Eric Henderson gave the album four out of five stars. He commented that, despite being uneven, the album makes Abdul "sound like a human being". In 2003, Slant Magazine included Spellbound in its list of "50 Essential Pop Albums".

The album debuted at number five on the Billboard 200 in its first week and rose four spots to number one the following week. It stayed at the summit for two consecutive weeks, selling 88,000 and 89,000 units respectively. The album distinguished itself by becoming the lowest selling number-one album in the Nielsen SoundScan era at the time of its release—a distinction it held until 2004, when Outkast's Speakerboxxx/The Love Below sold 86,000 copies while at number one. This was primarily due to the newly implemented SoundScan tracking system, which had not been implemented into every major music chain, thus sales were not entirely accurate. Nevertheless, the album became a best-seller and emerged as the best selling album for the month of June, spending 16 weeks within the top 10, and was certified three-times platinum by the RIAA in January 1992. Overall, the album spent 70 weeks on the Billboard 200 chart and was ranked as the 18th best-charting of the year 1991 (and 40th best-charting of the year 1992).

Tracklist:
  1. "The Promise of a New Day"  4:32
  2. "Rock House" 4:11
  3. "Rush Rush"  4:52
  4. "Spellbound"  4:48
  5. "Vibeology" 5:16
  6. "Will You Marry Me?" 4:24
  7. "U"  4:05
  8. "My Foolish Heart" 4:10
  9. "Blowing Kisses in the Wind" 4:41
  10. "To You" 3:31
  11. "Alright Tonight" 4:28
  12. "Good Night, My Love (Pleasant Dreams)" (bonus track; Jesse Belvin cover) 3:14





















Paula Abdul "Cold Hearted (Single & Video)"

"Cold Hearted" is a song by American singer Paula Abdul, released in June 1989 as the fifth single from her debut album, Forever Your Girl (1988). It was written and co-produced by Elliot Wolff and reached number one on the US Billboard Hot 100, becoming the album's third song to top the US chart.

"Cold Hearted" topped the Billboard Hot 100 chart for one week in September 1989, giving Abdul her third US number-one single. "Cold Hearted" was ranked sixth on Billboard's Year-End Hot 100 ranking of 1989. It spent a total of 21 weeks within the Billboard Hot 100. In Canada, "Cold Hearted" peaked at number one according to The Record magazine and number two according to RPM magazine, while in Finland, in entered the top 20.

The official music video for "Cold Hearted" was directed by David Fincher and spent more than three weeks on top of MTV's video rotation list. It uses the album version of the song, with the rap section from the extended 12" version spliced in after the 3rd chorus. The inspiration for the video came from Bob Fosse's choreography of the "Take Off with Us" scene in the movie All That Jazz. Abdul dances for music executives with a group of semi-nude dancers. Abdul was wearing a black fishnet dress which exposed her belly button and was sporting a hat of the German "Kriegsmarine". The dance floor included scaffolding where Abdul and her dancers hang and dance suggestively. The video was filmed in Downtown Los Angeles where Christina Aguilera's music video for "What a Girl Wants" would also be filmed at.

The video and its "late-'80s energy" served as a visual inspiration for the music video of Ariana Grande's 2024 single "Yes, And?".






Paula Abdul "Forever Your Girl "Single & Video)"

"Forever Your Girl" is a song by American singer Paula Abdul from her debut studio album, Forever Your Girl (1988). The song was written and produced by Oliver Leiber, with additional production by Keith "K.C." Cohen. Virgin Records released it as the album's fourth single on February 20, 1989. "Forever Your Girl" spent two weeks atop the US Billboard Hot 100 in May 1989, reached number 28 on the Billboard Dance Club Play chart, and peaked at number 11 on the Billboard Adult Contemporary chart. Worldwide, it peaked at number one in Canada and number nine in Finland.

The song is about loyalty in a relationship. The female vocalist proclaims that, despite rumors that others may be interested in her, none of those matter because she will remain faithful to the man she loves; she will remain "forever his girl." The single version differs slightly from the album version, as it uses more of the background male vocal featuring the Wild Pair, Bruce DeShazer, and Marvin Gunn.

Eleanor Levy left an ironically negative review on this single for British music newspaper Record Mirror. She called it "a disappointingly predictable pop song".

The accompanying music video for the song was directed by David Fincher, and features Abdul acting as a choreographer and director of a children's performance. A young Elijah Wood appears in the video, playing the kid in the suit. It also parodies Robert Palmer's Addicted to Love video, with three girls dressed like the women of the aforementioned video.







Paula Abdul "Straight Up (45 rpm Vinyl Single & Video)"

"Straight Up" is a song by American recording artist Paula Abdul from her debut studio album, Forever Your Girl (1988). The song is a mid-tempo dance-pop song with influence from new jack swing. Written and produced entirely by Elliot Wolff, the song was released as the album's third single on November 22, 1988, by Virgin Records.

"Straight Up" became Abdul's first top-40 hit in the United States, eventually topping the Billboard Hot 100 in February 1989. The single brought Abdul widespread public attention and remains her biggest international hit to date, reaching the top 10 in at least 16 countries. The song was also included in her six compilation albums, released between 1998 and 2013.

The song received positive reviews from music critics, with Daniel J. Levitin's This Is Your Brain on Music praising it as "hold[ing] a certain appeal over many, many listenings." It also earned Abdul several award nominations in the US, most notably including her first Grammy nomination in the category of Best Female Pop Vocal Performance in 1990, and six other nominations for its accompanying music video, which was directed by David Fincher, at the 1989 MTV Video Music Awards.

According to Paula Abdul, her mother found this song for her. She explains that her mother knew someone whose boyfriend was an aspiring songwriter, and she got "Straight Up" as an 8-track demo. The demo version was "so bad" that Abdul's mother was "crying laughing" at it and threw it in the trash. But Abdul heard something she liked in it and retrieved it. At that time she was a full-time choreographer, and on the side late at night she was recording music. The record label did not think the song was any good, but Abdul offered to record two songs they wanted, which she did not like, if they would let her do "Straight Up". The song was recorded at a cost of $3,000. Later a friend of hers told her that somebody with her same name was being played on a northern California radio station. "Literally, within 10 days I [it] sold a million copies." The song was originally recorded in a bathroom, and in the masters of the recording someone in the next apartment can be heard yelling "Shut up".

"Straight Up" was the third single released from her debut album Forever Your Girl, after "Knocked Out" and "The Way That You Love Me." While the latter found modest success on the R&B charts, radio station KMEL in San Francisco started playing "Straight Up" from the album. The label switched promotion "The Way That You Love Me" to "Straight Up". The strategy paid off, as "Straight Up" spent three weeks at No. 1 in the U.S. "The Way That You Love Me" was promoted a year later and became Abdul's fourth (of five) Top 5 hits from the album in the U.S.

One of the 12" versions was remixed by LA "Powermixers" Chris Modig and Boris Granich, known for their special Power mixes at Power 106 during the 1980s.

"Straight Up" attained breakthrough success for Abdul in the States. After debuting at number 79 on the US Billboard Hot 100 chart on the week of December 3, 1988, the single quickly rose up the chart. By the week of January 21, 1989, the song reached number 13 on the chart, becoming her first top 40 entry and her first number one on the Billboard Hot 100 chart on the week of February 11, 1989, dethroning Sheriff's "When I'm with You" and remaining on the top spot for three consecutive weeks. The song has since spent a total 25 consecutive chart weeks, thus tying with her later re-released second single as her longest charting performance on the Billboard Hot 100, and was eventually ranked as the fourth biggest hit of 1989 on Billboard's year-end chart for that year. The single was certified Platinum by the RIAA with sales of more than one million units, and remained as her best-selling single in the country to date.

The song also attained international success, reaching the top 10 in at least 16 countries. In addition to topping the charts in the United States, the single also reached the top in Norway. It reached number two in Canada, Greece, Luxembourg, the Netherlands and Sweden, and number three in Denmark, Switzerland, the United Kingdom and West Germany. It also reached number five in Belgium and Finland, number six in Ireland and New Zealand, and number eight in Austria and Finland. In France, the single fell short of the top 10, reaching number 12. The single fell short of the top 20 in Australia, reaching number 27.

It was used as a lip sync song in the third season of reality competition series RuPaul's Drag Race, where contestants Raja and Carmen Carrera had to perform it to avoid elimination.

The song became so popular that it ascended up the charts before a music video had even been shot for the song. The black and white video, directed by American director David Fincher and choreographed by Abdul herself in mid-January 1989, won four 1989 MTV Video Music Awards for Best Female Video, Best Editing, Best Choreography, and the first Best Dance Video. The video features an appearance by her friend, comedian Arsenio Hall, whose popular talk show had premiered a few weeks prior to the video shoot. Djimon Hounsou also appears. Released later that month, the video at the time went into very heavy rotation on MTV, helping further Abdul's popularity.

Track listings and formats
Australia 12-inch single
  1. "Straight Up" (Ultimix)
  2. "Opposites Attract" (1990 mix)
  3. "Straight Up" (single version)
French 12-inch vinyl
  1. "Straight Up" (12-inch remix)
  2. "Straight Up" (Power mix)
  3. "Straight Up" (House mix)
  4. "Straight Up" (Marley Marl mix)
US 12-inch single
  1. "Straight Up" (12-inch remix)
  2. "Straight Up" (Power mix)
  3. "Straight Up" (House mix)
Japanese mini-CD single
  1. "Straight Up"
  2. "Cold Hearted"



domingo, 24 de agosto de 2025

No Doubt "Hella Good (Single & Video)"

"Hella Good" is a song by American rock band No Doubt from their fifth studio album, Rock Steady (2001). Written by Gwen Stefani, Tony Kanal and the Neptunes (Pharrell Williams and Chad Hugo), and produced by Nellee Hooper and the band, "Hella Good" was released as the album's second single on March 11, 2002, and received positive reviews from contemporary music critics, who made comparisons to the work of a diverse range of artists such as Afrika Bambaataa and Madonna.

Commercially, "Hella Good" was successful, and Roger Sanchez's remix of the song topped the US Billboard Dance Club Songs. For the 45th Grammy Awards, the National Academy of Recording Arts and Sciences introduced new categories for Best Dance Recording and Best Remixed Recording, Non-Classical. "Hella Good" was nominated for Best Dance Recording, but lost to Dirty Vegas' "Days Go By", and Sanchez's remix won for Best Remixed Recording, Non-Classical. No Doubt performed a medley of "Underneath It All" and "Hella Good" at the ceremony.

The accompanying music video for "Hella Good", directed by Mark Romanek, was filmed in March 2002 and released in April 2002, and it features the band squatting in an abandoned ship. The song was featured in the opening sequence of the 2005 film The Longest Yard, covered by Rita Ora at Radio 1's Big Weekend, and was also used for the second season Alias episode "The Getaway" in 2003 and in the pilot episode of The Black Donnellys in 2007.

No Doubt decided to work with hip hop production duo the Neptunes as a sort of "cultural collision". Lead singer Gwen Stefani wanted to write a high-spirited and celebratory song about the positive things in her life, so they wrote an optimistic upbeat song. The word hella was a slang term used mostly in the San Francisco Bay Area and other parts of California to mean "very". Having toured in the Bay Area, Stefani borrowed the term to describe her mood. Stefani wanted to use the word dance in a chorus, so she decided to end each line of "Hella Good"'s chorus with the phrase "keep on dancing". The song's funk sound is based on songs such as Queen's 1980 single "Another One Bites the Dust" and The Commodores' 1977 single "Brick House".

"Hella Good" is a rock song composed in the key of G minor. It is written in common time and moves at a moderately fast 115 beats per minute. The song is influenced by electro, punk and funk music. The song's beat drew several comparisons to that of Michael Jackson's 1983 single "Billie Jean". Its hook comes from a simple progression of power chords alternating between G and A flat, suggesting Phrygian mode. "Hella Good" follows a verse-chorus form with a chorus following each of the two verses. Following the bridge, the chorus is repeated and the song closes with an outro.

The black-and-white music video was directed by Mark Romanek. Not following any plot, the video depicts the band as a group of punk rockers squatting in an abandoned ship while the rest are chasing Stefani throughout the ship. During the course of the video, the band members perform the song, using bodyboards to float electronic equipment, and they and their friends explore and dance throughout the ship. There are also sequences of people riding on personal water crafts, Stefani performing on a coiled rope, people playing Jet Set Radio Future, and Stefani broadcasting on a pirate radio station.

Romanek came up with the video's concept it and e-mailed it to the band. He based it on a black-and-white Italian Vogue fashion shoot from the mid-1990s which featured models on waverunners. The video was then filmed over three days in March 2002 in Long Beach, California. The scenes inside the ship were filmed from man-made sets at South Bay Studios.

The music video was moderately successful. Following a premiere on an episode of MTV's Making the Video, it reached number four on the network's video countdown Total Request Live. The video debuted on MuchMusic's Countdown in April 2002 and peaked at number six, spending over four months on the program. At the 2003 Music Video Production Association Awards, production designer Laura Fox won the Universal Studios Production Services Award for Best Art Direction for her work on this video.



jueves, 1 de mayo de 2025

Mariah Carey "Emotions (USA, Columbia Records, 46851 2)"

Emotions is the second studio album by American singer-songwriter Mariah Carey. It was released on September 17, 1991, by Columbia Records. The album deviated from the formula of Carey's 1990 self-titled debut album, as she had more creative control over the material she produced and recorded. Additionally, Emotions features influences from a range of different genres, as well as 1950s, 1960s and 1970s balladry infusion. On the record, Carey worked with a variety of producers and writers, including Walter Afanasieff, the only holdover from her previous effort. Additionally, Carey wrote and produced the album's material with Robert Clivillés and David Cole from C+C Music Factory and Carole King, with whom she wrote one song.

Upon its release, Emotions polarized the music critics, with some praising the album's production and Carey's vocals, while other found the lyricism standard, and a few criticized Carey for overusing the whistle register. In retrospect, the album has been positively reviewed, with some contemporary music critics citing it amongst Carey's best works. Commercially, the album was a moderate success, failing to top the charts globally including the United States, where it debuted at number four on the Billboard 200, surprising many critics following the success of Carey's debut, which spent eleven weeks atop the chart. In other territories, the album reached the top 10 in eight countries, including Australia, Canada, and the United Kingdom. While selling far less than Mariah Carey, Emotions was eventually certified 4× Platinum by the Recording Industry Association of America (RIAA), denoting shipments of four million copies throughout the country, with estimated sales standing at 3,595,000 copies. The album was particularly successful in Japan shipping over one million copies there, and has sold over eight million copies worldwide.

Three singles were released to promote the album. The title track, the album's lead single, became Carey's fifth chart topper on the Billboard Hot 100, making her the only artist in history to have their first five singles reach the chart's summit. Additionally, it became Carey's third chart topper in Canada, and reached the top-ten in Greece and New Zealand. "Can't Let Go" was released as the second single from Emotions on October 23, 1991. Due to Columbia's removal of the single from stores in an attempt to boost the album's sales, "Can't Let Go" failed to become her sixth chart topper in the US, peaking at number two. European and worldwide success was very limited, reaching the top 20 in only Canada and the UK. Similarly, "Make It Happen" peaked at number five in the US, and achieved relatively weak international charting, prompting Columbia to halt promotion of the album.

A then background vocalist for Brenda K. Starr, Mariah Carey was discovered by Columbia Records CEO Tommy Mottola after he listened to her demo tape, which was brought to him during a music executive's party which was attended by Starr and Carey, who had already left by the time he heard the tape. He promptly signed her into the label, enlisting top music producers Ric Wake, Narada Michael Walden and Rhett Lawrence for her first album; those songs were re-recorded and newly mastered, with new material also being developed. Marketed as the main female artist of Columbia's roster, Mariah Carey released her self-titled debut album in June 1990 to positive reviews and commercial success: it earned her five nominations at the 33rd Annual Grammy Awards, winning Best Female Pop Vocal Performance for "Vision of Love" and Best New Artist, topped the Billboard 200 chart for 11 consecutive weeks and was the best-selling album of 1991 in the United States, where it was certified nine-times platinum by Recording Industry Association of America (RIAA), with estimated global sales of 15 million copies. Its US singles, as Carey's first four singles — "Vision of Love", "Love Takes Time", "Someday" and "I Don't Wanna Cry" —, all reached number-one on the Billboard Hot 100, a feat reached solely by Carey and The Jackson 5.

By 1991, Carey was established as a prominent new figure in the music industry for her vocal and songwriting habilites. With the success of her debut album, critics wondered whether or not she would tour to promote the album in the major worldwide music markets. However, the singer expressed in several interviews that due to the strenuous nature and the sheer difficulty of her songs, she feared a tour with back-to-back shows would not be possible, aside from the long travel times and constant travel. With the extra time, Carey began writing and producing material for Emotions around the same time that her debut's third single, "Someday", was released in December 1990. During this time period in music, it was traditional for an artist to release a studio album every two years in their prime, allowing the singles to fully promote the album through airwaves, as well as television appearances. Additionally, after a tour that would usually follow, as the next album would be released and would gain new fans, they would search the artist's catalog, and purchase the previous album in hopes of learning of their older work. Sony, however, chose to market Carey in a different fashion, leaning towards the traditional form in the 1960s, where acts would release an LP every year. They felt that her reputation of being a "studio worm" and a songwriter from a young age would be captivating enough to deliver a new album more often than most.

As with Mariah Carey the previous year, Carey did not embark on a tour to promote the album, due to the long travel times and strenuous schedules on her voice. However, while not touring the world, Carey promoted Emotions through an array of television and award show appearances, stateside and across Europe. Carey performed "Emotions" live for the first time at the 1991 MTV Video Music Awards, backed by several male and female back up vocalists. Following the award show appearance, she sang "Emotions" on both The Arsenio Hall Show and Soul Train. In the United Kingdom, Carey performed the song on British music program and talk shows Top of the Pops, Wogan and Des O'Connor Tonight. Additional European stops included Sondagstoppet in Sweden during mid-September 1991. All of the above-mentioned performances included "Can't Let Go" as a secondary performance in the night. "Can't Let Go" was sung on additional programs such as Saturday Night Live, a pre-filmed studio clip on The Today Show. While the album's final single "Make It Happen" was released only months after Emotions release, the song was not performed during the album's original chart run, however, its first live performance of the song was an acoustic version on the television show MTV Unplugged in 1992, which was later released on her EP of the same name (1992). On February 26, 1992, Carey performed "If It's Over" at the 34th annual Grammy Award, with a full orchestra and several back up singers. "If It's Over" was also performed on Saturday Night Live and The Oprah Winfrey Show.

Track listing
  1. "Emotions" 4:09
  2. "And You Don't Remember" 4:26
  3. "Can't Let Go" 4:27
  4. "Make It Happen" 5:07
  5. "If It's Over" 4:38
  6. "You're So Cold" 5:05
  7. "So Blessed" 4:13
  8. "To Be Around You" 4:37
  9. "Till the End of Time" 5:35
  10. "The Wind" 4:41












viernes, 14 de junio de 2024

Frankie Goes To Hollywood "Relax (Single & Video)"

"Relax" is the debut single by English synth-pop band Frankie Goes to Hollywood, released in the United Kingdom by ZTT Records in 1983.

The hit version, produced by Trevor Horn and featuring the band along with other musicians, entered the UK top 75 singles chart in November 1983 but did not crack the top 40 until early January 1984. Three weeks later it reached number one, on the chart dated 28 January 1984, replacing Paul McCartney's "Pipes of Peace". One of the decade's most controversial and most commercially successful records, "Relax" eventually sold a reported two million copies in the UK alone, easily ranking among the ten biggest-selling singles in the UK. It remained in the UK top 40 for 37 consecutive weeks, 35 of which overlapped with a radio airplay ban by the BBC (owing to lyrics perceived as overtly sexual).

In June 1984, bolstered by the instant massive success of the band's follow-up single "Two Tribes", the single re-entered the top ten for a further nine weeks, including two spent at No. 2 (behind "Two Tribes"). At that time, Frankie Goes to Hollywood were the only act apart from the Beatles and John Lennon to concurrently occupy the top two positions on the chart. Several 12-inch single versions (and the "Frankie Say Relax" T-shirt craze) further fed the "Relax" phenomenon. The single re-entered the UK top 75 in February 1985 and, more successfully, in October 1993, when it spent three weeks in the top ten.

In the United States, "Relax" was also comparatively slow in reaching its chart peak. Released in March 1984, albeit with a different mix and nearly a minute shorter in length, the single stalled at No. 67 on Billboard's Hot 100 in May during a seven-week run, but it ranked number one for the year on the Los Angeles "alternative rock" station KROQ, as voted for by listeners. In January 1985, a release of "Relax" that was far more similar to the UK hit version entered the Hot 100 at No. 70, and in March it reached No. 10 during its 16-week run. In January 1989, the single was certified gold by the RIAA.

In February 1985, the record was awarded Best British Single of 1984 at the Brit Awards, and Frankie Goes to Hollywood won Best British Newcomer. A version of the song features on Frankie Goes to Hollywood's debut album Welcome to the Pleasuredome, released in October 1984.

Singer Holly Johnson said the lyrics came to him as he was walking down Princess Avenue in Liverpool: "I mean they were just, you know, words that floated into my head one day when I was walking down Princess Avenue with no bus fare, trying to get to rehearsals – I mean there was no great sort of calculated, 'Oh I'll sing these words and this record'll be banned'."

ZTT Records signed Frankie Goes to Hollywood after producer-turned-ZTT cofounder Trevor Horn saw the band play on the television show The Tube, on which the group played an early version of "Relax". Horn described the original version of "Relax" as "more a jingle than a song", but he preferred to work with songs that were not professionally finished because he could then "fix them up" in his own style. Once the band was signed, ZTT co-founder Paul Morley mapped out the marketing campaign fashioned as a "strategic assault on pop". Morley opted to tackle the biggest possible themes in the band's singles ("sex, war, religion"), of which "Relax" would be the first, and emphasized the shock impact of Frankie members Holly Johnson's and Paul Rutherford's open homosexuality in the packaging and music videos.

Horn dominated the recording of "Relax" in his effort for perfectionism. Initial sessions were held at the Manor Studio. The band were overawed and intimidated by Horn's reputation, and thus were too nervous to make suggestions. Johnson said in his autobiography, "Whatever he said we went along with". When attempts to record with the full band proved unsatisfactory, Horn hired former Ian Dury backing band the Blockheads for the sessions, with Norman Watt-Roy providing the original bass line. Those sessions were later deemed to be not modern-sounding enough. Instead, Watt-Roy's playing was replaced by a sampled E note on a bass guitar, which was layered over a Linn 2 bass drum.

Horn then constructed a more electronic-based version of the song with keyboards by session musician Andy Richards and with rhythm programming assistance from J. J. Jeczalik of Art of Noise. Horn developed this version of the recording in his west London studio while the band remained in their hometown of Liverpool. Horn had made three versions of "Relax" prior to Richards and guitarist Stephen Lipson joining his ZTT Production 'Theam' in late 1983. Horn left the studio late one night asking for Lipson to erase the multitrack (of version 3) due to lack of progress, but came back into the studio some time later to hear Richards playing a variety of modal chords based around the key of E minor with Lipson playing guitar along to the unerased multitrack.

Ultimately lead vocalist Johnson was the only band member to perform on the record. The only contribution by the other members was a sample crafted from the sound of the rest of the band jumping into a swimming pool. Johnson later said that "Trevor didn't like the band's standard of playing as he couldn't sync it to his machinery". Horn later recalled of the song's intro, "Hit singles are not just good songs. They need to be moments. Holly had been blowing his saxophone on the studio roof in Notting Hill at 2am, and a bunch of guys appeared on the street, calling up to him. He came down to do the vocal, and I suggested he play it at the start of Relax."

In a 2021 interview, Horn said that "the band we signed weren't quite the band who had appeared on the original demo, though we didn't know that at the time". The demo had featured Jed O'Toole, brother of bassist Mark O'Toole, on guitar, who subsequently left to pursue a 9-to-5 career. He was replaced by Brian Nash, who was a guitar novice at the time the single was recorded, though Horn acknowledged that he developed into a good guitarist by the time Welcome to the Pleasuredome was finished. Horn completed the recording having spent £70,000 in studio time.

Morley intentionally courted scandal with the promotion of "Relax". ZTT initiated the ad campaign for "Relax" with two quarter-page ads in the British music press. The first ad featured images of Rutherford in a sailor cap and a leather vest, and Johnson with a shaved head and rubber gloves. The images were accompanied by the phrase "ALL THE NICE BOYS LOVE SEA MEN", a pun on the music hall song "Ship Ahoy! (All the Nice Girls Love a Sailor)". It declared "Frankie Goes to Hollywood are coming ... making Duran Duran lick the shit off their shoes ... Nineteen inches that must be taken always." The second ad promised "theories of bliss, a history of Liverpool from 1963 to 1983, a guide to Amsterdam bars".

When the single was first released in November 1983, the initial progress of "Relax" on the UK top 75 was sluggish. First charting at No. 67, it had progressed only to No. 35 by its seventh week on the chart, even having fallen back slightly during that time. But then on Thursday 5 January 1984, Frankie Goes to Hollywood were shown performing "Relax" on the BBC flagship television chart show, Top of the Pops. The following week it soared to No. 6. On 11 January 1984, Radio 1 disc jockey Mike Read expressed on air his distaste for both the record's suggestive sleeve (designed by Anne Yvonne Gilbert) and its lyric, which centred on the oft-repeated "Relax, don't do it/When you want to sock it to it/Relax, don't do it/ When you want to come." He announced his refusal to play the record, not knowing the BBC had just decided the song was not to be played on the BBC anyway. Holly Johnson contends that the lyric was misheard: rather than "When you want to sock it to it", the line is "When you want to suck, chew it".

In support of their disc jockey, BBC Radio banned the single from its shows a reported two days later (although certain prominent night-time BBC shows – including those of Kid Jensen and John Peel – continued to play the record, as they saw fit, during 1984). The now-banned "Relax" rose to No. 2 on the charts by 17 January, and hit the number-one spot on 24 January. By this time, the BBC Radio ban had extended to Top of the Pops as well, which simply displayed a still picture of the group during its climactic number one announcement, before airing a performance by a non-number one artist.

This went on for the five weeks that "Relax" was at number one. It then began a slow decline on the charts, falling back as far as No. 31 in May 1984 before returning to No. 2 in July whilst Frankie's follow-up single "Two Tribes" held the UK number-one spot. In the end, "Relax" remained on the top 75 for 48 consecutive weeks and returned in February 1985 for four more, giving a total of 52.

The ban became an embarrassment for the BBC, especially given that UK commercial radio and television stations were still playing the song. Later in 1984 the ban was lifted and "Relax" featured on both the Christmas Day edition of Top of the Pops and Radio 1's rundown of the best-selling singles of the year.

Throughout the "Relax" controversy, the band continued to publicly deny that the song's lyrics were sexual. Nevertheless, by 1984, it was clear that the public were aware of the sexual nature of the lyrics, but the scandal had fuelled sales anyway. In 1985, with the release of the Welcome to the Pleasuredome album (which included "Relax"), the band dropped any public pretence about the lyrics:
Everything I say is complete lies. Like, when people ask you what 'Relax' was about, when it first came out we used to pretend it was about motivation, and really it was about shagging.

— Mark O'Toole, Welcome to the Pleasuredome album liner notes
The track was reissued in September 1993, the first of a string of Frankie Goes to Hollywood singles to be reissued that year. It debuted at a high No. 6 on the UK Singles Chart and peaked at No. 5 the following week. It spent seven weeks on the top 75 this time, thus extending its combined total to 59, making it at the time the third longest runner of all time; it has since been surpassed by 44 other songs and sits in joint 47th place.

The first official music video for "Relax", directed by Bernard Rose and set in an S&M themed gay nightclub at Wilton’s music hall in London it featuring the bandmembers accosted by buff leathermen, a glamorous drag queen, and an obese admirer dressed up as a Roman emperor, played by actor John Dair, was allegedly banned by MTV and the BBC, prompting the recording of a second video, directed by Godley and Creme in early 1984, featuring the group performing with the help of laser beams. However, after the second video was made the song was banned completely by the BBC, meaning that neither video was ever broadcast on any BBC music programmes.

A live performance video of the song was directed by David Mallet, making the rounds at MTV. The live version was released as the B-side of the US 12" version of "Welcome to the Pleasuredome" and titled "Relax International."

Another MTV video of the studio version includes footage from the Brian De Palma film Body Double. Body Double, a popular 1984 erotic thriller film, contains a film within a film sequence in which Frankie Goes to Hollywood performs "Relax" on the set of a porn film.