Mostrando las entradas con la etiqueta Film Score. Mostrar todas las entradas
Mostrando las entradas con la etiqueta Film Score. Mostrar todas las entradas

domingo, 19 de octubre de 2025

Maurice Jarre "Mad Max Beyond Thunderdome - The Complete Motion Picture Score (2CDS, UK, Tadlow Music, TADLOW009)"

Mad Max Beyond Thunderdome (Original Motion Picture Soundtrack) is a soundtrack album for the 1985 film Mad Max Beyond Thunderdome. The album was originally released in 1985 on the Capitol Records label and reissued numerous times on different labels.


Tracklist:

Disc 1:
  1. Original Main Title Music 2:02
  2. Max's Theme - The Desert 2:40
  3. Bartertown Theme 1:54
  4. Accents 2 Suspense 3:47
  5. Tragic Saxophone 0:40
  6. Heartbeat / Pigrock 3:48
  7. Master Blaster / The Manipulator / Embargo / Entity Humiliated 2:29
  8. The Discovery 2:01
  9. Conspiracy 0:35
  10. Thunderdome 4:51
  11. Darkness / Gulag 3:48
  12. Master In Underworld / Desert Hallucinating 5:20
  13. Magical 3:01
  14. Children's Theme 2:13
  15. Ceremony 1:11
  16. Confusion 1:13
  17. The Telling / I Ain't Captain Walker 4:01
  18. Compassion 3:18
  19. Tyrant 2:45
  20. The Leaving 5:05
  21. Underworld Takeover 2:18
  22. Arrival 2:59
Disc 2:
  1. Max And Savannah Escape 3:04
  2. Boarding The Train 2:22
  3. Bartertown Destruction 4:02
  4. The Big Chase! 11:44
  5. Epilogue 3:10
Original Soundtrack Album Tracks
  1. Bartertown 8:34
  2. The Children 2:11
  3. Coming Home 15:11
  4. Soundtrack Bonus Tracks
  5. Pianos Overdubs For The Big Chase! 2:46
  6. Organ Effects 0:39
  7. Plastic Tube Effects 0:47
  8. Wild Chords 0:24
Additional Bonus Track
  1. I Ain't Captain Walker  5:02
Limited Collector's Edition
Color Booklet and Picture Disc CDs
Music Recorded at CTS Studios, Wembley
Digital Transfers: FX Rentals, London
Published by Kennedy Miller Productions Pty. Ltd. and administered by Warner Brothers Music Corp.

























Original Motion Picture Soundtrack "The Amytiville Horror Composed And Conducted By Lalo Schifrin" (Limited Expanded Edition, Remastered, Spain, Quartet Records, QR200)"

The Amityville Horror is a 1979 American supernatural horror film directed by Stuart Rosenberg, and starring James Brolin, Margot Kidder, and Rod Steiger. The film follows young couple George and Kathy Lutz who purchase a home haunted by combative supernatural forces. It is based on Jay Anson's 1977 book of the same name, which documented the alleged paranormal experiences of the Lutz family who briefly resided in the Amityville, New York home where Ronald DeFeo Jr. committed the mass murder of his family in 1974. It is the first entry in the long-running Amityville Horror film series, and was remade in 2005.

Executive producer Samuel Z. Arkoff originated the project after purchasing the rights to Anson's book, and it was initially conceived as a television film, which Anson adapted himself. When Arkoff rejected the teleplay, it was reworked by screenwriter Sandor Stern as a feature film. The producers intended to shoot the film in the actual DeFeo residence, but its owners denied them permission. Filming instead began on location in Toms River, New Jersey in October 1978, followed by interior shoots occurring at the Metro-Goldwyn-Mayer sound stages in Los Angeles, which were completed just before the Christmas holiday.

The Amityville Horror had its world premiere at the Museum of Modern Art on July 24, 1979, before receiving a wide theatrical release three days later. The film was a major commercial success and one of the most profitable films released by its distributor, American International Pictures. It went on to gross over $80 million in North America, becoming one of the highest-grossing independent films of all time, as well as one of the highest-grossing horror films in cinema history. Though met with largely unfavorable critical reviews at the time of its release, composer Lalo Schifrin's musical score earned the film Golden Globe and Academy Award nominations, while Kidder received a Saturn Award nomination for Best Actress.

Some contemporary film scholars have considered the film a classic of the horror genre, and it is widely regarded as a seminal entry in the sub-genre of the contemporary haunted house film. In his 1981 non-fiction book, Danse Macabre, horror author Stephen King interprets the film as a parable on the anxieties of homeownership and financial ruin, citing the economic crisis of the 1970s and the film's frequent references to financial matters, a reading which has been similarly assessed by other film scholars.

Lalo Schifrin was hired to compose the original score for The Amityville Horror. When beginning the composition of the main theme, he was given the static image of the home which plays over the film's opening credits sequence. Recalling his inspiration, Schifrin said: "Since a family with three kids was about to move into the mansion, ignoring its past, I got the idea to write a haunting and distorted lullaby for three children's voices."

In addition to the vocal accompaniment, Schifrin composed the film's score using a harp, celeste, violins, and violas, aspiring to create a "chilling" contrast between the voices and orchestral arrangements. To incorporate more "menacing sounds," he utilized low-pitched string arrangements, a bass clarinet, a brass-muted French horn, and a waterphone.

It is sometimes alleged that Schifrin's score was the one rejected in 1973 for The Exorcist, but Schifrin has denied this in interviews.

Schifrin's score earned the film a nomination an Academy Award for Best Original Score, as well as a Golden Globe Award nomination in the same category.

Tracklist:

Disc 1: The Film Score (Mono)
  1. Main Title 1:48
  2. Rumble / The Killer 0:42
  3. One Year Later 0:47
  4. Real State 0:39
  5. Flies / Father Delaney / Get Out! 3:15
  6. The Hand 0:24
  7. The Mirror 0:34
  8. Cold / The Ghost 2:56
  9. Bedroom Scene 1:18
  10. Rocking Chair / The Window / Unknown Force 1:53
  11. Father Bolen 1:05
  12. The Staircase 0:29
  13. The Clock / The Black Coat / Missing Money 1:49
  14. The Windshield 2:27
  15. The Babysitter 1:34
  16. The Closet / Under The Sofa / The Scream 1:45
  17. Chill / Front Door / Sergeant Vito 2:03
  18. Town Hall / The Phone 2:12
  19. The Motorcycle 0:32
  20. Pig’s Eyes / Carolyn 1:23
  21. The Wall / The Dog 2:54
  22. The Crucifix 2:24
  23. The Statues 2:22
  24. Kathy’s Dream / Upper Floor Level 0:45
  25. At The Park / Motionless 2:17
  26. The Wind 2:01
  27. The Axe 3:29
  28. Bleeding Walls / Postludium 5:53
  29. End Credits 2:23
Disc 2: Surviving Stereo Tracks
  1. Main Title 1:48
  2. One Year Later 0:47
  3. Real State 0:39
  4. Father Delaney 1:14
  5. The Hand 0:24
  6. Cold / The Ghost 2:56
  7. Bedroom Scene 1:18
  8. The Clock / The Black Coat 1:24
  9. The Windshield 2:27
  10. The Babysitter 1:34
  11. Chill 0:56
  12. Town Hall / The Phone 2:12
  13. Pig’s Eyes / Carolyn 1:23
  14. The Crucifix 2:24
  15. The Statues 2:22
  16. At The Park 1:52
  17. The Wind 2:01
  18. The Axe 3:29
  19. Bleeding Walls / Postludium 5:53
  20. End Titles 2:23
Bonus Tracks
  1. Amityville Frenzy  4:56
  2. Juke Box 3:05
  3. Concerto No. 5 For Harpsichord And Strings  3:45
  4. Tchaikovsky’s Piano Concerto (Excerpt) 3:12
  5. Concerto No. 5 For Harpsichord And Strings – Alternate  3:34
  6. Main Title (Extended Version) 2:23
  7. String Rumble Nº1 0:35
  8. String Rumble Nº2 0:34
  9. Lalo Schifrin’s SFX Session 4:55
  10. Trailer 0:45
Limited edition of 1000 copies.

CD 1 Total Disc Time: 54:14
CD 2 Total Disc Time: 67:31

Includes 20-page full-color package.

Track 2-21 "Amityville Frenzy" recorded at The Sound Factory.
Analog to digital transferred at Precision Audiosonics


























sábado, 9 de febrero de 2019

Original Motion Picture Soundtrack "Alien"

The iconic, avant-garde score to the film Alien was composed by Jerry Goldsmith and is considered by some to be one of his best, most visceral scores. Rather than focusing on themes, Goldsmith creates a bleak and dissonant soundscape that fits the film's dark and intense atmosphere, with only a few "romantic" cues.

The music was performed by the National Philharmonic Orchestra and conducted by Lionel Newman. However, the music was not originally used or heard as intended. The score was substantially cut for the film's released versions, and some recordings from other sources were added, notably portions of Goldsmith's original score for the 1962 film Freud (which were that film's Main Title, as well as the tracks Charcot's Show and Desperate Case), and the first movement (adagio) from Howard Hanson's 1930 "Symphony No. 2, Romantic" for the film's end credits.


The complete intended score was first released as an isolated track on a 1999 20th Anniversary DVD edition on 20th Century Fox Home Entertainment (it has subsequently appeared on budget DVD and Blu-ray releases of the film). On November 15, 2007, Intrada Records released this same intended score with additional alternate score tracks and the original LP program in a 2-CD set. This release is the first to publish Jerry Goldsmith's complete score remixed and remastered from the original 1" master tapes.