Mostrando las entradas con la etiqueta Toto. Mostrar todas las entradas
Mostrando las entradas con la etiqueta Toto. Mostrar todas las entradas

jueves, 21 de enero de 2021

Bee Gees "Still Waters"

Still Waters is the twenty-first studio album by the pop group the Bee Gees, released on 10 March 1997 in the UK by Polydor, and on 6 May the same year in the US by A&M.

In 1994, the Bee Gees and Polydor Records had planned a major tour to promote Size Isn't Everything (1993) but it was postponed in February the same year due to Barry Gibb's trouble with arthritis in his back, right hand and right knee. Following the cancellation of the tour, Robin Gibb told the press that the group was working on an album of acoustic versions of songs they had written for other artists. The project was later called Love Songs, which featured some new recordings and was announced as the Bee Gees' new album in September 1994 and planned for release on 14 February (Valentine's Day) of 1995. However, their record company rejected the album.

Around 1994, the Bee Gees did record six songs, one of which was called "Miracles Happen" which was written and recorded to be the title song for a new film version of Miracle on 34th Street; the Bee Gees got the job in June 1994 and quickly returned this recording, with a boys’ choir and a big string section backing them. The filmmakers however decided later to use only old Christmas songs. On the same session, they also did their own version of their compositions such as "Emotion" (Samantha Sang), "Heartbreaker" (Dionne Warwick), "Love Never Dies" and "Rings Around the Moon", which were later released as B-sides.

In July 1995, they started with seven demos for what would become included on the album, along with four demos recorded in the second quarter of 1995. In the October 1995 sessions they recorded their rendition of "Will You Love Me Tomorrow" for a Carole King tribute album Tapestry Revisited: A Tribute to Carole King.

In March 1996, they relocated to The Hit Factory in New York to record two songs. Around 1996, the Bee Gees used session musicians to complete the entire album, produced by Russ Titelman. Also in 1996, the Bee Gees recorded two songs with two members of P.M. Dawn, Attrel Cordes and Jarett Cordes. The producer on "With My Eyes Closed" was Raphael Saadiq. "Still Waters (Run Deep)" was produced by Hugh Padgham. The last song recorded for the album was "Closer than Close" which features Maurice Gibb's lead vocals produced by the brothers themselves.

The Bee Gees recorded further new songs in 1996 and 1997, and Still Waters was released in March 1997. Though receiving lukewarm reviews from critics, the album was their most successful album in almost twenty years; it was released at a time when the Bee Gees were being awarded for lifetime achievements, had recently been inducted into the Rock and Roll Hall of Fame and were regaining high exposure on television, particularly VH1. The album sold over 5 million copies worldwide,[citation needed] peaking at No. 2 on the UK Albums Chart and reaching No. 11 in the United States. The Bee Gees made the album with a variety of top producers, including Russ Titelman, David Foster, Hugh Padgham, and Arif Mardin. The first single off the album, "Alone", was a worldwide hit, peaking at No. 5 in the UK and No. 28 in the United States, where it began as a "hot shot debut" at No. 34. "I Could Not Love You More" and "Still Waters (Run Deep)" also reached the UK top 20.

In a special agreement with Target, Polydor also sold a special edition of the album which included a bonus CD of songs from their VH1 Storytellers concert. This CD has never been made commercially available outside of the Target agreement.

“There is life in the old dog yet! The water is still flowing in the river under the family name of Bee Gees! The brothers Barry, Maurice, and Robin Gibb did their best once again, for the umpteenth time, or rather to be even said, in their own style, as always,” the album left a very good impression on the stuff of the newspaper “Muzykalnaya Gazeta”.

In 2003 Robin Gibb re-recorded the track "My Lover's Prayer" as a duet with Alistair Griffin. This reached No. 5 on the UK Singles Chart as a double A-side single with Griffin's solo recording of "Bring It On". It also appears on Griffin's debut album Bring It On, which reached No. 12 on the UK Albums Chart.

The album became one of the first of the Bee Gees' catalogue to be re-released on Reprise Records after the group regained the rights to all of their recordings in 2006.

Track listing
All songs written by Barry, Robin and Maurice Gibb.
  1. "Alone" – 4:49 (Lead Vocal: Barry and Robin)
  2. "I Surrender" – 4:18 (Lead Vocal: Barry)
  3. "I Could Not Love You More" – 3:43 (Lead Vocal: Barry)
  4. "Still Waters Run Deep" – 4:08 (Lead Vocal: Barry and Robin)
  5. "My Lover's Prayer" – 4:00 (Lead Vocal: Barry and Robin)
  6. "With My Eyes Closed" – 4:19 (Lead Vocal: Barry)
  7. "Irresistible Force" – 4:36 (Lead Vocal: Robin and Barry)
  8. "Closer Than Close" – 4:34 (Lead Vocal: Maurice)
  9. "I Will" – 5:08 (Lead Vocal: Barry and Robin)
  10. "Obsessions" – 4:43 (Lead Vocal: Barry)
  11. "Miracles Happen" – 4:12 (Lead Vocal: Barry)
  12. "Smoke and Mirrors" – 5:00 (Lead Vocal: Robin)
Bonus tracks
  1. "Rings Around the Moon" – 4:30 (Lead Vocal: Robin)
  2. "Love Never Dies" – 4:07 (Lead Vocal: Robin and Maurice)
















lunes, 17 de junio de 2019

Kimball Jamison "Kimball Jamison"

Kimball Jamison is a duo album from the American rock singers Jimi Jamison (Survivor) and Bobby Kimball (Toto), released in October 14, 2011 by Frontiers Records.

The album was produced by German bassist, singer and music producer Mat Sinner (Primal Fear) from Stuttgart. Jamison and Kimball finished the lead vocal recordings in Los Angeles while the instrumental part was recorded in Germany. The songs on the album, which became the highlight of 2011 in the melodic rock scene, were written by several songwriters such as Richard Page (Mr Mister), Randy Goodrum (Toto, Steve Perry), Robert Sall (Work of Art) , John Waite, Jim Peterik and other famous and successful songwriters of the rock scene selected.

Track listing
  1. "Worth Fighting For" Hanif Sabzevari & Robert Säll 4:52
  2. "Can't Wait For Love" Hanif Sabzevari & Robert Säll 3:54
  3. "Sail Away" John Lang & Richard Page 4:35
  4. "Chasing Euphoria" Jim Peterik 3:46
  5. "Find Another Way" Henrik Wikström, NiklasEdberger & Randy Goodrum 4:14
  6. "Get Back in the Game" Erik Martensson & Miqael Persson 3:10
  7. "I Did Everything Wrong" Erik Martensson & Miqael Persson 3:53
  8. "Shadows of Love" Jeff Kent, John Waite & Norman Mershon 4:18
  9. "Hearts Beat Again" FerpaLacerda, FilipeBeyer & Gui Oliver 4:57
  10. "We Gotta Believe" John Lang, Richard Page & Robert Page 4:23
  11. "Kicking and Screaming" Erik Martensson & Miqael Persson 3:56
  12. "Your Photograph" Henrik Wikström, NiklasEdberger & Randy Goodrum 3:57

DVD and Bonus Track
  1. "Sail Away (Acoustic Version)" John Lang & Richard Page 4:35
  2. "Can't Wait For Love (Music Video)" Hanif Sabzevari & Robert Säll 4:52
  3. "Worth Fighting For (Music Video)" Hanif Sabzevari & Robert Säll 3:54

Total length: 53:34

Jimi and Bobby have been friends for a long time and for the first time ever they get to make an album together in a familiar style and environment meshing their two great voices in a traditional Melodic Rock sound that each portrayed so famously with their perspective bands, Toto and Survivor.
As written by 17 different songwriters, among them Survivor member Jim Peterik ("Chasing Euphoria").
As a bonus DVD, it shows The Making Of The Album, the acoustic versions of "Sail Away" as a Japanese bonus and the music video for the singles "Worth Fighting For" and "Can't Wait For Love".












martes, 27 de noviembre de 2018

Toto "Straight For The Heart (Single & Video)"

Straight For The Heart is the third single from The Seventh One by Toto.




Toto "Stop Loving You (Single & Video)"

"Stop Loving You" is a song from the rock band Toto from their album The Seventh One. It features Jon Anderson on backing vocals. As a single, it peaked at no. 2 on the Dutch charts.

A music video was produced for this song showing Joseph Williams kicking furniture and pushing away other objects in a building, displaying his disgust at the loss of a girlfriend. At the end, a female calls and says, "Joseph, are you there?"




Toto "Pamela (Single & Video)"

"Pamela" is a song written by David Paich and Joseph Williams and performed by Toto for the 1988 Toto album The Seventh One. It was the first single from the album, predating its release, and it peaked at #22 on the Billboard Hot 100, becoming their final US hit to date. It also reached #9 on the Adult Contemporary chart.

The song was written by David Paich and Joseph Williams. Paich had first written the chorus, music and words, including the name, "Pamela". Williams happened to have a girlfriend at the time named "Pamela", and had already written a song for her by the same name. The chorus of Williams's song was used in the bridge, and Williams wrote new words and melody for the verses as well.




Toto "Till The End (Single & Video)"

"Till The End" es una canción de la banda de rock estadounidense Toto, para su 6º álbum de estudio, Fahrenheit.

La canción fue escrita por David Paich y Joseph Williams; como sencillo fue un éxito comercial, se encuentra en el 20º lugar en el Billboard Hot 100, y 37º lugar en el UK Singles Chart. La canción está muy influenciada por el Hard Rock, además de algunas mezclas de Pop Rock y Arena rock. La canción es completamente cantada por Joseph Williams, y como invitados en la grabación, las trompetas son intepretadas por Jerry Hey, Cary Grant y Chuck Findley.

El video muestra a la banda tocando en un espacio cerrado, rodeado de columnas. Todos los miembros de la banda se visten de blanco y negro clásico, pero con algunas modificaciones (como Joseph en el video también lleva un sombrero de vaquero). El vídeo también muestra a Paula Abdul (en esa entonces desconocida), interpretando a una bailarina.






Toto "I'll Be Over You (Single & Video)"

"I'll Be Over You" is a hit single by the American rock band Toto. Released as the lead single from their 1986 album, Fahrenheit, the song reached number eleven on the Billboard Hot 100 chart in 1986. Lead vocals were sung by guitarist Steve Lukather, who co-wrote the song with hit songwriter Randy Goodrum (one of several collaborations between the two). Guest musician Michael McDonald provided the vocal counterpoint on the recording.

"I'll Be Over You" spent two weeks at number one on the adult contemporary chart, Toto's second song to top this chart (following 1983's "I Won't Hold You Back").

Lukather explained the song's lyrics: "What the song is basically saying is, the guy has broken up with a girl, and realized that he should never have broken up with this girl, and he's still really deeply in love with her. Sort of like a warning to people, like, you never know how good you got it until you don't have it anymore.

A music video (in which guest vocalist McDonald also appears) was shot with the band playing on an apartment rooftop until it rained. The rooftop is on top of the building located at 548 South Spring Street in Los Angeles, California, USA.





martes, 20 de noviembre de 2018

Toto "Holyanna (Single & Video)"

Holyanna is the second single from Isolation album, released in 1985 with Mr. Friendly as b-side.





Toto "Angel Don't Cry (Single & Video)"

Angel Don´t Cry es una canción de la banda de rock Toto lanzada en 1984 como parte de su álbum Isolation, la canción no entró a listas de popularidad pero si logró ser un éxito para la banda además fue el primer sencillo donde presentaron a Fergie Frederiksen como cantante. Fue escrita por David Paich y Fergie Frederiksen.




Toto "Stranger In Town (Single & Video)"

"Stranger in Town" is a hit song by American rock band Toto from their 1984 album Isolation.

It was the first single released from that album, reaching the Top 30 on the Billboard Hot 100 in December 1984. The song was the band's highest-ever charting Mainstream Rock track, eventually peaking at number 7. It was also a Top 40 single in Australia, where it remains the fourth highest charting single by Toto, behind only "Hold the Line", "Rosanna", and "Africa". The song was written by David Paich and Jeff Porcaro, and features Paich on lead vocals. Though Bobby Kimball is officially credited as a guest musician on the album, having been fired from Toto, "Stranger in Town" was recorded while he was still a member of the group.

The music video (filmed in black and white and directed by Steve Barron) and lyrics to the song are based on the film Whistle Down The Wind, about an escaped convict who runs into a group of children that mistake him for Jesus. Actor Brad Dourif plays the convict, and new member Fergie Frederiksen appears as a murder victim. Dourif and Toto would also work on the movie Dune that same year.

The video was nominated at the 1985 MTV Music Video Awards for Best Direction.[3]

The band appears briefly in the music video at the 2 minute 30 second mark of the song. It is the only time in the video that they appear.

The song was performed live during the 1985 Isolation tour as well as during the first leg of the subsequent Fahrenheit tour in October-November 1986 before being dropped for the second (European) leg of the tour. It then only resurfaced in the band's live set in 2015-16 (on the Toto XIV tour) and again in 2018 (40 Trips around the Sun tour).




lunes, 19 de noviembre de 2018

Toto "Africa (Single & Video)"

"Africa" is a song by the American rock band Toto. It was included on their fourth studio album Toto IV, and released as a single on September 30, 1982. It reached number one on the US Billboard Hot 100 chart on February 5, 1983 (the band's only Billboard number one), and number three on the UK Singles Chart the same month. The song was written and composed by the band members David Paich and Jeff Porcaro.

The song saw a resurgence in popularity via social media during the 2010s. In the midst of the song's growing popularity, the band Weezer recorded a cover version in 2018 that peaked at number 51 on the Billboard Hot 100 and number one on the Billboard Alternative Songs chart. In the U.S., the single was initially certified gold by the RIAA in 1991. However, since its renewed popularity, sales of both the original Toto single and the Weezer cover have surged, with the original single certified platinum in 2017, and most recently 4x Platinum in October 2018.

The initial idea and lyrics for the song came from David Paich. Jeff Porcaro explains the idea behind the song: "A white boy is trying to write a song on Africa, but since he's never been there, he can only tell what he's seen on TV or remembers in the past."

Paich said:

At the beginning of the '80s I watched a late night documentary on TV about all the terrible death and suffering of the people in Africa. It both moved and appalled me, and the pictures just wouldn't leave my head. I tried to imagine how I'd feel about if I was there and what I'd do.

In 2015, Paich explained that the song is about a man's love of a continent, Africa, rather than just a personal romance. In 2018, Paich explained the song is about a person flying in to meet a lonely missionary. As a child, Paich attended a Catholic school. Several of the teachers had done missionary work in Africa, and this became the inspiration behind the line "I bless the rains down in Africa."

Paich was playing around with a new keyboard and found the brassy sound that became the opening riff. He started humming a melody and by the chorus, the words just came to him.

Musically, the song took quite some time to assemble, as Paich and Porcaro explain:

On "Africa" you hear a combination of marimba with GS 1. The kalimba is all done with the GS 1; it's six tracks of GS 1 playing different rhythms. I wrote the song on CS-80, so that plays the main part of the entire tune.

So when we were doing "Africa" I set up a bass drum, snare drum and a hi-hat, and Lenny Castro set up right in front of me with a conga. We looked at each other and just started playing the basic groove. [...] The backbeat is on 3, so it's a half-time feel, and it's 16th notes on the hi-hat. Lenny started playing a conga pattern. We played for five minutes on tape, no click, no nothing. We just played. And I was singing the bass line for 'Africa' in my mind, so we had a relative tempo. Lenny and I went into the booth and listened back to the five minutes of that same boring pattern. We picked out the best two bars that we thought were grooving, and we marked those two bars on tape. [...] Maybe it would have taken two minutes to program that in the Linn, and it took about half an hour to do this. But a Linn machine doesn't feel like that!

Porcaro also acknowledged that he was influenced by the sounds created by fellow Los Angeles session musicians Milt Holland and Emil Richards. He also described the influence of the drummers at the Africa pavilion at the 1964 New York World's Fair and a National Geographic Special.

I was about 11 when the New York World's Fair took place, and I went to the African pavilion with my family. I saw the real thing ... It was the first time I witnessed somebody playing one beat and not straying from it, like a religious experience, where it gets loud, and everyone goes into a trance.


During an appearance on the radio station KROQ-FM, Steve Porcaro and Steve Lukather described the song as "dumb" and "an experiment" and some of the lyrics as "goofy" that were just placeholders. It was also the last song recorded and barely made the album. The band was more focused on the album's lead single "Rosanna" instead.

The music video was directed by Steve Barron. In the video, a researcher in a library (portrayed by band member David Paich) tries to match a scrap of a picture of a shield to the book from which it was torn out. As he continues his search, a librarian (Jenny Douglas-McRae) working at a nearby desk takes occasional notice of him, while natives in the surrounding jungle begin to close in on the library. When the researcher finds a book titled Africa, the native throws a spear (the shield the native carries is the same as the one in the picture), toppling stacks of books. Africa falls open to the page from which the scrap was torn, but a lantern lands on it and sets it on fire, after which the librarian's eyeglasses are shown falling to the floor. The scenes are intercut with shots of a spinning globe and the band performing atop a stack of giant hardcover books, in which Africa is the topmost.


This video also features Mike Porcaro on bass, replacing David Hungate, who had already left the band before the video was made. Lenny Castro is also featured in the video on percussion.






Toto "Rosanna (Single & Video)"

"Rosanna" is a song written by David Paich and performed by the American rock band Toto, the opening track and the first single from their 1982 album Toto IV. This song won the Record of the Year Grammy Award in the 1983 presentations. "Rosanna" was also nominated for the Song of the Year award.

The song "Rosanna" peaked at No. 2 on the Billboard Hot 100 for five consecutive weeks, behind two different songs, "Don't You Want Me" by The Human League and "Eye of the Tiger" by Survivor. It was also one of the band's most successful singles in the UK, peaking at No. 12 on the UK Singles Chart and remaining on the chart for eight weeks.

The B-side of the vinyl single was the song "It's a Feeling", which is also on the album Toto IV.

The song was written by David Paich, who has said that the song is based on numerous girls he had known. As a joke, the band members initially played along with the common assumption that the song was based on Rosanna Arquette, who was dating Toto keyboard player Steve Porcaro at the time and coincidentally had the same name. Arquette herself played along with the joke, commenting in an interview that the song was about "my showing up at 4 a.m., bringing them juice and beer at their sessions."

In the song's verses, the key is changed from G major to F major, accompanied on the original recording by the lead vocalist changing from Steve Lukather to Bobby Kimball.

The drum pattern is known as a "half-time shuffle", and shows "definite jazz influence", featuring ghost notes and derived from the combination of the Purdie shuffle and the Bo Diddley beat. The Purdie shuffle can be prominently heard on Steely Dan's track "Home at Last" from Aja, which Jeff Porcaro cited as an influence.

The overlapping keyboard solos in the middle were created by David Paich and Steve Porcaro recording a multitude of keyboard lines (some of which were cut from the final recording) using a Micro-Composer, a Minimoog, Yamaha CS-80s, Prophets, a Hammond organ, and a GS1, among other instruments. Paich credits Porcaro with both coming up with the concept for the segment and playing a majority of the parts.

The album version starts with the drum beat only then kicks into the rest of the melody, then ends with two singings of the song's chorus and goes into a musical interlude and fades out from there. According to Lukather, this final instrumental section was a spontaneous jam during the recording session: "... the song was supposed to end but Jeff carried on and Dave started playing the honky-tonk piano and we all just followed on."

The single edit goes right into the melody at the beginning, then the song fades out during the first singing of the chorus at the end.


Steve Porcaro and Lukather describe it as "the ultimate Toto track".

The video (directed by Steve Barron) is set in a stylized urban streetscape, with Rosanna shown as a dancer whose bright red dress contrasts with her gray surroundings. The band plays within a chain-link fence enclosure. Cynthia Rhodes is featured as the lead dancer Rosanna, which led to her being cast in Staying Alive the following year. It also featured Thomas Guzman-Sanchez of the dance group Chain Reaction as one of the male dancers. He did the Boogaloo/Popping body wave leaping over another dancer. Patrick Swayze can be seen as one of the dancers. Swayze and Rhodes later starred together in the 1987 movie, Dirty Dancing. The video uses the album version of the song, instead of the single edit.


Despite not playing on the actual recording, new bassist Mike Porcaro (brother of Jeff and Steve) appears in this video, as original Toto bass player David Hungate left before the video was made. Lenny Castro is also featured with the band as a percussionist.

Art of Noise used a one-second sample of "Rosanna" on their 1984 track "Beat Box (Diversion One)," featured on both Who's Afraid of the Art of Noise? and Daft. In American Horror Story: Coven, Evan Peters character Kyle Spencer is seen singing and dancing to "Rosanna" in a flashback.

"Rosanna" was featured in a 2015 AT&T/DirecTV commercial.


It appears, in heavily edited form, in the 2017 movie CHIPS.




Toto "All Us Boys (Video)"

"All Us Boys" es una canción de la banda rock Toto, editada en 1979 de su álbum Hydra. La canción contó con un videoclip, además de otras tres canciones del disco.

La canción fue escrita por David Paich, y tuvo un éxito comercial; el single se posiciona en el 49º lugar en el Billboard Hot 100. El género musical de la canción es de Hard Rock, combinado con Arena Rock. La letra es como una especie de himno a la diversión.

En el vídeo se muestra a niños que tratan de imitar a los miembros de la banda; hacia el final del video, los niños comienzan a jugar al fútbol.




Toto "99 (Single & Video)"

"99" is a song by the American rock band Toto. The song appeared on the Hydra album in 1979. When released as a single, it reached number 26 on the Billboard charts.

The song was written as a tribute to George Lucas's film THX 1138, and the music video resembles a scene in the movie. In the video, as in the movie scene where the main character (named "THX 1138" and nicknamed "Thex") is imprisoned, the room is completely white and everyone is wearing a white jumpsuit. Toto Legend, the former official International Toto Fan Club newsletter, reviewed the video:

'99' was predominantly a performance video, though the set design was rather conceptual. Following David Paich's intention regarding the lyrics, about a sterile society in which names are forgotten and love forbidden, the set was sterile white, with various sized sculptured 99's hanging and standing about, and the band was clad in futuristic white jumpsuits. There were some notable shots in this one — keyboard close-ups and an artistic view of Jeff through a transparent drum head, a technique that several popular videos have copied since.


Guitarist Steve Lukather has since admitted that despite the song's popularity, it is one of his least favorite compositions, and has even said he "downright hated it." He called the lyrics "obtuse."




domingo, 18 de noviembre de 2018

Toto "St. George And The Dragon (Single & Video)"

St. George And The Dragon is the first single from the Toto album Hydra, released in 1979.




Toto "Geogy Porgy (Single & Video)"

"Georgy Porgy" is a song written by David Paich, released on Toto's self-titled debut album in 1978. It was released as a single and charted on the Billboard Hot 100 (number 48) as well as on both the R&B (number 18) and the Dance (number 80) charts.

The lead vocals are performed by guitarist Steve Lukather. Cheryl Lynn provided the female backing vocal, singing an adaptation from a nursery rhyme Georgie Porgie.

The song is still performed on tour. It is adapted with improvisational solos on guitar and keyboards.

In a 1988 interview with Modern Drummer, Jeff Porcaro discussed developing the groove for "Georgy Porgy":

"...it's imitating Paul Humphrey heavily; it's imitating Earl Palmer very heavily. When it comes to that groove, my biggest influences were Paul Humphrey, Ed Greene, Earl Palmer, and the godfather of that 16th-note groove, James Gadson. That "Georgy Porgy" groove I owe to them."

A version by US soul band Charme was released in 1979 featuring an uncredited vocal by Luther Vandross. The single was re-released a few years later after the vocalist's rise in popularity and he was then credited as the featured artist.

US disco/jazz-funk band Side Effect released their own version in 1980. It was on their After The Rain album. It made it to 77 in the US R&B charts.

In 1991, rapper MC Lyte sampled this song in her song, Poor Georgie.

In 1999, a cover version by Eric Benét (with Faith Evans on background vocals) was released as the first single from Benét's album A Day in the Life. Their version reached number 2 in New Zealand.

The song was used by Devin the Dude in his song "Georgy" from album The Dude; and by Guru in "Kissed the World" from album Jazzmatazz, Vol. 4: The Hip-Hop Jazz Messenger: Back to the Future also.

In 2002, Japanese musician Ringo Sheena formed the band Yokoshima (邪) solely to play cover of "Georgy Porgy".


Filipino Rock musician Ramon Jacinto together with Bobby Kimball of Toto as rearranged of their song "Georgy" from the 2012 album RJ Duets.





Toto "I'll Supply the Love (Single & Video)"

"I'll Supply the Love" is a song written by David Paich and recorded by Toto, with a lead vocal by Bobby Kimball. It was issued on Toto's debut album, Toto, and released as a single in February 1979. It peaked at number 45 on the U.S. Billboard Hot 100, where it spent nine weeks on the chart.

Internationally, the song was a minor hit in both Australia (#92) and Canada (#73), but did best in New Zealand, where it peaked at #29.

"I'll Supply the Love" is also featured in the 2011 film Zookeeper.




                                         


Toto "Hold The Line (Single & Video)"

"Hold the Line" is a song by the American rock band Toto. The song was written by the band's keyboardist David Paich, and the lead vocals were performed by Bobby Kimball. The song was released as the band's debut single, and was featured on their debut 1978 eponymous album. The song was a huge success in the U.S.; it reached number 5 on the Billboard Hot 100 chart during the winter of 1978–79, and number 14 on the official UK chart.

Jeff Porcaro, the band's drummer, gave a definition for the song:


"'Hold the Line' was a perfect example of what people will describe as your heavy metal chord guitar licks, your great triplet A-notes on the piano, your 'Sly'-hot-fun-in-the-summertime groove, all mishmashed together with a boy from New Orleans singing... and it really crossed over a lot of lines."

David Paich about writing the song:

"It started out with the piano riff that is in the intro. I started playing this riff and I just couldn't stop playing it. I played it for days, and I started singing, "Hold the line, love isn't always on time." It was a phrase that just came into my head. . . . it was a blessing. (The words) came to me in the night, and then I went to the verse. I wrote it in 2 hours. Sometimes songs come quickly like that, and sometimes I spend 2 years trying to finish a song."

Jeff Porcaro on "Hold the Line", in a 1988 interview with Modern Drummer:

"That was me trying to play like Sly Stone's original drummer, Greg Errico, who played drums on "Hot Fun In The Summertime." The hi-hat is doing triplets, the snare drum is playing 2 and 4 backbeats, and the bass drum is on 1 and the & of 2. That 8th note on the second beat is an 8th-note triplet feel, pushed. When we did the tune, I said, "Gee, this is going to be a heavy four-on-the-floor rocker, but we want a Sly groove." The triplet groove of the tune was David's writing. It was taking the Sly groove and meshing it with a harder rock caveman approach."

Several of the band members recall hearing "Hold the Line" for the first time on the radio:

"I flipped the first time I heard myself on the radio. My mom called me up and said, "Turn on KLOS." It was the song "Hold the Line," and I started running around the house in my underwear, screaming, "I'm on the radio!" My wife was cracking up. It was just a thrill." (Steve Lukather, Guitar Player magazine, April 1984)


Bobby Kimball had a similar experience when he heard Toto for the very first time on the radio: "I was asleep, I had my alarm clock set for noon because we were gonna do something in the studio, some promo and when the alarm came on there was the radio and "Hold The Line" was playing. And my room was totally black and I was looking for the telephone and I called Paich and I heard him scream, he was living over there with his girlfriend and he was screaming around and falling over trying to get to the radio."




martes, 10 de abril de 2018

Michael Jackson "Thriller"

Thriller is the sixth studio album by American singer Michael Jackson, released on November 30, 1982, in the United States by Epic Records and internationally by CBS Records. It explores genres similar to Jackson's previous album, Off the Wall (1979), including pop, post-disco, rock and funk. Recording took place from April to November 1982 at Westlake Recording Studios in Los Angeles, with a production budget of $750,000.

In just over a year, Thriller became the world's best-selling album, having sold an estimated 66 million copies. It is the second-best-selling album in the United States, behind the Eagles' album Their Greatest Hits (1971–1975), and was the first to reach 30x platinum, with 33 million shipped album-equivalent units certified in the US. The album won a record-breaking eight Grammy Awards in 1984, including Album of the Year. It produced seven singles—"The Girl Is Mine", "Billie Jean", "Beat It", "Wanna Be Startin' Somethin' ", "Human Nature", "P.Y.T. (Pretty Young Thing)", and "Thriller"—all of which reached the top 10 on the US Billboard Hot 100 chart. Thriller broke racial barriers in pop music, enabling Jackson's appearances on MTV and meeting with President Ronald Reagan at the White House. The album was one of the first to use music videos as successful promotional tools, and the videos for the songs "Thriller", "Billie Jean", and "Beat It" all received regular rotation on MTV.

In 2001, a special edition reissue was released, which contains additional audio interviews, demo recordings and the song "Someone in the Dark", a Grammy-winning track from the E.T. the Extra-Terrestrial storybook. In 2008, Thriller was reissued again as Thriller 25, containing remixes with contemporary artists, previously unreleased songs, and a DVD with three music videos and Jackson's performance of "Billie Jean" from the 1983 television special Motown 25.

In the same year, the album was inducted into the Grammy Hall of Fame along with Off the Wall. In 2012, Slant Magazine named Thriller the best album of the 1980s. In 2003, Rolling Stone placed the album at number 20 on their list of "The 500 Greatest Albums of All Time". The album was listed by the National Association of Recording Merchandisers at number three on its "Definitive 200" album list. Thriller was also included in the Library of Congress' National Recording Registry of culturally significant recordings, and the Thriller music video was included in the National Film Preservation Board's National Film Registry of "culturally, historically, or aesthetically significant films".

Jackson's previous album Off the Wall (1979) received critical acclaim and was a commercial success, selling over 20 million copies worldwide. The years between Off the Wall and Thriller were a transitional period for Jackson, a time of increased independence. The period saw him become deeply unhappy; Jackson said, "Even at home, I'm lonely. I sit in my room sometimes and cry. It's so hard to make friends ... I sometimes walk around the neighborhood at night, just hoping to find someone to talk to. But I just end up coming home."

When Jackson turned 21 in August 1979, he hired John Branca as his manager. Jackson told Branca that he wanted to be the biggest and wealthiest star in showbusiness. He was upset about what he perceived as the underperformance of Off the Wall, feeling it had deserved the Grammy Award for Record of the Year. He also felt undervalued by the music industry; in 1980, when Rolling Stone declined to run a cover story on him, Jackson responded: "I've been told over and over that black people on the cover of magazines doesn't sell copies ... Just wait. Some day those magazines are going to be begging me for an interview. Maybe I'll give them one, and maybe I won't."

Jackson reunited with Off the Wall producer Quincy Jones to record his sixth studio album, his second under the Epic label. They worked together on 30 songs, nine of which were included on the album. Thriller was recorded at Westlake Recording Studios in Los Angeles, California, with a production budget of $750,000 (US$1,926,319.15 in 2017 dollars). The recording commenced on April 14, 1982 at noon with Jackson and Paul McCartney recording "The Girl Is Mine"; it was completed on the final day of mixing, November 8, 1982. Several members of the band Toto were involved in the album's recording and production. Jackson wrote four songs for the record: "Wanna Be Startin' Somethin'", "The Girl Is Mine", "Beat It" and "Billie Jean". Unlike many artists, Jackson did not write these songs on paper. Instead, he dictated into a sound recorder; when recording he would sing from memory.

The relationship between Jackson and Jones became strained during the recording. Jackson spent much of his time rehearsing dance steps alone. When the album was completed, both Jones and Jackson were unhappy with the result and remixed every song, spending a week on each.

Jackson was inspired to create an album where "every song was a killer" and developed Thriller with that in mind. Jones and songwriter Rod Temperton gave detailed accounts of what occurred for the 2001 reissue of the album. Jones discussed "Billie Jean" and why it was so personal to Jackson, who struggled with obsessed fans. Jones wanted to shorten the long introduction, but Jackson insisted that it remain because it made him want to dance. The ongoing backlash against disco made it necessary to move in a different musical direction from the disco-heavy Off the Wall. Jones and Jackson were determined to make a rock song that would appeal to all tastes and spent weeks looking for a suitable guitarist for the song "Beat It". Eventually, they found Steve Lukather of Toto to play the rhythm guitar parts and Eddie Van Halen of the rock band Van Halen to play the solo.

When Rod Temperton wrote the song "Thriller", he wanted to call it "Starlight" or "Midnight Man", but settled on "Thriller" because he felt the name had merchandising potential. Wanting a notable person to recite the closing lyrics, Jones brought in actor Vincent Price, an acquaintance of Jones' wife; Price completed his part in two takes. Temperton wrote the spoken portion in a taxi on the way to the recording studio. Jones and Temperton said that some recordings were left off the final cut because they did not have the "edginess" of other album tracks.

Thriller explores genres including pop, post-disco, rock and funk. Acording to Steve Huey of AllMusic, it refined the strengths of Off the Wall; the dance and rock tracks are more aggressive, while the pop tunes and ballads are softer and more soulful. The album includes the ballads "The Lady in My Life", "Human Nature" and "The Girl Is Mine". The funk tracks "Billie Jean" and "Wanna Be Startin' Something'", and the disco songs "Baby Be Mine" and "P.Y.T. (Pretty Young Thing)" have a similar sound to Off the Wall.

"Wanna Be Startin' Somethin'" climaxes in an African-inspired chant (often misidentified as Swahili, but actually syllables based on Duala), giving the song an international flavor. "The Girl Is Mine" tells of two friends' fight over a woman, arguing over who loves her more, and concludes with a rap. The album's songs have a tempo ranging from 80 beats per minute on "The Girl is Mine", to 138 on "Beat It".

Thriller foreshadows the contradictory themes of Jackson's later works. With Thriller, Jackson began using a motif of paranoia and darker themes including supernatural imagery in the title track. This is evident on the songs "Billie Jean", "Wanna Be Startin' Somethin'" and "Thriller". In "Billie Jean", Jackson sings about an obsessive fan who alleges he fathered her child; in "Wanna Be Startin' Somethin'" he argues against media gossip. For "Billie Jean", Jones had Jackson sing overdubs through a six-foot (180 cm) cardboard tube and brought in jazz saxophonist Tom Scott to play the lyricon, a wind-controlled synthesizer. Bassist Louis Johnson ran through his part on a Yamaha bass guitar. The song opens with a long bass-and-drums introduction. "Thriller" includes sound effects such as creaking doors, thunder, footsteps, wind, and howling dogs.

The anti-gang-violence "Beat It" became a homage to West Side Story and was Jackson's first successful rock cross-over piece. Jackson later said of "Beat It", "the point is no one has to be the tough guy, you can walk away from a fight and still be a man. You don't have to die to prove you're a man". "Human Nature", co-written by Steve Porcaro of the band Toto, is moody and introspective, as conveyed in lyrics such as, "Looking out, across the morning, the City's heart begins to beat, reaching out, I touch her shoulder, I'm dreaming of the street".

By the late 1970s, Jackson's abilities as a vocalist were well regarded; AllMusic described him as a "blindingly gifted vocalist". Rolling Stone critic Stephen Holden likened his vocals to the "breathless, dreamy stutter" of Stevie Wonder, and wrote that "Jackson's feathery-timbred tenor is extraordinarily beautiful. It slides smoothly into a startling falsetto that's used very daringly." With the release of Thriller, Jackson could sing low—down to a basso low C—but he preferred to sing higher because pop tenors have more range to create style. Rolling Stone critic Christopher Connelly wrote that Jackson was now singing in a "fully adult voice" that was "tinged by sadness".

"P.Y.T. (Pretty Young Thing)", credited to James Ingram and Quincy Jones and "The Lady in My Life" by Rod Temperton, both gave the album a stronger R&B direction; the latter song was described as "the closest Jackson has come to crooning a sexy, soulful ballad after his Motown years" by J. Randy Taraborrelli. Jackson had already adopted a "vocal hiccup" (first used in 1973 on "It's Too Late to Change the Time"), which he continued to implement in Thriller. The purpose of the hiccup—somewhat like a gulping for air or gasping—is to help invoke a certain emotion, be it excitement, sadness or fear.

The cover for Thriller features Jackson in a white suit that belonged to photographer Dick Zimmerman. The gatefold sleeve reveals a tiger cub at Jackson's leg, which, according Zimmerman, Jackson kept away from his face, fearing he would be scratched. Another picture from the shoot, with Jackson embracing the cub, was used for the 2001 special edition of Thriller.

Thriller was released on November 30, 1982, and sold one million copies worldwide per week at its peak. Seven singles were released. "The Girl Is Mine" was criticized as a poor choice of lead single, and its release led to predictions by critics that listeners would find the album disappointing and to suggestions that Jackson was bowing to a white audience. "The Girl Is Mine" was followed by the hit single "Billie Jean", which made Thriller a chart-topper. Success continued with the single "Beat It", which featured guitarists Eddie Van Halen and Steve Lukather. The title track was released as a single and also became a hit internationally.

On December 16, 2015, Thriller was certified 30× platinum by the Recording Industry Association of America, for shipments of at least 30 million units in the US. After the inclusion of streaming and tracks sales into the RIAA album awards in 2017, Thriller was certified 33× platinum for a total of 33 million album-equivalent units. The album topped the charts in many countries, sold 4.2 million copies in the UK, 2.5 million in Japan, and was certified 15× Platinum in Australia. Thriller sells an estimated 130,000 copies in the US per year; it reached number two in the US Catalog charts in February 2003 and number 39 in the UK in March 2007. It remains the best-selling album of all time, having sold over 66 million copies worldwide.

Thriller was ranked as the third best album of all time on the Billboard Top 200 Albums of All Time.

Track listing
Side one
  1. "Wanna Be Startin' Somethin'"   6:02
  2. "Baby Be Mine"  4:20
  3. "The Girl Is Mine" (with Paul McCartney) 3:41
  4. "Thriller" 5:57
Side two
  1. "Beat It"  4:18
  2. "Billie Jean" 4:54
  3. "Human Nature" 4:07
  4. "P.Y.T. (Pretty Young Thing)" Jones 3:58
  5. "The Lady in My Life" 4:59
Total length: 42:19