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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #921A98 it is the complementary color #6DE567. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #921A98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #921A98 shade: #971A93, #A82CA6, #B93EB9, #CA50CC and #DB62DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #921A98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #921A98 shade: #921A98, #810885, #700072, #5F005F and #4E004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #921A98 shade: #921998, #98197C, #98195A, #981938 and #981919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #921A98 shade: #921998, #701998, #4E1998, #2C1998 and #191998

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #921A98 shade matches the following richer shades: #921998 and #9F0BA7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #921A98 shade: #921998, #85288A, #78367B, #6B456D and #5E535E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #921A98 shade: #4E1998, #701998, #921998, #98197D and #98195B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #921A98 shade: #4E0D52, #701375, #921998, #B41FBB and #D22ADA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #921A98 shade: #921A98, #982C19 and #19985F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #921A98 shade: #921A98, #989219 and #199892

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #921A98 shade: #921A98, #982C19, #209819 and #198598

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #921A98 shade: #921A98, #985219, #209819 and #195F98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 83 / 0 / 40

HEX #921A98

RGB 146 26 152

HSL 297.14, 0.71%, 0.35%

LAB 36.21, 61.52, -40.88

 

Complementary color

CMYK 52 / 0 / 55 / 10

HEX #6DE567

RGB 109 229 103

HSL 117.14, 0.71%, 0.65%

LAB 81.98, -58.01, 50.65

 

CMYK 0 / 83 / 3 / 41

HEX #971A93

RGB 151 26 147

HSL 301.92, 0.71%, 0.35%

LAB 36.79, 61.69, -36.85

 

CMYK 0 / 74 / 1 / 34

HEX #A82CA6

RGB 168 44 166

HSL 300.97, 0.58%, 0.42%

LAB 42.58, 63.23, -38.94

 

CMYK 0 / 66 / 0 / 27

HEX #B93EB9

RGB 185 62 185

HSL 300, 0.5%, 0.48%

LAB 48.59, 63.86, -40.46

 

CMYK 1 / 61 / 0 / 20

HEX #CA50CC

RGB 202 80 204

HSL 299.03, 0.55%, 0.56%

LAB 54.71, 63.95, -41.58

 

CMYK 2 / 56 / 0 / 13

HEX #DB62DF

RGB 219 98 223

HSL 298.08, 0.66%, 0.63%

LAB 60.89, 63.69, -42.45

 

CMYK 4 / 83 / 0 / 40

HEX #921A98

RGB 146 26 152

HSL 297.14, 0.71%, 0.35%

LAB 36.21, 61.52, -40.88

 

CMYK 3 / 94 / 0 / 48

HEX #810885

RGB 129 8 133

HSL 298.08, 0.89%, 0.28%

LAB 30.72, 58.67, -38.12

 

CMYK 2 / 100 / 0 / 55

HEX #700072

RGB 112 0 114

HSL 298.95, 1%, 0.22%

LAB 25.74, 53.89, -34.24

 

CMYK 0 / 100 / 0 / 63

HEX #5F005F

RGB 95 0 95

HSL 300, 1%, 0.19%

LAB 21.05, 47.7, -29.54

 

CMYK 0 / 100 / 3 / 69

HEX #4E004C

RGB 78 0 76

HSL 301.54, 1%, 0.15%

LAB 16.21, 41.31, -24.64

 

CMYK 4 / 84 / 0 / 40

HEX #921998

RGB 146 25 152

HSL 297.17, 0.72%, 0.35%

LAB 36.12, 61.76, -41.01

 

CMYK 0 / 84 / 18 / 40

HEX #98197C

RGB 152 25 124

HSL 313.23, 0.72%, 0.35%

LAB 35.65, 58.74, -24.41

 

CMYK 0 / 84 / 41 / 40

HEX #98195A

RGB 152 25 90

HSL 329.29, 0.72%, 0.35%

LAB 34.21, 54.64, -4.97

 

CMYK 0 / 84 / 63 / 40

HEX #981938

RGB 152 25 56

HSL 345.35, 0.72%, 0.35%

LAB 33.26, 51.81, 15.88

 

CMYK 0 / 84 / 84 / 40

HEX #981919

RGB 152 25 25

HSL 0, 0.72%, 0.35%

LAB 32.79, 50.39, 34.67

 

CMYK 4 / 84 / 0 / 40

HEX #921998

RGB 146 25 152

HSL 297.17, 0.72%, 0.35%

LAB 36.12, 61.76, -41.01

 

CMYK 26 / 84 / 0 / 40

HEX #701998

RGB 112 25 152

HSL 281.1, 0.72%, 0.35%

LAB 30.42, 55.53, -50.51

 

CMYK 49 / 84 / 0 / 40

HEX #4E1998

RGB 78 25 152

HSL 265.04, 0.72%, 0.35%

LAB 25.51, 50.3, -58.73

 

CMYK 71 / 84 / 0 / 40

HEX #2C1998

RGB 44 25 152

HSL 248.98, 0.72%, 0.35%

LAB 21.94, 46.6, -64.75

 

CMYK 84 / 84 / 0 / 40

HEX #191998

RGB 25 25 152

HSL 240, 0.72%, 0.35%

LAB 20.71, 45.36, -66.82

 

CMYK 4 / 84 / 0 / 40

HEX #921998

RGB 146 25 152

HSL 297.17, 0.72%, 0.35%

LAB 36.12, 61.76, -41.01

 

CMYK 5 / 93 / 0 / 35

HEX #9F0BA7

RGB 159 11 167

HSL 296.92, 0.88%, 0.35%

LAB 38.55, 69.01, -46.06

 

CMYK 4 / 84 / 0 / 40

HEX #921998

RGB 146 25 152

HSL 297.17, 0.72%, 0.35%

LAB 36.12, 61.76, -41.01

 

CMYK 4 / 71 / 0 / 46

HEX #85288A

RGB 133 40 138

HSL 296.94, 0.55%, 0.35%

LAB 34.68, 51.87, -34.87

 

CMYK 2 / 56 / 0 / 52

HEX #78367B

RGB 120 54 123

HSL 297.39, 0.39%, 0.35%

LAB 34.11, 39.22, -26.58

 

CMYK 2 / 37 / 0 / 57

HEX #6B456D

RGB 107 69 109

HSL 297, 0.22%, 0.35%

LAB 34.98, 23.58, -16.6

 

CMYK 0 / 12 / 0 / 63

HEX #5E535E

RGB 94 83 94

HSL 300, 0.06%, 0.35%

LAB 36.7, 6.76, -4.73

 

CMYK 49 / 84 / 0 / 40

HEX #4E1998

RGB 78 25 152

HSL 265.04, 0.72%, 0.35%

LAB 25.51, 50.3, -58.73

 

CMYK 26 / 84 / 0 / 40

HEX #701998

RGB 112 25 152

HSL 281.1, 0.72%, 0.35%

LAB 30.42, 55.53, -50.51

 

CMYK 4 / 84 / 0 / 40

HEX #921998

RGB 146 25 152

HSL 297.17, 0.72%, 0.35%

LAB 36.12, 61.76, -41.01

 

CMYK 0 / 84 / 18 / 40

HEX #98197D

RGB 152 25 125

HSL 312.76, 0.72%, 0.35%

LAB 35.7, 58.87, -24.96

 

CMYK 0 / 84 / 40 / 40

HEX #98195B

RGB 152 25 91

HSL 328.82, 0.72%, 0.35%

LAB 34.24, 54.74, -5.57

 

CMYK 5 / 84 / 0 / 68

HEX #4E0D52

RGB 78 13 82

HSL 296.52, 0.73%, 0.19%

LAB 17.99, 38.4, -25.9

 

CMYK 4 / 84 / 0 / 54

HEX #701375

RGB 112 19 117

HSL 296.94, 0.72%, 0.27%

LAB 27.28, 50.46, -33.7

 

CMYK 4 / 84 / 0 / 40

HEX #921998

RGB 146 25 152

HSL 297.17, 0.72%, 0.35%

LAB 36.12, 61.76, -41.01

 

CMYK 4 / 83 / 0 / 27

HEX #B41FBB

RGB 180 31 187

HSL 297.31, 0.72%, 0.43%

LAB 44.62, 72.52, -47.99

 

CMYK 4 / 81 / 0 / 15

HEX #D22ADA

RGB 210 42 218

HSL 297.27, 0.7%, 0.51%

LAB 52.31, 80.45, -53.31

 

CMYK 4 / 83 / 0 / 40

HEX #921A98

RGB 146 26 152

HSL 297.14, 0.71%, 0.35%

LAB 36.21, 61.52, -40.88

 

CMYK 0 / 71 / 84 / 40

HEX #982C19

RGB 152 44 25

HSL 8.98, 0.72%, 0.35%

LAB 35.1, 43.97, 36.87

 

CMYK 84 / 0 / 38 / 40

HEX #19985F

RGB 25 152 95

HSL 153.07, 0.72%, 0.35%

LAB 55.57, -46.38, 20.94

 

CMYK 4 / 83 / 0 / 40

HEX #921A98

RGB 146 26 152

HSL 297.14, 0.71%, 0.35%

LAB 36.21, 61.52, -40.88

 

CMYK 0 / 4 / 84 / 40

HEX #989219

RGB 152 146 25

HSL 57.17, 0.72%, 0.35%

LAB 59.25, -10.98, 58.34

 

CMYK 84 / 0 / 4 / 40

HEX #199892

RGB 25 152 146

HSL 177.17, 0.72%, 0.35%

LAB 56.82, -33.18, -6.14

 

CMYK 4 / 83 / 0 / 40

HEX #921A98

RGB 146 26 152

HSL 297.14, 0.71%, 0.35%

LAB 36.21, 61.52, -40.88

 

CMYK 0 / 71 / 84 / 40

HEX #982C19

RGB 152 44 25

HSL 8.98, 0.72%, 0.35%

LAB 35.1, 43.97, 36.87

 

CMYK 79 / 0 / 84 / 40

HEX #209819

RGB 32 152 25

HSL 116.69, 0.72%, 0.35%

LAB 54.9, -54.78, 52.11

 

CMYK 84 / 13 / 0 / 40

HEX #198598

RGB 25 133 152

HSL 188.98, 0.72%, 0.35%

LAB 50.98, -21.8, -18.4

 

CMYK 4 / 83 / 0 / 40

HEX #921A98

RGB 146 26 152

HSL 297.14, 0.71%, 0.35%

LAB 36.21, 61.52, -40.88

 

CMYK 0 / 46 / 84 / 40

HEX #985219

RGB 152 82 25

HSL 26.93, 0.72%, 0.35%

LAB 42.43, 25.04, 43.63

 

CMYK 79 / 0 / 84 / 40

HEX #209819

RGB 32 152 25

HSL 116.69, 0.72%, 0.35%

LAB 54.9, -54.78, 52.11

 

CMYK 84 / 38 / 0 / 40

HEX #195F98

RGB 25 95 152

HSL 206.93, 0.72%, 0.35%

LAB 39, 0.24, -37.07

 

Description

Color code: HEX #921A98 | qconv.com Color code: HEX #921A98 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 26 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 26 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 83 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 83% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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