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Color name
HEX #259B65

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #259B65 it is the complementary color #DA649A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #259B65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #259B65 shade: #2A9B60, #3BAD73, #4CBF86, #5DD199 and #6EE3AC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #259B65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #259B65 shade: #259B65, #148952, #03773F, #00652C and #005319

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #259B65 shade: #259C65, #259C46, #259C26, #459C25 and #659C25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #259B65 shade: #259C65, #259C85, #25929C, #25729C and #25529C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #259B65 shade matches the following richer shades: #259C65, #16AB67 and #06BB68

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #259B65 shade: #259C65, #358C64, #457C63, #546C61 and #645D60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #259B65 shade: #259C25, #259C45, #259C64, #259C84 and #25949C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #259B65 shade: #15593A, #1D7A50, #259C65, #2DBD7B and #42D190

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #259B65 shade: #259B65, #25459C and #9C3525

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #259B65 shade: #259B65, #64259C and #9C6425

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #259B65 shade: #259B65, #25459C, #9C255C and #9C7C25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #259B65 shade: #259B65, #29259C, #9C255C and #989C25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 35 / 39

HEX #259B65

RGB 37 155 101

HSL 152.54, 0.61%, 0.38%

LAB 56.86, -44.84, 19.39

 

Complementary color

CMYK 0 / 54 / 29 / 15

HEX #DA649A

RGB 218 100 154

HSL 332.54, 0.61%, 0.62%

LAB 58.37, 51.94, -6.91

 

CMYK 73 / 0 / 38 / 39

HEX #2A9B60

RGB 42 155 96

HSL 148.67, 0.57%, 0.39%

LAB 56.86, -45.13, 22.17

 

CMYK 66 / 0 / 34 / 32

HEX #3BAD73

RGB 59 173 115

HSL 149.47, 0.49%, 0.45%

LAB 63.39, -45.58, 20.66

 

CMYK 60 / 0 / 30 / 25

HEX #4CBF86

RGB 76 191 134

HSL 150.26, 0.47%, 0.52%

LAB 69.84, -45.77, 19.3

 

CMYK 56 / 0 / 27 / 18

HEX #5DD199

RGB 93 209 153

HSL 151.03, 0.56%, 0.59%

LAB 76.21, -45.8, 18.06

 

CMYK 52 / 0 / 24 / 11

HEX #6EE3AC

RGB 110 227 172

HSL 151.79, 0.68%, 0.66%

LAB 82.5, -45.73, 16.91

 

CMYK 76 / 0 / 35 / 39

HEX #259B65

RGB 37 155 101

HSL 152.54, 0.61%, 0.38%

LAB 56.86, -44.84, 19.39

 

CMYK 85 / 0 / 40 / 46

HEX #148952

RGB 20 137 82

HSL 151.79, 0.75%, 0.31%

LAB 50.27, -43.81, 21.07

 

CMYK 97 / 0 / 47 / 53

HEX #03773F

RGB 3 119 63

HSL 151.03, 0.95%, 0.24%

LAB 43.61, -42.19, 22.95

 

CMYK 100 / 0 / 56 / 60

HEX #00652C

RGB 0 101 44

HSL 146.14, 1%, 0.2%

LAB 36.91, -39.37, 25.04

 

CMYK 100 / 0 / 70 / 67

HEX #005319

RGB 0 83 25

HSL 138.07, 1%, 0.16%

LAB 30.05, -35.9, 27.03

 

CMYK 76 / 0 / 35 / 39

HEX #259C65

RGB 37 156 101

HSL 152.27, 0.62%, 0.38%

LAB 57.18, -45.24, 19.83

 

CMYK 76 / 0 / 55 / 39

HEX #259C46

RGB 37 156 70

HSL 136.64, 0.62%, 0.38%

LAB 56.7, -50.82, 35.65

 

CMYK 76 / 0 / 76 / 39

HEX #259C26

RGB 37 156 38

HSL 120.5, 0.62%, 0.38%

LAB 56.4, -54.43, 49.39

 

CMYK 56 / 0 / 76 / 39

HEX #459C25

RGB 69 156 37

HSL 103.87, 0.62%, 0.38%

LAB 57.25, -47.47, 50.88

 

CMYK 35 / 0 / 76 / 39

HEX #659C25

RGB 101 156 37

HSL 87.73, 0.62%, 0.38%

LAB 58.67, -36.94, 52.76

 

CMYK 76 / 0 / 35 / 39

HEX #259C65

RGB 37 156 101

HSL 152.27, 0.62%, 0.38%

LAB 57.18, -45.24, 19.83

 

CMYK 76 / 0 / 15 / 39

HEX #259C85

RGB 37 156 133

HSL 168.4, 0.62%, 0.38%

LAB 57.91, -37.49, 2.88

 

CMYK 76 / 6 / 0 / 39

HEX #25929C

RGB 37 146 156

HSL 185.04, 0.62%, 0.38%

LAB 55.43, -25.95, -13.92

 

CMYK 76 / 27 / 0 / 39

HEX #25729C

RGB 37 114 156

HSL 201.18, 0.62%, 0.38%

LAB 45.4, -8.49, -29.35

 

CMYK 76 / 47 / 0 / 39

HEX #25529C

RGB 37 82 156

HSL 217.31, 0.62%, 0.38%

LAB 35.65, 11.67, -44.8

 

CMYK 76 / 0 / 35 / 39

HEX #259C65

RGB 37 156 101

HSL 152.27, 0.62%, 0.38%

LAB 57.18, -45.24, 19.83

 

CMYK 87 / 0 / 40 / 33

HEX #16AB67

RGB 22 171 103

HSL 152.62, 0.77%, 0.38%

LAB 61.89, -52.15, 25.02

 

CMYK 97 / 0 / 44 / 27

HEX #06BB68

RGB 6 187 104

HSL 152.49, 0.94%, 0.38%

LAB 66.96, -58.49, 31.11

 

CMYK 76 / 0 / 35 / 39

HEX #259C65

RGB 37 156 101

HSL 152.27, 0.62%, 0.38%

LAB 57.18, -45.24, 19.83

 

CMYK 62 / 0 / 29 / 45

HEX #358C64

RGB 53 140 100

HSL 152.41, 0.45%, 0.38%

LAB 52.32, -35.92, 13.8

 

CMYK 44 / 0 / 20 / 51

HEX #457C63

RGB 69 124 99

HSL 152.73, 0.28%, 0.38%

LAB 47.73, -24.46, 8.03

 

CMYK 22 / 0 / 10 / 58

HEX #546C61

RGB 84 108 97

HSL 152.5, 0.13%, 0.38%

LAB 43.47, -11.37, 3.24

 

CMYK 0 / 7 / 4 / 61

HEX #645D60

RGB 100 93 96

HSL 334.29, 0.04%, 0.38%

LAB 40.22, 3.4, -0.71

 

CMYK 76 / 0 / 76 / 39

HEX #259C25

RGB 37 156 37

HSL 120, 0.62%, 0.38%

LAB 56.39, -54.51, 49.75

 

CMYK 76 / 0 / 56 / 39

HEX #259C45

RGB 37 156 69

HSL 136.13, 0.62%, 0.38%

LAB 56.68, -50.97, 36.13

 

CMYK 76 / 0 / 36 / 39

HEX #259C64

RGB 37 156 100

HSL 151.76, 0.62%, 0.38%

LAB 57.16, -45.45, 20.36

 

CMYK 76 / 0 / 15 / 39

HEX #259C84

RGB 37 156 132

HSL 167.9, 0.62%, 0.38%

LAB 57.88, -37.76, 3.41

 

CMYK 76 / 5 / 0 / 39

HEX #25949C

RGB 37 148 156

HSL 184.03, 0.62%, 0.38%

LAB 56.06, -26.96, -12.98

 

CMYK 76 / 0 / 35 / 65

HEX #15593A

RGB 21 89 58

HSL 152.65, 0.62%, 0.22%

LAB 33.16, -29.07, 12.06

 

CMYK 76 / 0 / 34 / 52

HEX #1D7A50

RGB 29 122 80

HSL 152.9, 0.62%, 0.3%

LAB 45.3, -37.07, 15.55

 

CMYK 76 / 0 / 35 / 39

HEX #259C65

RGB 37 156 101

HSL 152.27, 0.62%, 0.38%

LAB 57.18, -45.24, 19.83

 

CMYK 76 / 0 / 35 / 26

HEX #2DBD7B

RGB 45 189 123

HSL 152.5, 0.62%, 0.46%

LAB 68.3, -52.45, 22.97

 

CMYK 68 / 0 / 31 / 18

HEX #42D190

RGB 66 209 144

HSL 152.73, 0.61%, 0.54%

LAB 75.31, -52.84, 21.46

 

CMYK 76 / 0 / 35 / 39

HEX #259B65

RGB 37 155 101

HSL 152.54, 0.61%, 0.38%

LAB 56.86, -44.84, 19.39

 

CMYK 76 / 56 / 0 / 39

HEX #25459C

RGB 37 69 156

HSL 223.87, 0.62%, 0.38%

LAB 31.92, 20.43, -50.83

 

CMYK 0 / 66 / 76 / 39

HEX #9C3525

RGB 156 53 37

HSL 8.07, 0.62%, 0.38%

LAB 37.39, 41.98, 32.84

 

CMYK 76 / 0 / 35 / 39

HEX #259B65

RGB 37 155 101

HSL 152.54, 0.61%, 0.38%

LAB 56.86, -44.84, 19.39

 

CMYK 36 / 76 / 0 / 39

HEX #64259C

RGB 100 37 156

HSL 271.76, 0.62%, 0.38%

LAB 30.48, 49.92, -52.93

 

CMYK 0 / 36 / 76 / 39

HEX #9C6425

RGB 156 100 37

HSL 31.76, 0.62%, 0.38%

LAB 47.39, 17.08, 43.25

 

CMYK 76 / 0 / 35 / 39

HEX #259B65

RGB 37 155 101

HSL 152.54, 0.61%, 0.38%

LAB 56.86, -44.84, 19.39

 

CMYK 76 / 56 / 0 / 39

HEX #25459C

RGB 37 69 156

HSL 223.87, 0.62%, 0.38%

LAB 31.92, 20.43, -50.83

 

CMYK 0 / 76 / 41 / 39

HEX #9C255C

RGB 156 37 92

HSL 332.27, 0.62%, 0.38%

LAB 36.3, 52.39, -3.08

 

CMYK 0 / 21 / 76 / 39

HEX #9C7C25

RGB 156 124 37

HSL 43.87, 0.62%, 0.38%

LAB 53.62, 3.4, 49.37

 

CMYK 76 / 0 / 35 / 39

HEX #259B65

RGB 37 155 101

HSL 152.54, 0.61%, 0.38%

LAB 56.86, -44.84, 19.39

 

CMYK 74 / 76 / 0 / 39

HEX #29259C

RGB 41 37 156

HSL 242.02, 0.62%, 0.38%

LAB 24.31, 41.46, -63.29

 

CMYK 0 / 76 / 41 / 39

HEX #9C255C

RGB 156 37 92

HSL 332.27, 0.62%, 0.38%

LAB 36.3, 52.39, -3.08

 

CMYK 3 / 0 / 76 / 39

HEX #989C25

RGB 152 156 37

HSL 62.02, 0.62%, 0.38%

LAB 62.16, -15.79, 57.29

 

Description

Color code: HEX #259B65 | qconv.com Color code: HEX #259B65 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 155 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 155 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 35 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 35% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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