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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 220 195 131 it is the complementary color RGB 35 60 124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 220 195 131. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 220 195 131 shade: RGB 225 195 126, RGB 242 213 145, RGB 255 231 164, RGB 255 249 183 and RGB 255 255 202

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 220 195 131. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 220 195 131 shade: RGB 220 195 131, RGB 203 177 112, RGB 186 159 93, RGB 169 141 74 and RGB 152 123 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 220 195 131 shade: RGB 220 195 131, RGB 220 171 131, RGB 220 147 131 and RGB 220 131 131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 220 195 131 shade: RGB 220 195 131, RGB 220 219 131, RGB 197 220 131, RGB 173 220 131 and RGB 149 220 131

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 220 195 131 shade matches the following richer shades: RGB 220 195 131, RGB 233 200 118 and RGB 245 206 106

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 220 195 131 shade: RGB 220 195 131, RGB 207 189 144, RGB 194 184 157, RGB 181 178 170 and RGB 169 172 182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 220 195 131 shade: RGB 220 147 131, RGB 220 171 131, RGB 220 195 131, RGB 220 218 131 and RGB 198 220 131

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 220 195 131 shade: RGB 202 164 67, RGB 211 179 99, RGB 220 195 131, RGB 229 210 163 and RGB 238 226 196

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 220 195 131 shade: RGB 220 195 131, RGB 139 220 131 and RGB 159 131 220

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 220 195 131 shade: RGB 220 195 131, RGB 131 220 195 and RGB 195 131 220

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 220 195 131 shade: RGB 220 195 131, RGB 139 220 131, RGB 131 156 220 and RGB 212 131 220

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 220 195 131 shade: RGB 220 195 131, RGB 131 220 150, RGB 131 156 220 and RGB 220 131 201

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 40 / 14

HEX #DCC383

RGB 220 195 131

HSL 43.15, 0.56%, 0.69%

LAB 79.55, 0.03, 35.38

 

Complementary color

CMYK 72 / 52 / 0 / 51

HEX #233C7C

RGB 35 60 124

HSL 223.15, 0.56%, 0.31%

LAB 26.86, 13.76, -39.28

 

CMYK 0 / 13 / 44 / 12

HEX #E1C37E

RGB 225 195 126

HSL 41.82, 0.62%, 0.69%

LAB 79.92, 1.5, 38.52

 

CMYK 0 / 12 / 40 / 5

HEX #F2D591

RGB 242 213 145

HSL 42.06, 0.79%, 0.76%

LAB 86.26, 0.91, 37.3

 

CMYK 0 / 9 / 36 / 0

HEX #FFE7A4

RGB 255 231 164

HSL 44.18, 1%, 0.82%

LAB 92.17, -1.13, 35.63

 

CMYK 0 / 2 / 28 / 0

HEX #FFF9B7

RGB 255 249 183

HSL 55, 1%, 0.86%

LAB 97, -7.87, 32.48

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFCA

RGB 255 255 202

HSL 60, 1%, 0.9%

LAB 98.85, -8.33, 25.41

 

CMYK 0 / 11 / 40 / 14

HEX #DCC383

RGB 220 195 131

HSL 43.15, 0.56%, 0.69%

LAB 79.55, 0.03, 35.38

 

CMYK 0 / 13 / 45 / 20

HEX #CBB170

RGB 203 177 112

HSL 42.86, 0.47%, 0.62%

LAB 73.1, 0.62, 36.62

 

CMYK 0 / 15 / 50 / 27

HEX #BA9F5D

RGB 186 159 93

HSL 42.58, 0.4%, 0.55%

LAB 66.54, 1.32, 37.92

 

CMYK 0 / 17 / 56 / 34

HEX #A98D4A

RGB 169 141 74

HSL 42.32, 0.39%, 0.48%

LAB 59.87, 2.16, 39.24

 

CMYK 0 / 19 / 64 / 40

HEX #987B37

RGB 152 123 55

HSL 42.06, 0.47%, 0.41%

LAB 53.08, 3.18, 40.54

 

CMYK 0 / 11 / 40 / 14

HEX #DCC383

RGB 220 195 131

HSL 43.15, 0.56%, 0.69%

LAB 79.55, 0.03, 35.38

 

CMYK 0 / 22 / 40 / 14

HEX #DCAB83

RGB 220 171 131

HSL 26.97, 0.56%, 0.69%

LAB 73.53, 12.74, 27.47

 

CMYK 0 / 33 / 40 / 14

HEX #DC9383

RGB 220 147 131

HSL 10.79, 0.56%, 0.69%

LAB 67.82, 25.65, 19.74

 

CMYK 0 / 40 / 40 / 14

HEX #DC8383

RGB 220 131 131

HSL 0, 0.56%, 0.69%

LAB 64.23, 34.19, 14.79

 

CMYK 0 / 11 / 40 / 14

HEX #DCC383

RGB 220 195 131

HSL 43.15, 0.56%, 0.69%

LAB 79.55, 0.03, 35.38

 

CMYK 0 / 0 / 40 / 14

HEX #DCDB83

RGB 220 219 131

HSL 59.33, 0.56%, 0.69%

LAB 85.76, -12.25, 43.32

 

CMYK 10 / 0 / 40 / 14

HEX #C5DC83

RGB 197 220 131

HSL 75.51, 0.56%, 0.69%

LAB 84.33, -21.64, 41.15

 

CMYK 21 / 0 / 40 / 14

HEX #ADDC83

RGB 173 220 131

HSL 91.69, 0.56%, 0.69%

LAB 82.76, -30.51, 38.83

 

CMYK 32 / 0 / 40 / 14

HEX #95DC83

RGB 149 220 131

HSL 107.87, 0.56%, 0.69%

LAB 81.41, -38.78, 36.82

 

CMYK 0 / 11 / 40 / 14

HEX #DCC383

RGB 220 195 131

HSL 43.15, 0.56%, 0.69%

LAB 79.55, 0.03, 35.38

 

CMYK 0 / 14 / 49 / 9

HEX #E9C876

RGB 233 200 118

HSL 42.78, 0.72%, 0.69%

LAB 81.81, 1.37, 45.07

 

CMYK 0 / 16 / 57 / 4

HEX #F5CE6A

RGB 245 206 106

HSL 43.17, 0.87%, 0.69%

LAB 84.27, 2.18, 54.09

 

CMYK 0 / 11 / 40 / 14

HEX #DCC383

RGB 220 195 131

HSL 43.15, 0.56%, 0.69%

LAB 79.55, 0.03, 35.38

 

CMYK 0 / 9 / 30 / 19

HEX #CFBD90

RGB 207 189 144

HSL 42.86, 0.4%, 0.69%

LAB 77.09, -0.41, 25.1

 

CMYK 0 / 5 / 19 / 24

HEX #C2B89D

RGB 194 184 157

HSL 43.78, 0.23%, 0.69%

LAB 74.94, -0.93, 15

 

CMYK 0 / 2 / 6 / 29

HEX #B5B2AA

RGB 181 178 170

HSL 43.64, 0.07%, 0.69%

LAB 72.61, -0.38, 4.45

 

CMYK 7 / 5 / 0 / 29

HEX #A9ACB6

RGB 169 172 182

HSL 226.15, 0.08%, 0.69%

LAB 70.4, 0.91, -5.49

 

CMYK 0 / 33 / 40 / 14

HEX #DC9383

RGB 220 147 131

HSL 10.79, 0.56%, 0.69%

LAB 67.82, 25.65, 19.74

 

CMYK 0 / 22 / 40 / 14

HEX #DCAB83

RGB 220 171 131

HSL 26.97, 0.56%, 0.69%

LAB 73.53, 12.74, 27.47

 

CMYK 0 / 11 / 40 / 14

HEX #DCC383

RGB 220 195 131

HSL 43.15, 0.56%, 0.69%

LAB 79.55, 0.03, 35.38

 

CMYK 0 / 1 / 40 / 14

HEX #DCDA83

RGB 220 218 131

HSL 58.65, 0.56%, 0.69%

LAB 85.5, -11.75, 42.99

 

CMYK 10 / 0 / 40 / 14

HEX #C6DC83

RGB 198 220 131

HSL 74.83, 0.56%, 0.69%

LAB 84.4, -21.26, 41.25

 

CMYK 0 / 19 / 67 / 21

HEX #CAA443

RGB 202 164 67

HSL 43.11, 0.56%, 0.53%

LAB 69.12, 3.52, 53.9

 

CMYK 0 / 15 / 53 / 17

HEX #D3B363

RGB 211 179 99

HSL 42.86, 0.56%, 0.61%

LAB 74.18, 1.66, 44.74

 

CMYK 0 / 11 / 40 / 14

HEX #DCC383

RGB 220 195 131

HSL 43.15, 0.56%, 0.69%

LAB 79.55, 0.03, 35.38

 

CMYK 0 / 8 / 29 / 10

HEX #E5D2A3

RGB 229 210 163

HSL 42.73, 0.56%, 0.77%

LAB 84.69, -0.43, 25.73

 

CMYK 0 / 5 / 18 / 7

HEX #EEE2C4

RGB 238 226 196

HSL 42.86, 0.55%, 0.85%

LAB 90.12, -0.72, 16.14

 

CMYK 0 / 11 / 40 / 14

HEX #DCC383

RGB 220 195 131

HSL 43.15, 0.56%, 0.69%

LAB 79.55, 0.03, 35.38

 

CMYK 37 / 0 / 40 / 14

HEX #8BDC83

RGB 139 220 131

HSL 114.61, 0.56%, 0.69%

LAB 80.91, -41.98, 36.08

 

CMYK 28 / 40 / 0 / 14

HEX #9F83DC

RGB 159 131 220

HSL 258.88, 0.56%, 0.69%

LAB 60.58, 29.43, -41.73

 

CMYK 0 / 11 / 40 / 14

HEX #DCC383

RGB 220 195 131

HSL 43.15, 0.56%, 0.69%

LAB 79.55, 0.03, 35.38

 

CMYK 40 / 0 / 11 / 14

HEX #83DCC3

RGB 131 220 195

HSL 163.15, 0.56%, 0.69%

LAB 81.81, -32.47, 3.91

 

CMYK 11 / 40 / 0 / 14

HEX #C383DC

RGB 195 131 220

HSL 283.15, 0.56%, 0.69%

LAB 64.16, 39.91, -35.86

 

CMYK 0 / 11 / 40 / 14

HEX #DCC383

RGB 220 195 131

HSL 43.15, 0.56%, 0.69%

LAB 79.55, 0.03, 35.38

 

CMYK 37 / 0 / 40 / 14

HEX #8BDC83

RGB 139 220 131

HSL 114.61, 0.56%, 0.69%

LAB 80.91, -41.98, 36.08

 

CMYK 40 / 29 / 0 / 14

HEX #839CDC

RGB 131 156 220

HSL 223.15, 0.56%, 0.69%

LAB 64.78, 7.33, -35.31

 

CMYK 4 / 40 / 0 / 14

HEX #D483DC

RGB 212 131 220

HSL 294.61, 0.56%, 0.69%

LAB 66.06, 44.99, -32.77

 

CMYK 0 / 11 / 40 / 14

HEX #DCC383

RGB 220 195 131

HSL 43.15, 0.56%, 0.69%

LAB 79.55, 0.03, 35.38

 

CMYK 40 / 0 / 32 / 14

HEX #83DC96

RGB 131 220 150

HSL 132.81, 0.56%, 0.69%

LAB 80.86, -41.37, 26.24

 

CMYK 40 / 29 / 0 / 14

HEX #839CDC

RGB 131 156 220

HSL 223.15, 0.56%, 0.69%

LAB 64.78, 7.33, -35.31

 

CMYK 0 / 40 / 9 / 14

HEX #DC83C9

RGB 220 131 201

HSL 312.81, 0.56%, 0.69%

LAB 66.26, 44.07, -21.77

 

Description

Color code: RGB 220 195 131 | qconv.com Color code: RGB 220 195 131 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 195 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 195 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 40 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 40% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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