H is for How They Come In - Charity Shop Backlog - 2022, 2 of 2

All the two's! Clearing the backlog of stuff down in Picasa's 1960, except for 2023! Slightly more interesting stuff for the purists than the last post, but it all has its place, and I make no apologies for any of it, unless I apologise first!

A rather nice two-headed dragon, I don't know who it's by, and it went to storage ages ago, but I think it's the same line as the black one we saw recently with the two different wing arrangements, so someone like Toy major maybe?

 

Another of the Jada die-casts, again I'm not sure of the franchise (so far all their offerings have been licensed) but it could be Roblox or Blockworld or whatever they are called, I liked it, despite its chipped nose, as it reminds me of the morphing-cubes robot in the water world scenes of Interstellar, the movie!

 

Seen before I think, some things do tend to get more than one outing now I'm shooting stuff for other platforms, my latest Fontanini on his chunk of Carrara Marble, and a bigger one at about 100/120-mil.

 

 

Nappies in various sizes, the one on the right is the fun one, it's a well [home-] painted slush-cast tourist statuette! The other small one is a 'figure painters' whitemetal figure, I don't know the maker while the ceramic is a fairing type, which was going for a couple of quid rather than some Meissen/Worcester type, but a fun addition to the growing side-collection of naughty Mediterranean (remember the rules of French Warfare) corporals!

This was a 50p jobbie, and worth the read, probably collected articles from a history magazine or periodical or something, not exactly in-depth, and not revealing anything which isn't in AJP Taylor or Liddle Heart, but maybe a tad-less jingoistic.

 

This wasn't that hard to pin down, the artist being revealed as Eija Seras, a Canada-based Finnish artist of the 1960-70's, but the base mark with the 'H' seems wrong (the 'E' is as she did it), so it may be a maiden or married name from one end of her period of productivity? If you google her, you find lots of chess-set pieces, this doesn't seem to be one of them, so just a touristy piece.

"Seras produced a range of Inuit figurines, hand sculpted from terracotta clay, in the late 1960s through the 1970s based on her four years living at the U.S. Air Force base in Goose Bay, Labrador in the mid 60s . The artist was awarded the Canadian Design of Merit citation in 1974 by the National Design Council of Canada for her native figures"

 

'How they came in'! I forgot to load this picture in order, and if I slot it in now I'll have to rewrite the blurbs on the other two, and I'm intrinsically idle, so that's a big, fat no! I seem to recall they were a couple of quid each, from the BHF in Farnborough. Really showing the superiority of plastic in certain situations, as seen by those, back then, who couldn't foresee the pollution problem careering down the tracks.

H is for How They Come In - London Show December 2022 - Mercator Trading

I try to always credit people where they've helped the Blog, given me stuff, or let me have stuff for peanuts, but equally, if I pay for something it's mine to do what I want with, without crediting anyone, well, it would be ridiculous to try and credit everyone you've ever bought from, even if you wanted to!

Equally, once the stuff has been broken down and sorted into the collection it gets harder to re-credit, you can't keep track of everything . . . you'll understand if I say I give a lot of thought to the subject, I wouldn't say I lose sleep over it, but I do always want to do the right thing! One wants to credit fairly, not leave anyone out, but not be over-patronising . . . it's a hard balance sometimes!

Adrian Little of Mercator Trading, often lets me have little bits and/or saves me a tub of the same, equally he lets me have things well-under their market value, but I will also pay full-whack for bits or ask him to get something for me, the last London show involved all kinds, but I did seem to come away from the show with a lot of stuff from the one table/seller/mate, so here's a post on all of it!

I actually ordered this in advance of the show, having watched it not-sell to several interested buyers at a previous show, and I wouldn't dream of telling you what I paid for it, but it was considerably less than the market rate, due to the damage to the collar and shoulder, but it's my first 'Porcelain Head' composition figure (and probably my last!), and if you're going to tick that box, you might as well tick it with an example of the head-honcho!

As you can see, he also has a moving arm, but it's giving the full, straight-armed Sieg Heil, not his commoner, strangely bent-wrist, flicky version which always looked like he couldn't really be arsed! And the podium came home with me too!

A interesting trio here, on the left a French Napoleonic figure which might be CL (Charles Lannoy), RF (Rene Fisher) or JSF? All the dongles (and the external hard drive I put them on so they'd all be in one place) with that info' are at the flat, and I'm not!

In the middle is my first Arjoplast from Belgium, the [ceremonial?] uniform escapes me (and my pitiful attempts on Google) but might be some administrator's uniform from the Belgian Congo/colonial era?

While the chap on the right is also a bit of a mystery; I'm pretty sure I've seen (may even have -  I've rather neglected the nappies here at Small Scale World!) a couple of Napoleonic French Grenadiers with the same base, but this chap seems to be another Belgian, except Google says paler-blue top and darker trousers, while I can't find the braid at all? The bearskin however is quite a likeness with the white drop/plume and star-plate, although some of the guards on Google have a side plume in red.

The rifle is toy-like and a separate piece glued into the arm.

While these might be new to hobby, are definitely new to Blog and could be New to Internet! Consequently I can't give you much of any use, but there's plenty to say! Not least that while two of them have damaged rifles, it is of no matter; when dealing with such unusual figures better to have a broken one than none at all!

The first one seems to be a copy of an old Elastolin or Lineol figure, and in that material could be mistaken for a poured resin or even 3D print, but I suspect a test shot, due to the remains of a runner's gate-mark, and a slightly resinous hard-plastic which is sort of semi-opaque. Could it also be Argentine? They did copy some composition in plastic.

The second feels like Portuguese to me, semi-flat or demi-rond, and silver styrene are both traits of their production as seen with Plástico Osul, and the Portuguese used the British MkI/II-'Brodie' helmet for the duration of WWII (and beyond I believe), so that's the clues for this one?

While the third has a different base to the silver one and a more rounded countenance, but may be from the same source, depicting a  neighbouring Spanish soldier of the same or similar 1930-60's era, but could be something else entirely, another South American maker, they liked their 'Jerry helmets' over there!

I think this might be the Apollo moon lander from the Hing Fat sets, we've looked at some previously here, but my sample has the rover and other stuff. Quite well done as it happens with a sticker detailing the stay-behind section's flat top and various plug-in retro'/maneuver jets and radar dishes.

While this . . . is not on Alphadrome as far as I can find, no one on Friends of Plastic Warrior could help, no one on Brian Heiler's facebook group knew anything, so again, possibly new to hobby, Blog and Internet!

Isn't it lovely! The arms move, but the legs are factory-glued, as two separate, pose-specific, left/right pieces, with angled feet to keep it standing up. The head is also glued and the paint seems to be original.

The closest I could get was the 'Dime Store' maker, the Ball Manufacturing Co. who had similar products (Captain Radar) - or the French Rex, who's spacemen could be considered close (they are also quite close to the British Christmas cracker prize spacemen), but both are pure conjecture.

I also tried - and failed - to nail it to a pulp-movie robot, but that's not to say my search was that exhaustive, and there were one or two similar beasts, so it may be based on a half-forgotten B-movie one?

Not new to hobby, not new to Internet! Boo! Looks like it's a Portuguese copy of a Spanish robot by Sel-Mac, but that would tie it in with my suspicions of Portugal for a couple of the other figures in that lot?

https://www.geocities.ws/robot_ole/selmac.html

and it WAS on Alphadrome, just not in the Robot section!

http://alphadrome.net/forums/topic/15347-sel-mac-robot-from-barcelona/

and

http://alphadrome.net/forums/topic/21254-vigia-del-espacio-robot-sel-mac-spain/

Still, it's all fun! And I may have the pistol, but I may be getting confused with either the MPC one (boxier, soft polyethylene) or the US gum-ball one - altogether cruder? Both of which I do have somewhere!

Some nice pieces here as well! Polish large scale and 54mm Napoleonics, the way things are going on the Polish blogs, and among the contributors to the FoPW Faceplant group, I'm hesitant to say PZG for either of these!

The base on the right-had figure seems not quite right for PZG, while I think someone gave a alternate maker's name for a different pair of the left-hand one the other day (but I can't find the post now, trouble with Faceplant is that stuff soon drops off the page with no tags!), although PZG did have a larger sized Napoleonic line, theirs had slightly larger bases?

The new-to-collection 'Toy Town' sentry box is all-wood and rather charming, the chick is composition or chalkwear while the stool is one of the most copied pieces out there; reappearing in all sorts of guises, from Marx 'Kins' window boxes, through those fairy-tail sets, gum-ball capsules, dolls house rack toys and charms, a Hong Kong- made bear's picnic, all sorts; this seems an early phenolic or 'heavy' styrene one - if you know what I mean!

The chap with the tyre is another Cararra slot-racing set figure, my fourth in a few months, after having none for years!

Two more of the Royal Armoury (Real Armería de Madrid) models from Spain, I love these, I don't know how many were issued, and I guess they sold well (as tourist souvenirs) as you often see them, but getting them in good condition is the tricky part - these both appear OK.

They seem to have changed the base/plinth design at some point, which may give completists at least two sets to find? Factory constructed plastic-kits, my guess is ten or more with three or four mounted and the rest on foot, they all seem to be from the main hall, which is the one that comes-up when you Google the Spanish Royal Armoury Museum.

Three interesting animals on the left; a flocked giraffe in reasonable condition, probably British but who did a giraffe with integrated base? The Western horse is heavy rubber, while the cart-horse has such good paint it might be repainted, but more info sought on all of them?

To the right, a couple of Reisler's; a sailor and an African soldier, and yes that's factory paint, I think they were around the time of all the Congolese trouble (??? It's still going-on, 70-years later!) and represent UN Peacekeepers from somewhere? A Betterware cowboy flat, MPC ring-hand cowboy with accessories and a lady wagon-rider from . . . Starlux? Reisler? . . . Polystyrene anyway!

This is a really nice crossover set from the all composition set we've seen here before with Mosquito fighters (now P-38 Lightings) and the later all lead sets with a smaller metal pilot, so very pleased to add it to the pile. Timpo planes and Zang for Timpo 20mm pilots, with the box missing but the card intact.

A handful of Hornby/Dinky Dublo figures (left-hand five) and Wardie/Mastermodels workmen (right-hand trio), with a driver from early Matchbox or Moko-Lesney? Lead for the Hornby's; die-cast alloy for the other four.

A Kellogg's 'Jig-Toy' flat-bed truck and Quaker cereal-premium racing-car join a lead motorcycle in the motor-pool, and - as is becoming a habit - I raided Adrian's cheapie-trays at the end of the show, the most interesting of which is probably the one at the front, who is a die-cast Mazac/Zamak alloy, he's semi-flat and around 28mm.

There's some good stuff above, and Adrian saved/gave some of it to me, and let me have some cheap, so many thanks to him, Mercator Trading always have top-end stuff, either on their website or on evilBay, and . . . guess what - the Plastic Warrior show is only four months away now!

T is for Two - Little & Large!

The last additions to ITLAPD, but not the final posts, I've mixed them all up so they differ from hour to hour! And it was going to be more of a 'Look at this!', then it was a genuine T is for Two, now it's more of a T is for err . . . four?

The crux of the post; a Hong Kong copy of the Fontanini large-size pirate we've previously seen before here on a lump of Carrara Marble, alongside a Papo 45mm (smallest size they do) pirate, who's toob we've seen in a past Show Report. The larger figure is 210mm in total, or 150mm sole of foot to eye-line.

That was going to be it!

But at the last minute I thought I'd better do a comparison with the Carrara-mounted original, and tucked last year's newie in between them, giving us a technical 'four'! They end up the same height despite having very different bases, by dint of the blow-moulded chunk of pirated pirate being reduced in size, he also has a filled-out hat for technical reasons related to that kind of moulding.

I had shot him separately before wondering what to do with the Papo figure! Peter Evans gave me the gold giant when I was on my 'country-mouse' trip to the big city the other week, and I think I picked-up the Papo figure when he took me to the Toy Project's shop in Archway?

Goes away and checks - no; he was in the dino-lot from charity with the robo-space-catpig-thing (and which I'd 'hidden for later'), same week - end of August! Anyway, thanks again to Peter for the big one!

H is for How They Come In - Wednesday's Purchases

Posting will be intermittent and bitty for the next couple of weeks as I've got this 'getting everything out of storage' thing going on, with little plan for it and no time! But I sometimes work better under pressure!

And so to the teeming metropolis of Farnborough for a month's supply of vapeing ancillaries, and a swift visit to a couple of charity shops they have there . . .

This lot owes me the grand total of £4.50p! and the most expensive item was the board-game from Ravensburger with the four fairies at two-quid! The Carrara/Fontanini (Italianate Fusilier?) from the other shop was a pound-and-a-half which even I'll concede is a bargain; I usually have to pay 4-7-quid each for them, while the Supreme Indian was thrown in with the two dinosaurs for a quid; back in Fleet later the same day.

The Fontanini was in the window along with about 9 ceramic ones of similar size, from two sources, one having better paint, the other thinner bases. I didn't look at the prices as I know I would have bought them all if they were a similar price to the plastic one, and while it may be a bargain, I can't buy everything!

Also the Fontanini has a shop-sticker on his base saying Rotated - Week 18, which means he's moved shop [unsold] at least three times - stock tends to get four weeks in one store? As is own sticker is off-centre and there's a chip to the other side of the plinth, I may remove him from the marble and have him as a stand-alone 160mm figure - with plinth and headdress plume he's currently 190-mil' in total.

The fairies - from the game Disney Fairies Magical Flower Garden Game - all look similar but are different poses and I've already christened them 'Hot Pants' (white), 'Miniskirt' (pink), 'Twin Set' (yellow) and 'Grecian Wrap' (blue), although they are almost impossible to photograph in that semi-transparent/translucent 'jelly-baby' vinyl!

The Protoceratops was interesting as he/she seems to be a pre-WHSmith version of the ones I was buying from the same store a couple of years ago . . . last year? Anyway, the previously purchased one is the left of each shot, and you can see the new addition has better definition in the moulding, different eye treatments and marginally better (or 'less lazy') paint.

I was buying them on-offer, occasionally, in a three-for-a-fiver deal - I think - but can't remember if I posted them all? I only got the nine, leaving a pterodactyl and plesiosaur that I remember - probably a couple of others that didn't leap out at me - and which will come in over time anyway, like the most recent recruit to the 'herd'!

E is for Exquisite Emperor

As well as the twelve tazze we looked at yesterday, Brian also sent a couple of shots of this, which I far prefer, despite the Met's website being slightly dismissive of the likely (it's not 100% clear or known) maker, Reinhold Vasters of Aachen, Germany.

To quote the Met's website description in full;

"This Silver Caesars-inspired statuette was probably made by Reinhold Vasters, a nineteenth-century goldsmith famous for his forgeries of Renaissance objects. Vasters evidently admired the tazze - his personal collection included copies of the Augustus and Vitellius dishes. It is likely that he also manufactured the six replacement feet added to the tazze in the late nineteenth century."

Made of finely carved marbles and other semi-precious stone, the joins (which I suspect - with no evidence - are peg-and-hole with grout) hidden by finely wrought, gilded, silver-work, which - as well as hiding the joins - will also hold the pieces in place., flush against each other?

I'm not so convinced that this is necessarily inspired by the twelve Caesars as just a wider part of the Enlightenment's look back at the Renaissance's own referring back to the splendor of Rome (and Greece) as it was seen by the 'modern' men of those ages, where the monumental statuary was the 'big puller'.

A few samples of marble similar to those used on the Caesar, including the green and red stone which I believe is called blood-stone, as used on his kilt, a fine Calcutta/caramel-yellow (onyx?) similar to, but paler than the sample his breast-plate is carved from, the cherry-yogurt pink comes in various hues, our little marble having large flecks of black in it (probably another version of Bloodstone), while the statuette's own shirt-sleeves and cloak are flecked with paler grey splotches; the plinth pink having white flecks and striations.

Note also that the decorative fringe of his belt was once fully enamelled in a rich, translucent apple-green, now mostly flaked-away.

I couldn't find a green to match the main-body of the plinth, it looks like the same stuff they cut signet-rings and seals from (they also used bloodstone, but tended to use purer-red pieces for small works) while the boots seem to be the same near-all-black as the black in the above group, infused with white, fern-like fronds or 'ice-crystals', you also get streaks or spots; his left boot has one running across the front of the ankle, and it's not far-removed from the Carrara we were looking at a year ago - but it's not an exact science; they will all be Italian stones though.

Link

Metropolitain Museum of Art - from the other side

The exhibition has been made possible by The Schroder Foundation, Selim K. Zilkha, the Anna-Maria & Stephen Kellen Foundation, Nina von Maltzahn, and an anonymous donor.

I'm very grateful to Brian for sending us these, it's nice to have a bit of up-market content on the blog, and to see what we might be adding to the collection after we crack that all-important 'becoming a multi-millionaire' ceiling!

N is for Not Fontanini - Part Not The 7th - Rome Today

When he heard I was preparing articles that would cover the Carrara marble figures, Brian Berke kindly sent me these shots of a trip he took to Italy a while ago; they give a flavour of what's on offer now that Fontanini has bowed-out of the tourist-trap trade to concentrate on its US partner - Roman Inc. - and explore the East; where the fourth generation of the company are stated to be looking for new markets.

These are timeless and - in various guises - common if not universal, but they are fun! They just wouldn't 'represent' anywhere, even if they reminded you of a visit to somewhere. We had smaller versions when we were kids (a tiger and a zebra I think?), and I've blogged a modern soldier-guardsman here before.

I'm always looking out for the ones we had as kids, just to replace them for nostalgia reasons (as you occasionally see older ones on evilBay), but the trouble with them is that the day their string or fishing-line fails, the bits fly everywhere, and they never get put back together again!

Looks like a poured-resin Swiss Guard, and long-time followers of the blog will know I don't rate the stuff, I'll collect it, I’ll blog it, but it's a low-tech, cheap tech, which damages easily. At least this is or says 'Italy' or 'Rome', anywhere in the world you'll find a tropical fish fridge magnet with that town's name marker-penned into the plaque-space left for such labelling!

I don't get the very long drum sticks? Is it meant for overnight storage of rings and jewellery, or just poorly finished? Or is it some form of foreshortening caused by the angle of the photograph?

These are starting to look better, hard to tell if resin or white-metal is involved and the chap out of focus (front left) seems to be a different make (heavier sculpt, different base?), now does anyone recognise these? The distinctive hex-bases should be known to someone and I'd happily bring that masked, wolf's headed signifier back from a trip to Italy.

More Swiss Guards and Napoleonics from at least two makes, again; does anyone know who they are made by - I know Figur are still going, are some of these theirs? The two mounted Napoleonic figures look to be rather superb.

Meanwhile; Carrara now seem to be using aged or distressed copper-bronze casts, they could just as easily be white-metal or resin, but the verdigris looks like a chemical dip, not a painting technique? Still - it's rather nice isn't it; that chariot?

It seems to have found an excuse to take the Thomas Toys charioteer's sculpt forward for another decade or two as well! Although scaled-up and just out of shot is what appears to be another scale-up; of an old Atlantic Greek! But might be something else entirely and more 'Roman' - a sword and a foot's not much to go on!

Can anything be added to this!

I think a caption competition - just for fun; put your lines in the comments, I'm going with the Danny De Vito lookalike saying . . .

"Are you representing the Army of the State of Rome, or are you representing the state of the army of Rome?"

. . . but at the back of my mind I can hear Waynetta Slob yelling "I AM HAVIN' A FAG!"

They look like they are recovering from a fight - with each-other! Thanks Brian, four interesting toy photographs giving us some idea of current tourist mementos where once Fontanini featured heavily - and one priceless shot.

F is for Fontanini - Part 3 - Waterloo

Or at least the 'Napoleonics'. Hard to tell if this is a set of eight, or a set of ten poses, I suspect the giant ones are (or include) poses/pose variations not found in the line's smaller sizes? There is also a pair of mounted figures in the same line.

I've been asked not to add too much waffle to this post by another author who is preparing an article on them for Plastic Warrior - so after the verbiage of the last two posts I'll try to keep this text-light!

Looked at the other day in the fun post on size, they are really huge and weigh kilo's! I don't know how big they are but you can judge from the other figures in the shot that they are 800mm+. Neither pose seems to exist in the smaller sizes.

You don’t fly these back to the UK or the 'States unless you're wealthy (but then you'd need to be pretty well-off to buy them in the first place!), but you could drive them home - although they might need they own passports?!!

Their smaller brethren, these are the same size as the Rococo/Regency couple and pirate we looked at yesterday and have been given - in the case of the foot figures - the same washed-out, subdued hue, finish.

The same can't be said for the two mounted figures, who have been given a supremely attractive, even 'classy' finish, subdued palette again; but the subtly-weathered, solid colour gives them a real campaign feel, the horses too, are lovely.

Fontanini produced their mounted sculpts as pairs, primarily for the tourist trade with the result that when they dipped their foot in the 'Toy Soldier' market by scaling-down to 55/60mm, they ended-up with a lovely set of cowboys and Indians with lots of foot poses but only two mounted figures and one horse pose for each set of protagonists!

Another PW show-purchase, I think these have been repainted by the end-user, but it's a neat job in flat, matt colour and gives them the appearance of just stepping out of an old print. They seem to have been numbered in sequence, unlike the Rococo figures where my two are over a hundred apart - in a set of four!

The guy with the musket across his chest is a new pose from the previous image and missing from the eight are a dismounted Dragoon (French)/Life Guard (British) type, a [British?] Grenadier in busby and an [Austrian/Russian?] Grenadier in mitre-cap. Similar headress'ed figures of guidon-bearers and drummers appear in the larger Carrara sets

Hope that's brief enough P?

Back to Fonplast tomorrow.

F is for Fontanini - Part 2 - Figures

It's funny - or Ironic - having started as a small-scale collector I have all the 35/40/50mm stuff, but in storage, so we'll look at all the commoner stuff (pirates, native warriors and nativity figures, along with cake decorations) probably as separate posts, years hence by which time there will be so much about them on the web they'll all, only be box-tickers, so may go straight on the A-Z listing?

While what I've picked up in the larger scales is bitty, and mostly Hong Kong copies, but it helps illustrate the variety of Fontanini's production which is the aim of this post.

I am less and less a fan of 'absolute' scale-gauge-ratio-size but I understand that some people do get excited by it, so throughout this article will give a double measurement thus; 65/75mm. The first number being the approximate distance between soles of feet and eye-line of an upright-posed figure (in millimetres), the second being the approximate total height of the item with integral base and/or added plinth, excluding plumes, feathers, crown-shards etc..

Tourists are funny animals, they don't like to be seen buying the cheapest option available, but few will go for the top-end either, as a result the main size of Carrara marble memento found is the mid-sized ones; five, seven, eight or ten-inch figures, which tend to turn-up in charity shops (thrift stores) regularly.

Here I shot two in the window of just such a shop - after closing time - only to purchase them a couple of weeks later when I noticed they'd been moved to a shelf at the back! They are probably not 'a pair', their bases are finished differently; one highlighted in gold the other left faux-ivory and the marble plinths are of different dimensions, but they have been brought together by someone recognising their common ancestry!

There are - as we saw the other day - much larger versions of these figures (up to nearly a meter) and smaller figures 70-100mm were also sold, these two are 150/190mm (6/7½ inches) and are finished in PVC washes from a subdued pastel palette, which gives a sun-faded, antique'y look to them.

These articles have been in preparation for a while and were going to be a quick overview about a year ago, but as items came-in the folder grew, and in recent months I have been actively seeking the stuff, and this chap came in last week!

He's another Carrara marble tourist's sample and the same 150/190mm as the previous pair, this is the commonest form of these to be found. The pose is one of four that go back to the 1960's, a second set of sculpts were issued as small scale 'toy soldiers' in the 1970's as boxed trays (one of each pose) and point-of-sale counter display boxes as individual 'pick-and-mix' figures.

Both sets bear the unmistakeable hallmarks of Elio Simonetti's work with the flowing garb, both hands occupied, facial expression bringing each figure to life and giving them not only character but 'personalities'. There were also pairs of earlier Georgian types.

Here we see Mr. Simonetti's work on the left with a set of Turkish figures from Fonplast's toy soldier range next to a set of US cavalry plainly designed by someone else, both are 65/75mm and in the same dense PVC of the bulk of Fontanini's products of the time, the raw material colour being the same as that used by the 45/50mm and 65/70mm nativity ranges of the time (1970-80's).

The Turkish set are also very similar to the Elastolin set copied/carried by Cané, it is likely Simonetti was behind both - I can't emphasise how important this sculptor was to the toy/model figure oeuvre, just as Stadden's (or Musgrave's) stuff turns up in every size, material and subject matter from sports trophies to HO footballers, so more and more stuff is becoming recognisable as Simonetti's work.

Compare the flowing bloused trousers of the Turks with the more rigid or padded look of the bloused cavalry trousers; the animation of the Turks against the more stilted, upright and uncomfortable-in-their-own-skin posing of the cavalry. Anatomically too, the cavalry are not quite as good as the Turks having rather too-long (yet somehow visually 'stumpy') legs for too short; almost childlike, torsos. While the kneeling firer has been to the Airfix school of pointless posing!

Although one can see in the Cavalry the influence of the master on the pupil, as the sculptor has learnt the both-hands-occupied rule and the sticky-out-stuff rule - Simonetti likes his sword-scabbards askew, coat tails flying, pointy hats, fishing rods, his are complicated figures to tool-up (as we will see in part 4), and the [trainee?] sculptor of the cavalry has clearly learned at Simonetti's side.

These (also 65/75mm) are harder to ascribe as they have little clothing and equipment, but their similarity to other Indians credited to Simonetti suggest these are the maestro's work, they're more naturalistic than the cavalry although it's fair to say the chap running with tomahawk and dagger is a bit of a dancing loon!

They also proved impossible to photograph so I've collaged the best of the flash images and the best of the heightened-contrast no-flash images. We will look at these again in a later post as I managed to purchase them a few months later and have shot them again.

A collection of copies, Fontanini were pirated to the n'th degree in the former British colony of Hong Kong, as well as closer to home, and these are a reasonable sample of those copies.

On the left we have a blow-moulded copy (68/85mm) of one of the Fontanini knights (75/95mm and probably not by Simonetti) usually sold as tourist trinkets at Italian historical sites, castles, museums, that sort of thing, and sometimes styrene in the original.

Next are the very common Chinoiserie premiums, these are copies (and came in several sizes) and while one tends to assume HK as the origin, the smaller ones (55/65mm and unmarked) were mostly issued in France or by French products, so there is a suspicion they may originate in France, although whether with permission is another matter and we'll look at them closer in a future post (part 5).

The larger one is clearly marked HONG KONG and comes in at 95/110mm but is missing his base which would adjust that second numeral, he has also been given a wash of 'antiquing' grey-brown.

The next figure is the most copied/licensed of all the output of Fontanini; the clowns (55/65mm). Again I have loads of the smaller ones in storage as their commonest form is as HK-sourced cake decorations, this one however is A) damaged (broken walking stick) and B) marked CHINA and not very old at all!

Here are Peltro's cast in pewter

The last two are both those older Hong Kong copy cake decorations from the 1970/80's, a dancer (55/65mm) from the ballet set and a rococo/regency lady (45/50mm) of the same set as seen at the top of the page; a forth pose - a gentleman - is found, holding a candle/night-light.

The Men! We have compared the knights before, but putting a few together gives a better guide to the vast range available to anyone choosing to specialise in Fontanini (and their thieves), although were someone to seriously collect the Carrara marble sample figures that someone would need to reinforce the foundations of their property first as their plinths are not light, and there must have been hundreds produced in a dozen sizes and several decorative finishes over the years - a good set of the figures would result in tons of marble!

I'm seriously considering removing the marble samples as the figures come in and saving them up to make some sort of fancy door-step or something . . . but they've all got a hole in? Thinks . . . put round studs in the holes and voila! A heavy-metal 'cut-off', shoe-scrape, door-step . . . genius! 

The Ladies - with a close-up of the little HK cake decoration, I have  a lot more of these in storage; so we may well return to them one day.

It would appear that Hong Kong only copied the one pose in this size Certainly as a hard polystyrene plastic cake decoration you only ever seem to find the one (I have several more in storage), however they were also copied in soft ethylene at the larger size for French premiums . . .

(New rule -If you've stolen images from me

I'll have ten from you)

. . . as we can see here. Actually the girl second from the top of the staircase is also common as an HK copy, but smaller and often without a base, being attached to springs on jewellery boxes, or to a turntable on musical boxes as well as appearing as a 40/45mm cake decoration in gold or silver polyethylene.

Again believed to be the work of Simonetti, they are harder to ascribe as like the Indians above; they are a bit bereft of clothing, but the girl smelling the flowers is the give-away I think!

This is one of the sets where in the larger sizes there are variations in the sculpting, the fully overlapping crossed-hands of the Hong Kong cake decoration being absent from the 70mm premiums, but found with the larger Carrara marble figurines.

The variations in base style in the above image is due to them being cobbled together from more than one set by the same plagiarist who Photoshop'ed my Kellogg's divers into a cocked-hat!

I went to the Plastic Warrior show last month hoping to get a few Fontanini items to add to the growing folder these articles are the result of, and came away with 24 additions, of which this was one! Approximately 45/50mm and in a softer PVC, I think it's from the late 1980's or 1990's and has the new fountain mark we looked at yesterday. This seems to have been part of a reorganisation around 1983, as Simonetti started to take a more part-time/contract role in the firm he'd been with for 40+ years.

The nativity figures (from which this cow comes) were the bread & butter of Fontanini's output, and were issued in various sizes and vast numbers, with individual sculpts being retired and replaced with similar sculpts on a regular basis. There are a dozen or more Three Kings/Wise Men both mounted on camels and on foot, along with a kneeling trio, by the time you add the size variations, you could indulge in a cameo collection of just wise men!

Part 3 - Napoleonics next.