So, my thoughts, not canon, not necessarily true, but just my thoughts on, specifically, the origins of the Vitacup premium dear/fawn, and more on its ubiquity, which has appeared here before, in various forms, painted and unpainted.
Vitacup deer? The one in the middle, is the most likely, if Vitacup only had one (and they had no multiples of their other animals, except the 'Three Wise Monkeys' who were a single moulding), as it's the one most often found with the other Vitacup animals. But the male with small antlers has also come in with them.
Then this one came-in a while ago, a larger scale, and painted like others we have seen, a vague attempt at fallow deer spots, and will look at below, slightly more baby-fawn like with big ears and shorter proportioned body.
It's marked as a raised relief DEP, which can be short for Depose, a French term meaning 'Registered Design', but equally, can be short for Deponiert, German, and also 'Registered Design', I suspect the latter, but the former can't ruled-out.
Shown next to a tourist figure of a miner (?) I remember a gift-kiosk full of this stuff back in 1969, somewhere on the Rhine, possibly the Niederwald Monument, but it could have been somewhere near Koblenz, or one of several castles in the ENESCO world heritage Middle Rhine section, I was six, and it was very foggy, I can only remember a large car-park/viewing area, and a long stone balustrade. We ended up with two gold-chrome plated plastic dwarf miners, with deer which were - possibly - even smaller versions of some of the deer seen here?
We saw a paler one, in a previous post, with similar but unrelated sculpts.
While this broken one also came in and was seen previously.
Note the Indigo-inked, rubber stamp 'Foreign', on the tail.
Here we have much larger ones, but with what appear to be painted versions of the Vitacup ones being used as actual babies, to the two juvenile-looking 'adults' who are about half-a magnitude larger, the slight absurdity being they are plastic figures pretending to be wood, on a pretend wood base, on an actual wooden plinth!
And I think Chris Smith took this image in a Charity Shop for the Blog, some time ago, knowing these were being collected in one place! So thanks to him for taking the opportunity presented, to add to the subject.
Here's another, from the scale of the figures, the same larger size, but now suggesting the 'babies' in the previous image, may themselves be larger than the Vitacup 'Ivorene' models.
Of interest here, is than despite now having over a dozen of the barometer figurines, loose, I don't have either of the two in the background here, so I need to look out for them both, and there must have been dozens over the years coming from the workshops of Switzerland, Austria and Germany, since plastic came into use, with many more wooden ones before them!
Here’s what looks like the painted version of the Vitacup, from the previous post, with the stamp again, but here on the belly. The Foreign mark was more common on German (and Japanese) stuff between the wars, and Japanese stuff after WWII, but that's a whole 'nother post, in porcelain it applies to a period between 1893 and 1923, while it is found on US workman's tools for the period 1890-93, and that's the tip of an iceberg connected to . . . Tariffs, taxes, recent enemies, new friends, and the hiding of origin, while flagging origin!
A painted version of the feeding pose, and a fourth pose/fifth variant, laying on the ground, these also look to be a larger size, and have a surface texture which suggests they may be a different maker, to most of the others, either as copies, or a renovated tooling?
While this is just a homage, in glazed china!
Much smoother lines.
It seems, someone, probably German, who may or may not have been Siku, had a catalogue of these, sculpted as if made of carved wood, in the Erzgebirge style, in two or three sizes, at least four poses, with a head variant on the commonest pose, of which Vitacup took between one or three, in the plain Ivorene, while anyone else who needed them could arrange a supply to suit their tourist trinket, or, kitch tchotchke, in a variety of paint styles (they may have added themselves) with or without the white dots hinting at fallow deer, while other people copied the sculpts!
The Vitacup sets, however, are drawn from various parts of the supplier's wider catalogue, and the work of different sculptors, with several other animals having the carved-wood look, but more being realistically sculpted and one or two slightly cartoonish, but still with more realistic fur/hides.
Now, I never got round to updating the post which tried to list them all;
. . . following the comments of Jungle Kim, and both (that post and the listing) need to be sorted properly, but suffice to say, all the ones with the pale blueish-white background are soft polyethylene (elastische plastik) and known to be Siku (tools which don't seem to have gone to DS Plastics, of the Netherlands), which suggests that while I might like the Vitacup et al to be Siku, for neatness, they may be by someone else?
However, Siku are known for providing may of the margarine/tobacco/coffee/soap-powder premiums of the 1950's, in hard styrene, so it's still an open question?