Panel Discussion: The Art of Barry Smith!

 

Redartz:  Quite recently I was taking a leisurely tour through some comics websites and happened to see something that grabbed my attention. It seemed Barry Windsor Smith's decades-awaited book "Monsters" was being released by Fantagraphics. Out of curiosity I looked into the availability of a signed edition, and lo, there it was; a signed vellum page included in this special edition. Essentially forty dollars more than the standard edition. Well, I decided to think about it a bit. Next morning, I logged back in to pull the trigger on it, and discovered it was no longer available. The entire signed edition had sold out overnight.!Ah well, so then I ordered the regular edition . I'm currently about 100 pages into it and am most impressed.  Long story made short: Barry's newest work prompted the decision to open a discussion of his career and art in general. 

Before we look at his more familiar work, here's a few pages from "Monsters"; just to give you a sample.  I don't see the 'art deco' styling we know from his "Conan" work, However, Barry's trademark detail and intricate linework is evidenced everywhere. Literally, everywhere across 365 pages of fully illustrated story. Oh, and sorry for the skew images, this book is impossible to fit into a scanner...

Now, here's a sampling of Barry's black/white work. Personally, I enjoy his art in this format more than in color, but it's a visual treat either way. Not many can render with the finesse that he can, and still  maintain solid storytelling quality. And aside from the pen work, his sense of basic design and dramatic highlighting is superb. I could look at this print all day...

 

 

 

Here's the classic cover from Conan Annual 1. Better in color or b/w?  A tough call, what do you think?

 

 

 

 

 

And another fine image...

 

 

 

 

This is a set of bookmarks featuring a familiar scarlet haired warrior woman; a convention pickup back in 1975...

 

 

 

 

Then there's this incredible page from "Worms of the Earth" as presented in Savage Sword of Conan 16-17. Man, wish I'd kept those.

Inks by Tim Conrad

 

 

Finally, we present a selection of Barry's color work, in roughly chronological order. Talk about artistic development! There's some real gems here; Conan 16 reprinting "The Frost Giant's Daughter" in color ; with Barry himself handling the brush. And that Marvel Presents with the Thing is both gorgeous and a  hoot. Enjoy.

 

 

 

 

 

 

Inks by Frank Giacoia

 

 

 

 

 

 

Inks by Dan Adkins

 

 

 

 

 

  

 

 

 

 

 

 

 

 

 

 

 

 

 Now that you've seen the evidence, time for you to make your judgement calls. What do you think of Barry and his work?  Which books are your favorites?  Granted, his work in comics has been intermittent, but what he's done has been pretty remarkable. Share your thoughts about the imagery and imagination of Barry Windsor Smith...

 

 

Rank and File: A Comic Art Hall of Fame...

Redartz:  Greetings once again! We're back at it again with a fun poser for you to consider, regarding your favorite comic covers. But first, a quick update for you. 

Several of you have inquired about the circumstances of my power outage and consequent general absence from this space last week. Well, the circuit breaker box on the side of our house literally melted; it's truly miraculous we had no fire. Obviously the power had to be cut, and between awaiting repairs, local safety inspectors and utility officials, we were stuck in the 'dark ages' for about 8 days. Not an experience I'd recommend for anyone, but we made it through. Fortunately the temperatures were mild for the most part. No longer will I take air conditioning and lights for granted!

Anyway, on to our topic. The premise: you have been selected to choose the artwork for a big exhibition. More specifically, this show will showcase comic cover artists throughout the medium's history. And with such a wide possibility of artists to choose from, space allows only 1 cover per artist. So, your task is to pick the artists, and choose a great representative cover for each artist,one that highlights their talent and impact.  As I'm a framer by trade, I'll see that your picks are safely framed, of course! 

Our gallery has several wings, so we can have a section for Golden age, Silver age, Bronze and Modern if you so choose. And while you begin your careful consideration, I'll submit a few nominations to  get the show started. Feel free to improve upon my picks as you see fit. As the week goes on, I'll try to post some more nominees based upon your comments; the better to fill our gallery.  See you at the opening!

My preliminary nominations:

Jack Kirby

Neal Adams

Dave Cockrum

John  Byrne

John Romita, Sr

Barry Smith

Walter Simonson

George Perez

Carmine Infantino

Joe Kubert

More to Come...

A bit late, but here are some of the nominated covers, presented for the appreciation and illumination of one and all. Thanks everyone for each response! And as suggested by our friend HB, you can look forward to seeing 'Hall of Fame Cover' pop up periodically on a single artist basis. Salutations!

Dave Cockrum

Jim Aparo

Steve Ditko

Rich Buckler

Nick Cardy

Mike Ploog

Herb Trimpe

John Byrne

John Buscema

Frank Frazetta

Mike Kaluta

Alan Davis

 

Panel Discussion: Great Penciller / Inker Teams of the Bronze Age!

Redartz: The annals of the Bronze age are filled with comic tales illustrated by immensely talented creators. Many of those creators worked at times as solo artists, laying down pencils and then inking over their own work. Names like John Buscema, Barry Smith, Joe Kubert, John Byrne- all did notable work in this manner. But more often, a penciller was paired up with another artist, an inker; who would enhance  the pencilled art with inked lines in a blending of two individual artistic styles. Some pairings, predictably, were more successful than others. 

Today we will consider  the more effective examples. Which pencillers worked the best with which inkers?  Some teams have become iconic over the course of comics history; but that can be a subjective question. Here are four of my top teams, just to get things started.

Neal Adams / Dick Giordano

Talk about a history-making combination. Adams and Giordano were the hands behind many of DC's best stories and characters, producing truly classic tales of Batman, Deadman, Green Lantern and others. Here's a dramatic opening page from one of the Green Lantern solo back-ups in Flash comics, circa 1974...

Flash 226

John Byrne / Terry Austin

This could be, possibly, the single greatest artistic team in comic art history. In my opinion, it very well may be. Byrne and Austin made magic out of whatever they worked on together. Their art styles were flawlessly matched. Many of my top favorite comic stories came from their drawing boards, including this incredible panel with Kitty Pryde and Wolverine.  

Uncanny X-Men 131

Sal Buscema / Klaus Janson

Sorry about the black/white reproduction, the "Essential Defenders" doesn't feature color. But it does feature some fabulous stories, several of which are by Sal and Klaus. Janson's heavy shadows and detailed linework add solidity to Sal's pencils, and the results are spectacular.

Marvel Treasury Edition 12

Gene Colan / Tom  Palmer

These two have been paired many times, on many books; due doubtlessly to their absolutely perfect melding of styles. Palmer's polish beautifully enhances Gene's cinematic pencils, anytime, anywhere. And this page highlights two characters intimately associated with them...

Dr. Strange 14

Next, here's two examples of rather unusual pairings that  I found appealing...


 Carmine Infantino and Klaus Janson

Infantino seems to channel a bit of his old Silver age Flash skill here, showing off DD's aerial technique. And speaking of technique, you can't beat Janson's moody inks here. A different look, but very solid. 

Daredevil 152

Barry Smith and Frank Brunner

Two excellent artists, known for highly detailed work. One might think they wouldn't quite blend visually, but this page is excellent. You get Smith's design sense and Brunner's finesse. That last  panel close-up is incredible.

Marvel Premiere 4

Each of the above-mentioned artists also did phenomenal work with other artists, and there are dozens of others to add to the list. That's where you come in. What other great combos can you name? How would you rank them? Which pencillers do you feel looked better with their own inks?  Which inkers most effectively meshed with a variety of pencillers? What unorthodox pairings of pencil and ink found approval in your eyes? Sharpen your pencils, open that ink bottle and let's talk art!