Showing posts with label Barry Windsor-Smith. Show all posts
Showing posts with label Barry Windsor-Smith. Show all posts

Monday, August 27, 2018

Rank and File: The Year's Best Comic Stories, 1972!




Redartz:  Good day, and welcome everyone! For this episode of  "Rank and File" we cast our eyes upon the earlier Bronze age, to 1972. Our goal: to select some of the finest examples of comic book storytelling available in that fine, vintage year. I've chosen my favorites, using my admittedly subjective criteria (have I actually read it, and did I like it) along with considerations of historical significance, creativity and just plain coolness. Therefore, let us dally no longer with explanations; on with the show...


 

1. Avengers 100- "Whatever Gods There Be", by Roy Thomas, Barry Windsor-Smith, Joe Sinnott and Syd Shores. Great classic tale with a plethora of Avengers.













 

2. Fantastic Four 121- "The Mysterious Mind Blowing Secret of Gabriel", by Stan Lee, John Buscema and Joe Sinnott. One of Stan's last stories, but an interesting way to bring Galactus back...












 


3. Green Lantern/Green Arrow 89- "And Through Him Save a World", by Dennis O'Neal and Neal Adams. A bit heavy-handed, but a dramatic finish to the O'Neal/Adams run.












 



4. Marvel Premiere 4- "The Spawn of Sligguth", by Archie Goodwin, Barry Windsor-Smith and Frank Brunner. A tale smacking of horror; a bit different for Dr. STrange, but a good read. And unusual, but nice, artistic pairing of Smith and Brunner.










 


5. Marvel Team-Up 4- "And Then-The X-Men", by Gerry Conway, Gil Kane and Steve Mitchell. A Solid team-up, solid art, solid stories, just a solid issue. 












 


6. Amazing Spider-Man 113- "They Call the Doctor...Octopus"; by Gerry Conway, John Romita Sr. and Jim Starlin. A great start to the Ock /Hammerhead war. And interesting to see Jim Starlin over Romita, as well. 











 


7. Captain America 155- "The Incredible Origin of the Other Captain America", by Steve Englehart, Sal Buscema and Frank McLaughlin. Englehart's phenomenal run on the book is just starting, and already he tackles a biggie: the '50's' Cap!











 



8. Conan the Barbarian 20- "The Black Hound of Vengeance", by Roy Thomas, Barry Windsor-Smith and Dan Adkins. A personal favorite among the Thomas/Smith Conan stories. Absolutely great; and what a cover. Incidentally, this must have been a good year for Mr. Windsor-Smith.









 


9. Kamandi 1- "The Last Boy on Earth", by Jack Kirby and Mike Royer. The King starts off his post-apocalyptic epic in fine form. Dialogue may  be a bit clunky, but you can't fault his imagination.











 



10. Swamp Thing 1- "Dark Genesis", by Len Wein and Bernie Wrightson. A more detailed origin for the swamp monster, courtesy  of his two initial creators. 






 





There's my picks; take'em or leave'em. Either way, let us all know why you took them or left them, and pass along your own lists for the Best of '72!

Monday, January 22, 2018

Rank and File: The Year's Best Comic Stories, 1984!



Redartz:  Good day, everyone. Ready for another assessment of a year's comic creativity? This time around, we will consider the year 1984. Late in the Bronze Age, but still rife with good reading! And I can testify to that; making the choices once again was difficult, and several quite deserving books were left off my list. But of course it's a subjective thing, anyway. A couple of my picks might surprise  you, I tried to take note of the impact of the stellar independent books appearing at the time. And of course there are other books that I didn't include do to a lack of familiarity with them; which is where you all come in. After seeing my picks, make your lists and tell us all what got missed.

And now, heeeeeeere's the list:


 

Saga of the Swamp Thing 24- "Roots" by Alan Moore, Steve Bissette and John Totleben. The fine climax to the battle with the creepy Floronic Man. With a denouement that would have done EC Comics proud.




 









 



 Journey 9- "Near Spring" by William Messner-Loebs. A perfect example of great characterization and intelligent writing, wound around historical drama with humor and heart. And a chilling description of death beneath the frozen ice.





 









 


Fantastic Four 267- "A Small Loss" by John Byrne. An innovative look at Dr. Octopus, a cool battle with Reed, and a tragic ending. One of Byrne's best FF stories, imho.


 











 




Marvel Fanfare 15- "That Night" by Barry Windsor Smith. A little humor is something I value greatly, and this gem from BWS has plenty. And, the artwork is a treat for the eyes...


 













 


Power Pack 1- "Power Play" by  Louise Simonson, June Brigman and Bob Wiacek. We are introduced to the Power children, and to a unique, well written and clever series. Simonson writes the kids like someone who has 'been there'.


 











 



Superman 400- "The Living Legends of Superman" by Elliot Maggin and just about everyone in comics. An array of different views of the Man of Steel, by the top artists in the business (Eisner, Kirby, Byrne, Steranko, Ditko, and Miller, just a few of them).


 










 



Love and Rockets 10- Just a full book of good stuff by Gilbert and Jaime Hernandez. If you haven't met Maggie, Hopey, Penny Century, Fumble and the rest, you've missed out.


 












 


Amazing Spider-Man 259- "All My Pasts Remembered" by Tom DeFalco, Ron Frenz and Josef Rubinstein. Mary Jane Watson tells her story, after all those years. And you get the Hobgoblin, and the return of Spidey's red-and-blues.


 












 


Thor 350- "Ragnarok and Roll" by  Walter Simonson. Asgard and it's allies vs. Surtur, and what a titanic clash it is. Simonson at his best, writing and drawing.


 














 


America vs. The Justice Society 1- "I Accuse" by Roy and Danette Thomas, Rafael Kayanan, Rich Buckler, Jerry Ordway, Alfredo Alcala and Bill Collins. Golden age goodness, courtroom drama, history, and loads of characters...


















Well, there you have it. A time capsule of the best of 1984; from my perspective. But what about your best list? You all may now proceed to take your shot, make your list, and enumerate your '84 Hall of Fame...

Monday, November 27, 2017

Panel Discussion: Things I Never Knew; Things We Never Saw!


Martinex1: Good day all!  Sometimes when I am researching the details of a topic or searching for tidbits or art samples for this blog, I stumble across some comic book history, graphics, and stories that I previously knew nothing about.  Even after more than 40 years of collecting comics (and just about as many reading about the inner workings of the industry, the artists, the publishers and all the rest), I still learn new things about the field all the time.

Today I'd like to share three examples from the history of Marvel Comics that until recently I knew nothing about.  I suspect some of our regular commentators and lurkers may contend that this is old hat and some may think we are out of touch.  That is okay, because I found these particular points fascinating.  So I hope some of you do also.

HISTORICAL MYSTERY #1:  Did you know that Roy Thomas and Barry Windsor-Smith pitched a new team to Marvel in the late 60s that would have consisted of Quicksilver, Red Raven, and Rick Jones?

I had no idea.  I happened to see an internet inquiry about Quicksilver being considered for a team other than the Avengers, and I found my way to Comic Book Artist, Collection Volume 1 (which includes a CBA issue from the Summer of 1998).  In that periodical, as part of an in-depth interview with Barry Windsor-Smith they reference the proposed book and even include the first few BWS' drawn pages.   Take a look below.





Alter Ego #18 (July 2013) also references the book that never materialized.  Check out this drawing of the Grim Reaper, who was destined to be the team's nemesis, as drawn by Barry Windsor-Smith.  The drawing and caption below are from that Alter Ego issue.

Not much else seems to be recorded about the proposal, but if any of our faithful readers have any insight please share it with us.  What I have been able to glean is that around 1969, Thomas and Windsor-Smith proposed the odd team that would possibly be named either the Outcasts or the Invaders (a name which Roy Thomas eventually used in 1975).

It is interesting to note that on newsstands in March of 1968 was X-Men #44 starring none-other than Red Raven battling the Angel; the story was written by Roy Thomas.  That very same month another Thomas penned tale, Avengers #52, was published and that story introduced the Grim Reaper.   The following month, Thomas' X-Men #45 featured Quicksilver.  And a few months later, the full story of Bucky's life and death and Rick Jones' desire to be like the WWII hero was detailed in Avengers #56.  

So to say that these characters were on Roy Thomas' mind around the key time would be an understatement.  There seemed to be a juxtaposition of key elements to creatively form such a gathering.  Was Thomas looking at a WWII angle for the book?  Hard to say, but he had a golden age hero in Red Raven and a modern version of Bucky with Rick Jones.  There was also supposition that he would bring the Whizzer into the story, but I have no hard data to support that. Though it may fit, as later Thomas would present the Whizzer as Pietro's father (prior to the Magneto revelation).   It is fun to speculate about a book that wasn't; I sure would have liked to have seen what was intended.

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CULTURAL COMIC MYSTERY #2: Did you know that John Byrne drew extra pages for a memorable Marvel Team-Up so that it would fit the UK page plan?

John Byrne is one of my favorite Bronze Age artists and I pay close attention to his work from his heyday in the late 70s.  So it caught my attention when I saw art that I had never seen before pinned to one of my favorite stories.

I recently acquired two Captain Britain hardcover collections, Birth of a Legend and Siege of Camelot. The books collect the early UK Captain Britain stories, prior to Alan Moore's work and the change from his original costume.  A side note:  I am enjoying these UK stories immensely and will have to comment on them in a future Panel Discussion, as there is enough top-notch Bronze Age-iness from Claremont and Trimpe to fill a whole column.


However, in the latter volume, there is also reprinted material of the classic Spider-Man and Captain Britain Marvel Team-Up #65 and #66.  I originally bought these chapters back in 1977; they were among the first 10 comics I ever purchased so I read them cover-to-cover numerous times.  Aside from becoming a Captain Britain fan, I nearly memorized the books.

And that is why I was so stunned and thrilled to see the following pages notated as additions to the originals in the UK version.  Comics, because they were published weekly in the UK, would split our U.S. adventures into chapters to fit the smaller page count of the weekly offerings.  However, sometimes the cuts didn't fall in a perfect position, so on occasion new splash pages were added to enhance the rerun tale.  Sometimes those pages went un-credited and were handled by UK artists; but in this case John Byrne himself added the splash pages.  Check them out below.  From Captain B chasing Spidey from their apartment window in the first, to the British hero recounting his origin in the second.  Pretty cool!  Whoever has the originals is one lucky cat.

MARVEL HERO'S MYTHIC MISS #3:  I can understand a book that was pitched and never launched, but how about a hero that was advertised as appearing in the very next issue, but instead disappeared into the ether?

Starhawk is known far and wide as a member of the original Guardians of the Galaxy.  Sylvester Stallone even portrayed Stakar in the recent GotG second movie. But did you know there was another Starhawk advertised long before the space faring hero made his debut in The Defenders #26.

No, this other Starhawk appeared in a Marvel House ad promising for the character to appear in the very next issue of Marvel Super-Heroes.  Alas, he never does appear.  And despite some fantastic art from Dan Adkins, the story never saw print in a "normal" format.



Our friend and fellow blogger, Rip Jagger, wrote eloquently about this character back in 2009.  And Rip definitely fills in the gaps and brings the story full circle.  So check out this link to Rip's post and then come back to sum up the day.  http://ripjaggerdojo.blogspot.com/2009/12/coming-of-starhawk.html   I appreciate the art of  Dan Adkins so much that I do share a few of his pages here for your perusal. Rip has even more at his site.

  


I like the look of this book.  It seems to touch on the cosmic element blending a bit of the feel of the Silver Surfer and Captain Marvel. I like Adkins' layouts and inks.  It is astounding to me that this book was written, pencilled, inked, lettered and advertised but it would not see print until much later in a less than standard format.

The modern Starhawk is a character" that fascinates me, and I wonder if there is any remnant of his namesake concept within. I guess only Roy Thomas knows if the "one who knows" comes at all from the "one who wasn't."


Well, I hope you enjoyed our brief foray into the unknown and forgotten.   Please share your thoughts and musings.  If you can expand on any of the these three subjects today, please pipe in.  Or if you know of any other created but shelved characters - clue us in.

Cheers!

Friday, October 20, 2017

Panel Discussion: A Little Love for the Colorists!



Redartz:  Greetings, everyone! For our "Panel Discussion" today, we will consider some of those who put the color in our 'four color ' hobby. The art of color application is just as crucial to a comic's visual appeal as the pencilling and inking. Color adds dimension, atmosphere, and emotion to a scene. It can clarify (or muddify- hey, a new verb?) the art, and emphasize certain aspects of a panel while de-emphasizing others. Effective color gives the art a richness, a sense of depth and visual space. Poor coloring can make a panel seem flat, it can even be somewhat disconcerting  (think of those panels where printing errors left someone with (unintentional) blue skin, or pantsless (in one infamous Spider-man panel). Therefore, today we salute some of those responsible for keeping Hulk green and the Thing orange. Oh, and a big thanks to Wikipedia, Comic Vine and the Grand Comic Book Database for some of the info in today's article.

To start with, here's a couple good looking pages, one from Marvel and one from DC. In both cases the colorist is sadly unknown (even the Grand Comics Database has nothing on it). For many years, the colorists got no credit line, despite such fine work as these. Incidentally, when scanning pages for a post, I often enhance the color for visibility and clarity. However, for these images, they are 'clean' scans- no color enhancement, so you can get the full subtlety  of the artist's work.
 Note that the Silver Age example on the left has simpler, less modeled color detail than one finds in  Bronze age and later comics. Yet the effect is still dynamic and eye-pleasing. Compare to the backgrounds on the Adventure page on the right- more tonal gradation and variety of hue, but both work equally well for storytelling.


Fantastic Four 69 (?)
Adventure Comics 439 ( ?  )

























We will now look at some sample pages from some notable colorists ; both Marvel and DC. First, some of those known specifically as colorists...


Janice Cohen- worked for Marvel; coloring art on many titles. Among them were Amazing Spider-Man, Captain America, Avengers and Howard the Duck. This page , by Janice, struck me for it's sharp, clear color contrasts and variety of tone. Also note the nice touch of orange in the action lines as Ben breaks his chains in the bottom left panel.

Fantastic Four 159 (Janice Cohen)

Carl Gafford-  Carl has done work for Marvel, DC and other companies as well. He produced a remarkably long run coloring the Legion of Super Heroes. This is a superbly colored page from one of those. Phenomenal color play here. Love the background effect in the top right panel.

Legion of Super Heroes 300 (Carl Gafford)

Petra Goldberg- colored for many Marvel titles, including Avengers, Fantastic Four, Thor and various horror books. This  page uses simple color schemes, but very strikingly. The complementary use of orange lettering against the blue-violet background really stands out.

Giant-Size Man-Thing 1 (Petra Goldberg)

 Linda Lessmann- Linda worked for Marvel Comics, First! Comics, and others. She had notable work on Amazing Spider-Man, Man-Thing, American Flagg, and Badger.Here she very nicely matches Frank Brunner's rich designs with a soft, wide ranging palette of pleasing color.


Dr. Strange 4 (Linda Lessmann)

Adrienne Roy-  Adrienne colored primarily for DC, especially focusing on the Batman titles. She also worked on Teen Titans, Warlord and others. These two pages show some strong, dramatic color work. I love the tone progression in Raven's faces on the upper right panel below.

Batman 401 (Adrienne Roy)
New Teen Titans 4 (Adrienne Roy)


























Don Warfield-  Don provided colors for a huge number of Marvel books, among them Conan, Fantastic Four, Invaders, Spectacular Spider-Man and Thor. This page uses fairly straightforward color, but interestingly frames Thor's head within the soft grey of the clouds.


Thor Annual 5  (Don Warfield)


 Glynis Oliver Wein-  Glynis Wein, or Glynis Oliver, has been everywhere in comics, especially Marvel and DC.  Her fine color work could be found on Amazing Spider-Man, Adventure Comics, X-Men, Star Wars, Thor, and much much more.  Her eye for , and use of, intricate and appealing color is matchless. Just look at the warm color modelling on the exploding planet on the left. Then there is the beautifully subtle array of tones in the panel of Dr. Doom on the right. And that bottom page of Cloak and Dagger- simple color, but what a knockout. I'd like a poster of that page.



Fantastic Four 257 (Glynis Wein)
Fantastic Four 236 (Glynis Wein)


Spectacular Spider-Man 70 (Glynis Wein)


Not to be left out of the coloring biz, many well-known pencillers and inkers also ladled out the tints on their own work (often to beautiful effect). Some examples:

Frank Brunner
Howard the Duck 1 (Frank Brunner)


Michael Golden
Micronauts 7 (Michael Golden)

Klaus Janson
Daredevil 180 (Klaus Janson)

Barry Windsor-Smith
Conan the Barbarian 16 (Barry Windsor Smith)

Barry deserves another look, specifically a little visual comparison. Here are two pages from his magnificent "Red Nails" in Savage Tales, scanned from the original black and white. Next to each are the same pages, with Barry's coloring added, from the Conan Marvel Treasury Edition. The intricacy of his color work is a wonder to behold.




























As we have seen, these and other colorists have contributed immensely to the success, and to the enjoyment of, the comics we love. These artists, and artists they were, made incredible visuals from pen, ink, watercolor and brush. To all those colorists, known and unknown, a big "thank you" for helping flesh out all those classic tales.

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