Black, blue, bare, branches

I love it when a plan comes together

Continuing the experiment of the week. Back to the dreamy images. It's Mooragh Lake as the chosen subject. That ball of white light is actually the sun and this is a day image, late afternoon where the light is fading at this time of year to dusk. Always manual settings. This would not have worked on auto, but a small point and shoot on manual would do a fairly good job. You need to employ manual setting for fading light images as light travels as we know. Auto would just create possibly a blackened image all over or a harsh white on black with no nod to the subtle blue of the lake and no definition of the black silhouetted bare trees branches

Notice the small object just off centre? It's clear to see on the large file that it's a large pebble peeking through. This then is the quandary. The image is as I planned, seamless colours drifting into each other with no harsh lines, but the pebble is clearly defined. If an artist painted this scene they have the option to paint it in or paint it out. I too have that choice with digital wizardry to erase and clone the water creating the overall smooth image. It would be the only alteration. I choose not to thus keeping the image pure as it was taken, what I saw, what was there. That is the way photography is for me. It's what I enjoy best taking the mundane and making in surreal. I like the pebble today, for tomorrow the same scene it may have been displaced and a new fresh unique image can be created. It also gives me a chance to have twice of many photos to sell, pebble in, pebble out. Twice as many names to come with though.

B's today, black, branches, blues, bare, ball(of light) and for me bewitching. You may have your own.

So when I put this for sale what would you title it? Any letter you like. I have the title already.

Just curious to see how others see things and for marketing purposes and would this be best, matt or gloss.

HOW TO PHOTOGRAPH STREAMING LIGHT

I see a teeth and tongue

This is the jetty in Ramsey. As simple as that for a subject. The sun was behind the jetty. The tide as you can see was low. The sun high noon sun shone through the jetty slats bouncing the light on the low water creating a white glow. The jetty slats broke the light as it streamed through creating the illusion of the slats being black. Desaturate the image, so taking any colour out which in this case was a slight blue tinge to the water and there you have it, the above image.


Ok it's not that simple! Firstly you have to spot the potential in the subject in the first place. That is what separates photographers from people who take photographs. Composition. So many potentially good images are ruined by poor balancing or setting of the image. Think before you click. Have you got what you want in the right place. Timing. The light was perfect at this time, but only at this time. To get that slither of white swirling shimmering light was at the time of taking the image or not at all. The ensuing tide would have been too reflective casting a white sheet of colour over the water rather than just that central column with the outer edges silver and the slats jet black. Taken once only and desaturated to a monochrome image. No other alteration apart form re size for the blog.


Now it's your turn. Go on and post your results with no photoshop!


Unfortunately I won't be around to answer to many queries. Laptop time is now down to the bear minimum. Emails are on hold. It's why you have another archive from the real photography section. Not so much whether you like it, but to learn from.