Monday, 31 August 2009
Saturday, 29 August 2009
Last Year At Marienbad
Friday, 28 August 2009
Favourite Gig Fridays: Mercury Rev / Flaming Lips
The date: 6th May 1999 ( how long ago? )
The occasion: that rare moment when a support band blow the headliners off the stage...
Mercury Rev were touring the Deserter's Songs album, a sublime collection of tunes that dragged them out of Wierdo Corner and propelled them into the limelight, after many years of drink, drugs, breakdowns etc. With its horn sections, female sopranos, bowed saws and guest spots by Garth Hudson and Levon Helm of The Band, Deserter's Songs was a revelation of eerie Americana.
I turned up at Oxford Brooks Student Union, expecting a lot from the Rev and very little from the support band with the unpromising name The Flaming Lips. The Lips sort of shuffled onto the stage and seemed to be doing a soundcheck which eventually morphed into a proper set. Steven Drozd and Michael Ivins were sitting down (!), surrounded by banks of synths and keyboards while Wayne Coyne stood tall, often hammering on a massive gong behind him. A large screen behind the band showed weird collections of images throughout, Coyne occasionally pointing at the screen, where sparks seemed to shoot out from his fingers. The music itself was like Pink Floyd playing Pet Sounds or the Beach Boys playing Dark Side Of The Moon. Strangely moving songs about mortality and Man's place in the universe were accompanied by Coyne singing to a Nun glove-puppet or breaking a phial of stage blood on his forehead. The Lips' stage antics have since become bigger and more celebrated but this low-key introduction to the band was enough to make me a believer. I can honestly say I've never expected less but received more from a band...
After that poor old Mercury Rev were almost an anti-climax. I had wondered how they would recreate Deserter's Songs' soundscapes live. Samples, synths, tapes? As it was they did it all with a basic guitar/bass/drums set up, which gave the songs a rockier, less dreamlike feel. But even with this stripped-down sound they still had such wonderful songs as Holes and Goddess On A Hiway, not to mention Jonathan Donahue's plaintive vocals and Grasshopper's psychedelic guitar pyrotechnics. And a great cover of Like A Hurricane too!
Strangely enough, I haven't seen either band play live since. I'll have to do something about that: 10 years is far too long.
"Bands, those funny little plans, that never work quite right." Holes by Mercury Rev.
Soundtrack: Deserter's Songs, The Soft Bulletin, The Rev and The Lips.
Wednesday, 26 August 2009
Willow Man
Monday, 24 August 2009
Philippe Caza
Saturday, 22 August 2009
Silence in the library...
Avatar trailer
Friday, 21 August 2009
Favourite Gig Fridays: Faith No More
To start with we're going back to June 1988, the Bristol Bierkeller, and the mighty Faith No More. Not the stadium-bothering megastars fronted by Mike Patton, but the earlier incarnation with eccentric ( ie a bit of a dick ) Chuck Mosely on vocals. They had recently had their first UK hit single with We Care A Lot and were at the stage where they were packing out smaller venues on their way to the big leagues.
They came on stage with Mosely wearing a safari suit (!), shades and a cravat, which he discarded throughout the set as it got hotter and hotter, until he was just down to his boxers. Thankfully he didn't go any further. Behind Mosely's crazed stage persona the band were a powerhouse, insanely heavy and intense: from the crushing tribal drumbeat of Chinese Arithmetic to the final very-metal freak-out of Sabbath's War Pigs, it was non-stop raw power.
A serious amount of moshing and stage-diving fun was had by all. One lad next to me in the crowd obviously wanted to stage-dive but couldn't work up the courage. When it came to the encore he knew it was now or never, I pushed him up onto the stage ( no stupid crowd-barriers in those days ), he launched himself into the air, the audience parted, and splat! he hit the deck, face down. Oops!
So, definitely one of the best gigs I've ever been to. FNM booted Mosely out soon after, released The Real Thing album with Mike Patton and went on to bigger things. But, in the age-old tradition of nerdy music-snobs, I think they were a better band back then, when they had it all to prove. And I was there, you hear me, I was there! ( OK, grandad, calm down, it's medication time...)
Soundtrack: Introduce Yourself by FNM.
Thursday, 20 August 2009
La Sagrada Familia, Barcelona
Tuesday, 18 August 2009
Dreaming of Barcelona
No foreign holiday this year. Sigh! We'll just have to dream...
Sunday, 16 August 2009
And you think you've got problems...
Tuesday, 11 August 2009
Have a Marvel-ous birthday
( And an extra special tip of the hat to Lee, Kirby, Ditko, Steranko, Thomas, Buscema, Colan, Kane and Romita for turning cheap newsprint into four-colour dreams. )
Monday, 10 August 2009
Wheels of steel
Just need to load up the rocket-launchers, power up the atomic turbines and head out across the mutant-infested, radioactive wasteland to search for survivors and/or hot babes. Oh, hang on...
...I need to tax it first.
Soundtrack: Thunder Road by Bruce Springsteen
"It's a town full of losers, we're pulling out of here to win..."
Saturday, 8 August 2009
Pleased to meet you...
Soundtrack: Champagne Supernova by Oasis.
Thursday, 6 August 2009
Bob Marley
Today is Jamaican Independence Day so it's as good an excuse as any to post a couple of cool Bob Marley photos.
Tuesday, 4 August 2009
Zombies, zombies everywhere...
The above is a still from the classic 1943 Val Lewton / Jacques Tourneur movie, I Walked With A Zombie. Of course, in those days zombies were supernatural creatures, animated by voodoo priests and stomping around plantations, normally for the purpose of carrying off young women. Today they are mindless cannibals, reanimated by vague pseudo-science for no purpose other than to eat people and create more zombies.
This modern conception of the walking-corpse seems to stem from George Romero's Night Of The Living Dead, the 1968 classic which brought an unparalleled realism to horror movies, and threw in some Vietnam-era allegory to boot. This is now the archetypal zombie, almost unthinkingly ( of course ) adopted by film-makers and writers ever since. So, did Romero create this modern variant on the zombie myth or were there any precedents? If he did that's quite an achievement and might explain why he returns to the theme time and again. Oh yeah, it makes him a few bucks too. If he didn't, I can't think of any previous stories that took the zombie out of the plantation and into the streets. Unless, of course, you know differently.....
By the way, wiec? over at the eponymous When Is Evil Cool? has just completed his zombie survey which makes interesting reading. Did you vote to eat or be eaten? See the results at http://vaultofthebankrobber.blogspot.com/2009/08/zombie-or-victim-poll-winner-is.html
Monday, 3 August 2009
Mean and Green
Soundtrack: Bonkers by Dizzee Rascal.
Nothing to see here...
Soundtrack: The Stone Roses by, er, The Stone Roses.
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