Thamma – review

Director: Aditya Sarpotdar

Release date: 2025

Contains spoilers

It is not the first time we have looked at a vehicle using the Indian betaal but this one certainly grounds itself in the Western vampire, whilst distinguishing itself. It is part of a cinematic universe – the Maddock Horror Comedy Universe, which includes films such as Stree and Bhediya. Bhediya is a take on the werewolf genre and we do get a visitation from the film’s lead werewolf in this.

Alexx O'Nell as Alexander

This does work as a standalone, however, and if I have a gripe it is that it is overly long. Nevertheless, it did hold me for its 2-hour 30-minutes run time. It actually starts in 323BC with an army. My thoughts went to a Roman legion until I realised it was Alexander the Great (Alexx O'Nell) and his forces – Alexander did reach India. Later in the film he is described as an Englishman rather than Macedonian (his blood is still bottled, he does not survive) but nonetheless it is his force that hear noises in the forest and his horse refuses to move forward, when a host of betaal, led by Yakshasan (Nawazuddin Siddiqui), attack.

finding Alok

Cut forward to modern day and Alok Goyal (Ayushmann Khurrana) is a reporter – we see a TV stunt gone wrong that’ll turn him into a meme. He and two co-workers are camping in the wilderness and he’s told his issue is not using Instagram enough and so he marches off into the forest to take a dramatic photo – and is attacked by a bear (the cgi bear was pretty well done). The two coworkers run the other way and he is chased and, eventually, painfully but not fatally mauled. He manages to get into a hiding place.

Alok and Tadaka

The bear seems to be yanked away and a woman, Tadaka (Rashmika Mandanna), looks into his hiding spot. He passes out and she pulls him away. He awakens in a carcass of a crashed airplane, which serves as her home. She promises him that she’ll take him home, once healed, but he shouldn’t leave her makeshift home. Of course, he does and he is hunted through the forest by three male betaal. He is captured, nearly fed to the imprisoned Yakshasan and rescued again by Tadaka. They get to the outskirts of their territory and Tadaka tells him to jump from the cliff they are on (to a passing truck on the road below) but she can go no further as it is forbidden – she doesn’t take much persuasion to go with him. He gets home to his funeral (the film is an action/horror/comedy and so, given the comedy side, he has to convince his father (Paresh Rawal) that he is really him and that involves a mole on his butt).

the bhediya

The film then follows the couple as he slowly learns what she is, their eventual estrangement, his (near) death and her turning him – this is forbidden and means that Yakshasan can be freed, and she take his place in imprisonment. Yakshasan was imprisoned because he insisted on feeding from humans (another forbidden thing) and wants to take over the world. Throw in an interlude with the bhediya (Varun Dhawan) who needs to drink betaal blood to recover his powers – and a side note about the betaal and bhediya ancient animosity and then a finale against Yakshasan.

ready to drink betaal blood

The backstory of the creatures is that the great demon Rakhtbeej was granted by Shiva the boon that each spilt drop of his blood would spawn another one of him. Losing against him the Gods called on the Goddess (presumably Kali) and she fought him but each hit caused him to multiply and so she created the betaal to drink his blood and save the world. The other lore we get is that sunlight is an issue when newly turned, they are near indestructible, they cannot lie (and vamp face when they do), we see Yakshasan turn into smoke as he teleports, there is an affinity with bats and one betaal can drink another to death (we see Yakshasan do that and a spirit/demon version of him appears at his shoulder when he does so). With regards vampires a distinction between them and betaal is made and yet the 'V' word is used fairly often, as is Dracula, and many genre film tropes are used (accidental fang, for comic effect, for instance). Ultimately the pitching of vampire/betaal against werewolf/bhediya is straight out of the vampire playbook.

getting her vamp on

The film looks really nice and Ayushmann Khurrana balances dashing leading man and comic focal point really well. The cgi was well done and there was a tad of a superhero vide to this as sometimes happens with good guy vampire films. Being an Indian film I was expecting music and dance routines. There are only two dances (three if you count the one in the credits) but they are diegetic. There are other musical moments that include montage scenes and perhaps these dragged a little given the running time. Indeed, the running time gave opportunity to expands the characters – though one might argue they were no more expanded than a shorter running time would have allowed for – but it does feel too long. Nevertheless I rather enjoyed this and found it amusing. 6.5 out of 10.

The imdb page is here.

On Demand @ Amazon US

On Demand @ Amazon UK

Betaal – season 1 – review

Directors: Patrick Graham & Nikhil Mahajan

First Aired: 2020

Contains spoilers

The Betaal is probably best known among genre fans, renamed as the vetala, in the Indian folkloric story named as Vikram and the Vampire when brought to the West by Sir Richard Burton. That Betaal was a story teller. Spelt baital, when discussed in Bane, it is described as half man/half bat and capable of possessing the dead and a consumer of human flesh and blood. Some of these traits survive through to this series, though we don’t necessarily get the creature(s) described in Bane - certainly there is no manbat aspect and endless hunger is mentioned but not explicitly played with.

out of the vampire playbook

I had seen this Indian series described as a zombie series. It is blatantly not, the tropes used are clearly from the vampire playbook as we’ll explore, with an aspect that maybe strays into zompire. However, it was a friend, Prodosh, who asked me to look at the series. From what I can gather it has not had great reviews in India, but Prodosh was enjoying the series and suggested that it may well have a vampire aspect.

the mystic lady

So, it begins with a group of Adivasi people conducting a ritual at a shrine to the Betaal, their village sitting at the foot of the Betaal mountain. One elderly woman is able to commune with the spirit and is given visions from the spirit. The warning is clear, the tunnel that the British engineers built into the mountain, and which contains the betaal’s shrine, should never be opened. However, a group of industrialists, led by Mudhalvan (Jitendra Joshi), are looking to remove the Adivasi and use the tunnel as part of a highway that is part of India development.

CIPD arrive

The villagers are sabotaging equipment and the project is falling behind, with the monsoons not far off, and so Mudhalvan contacts Commandant Tyagi (Suchitra Pillai) of the Counter Insurgency Police Department (CIPD) to clear the area. Tyagi is clearly on the take but the rest of the Baaz Squad (the CIPD’s elite squad) seem idealistic and unaware of the corruption. She tells second in command Vikram Sirohi (Viineet Kumar) that the area is a hotbed of Naxal activity. Sirohi is haunted by the events of a previous mission involving a village child, he has also been told that he will take command from Tyagi after this mission ends.

stand off

Now I didn’t know what a Naxal was and so, to Wikipedia. Apparently, these are members of political organisations claiming the legacy of the Communist Party of India and are clearly seen as revolutionary forces. Apparently part of the ethos of these groups suggests that the Indian Constitution represents a colonial policy that legitimises land and resource theft from tribal areas – this is clearly the direction of this plot where the capitalist/colonial Mudhalvan is forcibly taking the homes and lands of the natives and looking at resettlement (likely into poverty) and the villagers are the guardians of tradition (though there are actually no Naxal in the area).

Manjiri Pupala as Puniya

So, the village is cleared and villagers are put onto coaches – the clearing is not gentle. This proves distressing to Mudhalvan’s young daughter Saanvi (Syna Anand), who is there with her mother (Meenal Kapoor). A group of villagers take position in front of the tunnel with antique weapons and there is a stand-off and so Mudhalvan orders his man Bhunnu (Ankur Vikal) to secretly detonate a bomb, making the squad believe that they are under attack and so they open fire killing most of the villagers, including the woman who can commune with the Betaal, though two eventually get into the forest and retreat to the disused British barracks.

first sighting

Construction workers are first in, and die; one comes out of the tunnel holding his guts in his hand before falling. Half the squad go in and there is gunfire and then nothing. Sirohi goes in with new recruit Haq (Siddharth Menon). They see shapes on the roof and one of them moves, revealing a face. Let us stop there and say big, tusk-like fangs and glowing eyes. They manage to retrieve Tyagi, whose hair has turned grey, though Haq is bitten on the leg, and beat a hasty retreat with the civilians. But the creatures are coming out of the tunnel, firing muskets – so intelligent tool use.

the restless dead

The village provides no cover so they break for the barracks. The door is locked and village survivors Puniya (Manjiri Pupala) and Sarpanch (Yashwant Wasnik) won’t let them in without them leaving their injured outside. Outside (they later discover) Puniya placed an effigy, which is burning, and a circle of turmeric, both of which are apotropaic. Whilst the undead can’t approach, they can shoot and kill Mrs Mudhalvan – however the CIPD force their way into the barracks at that point. The villagers retreat to the armoury, stealing Mrs Mudhalvan’s corpse.

undead soldiers

So the creatures are all British soldiers from the 90th Taunton Volunteers regiment, assigned to the British East India Company. They were a notorious regiment as was their commander, Lieutenant Colonel John Lynedoch (Richard Dillane). He wanted to become emperor of India and learned of the shrine of the Betaal. He sacrificed his son to the Betaal for its power (the Betaal possessing him and, not clearly explained, but it seems merging with him). He and his men were trapped in the tunnel, however. He bit his men, turning them and they are said to be consumed with hunger. He now wants the pre-pubescent Saanvi as a sacrifice to allow him to leave the area of the shrine.

fangs on show

As the lore continues we see that they can crawl on ceilings as comfortably as walking the floor and are capable of speech and deception. The drummer boy of the company still drums for the regiment. They can be destroyed but it takes a lot of damage. For the newly turned we see beheading and then fire as the way to make sure. So how do they turn? Most obviously with a bite or scratch, though being killed by a musket shot, fired by one, will turn also (and I guess that is the curse aspect that is often mentioned). If the person hasn’t died then the wound becomes infected – and the infection impacts their soul as well as their flesh. They very quickly develop fangs. Turmeric will burn them.

menacing

So they are vampires – fangs, hunger, intelligence and use of weapons says that much. As head vampire, Lynedoch can see through their eyes and is capable of possessing humans and “riding on their shoulders” having bent their will to his. What is interesting (from a place of ignorance), is that considering the Naxal belief around the Indian constitution representing a continuation of colonialism then, in this, the members of the (fictional) CIPD can easily be made to join Lynedoch in his colonial ambitions both by turning and possessing – perhaps there is a paper there. The sfx varied in quality and I thought the long dead creatures didn’t always look that good (whereas the newly turned looked quite impressive), and some of their en-masse activity – such a pounding on doors – did seem quite unthinking dead, potentially leading to the zombie classification (though more zompire).

Pa rum pum pum pum

Given this was the activity of one night, the four episodes could have been condensed but there was enough there to keep the viewer entertained. I did feel that the epilogue was overly contrived. However, I was entertained for the 4 episodes. 6 out of 10.

The imdb page is here.