Showing posts with label Bernie Leadon. Show all posts
Showing posts with label Bernie Leadon. Show all posts

Friday, January 29, 2016

Eagles - 2015-07-13 - Charlottesville, VA

Eagles
July 13, 2015
History Of The Eagles Tour
John Paul Jones Arena, University of Virginia,
Charlottesville, VA

Audience recording, good quality (Lostbrook 2.0 Volume 103)
Available in both lossless (FLAC) and mp3 (320 kbps) versions
Artwork included (Covers: ethiessen1)

It's been a mournful first month of 2016 for rock music fans, with the deaths of several notable veteran rock artists, including Lemmy (Motorhead), Dale Griffin (Mott The Hoople), and most recently, Paul Kantner (Jefferson Airplane/ Starship) and Maurice White (Earth, Wind, & Fire). But the most sudden, shocking, and devastating of all was the totally unexpected and near back-to back deaths of legendary rock icons David Bowie and Glenn Frey. Bowie was a true original, a pioneering and innovative artist, constantly re-inventing himself and challenging both himself and audiences with new directions, styles, and sounds over the years. Personally, I was not always a fan of the musical directions he chose (mainly a fan of his '70's output), but I always had the utmost respect for him as an artist. Many others have put up glowing tributes to Bowie (and have re-upped many fine concerts and recordings), and can do a much better job of it than me, so I won't attempt it here, but he will be missed in the world of rock.

Glenn Frey is another icon, a major player and very talented musician in the rock world, but in a different way than Bowie. Frey was obviously a much more mainstream musician, but as the driving force behind the Eagles, the most popular and successful band of the last 45 years, he also created something totally unique. In the early '70's, they took country-rock, a genre and style struggling to find an audience, and with superior songwriting, rich harmonies, and an easy-going charm and style, brought their music into the mainstream with numerous rock and pop masterpieces. For many of us, the Eagles provided major components for the soundtrack of our lives in the '70's and '80's. They have two of the best-selling albums of all-time (Greatest Hits 1971-1975 and Hotel California), but for me, their masterpiece is still Desperado (which actually was their poorest-selling album), which I think is one of the very best rock albums ever made (definitely top-10). Although they have certainly received a good bit of backlash for their phenomenal success, their songs remain much-loved classics. And although they have released very little new material (just 2 new albums over the last 20 years), they have remained major concert draws year after year. They recently concluded their highly successful epic 2-year History of the Eagles Tour, which saw a return to the 3-hour shows of yesteryear, and followed a chronological history of the band's music, even including the return of former bandmate, original guitarist Bernie Leadon, and a very fine show it was. Thus, it was a nice way to go out, even though fans at the time did not know it would be the last chance to see Glenn and the Eagles performing together, it nonetheless provided a fine ending for the band. So, here is a show from the final leg of the HOTE Tour, among the very last shows for Glenn and the band. Although it is sad that Glenn is now gone, his music lives on for us all to enjoy.

Tracklist:
Set 1/Disc 1:
01 Intro (0:44)
02 Saturday Night (7:05)
03 Train Leaves Here This Morning (6:14)
04 Peaceful Easy Feeling (5:25)
05 Witchy Woman (7:02)
06 Doolin-Dalton (3:39)
07 Tequila Sunrise (3:14)
08 Doolin'-Dalton/Desperado (Reprise) (5:41)
09 Already Gone (4:37)
10 The Best Of My Love (6:43)
11 Lyin' Eyes (6:48)
12 One Of These Nights (5:48)
13 Take It To The Limit (4:17)

Set 2/Disc 2:
14 Wasted Time (Reprise) (1:34)
15 Pretty Maids All In A Row (4:44)
16 I Can't Tell You Why (5:16)
17 New Kid In Town (7:43)
18 Love Will Keep Us Alive (4:53)
19 Heartache Tonight (4:48)
20 Those Shoes (5:25)
21 In The City > Band Intros (13:04)
22 Life's Been Good (8:36)

Disc 3:
23 The Long Run (6:35)
24 Funk #49 (4:29)
25 Life In The Fast Lane (7:47)
Encore 1:
26 Hotel California (8:59)
Encore 2:
27 Take It Easy (4:16)
28 Rocky Mountain Way (6:22)
29 Desperado (4:55)

Don Henley - vocals, drums, percussion, guitars
Glenn Frey - vocals, guitars, keyboards
Timothy B. Schmidt - bass, vocals
Joe Walsh - guitars, vocals
Bernie Leadon (Set 1 & Encore 2) - guitars, banjo, vocals

Richard Davis - keyboards, percussion, vocals
Will Hollis - keyboards, percussion, vocals
Scott Crago - drums, percussion
Michael Thompson - keyboards, percussion, vocals
Steuart Smith - guitars, vocals

FLAC - Eagles_2015-07-13_CharlottesvilleVA_FLAC.part1.rar
Eagles_2015-07-13_CharlottesvilleVA_FLAC.part2.rar

New Links - updated 12/17/24
mp3 - Eagles_2015-07-13_CharlottesvilleVA_mp3.part1.rar
Eagles_2015-07-13_CharlottesvilleVA_mp3.part2.rar



Friday, July 13, 2012

The Eagles - 1975-05-17 - Philadelphia

Eagles
(featuring Bernie Leadon and Don Felder)
May 17th, 1975
The Spectrum, Philadelphia, PA

Audience recording, good quality
mp3 @ 320 kbps

Like Tom Petty, Don Felder was born and raised in Gainesville, FL, and started playing guitar at around age 10. Being a couple years older than Petty, Don was already a good guitar player when he started his first band at age 15, The Continentals, which also featured another young guitar player by the name of Stephen Stills (Stills was a military kid and his family moved around quite abit, but happened to be in Gainesville for some of his high school years). In 1964, another young guitar-banjo-mandolin player, by the name of Bernie Leadon, also moved to Gainesville for his later high school years (his father was an Aerospace Engineer, who took a faculty position at the University of Florida there). Although Bernie was more partial to country and bluegrass music, and Don was rock n' roll, Don and Bernie became good friends (hanging out at Lipham's Music), and when Stills left the band soon after that, Bernie came in to replace him. And at that time, around 1965, the band's name changed to the Maundy Quintet. Over the next couple years, Don and Bernie's Maundy Quintet and Tom Petty's The Epics were noted as the best of the local high school bands. By 1967, they had finished high school, and Bernie head off to the west coast to join some other friends there and check out the California music scene. Don headed to New York to join a band called The Flow. Of course, Bernie's California adventures soon lead him to stints with country-rock pioneers Dillard and Clark, The Flying Burrito Brothers, and ultimately the Eagles. Don's band had fallen apart, and he did various session work and gigs. But then in early 1974, as the Eagles were beginning to really take off, Bernie gave Don a call to join them to add some slide guitar to a song they were doing ('Good Day in Hell') to finish up their next album (On the Border). The band really liked Don's guitar work and style, and after playing for them just one day, The Eagles asked Don to join the band, which, of course he did, and from then on The Eagles were a quintet. Don's harder rock guitar sound fit in well with the more rock-oriented direction the band was interested in (well, all except Bernie) at the time. So, for the rest of 1974 and 1975, Bernie and Don were both part of the Eagles as they became a superstar band. Not surprisingly, there are no recordings of Don and Bernie from their Gainesville days, but, of course, there are many from their Eagles days together. This is a show from the 1975 tour. But, of course, Bernie and Don's days together with the band did not last that long. Tensions were mounting between Bernie and Don Henley and Glenn Frey, as Bernie's style and music were being pushed to the back ground and Henley and Frey took greater control of the band, their style, and marketing. The division between them was never more obvious than on the One of These Nights album (1975), where most of the album contained a much slicker, pop sound (designed for top40 radio), whereas Bernie's 2 songs, the cosmic Banjo instrumental 'Journey of the Sorcerer' and the folkie 'I Wish You Peace', stuck out as out of place from the rest of the album. Tensions mounted through the 1975 tour, This show, from Summer 1975, was near the end of Bernie's run with the band, as just a few months later, Bernie would infamously pour a beer over Glenn Frey's head, and walk away from the band for good. Bernie was rather quickly replaced by rocker gutarist Joe Walsh. Don would stay with the band for many years, but certainly not without drama of his own. When the Eagles officially broke up after a particularly contentious concert in Long Beach in July 1980 (where Felder and Frey were constantly bickering and threatening each other all through the show), it certainly looked to be end for them. But then, 14 years later, in 1994, The Eagles re-formed, and invited Don back into the band (but not Bernie, because he had quit them), and Don continued, albeit rather unhappily, until he was fired from the band in 2001. Lawsuits and allegations followed, and eventually, Don wrote and published a rather scathing 'tell-all' book about his time in the band titled 'Heaven and Hell: My Life in the Eagles'. Although Bernie kept active in music, he maintained a rather low profile in his years after the Eagles, preferring to just play in other's bands and do session work, etc. He has had two solo albums and worked with countless other groups, especially those of friend Chris Hillman, but has never really sought the kind of stardom he had with the Eagles. Don, also has done mostly session work and miscellaneous gigs, since leaving the Eagles. But, here they both are, hopefully in happier times, as part of the Eagles. So, here for the next part odf our tribuite to Gainesville, FL, are Gainesville High School's own, Bernie Leadon and Don Felder (and some other guys) in The Eagles in 1975.
 
tracklist:
1. Take It Easy
2. Outlaw Man
3. Doolin' Dalton/Doolin Dalton Reprise
4. Train Leaves Here This Morning
5. Peaceful Easy Feeling
6. Desperado
7. Ol' 55
8. One Of These Nights
9. Instrumental (Blackberry Blossom)
10. Midnight Flyer
11. Journey Of The Sorcerer
12. Too Many Hands
13. Already Gone
14. Good Day In Hell
15. James Dean
16. Witchy Woman
17. Chug All Night
18. Best Of My Love
19. Tequila Sunrise
 
http://depositfiles.com/files/ioexq2kik


Tuesday, January 31, 2012

The Flying Burrito Brothers - December 1970 - Bussum, The Netherlands

The Flying Burrito Brothers
December 1970
Bussum, The Netherlands

TV Studio Broadcast, very good quality
mp3 @ 320 kbps
Artwork Included

OK, since I don't have a recording of the Flying Burrito Brothers early show from the 1970-09-19 Whisky set to wrap up this string of shows, here is another short FBB set from around the same time, a couple months later, from a dutch TV broadcast, in good quality, featuring the same FBB lineup, and a completely different setlist (only Colorado duplicated) from the Whisky show previously posted. Once again, this one comes courtesy of Rocking-Byrd (Much Thanks!). Enjoy.

Tracklist
1. Lazy Day
2. My Uncle
3. Tried So Hard
4. Clinch Mountain Breakdown
5. Cody Cody
6. Colorado
7. Dixie Breakdown

Chris Hillman - bass, vocals, mandolin
Bernie Leadon - lead guitar, banjo, vocals
Michael Clarke – drums
Rick Roberts - rhythm guitar, vocals
Sneaky Pete Kleinow - pedal steel guitar

New Link! Updated 07/07/21
FBB_Bussum_The_Netherlands_-_1970-12.rar

Friday, January 13, 2012

The Byrds & The Flying Burrito Brothers - 1970-09-19 - Whisky a Go Go, Los Angeles, CA

The Byrds & Flying Burrito Brothers
1970-09-19
Whisky A Go Go, Los Angeles, CA

Soundboard recording, very good quality
mp3@320 kbps
Artwork Included

Here is a rare gem of a recording that superbly documents a unique live event, the merging of the Byrds and Flying Burrito Brothers into a one big jam session at the Whisky A Go Go in fall 1970, and with very good sound quality, too.  This is another recording I recently obtained from Rocking-Byrd (Much Thanks!), and apparently it has only recently surfaced. It is such a delight I just had to share it here, too. This is a great pairing, and features what is arguably the best lineups from each band regarding their live shows (with Byrds featuring McGuinn and Clarence White and FBB featuring Hillman, Bernie Leadon, and newcomer Rick Roberts). I've already talked somewhat about the entwined histories of these bands, and the various lineups over the years, so I'll just put in here an excerpt from the review that came along with this recording that more fully explains this event (Full extended review included with download).
"...In 1970, Just three days after the release of Untitled, The Byrds new double album (featuring both live and studio recordings), both The Byrds and The Flying Burrito Brothers were booked for a series of six shows over three nights at the Whisky A Go-Go in their home town of Los Angeles. This run would also be Rick Roberts' debut with The Burritos, who were still yet to recognize the extent of his talent. The Whisky only held several hundred people and The Byrds hadn't performed there since October of 1968, so tickets were a hot commodity. Surrounded by family and friends (in addition to having a common fanbase), this run guaranteed a three-night party, playing to packed houses for every show.
Logistically, these shows were challenging as The Byrds' P.A. system was designed for much larger venues and because, between the two groups, there was a lot of equipment. Strict time constraints required the downtime to be minimal, so all equipment from both bands (including two drum kits) needed to be squeezed onto the tiny Whisky A Go-Go stage. To accommodate the Byrds' P.A., cabinets were wired to multiple locations around the room. Each 90-minute show was structured with the FBBs performing a 45-minute opening set, immediately followed by a 45-minute set by The Byrds. This basic format continued throughout the run until the final night, when the two groups hatched a plan for the late show. For this final show of the run, the FBBs would begin their set as usual, but after several songs, they invited The Byrds out for an informal jam session. The rest of the night would feature both bands performing together for the very first time." [Ed. Note: Actually, not the first time, as both bands, with somewhat different lineups, also performed together a year and a half earlier, on 2/23/69, their final night together in a series of Boston Tea Party shows. Unfortunately, a recording from this previous event, although rumored to exist, has never become available.]
"Until now, this event has been relegated to the stuff of legend, but presented here are the complete recordings of that very set, recorded by Byrds' sound engineer Dinky Dawson. Despite the challenging circumstances of such a tiny room, Dawson's soundboard cassette masters manage to capture a great deal, with all of the instruments and vocals audible. The balance is not perfect, but in this instance, the good far outweighs the bad. Surprisingly, the recording is also in stereo, with McGuinn and Hillman's vocals panned to opposite channels, allowing listeners to clearly enjoy each individually, as they sing together for the first time in years. The setlist is a Byrds-lover's dream, containing material from both Sweethearts Of The Rodeo and The Notorious Byrd Brothers albums, in addition to classic early material. Despite the unrehearsed and somewhat intoxicated nature of these performances, it is obvious these musicians are having an awful lot of fun together. Seemingly eager to dig in to every song, downtime is kept to a minimum, as The FBBs and The Byrds collaborate on stage for the first [make that second] time ever." (Alan Bershaw - text obtained from Rocking-Byrd's site).

tracklist:
The Flying Burrito Brothers
1. The Train Song (1:14)
2. Payday (4:45)
3. Wake Up Little Suzie (4:46)
4. Colorado (4:48)
5. Break My Mind (2:32)
6. Trying To Reach My Goal (3:50)
The Byrds & The Flying Burrito Brothers together
7. Roll Over Beethoven (2:53)
8. You Don't Miss Your Water (4:06)
9. I'll Feel A Whole Lot Better (2:29)
10. Hickory Wind (3:49)
11. So You Want To Be A Rock 'N' Roll Star (2:36)
12. Bells Of Rhymney (3:44)
13. Close Up The Honky Tonks (2:47)
14. Time Between (2:28)
15. Mr Spaceman (3:30)
16. Turn Turn Turn (2:04)
17. Mr Tambourine Man (2:12)
18. Eight Miles High (15:49)
19. Wasn't Born To Follow (1:58)
20. Chimes Of Freedom (3:20)
21. You Ain't Going Nowhere (3:19)
22. Hold It (1:28)

The Flying Burrito Brothers :
Chris Hillman - vocals, bass, guitar, mandolin
Bernie Leadon - vocals, guitar
Rick Roberts - vocals, guitar
"Sneaky" Pete Kleinow - pedal steel guitar
Michael Clarke - drums, percussion

The Byrds :
Roger McGuinn - vocals, guitar
Clarence White - vocals, guitar
Gene Parsons - drums, percussion, vocals
Skip Battin - bass, vocals
Jim Seiter - percussion

New Link! (08/27/21):
 Byrds__Flying_Burrito_Brothers_Whisky-A-Go_1970-09-19.rar.html

Wednesday, June 22, 2011

The Flying Burrito Brothers - 1971-07-30 - Ipswitch, MA

The Flying Burrito Brothers
1971-07-30
Stonehenge, Ipswitch, MA

Audience recording, poor quality
mp3 @ 320

Here' s another previously uncirculated Flying Burrito Brothers show from David M from their 1971 tour, just 2 days before the Boston show previously posted (8/1/71-Boston Commons). Unfortunately, this is not a very good recording, as it suffers from from an annoying and persistent high-volume distortion throughout the show (in all but the quietest parts, such as the bluegrass section), that renders it quite difficult to listen to (David told me that he was right next to Chris's bass speakers, and the high volume was more than his recorder could handle. I was able to tone down the bass using EQ, but could not do anything about the overriding distortion present). This one is for dedicated fans and completists only. Because of the poor quality of the recording, I went back and forth on whether I should post this at all, especially since we already have the Boston show from this period. However, despite the problems with the recording, this is an excellent show, and almost half the songs in the set are different from those in the 8/1 show. So, I decided to go ahead and post it so that it will be available to all those that are interested in it. The pictures included on the cover art are actually from this show, and were also provided by David M. As indicated previously, these shows represented the last performances by this classic lineup for the band, as Bernie Leadon left just a couple weeks later (to join the Eagles), followed by Chris Hillman shortly after that (to join Stephen Stills in Manassas). So, despite the very real recording limitations, there are many interesting highlights here, and this is a worthwhile addition to the Flying Burrito Brothers legacy for dedicated fans.

tracklist:
1. Devil in Disguise
2. Close Up The Honky Tonks
3. Do Right Woman
4. White Line Fever
5. Bluegrass Breakdown
6. Why Are You Crying?
7. Shenandoah Valley Breakdown
8. Pay Day
9. Wild Horses
10. Sing Me Back Home
11. Tried So Hard
12. Ain’t That A Lot Of Love
13. Hot Burrito #2
14. Six Days On The Road
15. Roll Over Beethoven

New Link! (Updated 07/27/21)
FBB_1971-07-30_Ipswitch_mp3.rar

Note: I have only uploaded this show as mp3 files. If there is enough interest, I could also post the lossless version, but given the recording quality it would only be worthwhile if there was sufficient demand for it.


P.S. Bonus photo. I know this must have been a hot day in Massachusetts, but check out Chris's short shorts and bare feet (Ah yes - 1971). As long as you're comfortable Chris, it's alright with me.

Wednesday, May 18, 2011

The Flying Burrito Brothers - 1969-07-27 & 1970-05 - Woodenville, WA & Wynona, MN

The Flying Burrito Brothers
1969-07-27
Seattle Pop Festival, Woodenville, WA
Additional tracks - 1970-05, Wynona, MN
"The High Lonesome Sound of The Flying Burrito Brothers"

Sounboard recording, Very good quality
mp3 @ 320
Artwork Included

Here's some more Flying Burrito Brothers, this one from a little earlier, featuring a couple variations on their earlier lineups. In this way, we can hear how the music and sound from the varying personnel differed. This is a well-travelled bootleg release that combines 2 shows together, the first is the full show from the Seattle Pop Festival in July 1969, and featuring the original lineup (with Gram parsons & Chris Ethridge). The second part are some tracks from a show in Wynona, MN in May 1970. By this time, Chris Ethridge had left and was replaced by Bernie Leadon (with Chris Hillman shifting to Bass and Bernie playing lead guitar). This also was among the last of the shows with Gram Parsons still a part of the band (Thanks for the correction, David!). Gram had become unreliable (due to lack of interest & discipline, and the start of his drug problem), not showing up, missing gigs, etc., but was at this show. Within the next month Gram would be officially booted from the band. Much more about Gram Parsons in the next post. For now, just sit back and enjoy these fine, early vintage FBB shows.

Tracklist:
1. Close Up The Honky Tonks 2:40
2. Dark End Of The Street 3:54
3. Sweet Mental Revenge 3:15
4. The Image Of Me 3:22
5. Christine's Tune 5:34
6. Sin City 4:09
7. Man In A Fog 2:47
8. Wake Up Little Susie 3:11
9. You Win Again 3:38
10. We've Got To Get Ourselves Together 3:44
11. She Thinks I Still Care 5:29
12. Sweet Dreams Baby 2:55
13. Lucille 2:37
14. Take A Message To Mary 3:07
15. Train Song 3:28
16. Lazy Day 4:03
17. 100 Years Ago 3:09
18. My Uncle 3:02
19. High Fashion Queen 2:12
20. Cody Cody 3:03
21. Wild Horses 6:21

Tracks 1-15, 07-27-1969, Seattle Pop Festival, Woodenville, WA,
Lineup: Gram Parsons, Chris Hillman, Chris Ethridge, Sneaky Pete Kleinow, Michael Clarke
Tracks 16-21, 05-1970, Wynona, MN,  Lineup: Gram Parsons, Chris Hillman, Bernie Leadon, Sneaky Pete Kleinow, Michael Clarke

New Link! (Updated 08/27/21)
FBB_1969-07-27_HighLonesome.rar

Friday, May 13, 2011

The Flying Burrito Brothers - 1971-08-01 - Boston, MA

The Flying Burrito Brothers
1971-08-01
Boston Commons, Boston, MA

Audience Master recording, Good quality
Available as both Lossless (Flac)
and mp3 (320 kbps) files

OK, previously I have featured various shows with Chris Hillman (SHF, solo, band), Rick Roberts (Firefall), and Bernie Leadon (Eagles), as well as later shows where they reunited in various combinations (Chris Hillman 1975, 1984). Well, here is a great show from their earlier days when they all performed together in the legendary country-rock band, The Flying Burrito Brothers. Once again, this is a rare, previously uncirculated audience master recording from David M, featuring the last great lineup of The Flying Burrito Brothers, shortly before Bernie Leadon left the group (to join Don Henley and Glenn Frey in Linda Ronstadt's band and then form the Eagles), followed shortly thereafter by the departure of Chris Hillman and Al Perkins (to join Stephen Stills in Manassas). As most know, FBB suffered through many lineup changes in a relatively short period, and with no disrespect to the very talented Gram Parsons, who originally formed FBB with Chris Hillman in 1968, but I actually think that the band on this recording was the best overall FBB lineup. Bernie Leadon's banjo and multi-instrumentalism, as well as the addition of Rick Roberts songwriting and vocal style added diversity and new dimensions and musical directions for the band. But, it was to be very short-lived. This tour was in support of their third album (but first with this lineup), simply titled The Flying Burrito Brothers. So, here's where things really started for these guys (well, except Hillman who already was a veteran of the Byrds), before their more famous bands and careers, in one of the true pioneers of the 'country-rock' sound and style, the Flying Burrito Brothers.

Tracklist:
1. Six Days On The Road
2. One Hundred Years From Now
3. My Uncle
4. Four Days of Rain
5. She Made Me Lose My Blues
6. Bluegrass Breakdown
7. Why Are You crying
8  Dixie Breakdown
9. Sing Me Back Home
10. Can't You Hear Me Calling
11. Christine's Tune
12. Colorado
13. White Line Fever
14. Pay Day
15. Steel Guitar Rag
16. Wake Up Little Susie
17. Ain't That a Lotta Love

Chris Hillman: Bass, vocals
Michael Clarke: Drums
Bernie Leadon: Lead guitar, banjo, vocals
Rick Roberts: Guitar, vocals
Al Perkins: Pedal steel guitar, vocals

---------------------------- a BB Chronicles Exclusive Presentation -----------------------------
New Link! Updated 08/27/21
mp3 version: FBB_1971-08-01_Boston_mp3.rar

Flac version: FBB_1971-08-01_Boston_FLAC.rar

Taken directly from a previously uncirculated audience master recording by David M. Some editing, adjustments made for better sound quality and presentation. This version prepared exclusively for The BB Chronicles (http://bbchron.blogspot.com) by BBKron.

Friday, May 6, 2011

Eagles - 1974-05-02 - Providence, RI

Eagles
1974-05-02
Providence, RI

Audience Master Recording, Very good quality
Available as lossless (FLAC)
and mp3 (320 kbps) files
Artwork Included

Here is another rare, previously uncirculated audience recording from David M of an early Eagles performance featuring the original quartet. This one is from about 6 months after the Holy Cross show (previously posted), from May 1974, early in the On The Border Tour, shortly after the release of their third album. This recording is of substantially better quality than the previous one, and although this performance doesn't have anything as earth-shattering as the two previously unreleased songs featured on the last recording, it is nonetheless a great show from this period, and does feature some new elements. Overall, the show setlist is surprisingly similar to the previous Holy Cross show, despite this being a brand new tour in support of their new album, with the bulk of the material still coming from their first two albums, and only four songs from the new On The Border album ('Already Gone', 'Ol' 55', 'James Dean', and 'Good Day in Hell'). And, actually, 'Already Gone', which was the first single released from the new album, was the only new song addition from the previous Holy Cross show. This basic setlist and structure was used throughout this tour, and even on through subsequent tours. Still present was the inclusion of the 'Doolin-Dalton/ DD-Desperado Reprise' early in the show (although some other songs from Desperado present in the last tour ['Certain Kind of Fool', 'Out of Control', 'Bitter Creek'] were dropped by this time), as well as Bernie's Bluegrass/Banjo sequence ('Twenty-One', 'Blackberry Blossom', 'Earlybird', 'Shenandoah Valley Breakdown') in the middle of the set. In addition to the new On The Border songs, some other new aspects included in this show were a cool new extended Blues Intro to 'Witchy Woman', and this may have been the first show (or at least first recorded show) where the full version of  'Desperado' was used as an encore. Although it may seem odd now because 'Desperado' has become such a classic, but it was not really included in these early shows very often (usually only the abbreviated 'Desperado Reprise' was played). Later, it would become a regular part of their shows, but at this stage it was not played very often. It would not take it's place as their standard concert closer until the 'Hell Freezes Over Reunion Tour' in 1994, where it has remained right up to their most recent shows. But back in 1974, it was a rarity. This also was one of the last of the shows where they were still a quartet. Don Felder, who was brought in to add some slide guitar on a couple tracks on On The Border, really hit it off with the band and was made a member of the band soon after (Credited on the album as a "Late Arrival"). However, he was not part of the live band shows for at least the early part of the On The Border Tour (It is known he did not perform at their California Jam appearance in April, and according to David's notes was not present at this May concert either, but he was present when the band made their appearance on Don Kirshner's Rock Concert sometime in 1974, so exactly when he began touring with the band is uncertain). Anyway, this is another great Eagles show (of which there are very few available from this period), and this is a good quality recording. There were, however, some tape problems resulting in some speed/pitch fluctuations in some songs (particularly near the middle of the show), but they are mostly minor.  So, here once again, is a great 'new' recording from David M of a great old show by a great old group. Much thanks again to David M for making this available for all to enjoy after all these years.

Tracklist:
01 - Take It Easy
02 - Outlaw Man
03 - Already Gone
04 - Doolin-Dalton - Desperado Reprise
05 - Train Leaves Here This Morning
06 - Tequila Sunrise
07 - Ol' 55
08 - Twenty-One
09 - Blackberry Blossom
10 - Earlybird - Banjo Improv - Shenandoah Valley Breakdown
11 - James Dean
12 - Good Day In Hell
13 - Blues Intro - Witchy Woman
14 - Chug All Night
15 - Tryin'
16 - Desperado

---------------------------- a BB Chronicles Exclusive Presentation -----------------------------

New Links! (Updated 07/12/20)
mp3 version: Eagles_-_1974-05-02_-_Providence_RI_mp3.rar

Flac version: Eagles_-_1974-05-02_-_Providence_RI_FLAC.rar

Taken directly from a previously uncirculated audience master recording by David M. Some editing, adjustments made for better sound quality and presentation. This version prepared exclusively for The BB Chronicles by BBKron.

Up Next:  We go back a few more years to visit one of the Eagles forefathers, The Flying Burrito Brothers, and one of the last shows that Bernie did with them before leaving for the Eagles.

Friday, April 29, 2011

Eagles - 1973-11-21 - Holy Cross College, Worcester, MA

Eagles
1973-11-21
Holy Cross College
Worcester, MA
'Desperadoes On The Border'

Audience Master Recording, Decent quality
Available as lossless (FLAC)
and mp3 (320 kbps) files
Artwork Included

Today it gives me great pleasure to unveil another remarkable previously uncirculated audience master recording from our friend, David M. And I believe this early Eagles show from the original quartet is an astounding find that every Eagles (and/or any country-rock) fan will want to hear. Although the quality of the recording itself is not all that great, there are several reasons that make this performance and recording particularly special, and different from any other previously available recording. First, it is a longer and more complete show (over 19 songs, ~100 min.) than any of the other available recordings from these early years. Second, it takes place at a unique time and reference point in the band's history. I do not know of any other shows from around this time. This show (11-21-73) occurs well after the regular Desperado tour ended (Spring-Summer 1973), after they had already started work on their next album, On The Border. In fact, this show occurs right after they returned from their recording sessions (2 months in London) with producer Glyn Johns at Olympic Studios, but apparently before they dismissed Johns, replacing him with Bill Szymczyk as producer, and finished recording the album in LA in early 1974. As most already know, Johns was replaced as producer because he saw the group as more of a vocal country-rock band, and the band wanted to go more towards harder-edged rock, so they felt a change was needed, Szymczyk was brought in, and the rest is history. Thus, this show catches the band right at this crucial turning point (which is why I've given this boot the tentative title of "Desperadoes On the Border"). Lastly, and most importantly, this show features two original previously unknown and unreleased Eagles songs (that were apparently intended for the On The Border album, but later dropped). Now, I am no expert on Eagles rarities, but I have heard many recordings of Eagles shows from 1973-1974, and I do not know of these songs appearing anywhere else. Although it is well-known that the Eagles discarded most of what was recorded with Johns at those London sessions (only 'Best of My Love' and 'You Never Cry Like A Lover' survived to appear on On The Border), as far as I know, there has never been any talk about any specific songs that were recorded and discarded, and certainly none that have been released (either officially or as bootleg outtakes). Thus, these songs would appear to be quite rare indeed. The first of these songs is introduced by Frey as a new song from their upcoming On The Border album, called 'Wait and See', and written and sung by Randy Meisner. It is a blues-rock number that is given center-stage and epic treatment here, with an extended guitar jam and an 11 minute running time. Although the 2nd song is also introduced (as written by Bernie), the title is not clear, but appears to be 'Georgia Peach' (I originally thought it was 'Learn and Teach' or possibly 'Born to Teach'), and it is a lively, driving, straight-ahead rocker. Actually, both songs are quite impressive, and are a surprising and welcome addition to the Eagles canon. It is surprising, however, that with all the compilation and retrospective albums put out over the years, that if studio recordings of these and possibly other songs do exist, why haven't they released these as outtakes? If the studio recordings no longer exist, it is quite possible that this recording represents the only documentation of these lost songs. Well, anyway, regardless, now we have these remarkable tracks to show us another glimpse into the Eagles story. As for the rest of the show, it is a great mix of songs from Desperado and the First Album, including Bernie's banjo/bluegrass sequence ('Twenty-One', 'Earlybird', banjo solo, Shenandoah Valley) in the middle, with a few new songs from On the Border ('Ol' 55, 'James Dean', 'Good Day In Hell') thrown in. This basic structure and song lineup would serve as the basis for their live shows for the next couple years, with only minor modifications.

As for the audience recording itself, well there were some definite problems. Overall, and particularly early in the show, it has pretty good sound, although it does have a bit of that echoey and distant sound common in audience tapes from this time. After the first tape-flip (in the middle of 'Tequila Sunrise'), the left channel audio was lost (actually just at extremely low levels) for the remainder of disc 1. Amplifying the left channel to achieve normal balance was possible, but also resulted in unacceptably high background noise and hiss. Thus, I opted to just use the right channel audio (mono recording) for both left and right channels for the tracks here (tracks 5-10). Unfortunately, another issue emerged towards the end of disc2, that of weakening and dying recorder batteries, resulting in sporadic pitch and speed fluctuations in the last few songs (primarily 'James Dean', 'Chug All Night', and 'Out of Control' ). I have tried to make adjustments for the larger segments where I could, but it was beyond my expertise and equipment to fix the many momentary fluctuations throughout, so the last few songs still have some problems in this regard. But overall, this is an amazing show, highlighted by the 2 previously unreleased original tracks from the first On The Border sessions. Thanks again to David M for first recording and now making available this historic recording and show.   
   
Tracklist:
Disc 1
01 - Silver Dagger (Acapella) Intro - Take It Easy
02 - Outlaw Man
03 - Doolin-Dalton - Desperado Reprise
04 - Ol' 55
05 - Tequila Sunrise (cut/tape-flip at ~1:50 mark)
06 - Train Leaves Here This Morning
07 - Certain Kind of Fool
08 - Good Day In Hell
09 - Twenty-One
10 - Earlybird - Shenandoah Valley Breakdown

Disc 2
11 - Wait and See (previously unknown and unreleased original song - Meisner)
12 - Georgia Peach (?) (previously unknown and unreleased original song - Leadon)
13 - Witchy Woman
14 - Tryin'
15 - James Dean
16 - Peaceful Easy Feeling
17 - Chug All Night
18 - Out of Control

---------------------------- a BB Chronicles Exclusive Presentation -----------------------------

New links! (Updated 12/05/23)
mp3 version:disc 1: Eagles_1973-11-21_WorcesterMA_disc1_mp3.rar
                  disc 2:  Eagles_1973-11-21_WorcesterMA_disc2_mp3.rar    

Flac version: Disc 1: Eagles_1973-11-21_Worcester_MA_disc1_FLAC.rar
                    Disc 2: Eagles_1973-11-21_Worcester_MA_disc2_FLAC.rar

Taken directly from a previously uncirculated audience master recording by David M. Some editing, adjustments made for better sound quality and presentation. This version prepared exclusively for The BB Chronicles by BBKron


Sunday, March 27, 2011

Chris Hillman & Friends - 1983-05-05 - Cotati, CA (both sets)

Chris Hillman & Friends
(Bernie Leadon, Al Perkins, Herb Pedersen & Bill Bryson)
1983-05-05 (both sets)
Cotati Cabaret, Cotati, Ca

Soundboard - Very Good Sound Quality
mp3 @ 192

After the extended reunion tours and albums with Gene Clark and Roger McGuinn (McGuinn, Clark, and Hillman, McGuinn/Hillman) had run their course (by end of 1981), Chris Hillman decided he wanted to get back to his country and bluegrass roots. So, he once again turned to old friends and FBB alums Bernie Leadon (who had left the Eagles) and Al Perkins, as well as his old bluegrass buddy Herb Pedersen and bassist Bill Bryson (both formerly of the bluegrass group, the Dillards). With this lineup, he recorded 2 bluegrass-oriented albums for Sugar Hill Records (Morning Sky, 1982 & Desert Rose, 1984), as well as toured together throughout 1983-84. Around this time, Hillman and Pedersen were also asked by Dan Fogelberg to join him on his new all-star bluegrass-oriented album and tour, High Country Snows, in 1985. This union eventually lead Hillman and Pedersen to form the Desert Rose Band, which was a very successful traditional country band for the next several years. In this fine soundboard recording (featuring both sets from from their Cotati Cabaret show) near the beginning of this next phase of Chris Hillman's career, Chris primarily features some FBB tracks with mainly new or traditional songs with a a definitely more bluegrass sound and feel, and highlighting the expertise of his band.

Tracklist
Set 1:
1. Instrumental (1:07)
2. Tomorrow Is A Long Time (2:25)
3. Last Thing On My Mind (2:53)
4. You Don't Know My Mind (2:02)
5. Burrito Breakdown (2:17)
6. God Loves His Children (2:43)
7. Running The Roadblocks (2:03)
8. Desert Rose (2:32)
9. Love And Wealth (2:25)
10. The Christian Life (2:18)
11. Don't Let Your Sweet Love Die (2:05)
12. Why You Been Gone So Long (2:23)
13. Hollywood Is Making Me Blue (2:41)
14. How Mountain Girls Can Love (2:07)
15. Children Are Crying (2:04)
Set 2:
16. Fallen Eagle (2:00)
17. Wheels (2:49)
18. Devil In Disguise (2:46)
19. You Don't Know My Mind (2:04)
20. Sin City (3:44)
21. Burrito Breakdown (2:11)
22. Love And Wealth (2:25)
23. Don't Let Your Sweet Love Die (2:09)
24. Instrumental (2:13)
25. God Loves His Children (2:50)
26. Instrumental (2:56)
27. Children Are crying (2:46)
28. Take Me In Your Lifeboat (2:40)
29. How Mountain Girls Can Love (2:06)
30. Desert Rose (2:27)

New Link! (Updated 08/27/21)
Hillman_Leadon_Perkins_Bryson__Pedersen_-_Cotati_Cabaret_1983-05-05.rar