May started joyfully and uproariously with
The Freshman at the Coolidge, with live orchestral accompaniment from the Berklee Silent Film Orchestra. Brilliant is not too strong a word for the music; the entire experience epitomized the best of the art of film. I had a grin on my face the entire evening. The BSFO has been adding performances to their calendar, including the San Francisco Silent Film Festival in June and
in NYC later this month.
My picks for classic film fans in the Boston area are as follows:
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| Zasu Pitts and Gibson Gowland in Greed |
May 14, 2 PM at the
Somerville Theatre, '
Silents, Please' series, is
Greed (1924, d.
Erich von Stroheim). From the name of this film, and the picture to the right, you know it's not going to be a laugh-a-minute. It's considered a (silent) masterpiece from the German maverick director, whose vision was such that the original cut of the film was a staggering, unsustainable eight hours long; the film was eventually debuted by MGM at about 2.5 hours. Much of the original footage was lost. Even at 2.5 hours, modern cinephiles rave about the film. Roger Ebert has named it one of his 'Great Movies', and
in his piece illustrates the twists and turns of its fascinating history. I read and enjoyed the source novel,
McTeague by Frank Norris, about a quack dentist in turn of the century San Francisco who is runs into significant trouble when his wife Trina come in possession of a $5,000 winning lottery ticket. This silent film stars
Zasu Pitts as Trina and
Gibson Gowland as McTeague. Von Stroheim shares screenwriting credits with
June Mathis, a writer and early film executive who 'discovered' Rudolph Valentino.
Accompanying this screening will be Jeff Rapsis on the piano. I've not seen this and can't wait.
The Brattle has an impressive May lineup of
David Lynch films, as well as some classic comedies, with some
Welles and
Hitchcock thrown in. If you're in the area at all this month, check out their calendar. I'm particularly excited to see the classic comedy
Playtime, by influential comedian
Jacques Tati on
Sunday, May 28th. I've not seen it before, but I enjoyed
Mon Oncle last summer when it was on TCM, which also featured Tati's slightly befuddled 'Monsieur Hulot' character. I need to see more of Tati.
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| Playtime (1967) from brattlefilm.org |
I may camp out in Harvard Square for the weekend, as continuing the French film theme, also from 1967, is
Le Samourai, d.
Jean-Pierre Melville, which will screen twice in 35mm on Memorial Day,
Monday, May 29th. In this one, hearthrob actor
Alain Delon portrays a hit man caught in the web of his own weaving. Another one of Ebert's 'Great Movies', it will be fun to see this, and compare it with
Alan Ladd's hitman in
This Gun For Hire from 1942, which, not entirely coincidentally, is screening that same day at the Brattle.
The Brattle is also screening the documentary
Harold & Lillian -- A Hollywood Love Story (2015, d.
Daniel Raim), multiple times in early May. I plan to see it this
Saturday, May 6. My friend Raquel of
OutofthePastBlog.com highly recommends this exploration of the story of Harold & Lillian Michelson, who contributed their talents behind the camera -- he a storyboard artist, she a film researcher, during Hollywood's golden age. The documentary has gotten rave reviews, and currently owns a 8.7 user rating on IMDb. Monica Castillo of the New York Times said "Like flipping through misplaced leaves in a photo book, the documentary maintains a free-flowing tone as it uncovers the work that went into creating some of the indelible scenes in Hollywood history." Watch the trailer below:
À bientôt!