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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 174 46 132 it is the complementary color RGB 81 209 123. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 174 46 132. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 174 46 132 shade: RGB 179 46 127, RGB 196 64 146, RGB 213 82 165, RGB 230 100 184 and RGB 247 118 203

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 174 46 132. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 174 46 132 shade: RGB 174 46 132, RGB 157 28 113, RGB 140 10 94, RGB 123 0 75 and RGB 106 0 56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 174 46 132 shade: RGB 173 46 131, RGB 173 46 97, RGB 173 46 62 and RGB 173 46 46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 174 46 132 shade: RGB 173 46 131, RGB 173 46 165, RGB 146 46 173, RGB 112 46 173 and RGB 77 46 173

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 174 46 132 shade matches the following richer shades: RGB 173 46 131, RGB 190 28 137 and RGB 208 10 143

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 174 46 132 shade: RGB 173 46 131, RGB 155 63 125, RGB 137 81 119, RGB 120 99 113 and RGB 102 117 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 174 46 132 shade: RGB 145 46 173, RGB 173 46 166, RGB 173 46 132, RGB 173 46 99 and RGB 173 46 65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 174 46 132 shade: RGB 108 28 82, RGB 140 37 106, RGB 173 46 131, RGB 202 57 155 and RGB 211 90 171

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 174 46 132 shade: RGB 174 46 132, RGB 173 111 46 and RGB 46 173 162

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 174 46 132 shade: RGB 174 46 132, RGB 132 173 46 and RGB 46 132 173

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 174 46 132 shade: RGB 174 46 132, RGB 173 111 46, RGB 46 173 86 and RGB 46 107 173

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 174 46 132 shade: RGB 174 46 132, RGB 173 149 46, RGB 46 173 86 and RGB 46 69 173

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 24 / 32

HEX #AE2E84

RGB 174 46 132

HSL 319.69, 0.58%, 0.43%

LAB 42.18, 58.96, -18.92

 

Complementary color

CMYK 61 / 0 / 41 / 18

HEX #51D17B

RGB 81 209 123

HSL 139.69, 0.58%, 0.57%

LAB 75.31, -54.04, 32.43

 

CMYK 0 / 74 / 29 / 30

HEX #B32E7F

RGB 179 46 127

HSL 323.46, 0.59%, 0.44%

LAB 42.87, 59.62, -14.73

 

CMYK 0 / 67 / 26 / 23

HEX #C44092

RGB 196 64 146

HSL 322.73, 0.53%, 0.51%

LAB 48.86, 60.07, -16.85

 

CMYK 0 / 62 / 23 / 16

HEX #D552A5

RGB 213 82 165

HSL 321.98, 0.61%, 0.58%

LAB 54.97, 60.01, -18.52

 

CMYK 0 / 57 / 20 / 10

HEX #E664B8

RGB 230 100 184

HSL 321.23, 0.72%, 0.65%

LAB 61.13, 59.65, -19.87

 

CMYK 0 / 52 / 18 / 3

HEX #F776CB

RGB 247 118 203

HSL 320.47, 0.89%, 0.72%

LAB 67.31, 59.11, -20.98

 

CMYK 0 / 74 / 24 / 32

HEX #AE2E84

RGB 174 46 132

HSL 319.69, 0.58%, 0.43%

LAB 42.18, 58.96, -18.92

 

CMYK 0 / 82 / 28 / 38

HEX #9D1C71

RGB 157 28 113

HSL 320.47, 0.7%, 0.36%

LAB 36.35, 57.72, -16.34

 

CMYK 0 / 93 / 33 / 45

HEX #8C0A5E

RGB 140 10 94

HSL 321.23, 0.87%, 0.29%

LAB 30.88, 55.18, -12.83

 

CMYK 0 / 100 / 39 / 52

HEX #7B004B

RGB 123 0 75

HSL 323.41, 1%, 0.24%

LAB 25.92, 50.85, -8.11

 

CMYK 0 / 100 / 47 / 58

HEX #6A0038

RGB 106 0 56

HSL 328.3, 1%, 0.21%

LAB 21.39, 44.93, -2.22

 

CMYK 0 / 73 / 24 / 32

HEX #AD2E83

RGB 173 46 131

HSL 319.84, 0.58%, 0.43%

LAB 41.96, 58.57, -18.66

 

CMYK 0 / 73 / 44 / 32

HEX #AD2E61

RGB 173 46 97

HSL 335.91, 0.58%, 0.43%

LAB 40.74, 54.65, 0.63

 

CMYK 0 / 73 / 64 / 32

HEX #AD2E3E

RGB 173 46 62

HSL 352.44, 0.58%, 0.43%

LAB 39.89, 51.85, 21.5

 

CMYK 0 / 73 / 73 / 32

HEX #AD2E2E

RGB 173 46 46

HSL 0, 0.58%, 0.43%

LAB 39.64, 51, 30.98

 

CMYK 0 / 73 / 24 / 32

HEX #AD2E83

RGB 173 46 131

HSL 319.84, 0.58%, 0.43%

LAB 41.96, 58.57, -18.66

 

CMYK 0 / 73 / 5 / 32

HEX #AD2EA5

RGB 173 46 165

HSL 303.78, 0.58%, 0.43%

LAB 43.59, 63.52, -36.7

 

CMYK 16 / 73 / 0 / 32

HEX #922EAD

RGB 146 46 173

HSL 287.24, 0.58%, 0.43%

LAB 39.72, 59.07, -47.89

 

CMYK 35 / 73 / 0 / 32

HEX #702EAD

RGB 112 46 173

HSL 271.18, 0.58%, 0.43%

LAB 34.83, 52.29, -56.02

 

CMYK 55 / 73 / 0 / 32

HEX #4D2EAD

RGB 77 46 173

HSL 254.65, 0.58%, 0.43%

LAB 30.76, 46.34, -62.85

 

CMYK 0 / 73 / 24 / 32

HEX #AD2E83

RGB 173 46 131

HSL 319.84, 0.58%, 0.43%

LAB 41.96, 58.57, -18.66

 

CMYK 0 / 85 / 28 / 25

HEX #BE1C89

RGB 190 28 137

HSL 319.63, 0.74%, 0.43%

LAB 43.63, 68.24, -19.51

 

CMYK 0 / 95 / 31 / 18

HEX #D00A8F

RGB 208 10 143

HSL 319.7, 0.91%, 0.43%

LAB 46.46, 75.25, -18.52

 

CMYK 0 / 73 / 24 / 32

HEX #AD2E83

RGB 173 46 131

HSL 319.84, 0.58%, 0.43%

LAB 41.96, 58.57, -18.66

 

CMYK 0 / 59 / 19 / 39

HEX #9B3F7D

RGB 155 63 125

HSL 319.57, 0.42%, 0.43%

LAB 41.22, 45.69, -16.37

 

CMYK 0 / 41 / 13 / 46

HEX #895177

RGB 137 81 119

HSL 319.29, 0.26%, 0.43%

LAB 42.05, 29.19, -11.66

 

CMYK 0 / 18 / 6 / 53

HEX #786371

RGB 120 99 113

HSL 320, 0.1%, 0.43%

LAB 44.39, 11.03, -4.72

 

CMYK 13 / 0 / 9 / 54

HEX #66756B

RGB 102 117 107

HSL 140, 0.07%, 0.43%

LAB 47.76, -7.71, 3.63

 

CMYK 16 / 73 / 0 / 32

HEX #912EAD

RGB 145 46 173

HSL 286.77, 0.58%, 0.43%

LAB 39.57, 58.86, -48.14

 

CMYK 0 / 73 / 4 / 32

HEX #AD2EA6

RGB 173 46 166

HSL 303.31, 0.58%, 0.43%

LAB 43.64, 63.68, -37.21

 

CMYK 0 / 73 / 24 / 32

HEX #AD2E84

RGB 173 46 132

HSL 319.37, 0.58%, 0.43%

LAB 42.01, 58.7, -19.21

 

CMYK 0 / 73 / 43 / 32

HEX #AD2E63

RGB 173 46 99

HSL 334.96, 0.58%, 0.43%

LAB 40.8, 54.85, -0.53

 

CMYK 0 / 73 / 62 / 32

HEX #AD2E41

RGB 173 46 65

HSL 351.02, 0.58%, 0.43%

LAB 39.95, 52.04, 19.7

 

CMYK 0 / 74 / 24 / 58

HEX #6C1C52

RGB 108 28 82

HSL 319.5, 0.59%, 0.27%

LAB 25.65, 40.72, -13.5

 

CMYK 0 / 74 / 24 / 45

HEX #8C256A

RGB 140 37 106

HSL 319.81, 0.58%, 0.35%

LAB 33.86, 49.65, -16

 

CMYK 0 / 73 / 24 / 32

HEX #AD2E83

RGB 173 46 131

HSL 319.84, 0.58%, 0.43%

LAB 41.96, 58.57, -18.66

 

CMYK 0 / 72 / 23 / 21

HEX #CA399B

RGB 202 57 155

HSL 319.45, 0.58%, 0.51%

LAB 49.31, 65.36, -21.44

 

CMYK 0 / 57 / 19 / 17

HEX #D35AAB

RGB 211 90 171

HSL 319.83, 0.58%, 0.59%

LAB 56.19, 56.76, -20.18

 

CMYK 0 / 74 / 24 / 32

HEX #AE2E84

RGB 174 46 132

HSL 319.69, 0.58%, 0.43%

LAB 42.18, 58.96, -18.92

 

CMYK 0 / 36 / 73 / 32

HEX #AD6F2E

RGB 173 111 46

HSL 30.71, 0.58%, 0.43%

LAB 52.34, 18.84, 44.82

 

CMYK 73 / 0 / 6 / 32

HEX #2EADA2

RGB 46 173 162

HSL 174.8, 0.58%, 0.43%

LAB 64.22, -36.06, -4.18

 

CMYK 0 / 74 / 24 / 32

HEX #AE2E84

RGB 174 46 132

HSL 319.69, 0.58%, 0.43%

LAB 42.18, 58.96, -18.92

 

CMYK 24 / 0 / 73 / 32

HEX #84AD2E

RGB 132 173 46

HSL 79.37, 0.58%, 0.43%

LAB 65.74, -32.18, 57.08

 

CMYK 73 / 24 / 0 / 32

HEX #2E84AD

RGB 46 132 173

HSL 199.37, 0.58%, 0.43%

LAB 51.95, -11.62, -29.03

 

CMYK 0 / 74 / 24 / 32

HEX #AE2E84

RGB 174 46 132

HSL 319.69, 0.58%, 0.43%

LAB 42.18, 58.96, -18.92

 

CMYK 0 / 36 / 73 / 32

HEX #AD6F2E

RGB 173 111 46

HSL 30.71, 0.58%, 0.43%

LAB 52.34, 18.84, 44.82

 

CMYK 73 / 0 / 50 / 32

HEX #2EAD56

RGB 46 173 86

HSL 138.9, 0.58%, 0.43%

LAB 62.63, -53.11, 34.91

 

CMYK 73 / 38 / 0 / 32

HEX #2E6BAD

RGB 46 107 173

HSL 211.18, 0.58%, 0.43%

LAB 44.4, 3.28, -40.91

 

CMYK 0 / 74 / 24 / 32

HEX #AE2E84

RGB 174 46 132

HSL 319.69, 0.58%, 0.43%

LAB 42.18, 58.96, -18.92

 

CMYK 0 / 14 / 73 / 32

HEX #AD952E

RGB 173 149 46

HSL 48.66, 0.58%, 0.43%

LAB 62.15, -2.29, 54.67

 

CMYK 73 / 0 / 50 / 32

HEX #2EAD56

RGB 46 173 86

HSL 138.9, 0.58%, 0.43%

LAB 62.63, -53.11, 34.91

 

CMYK 73 / 60 / 0 / 32

HEX #2E45AD

RGB 46 69 173

HSL 229.13, 0.58%, 0.43%

LAB 33.68, 28.03, -58.16

 

Description

Color code: RGB 174 46 132 | qconv.com Color code: RGB 174 46 132 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 46 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 46 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 24 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 24% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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