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Color name
RGB 243 21 79

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 243 21 79 it is the complementary color RGB 12 234 176. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 243 21 79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 243 21 79 shade: RGB 248 21 74, RGB 255 39 93, RGB 255 57 112, RGB 255 75 131 and RGB 255 93 150

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 243 21 79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 243 21 79 shade: RGB 243 21 79, RGB 226 3 60, RGB 209 0 41, RGB 192 0 22 and RGB 175 0 3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 243 21 79 shade: RGB 242 22 80 and RGB 242 22 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 243 21 79 shade: RGB 242 22 80, RGB 242 22 139, RGB 242 22 198, RGB 227 22 242 and RGB 167 22 242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 243 21 79 shade matches the following richer shades: RGB 242 22 80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 243 21 79 shade: RGB 242 22 80, RGB 222 42 89, RGB 203 62 98, RGB 183 81 108 and RGB 163 101 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 243 21 79 shade: RGB 242 22 198, RGB 242 22 139, RGB 242 22 81, RGB 242 22 22 and RGB 242 81 22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 243 21 79 shade: RGB 173 9 52, RGB 212 11 63, RGB 242 22 80, RGB 244 61 109 and RGB 246 100 139

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 243 21 79 shade: RGB 243 21 79, RGB 242 228 22 and RGB 22 169 242

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 243 21 79 shade: RGB 243 21 79, RGB 81 242 22 and RGB 22 81 242

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 243 21 79 shade: RGB 243 21 79, RGB 242 228 22, RGB 22 242 184 and RGB 22 37 242

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 243 21 79 shade: RGB 243 21 79, RGB 191 242 22, RGB 22 242 184 and RGB 73 22 242

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 67 / 5

HEX #F3154F

RGB 243 21 79

HSL 344.32, 0.9%, 0.52%

LAB 52.01, 77.25, 29.34

 

Complementary color

CMYK 95 / 0 / 25 / 8

HEX #0CEAB0

RGB 12 234 176

HSL 164.32, 0.9%, 0.48%

LAB 82.94, -60.06, 15.19

 

CMYK 0 / 92 / 70 / 3

HEX #F8154A

RGB 248 21 74

HSL 345.99, 0.94%, 0.53%

LAB 52.94, 78.23, 33.68

 

CMYK 0 / 85 / 64 / 0

HEX #FF275D

RGB 255 39 93

HSL 345, 1%, 0.58%

LAB 55.59, 78.06, 26.02

 

CMYK 0 / 78 / 56 / 0

HEX #FF3970

RGB 255 57 112

HSL 343.33, 1%, 0.61%

LAB 57.42, 75.03, 17.19

 

CMYK 0 / 71 / 49 / 0

HEX #FF4B83

RGB 255 75 131

HSL 341.33, 1%, 0.65%

LAB 59.83, 70.93, 9.35

 

CMYK 0 / 64 / 41 / 0

HEX #FF5D96

RGB 255 93 150

HSL 338.89, 1%, 0.68%

LAB 62.75, 65.94, 2.5

 

CMYK 0 / 91 / 67 / 5

HEX #F3154F

RGB 243 21 79

HSL 344.32, 0.9%, 0.52%

LAB 52.01, 77.25, 29.34

 

CMYK 0 / 99 / 73 / 11

HEX #E2033C

RGB 226 3 60

HSL 344.66, 0.97%, 0.45%

LAB 47.7, 74.03, 34.69

 

CMYK 0 / 100 / 80 / 18

HEX #D10029

RGB 209 0 41

HSL 348.23, 1%, 0.41%

LAB 43.82, 69.59, 40.55

 

CMYK 0 / 100 / 89 / 25

HEX #C00016

RGB 192 0 22

HSL 353.13, 1%, 0.38%

LAB 40.02, 64.97, 45.83

 

CMYK 0 / 100 / 98 / 31

HEX #AF0003

RGB 175 0 3

HSL 358.97, 1%, 0.34%

LAB 36.22, 60.44, 49.37

 

CMYK 0 / 91 / 67 / 5

HEX #F21650

RGB 242 22 80

HSL 344.18, 0.89%, 0.52%

LAB 51.87, 76.93, 28.52

 

CMYK 0 / 91 / 91 / 5

HEX #F21616

RGB 242 22 22

HSL 0, 0.89%, 0.52%

LAB 51.28, 75.26, 58.61

 

CMYK 0 / 91 / 67 / 5

HEX #F21650

RGB 242 22 80

HSL 344.18, 0.89%, 0.52%

LAB 51.87, 76.93, 28.52

 

CMYK 0 / 91 / 43 / 5

HEX #F2168B

RGB 242 22 139

HSL 328.09, 0.89%, 0.52%

LAB 53.29, 80.84, -5.16

 

CMYK 0 / 91 / 18 / 5

HEX #F216C6

RGB 242 22 198

HSL 312, 0.89%, 0.52%

LAB 55.61, 86.99, -36.28

 

CMYK 6 / 91 / 0 / 5

HEX #E316F2

RGB 227 22 242

HSL 295.91, 0.89%, 0.52%

LAB 55.4, 90.41, -61.76

 

CMYK 31 / 91 / 0 / 5

HEX #A716F2

RGB 167 22 242

HSL 279.55, 0.89%, 0.52%

LAB 45.91, 81.9, -77.59

 

CMYK 0 / 91 / 67 / 5

HEX #F21650

RGB 242 22 80

HSL 344.18, 0.89%, 0.52%

LAB 51.87, 76.93, 28.52

 

CMYK 0 / 91 / 67 / 5

HEX #F21650

RGB 242 22 80

HSL 344.18, 0.89%, 0.52%

LAB 51.87, 76.93, 28.52

 

CMYK 0 / 81 / 60 / 13

HEX #DE2A59

RGB 222 42 89

HSL 344.33, 0.73%, 0.52%

LAB 49.38, 68.73, 19.07

 

CMYK 0 / 69 / 52 / 20

HEX #CB3E62

RGB 203 62 98

HSL 344.68, 0.58%, 0.52%

LAB 48.29, 57.77, 11.52

 

CMYK 0 / 56 / 41 / 28

HEX #B7516C

RGB 183 81 108

HSL 344.12, 0.41%, 0.52%

LAB 48.3, 43.94, 5

 

CMYK 0 / 38 / 28 / 36

HEX #A36575

RGB 163 101 117

HSL 344.52, 0.25%, 0.52%

LAB 49.95, 27.16, 1.62

 

CMYK 0 / 91 / 18 / 5

HEX #F216C6

RGB 242 22 198

HSL 312, 0.89%, 0.52%

LAB 55.61, 86.99, -36.28

 

CMYK 0 / 91 / 43 / 5

HEX #F2168B

RGB 242 22 139

HSL 328.09, 0.89%, 0.52%

LAB 53.29, 80.84, -5.16

 

CMYK 0 / 91 / 67 / 5

HEX #F21651

RGB 242 22 81

HSL 343.91, 0.89%, 0.52%

LAB 51.89, 76.98, 27.94

 

CMYK 0 / 91 / 91 / 5

HEX #F21616

RGB 242 22 22

HSL 0, 0.89%, 0.52%

LAB 51.28, 75.26, 58.61

 

CMYK 0 / 67 / 91 / 5

HEX #F25116

RGB 242 81 22

HSL 16.09, 0.89%, 0.52%

LAB 56.9, 59.55, 62.36

 

CMYK 0 / 95 / 70 / 32

HEX #AD0934

RGB 173 9 52

HSL 344.27, 0.9%, 0.36%

LAB 36.61, 60.12, 23.65

 

CMYK 0 / 95 / 70 / 17

HEX #D40B3F

RGB 212 11 63

HSL 344.48, 0.9%, 0.44%

LAB 45.07, 70.1, 29.05

 

CMYK 0 / 91 / 67 / 5

HEX #F21650

RGB 242 22 80

HSL 344.18, 0.89%, 0.52%

LAB 51.87, 76.93, 28.52

 

CMYK 0 / 75 / 55 / 4

HEX #F43D6D

RGB 244 61 109

HSL 344.26, 0.89%, 0.6%

LAB 55.76, 70.73, 16.37

 

CMYK 0 / 59 / 43 / 4

HEX #F6648B

RGB 246 100 139

HSL 343.97, 0.89%, 0.68%

LAB 62.14, 59.19, 7.79

 

CMYK 0 / 91 / 67 / 5

HEX #F3154F

RGB 243 21 79

HSL 344.32, 0.9%, 0.52%

LAB 52.01, 77.25, 29.34

 

CMYK 0 / 6 / 91 / 5

HEX #F2E416

RGB 242 228 22

HSL 56.18, 0.89%, 0.52%

LAB 89.12, -13.71, 86.1

 

CMYK 91 / 30 / 0 / 5

HEX #16A9F2

RGB 22 169 242

HSL 199.91, 0.89%, 0.52%

LAB 65.72, -9.74, -46.21

 

CMYK 0 / 91 / 67 / 5

HEX #F3154F

RGB 243 21 79

HSL 344.32, 0.9%, 0.52%

LAB 52.01, 77.25, 29.34

 

CMYK 67 / 0 / 91 / 5

HEX #51F216

RGB 81 242 22

HSL 103.91, 0.89%, 0.52%

LAB 84.64, -74.44, 78.97

 

CMYK 91 / 67 / 0 / 5

HEX #1651F2

RGB 22 81 242

HSL 223.91, 0.89%, 0.52%

LAB 41.95, 44.11, -84.53

 

CMYK 0 / 91 / 67 / 5

HEX #F3154F

RGB 243 21 79

HSL 344.32, 0.9%, 0.52%

LAB 52.01, 77.25, 29.34

 

CMYK 0 / 6 / 91 / 5

HEX #F2E416

RGB 242 228 22

HSL 56.18, 0.89%, 0.52%

LAB 89.12, -13.71, 86.1

 

CMYK 91 / 0 / 24 / 5

HEX #16F2B8

RGB 22 242 184

HSL 164.18, 0.89%, 0.52%

LAB 85.57, -60.84, 14.73

 

CMYK 91 / 85 / 0 / 5

HEX #1625F2

RGB 22 37 242

HSL 235.91, 0.89%, 0.52%

LAB 33.78, 67.24, -98.06

 

CMYK 0 / 91 / 67 / 5

HEX #F3154F

RGB 243 21 79

HSL 344.32, 0.9%, 0.52%

LAB 52.01, 77.25, 29.34

 

CMYK 21 / 0 / 91 / 5

HEX #BFF216

RGB 191 242 22

HSL 73.91, 0.89%, 0.52%

LAB 89.22, -41.02, 84.6

 

CMYK 91 / 0 / 24 / 5

HEX #16F2B8

RGB 22 242 184

HSL 164.18, 0.89%, 0.52%

LAB 85.57, -60.84, 14.73

 

CMYK 70 / 91 / 0 / 5

HEX #4916F2

RGB 73 22 242

HSL 253.91, 0.89%, 0.52%

LAB 34.8, 73.68, -96.29

 

Description

Color code: RGB 243 21 79 | qconv.com Color code: RGB 243 21 79 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 21 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 21 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 67 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 67% 5% C M Y K

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