It's the year of Our Lord, Nineteen Seventy Something.
I'm in Lytham St Annes - and I don't even play golf.
What I do do is read comics. And Lytham comes up with the goods as, while there, I get an issue of The Many Ghosts of Dr Graves guest-starring Stonehenge, and the very first issue of Man-Bat guest-starring Batman. Stonehenge is good. Batman is good. Batman and Stonehenge should have a fight someday to see which is best.
Man-Bat may not be so good. He goes, "Skreek!" a lot, has an annoying wife who always seems to be getting possessed, and never has the sense to ask for help from those who could give it.
What I like about Man-Bat #1. Steve Ditko draws it. He draws it with an elegant simplicity that seems fifteen years past its time but can still get by on charm and our fond memories of his work on Spider-Man. He draws Batman without a face, permanently obscured as it is in shadow. He draws a sorcerer who does things with his fingers, as only a Steve Ditko sorcerer can.
What I don't like about it. Apart from Jim Aparo's not quite right cover, nothing much. It's a perfectly pleasant tale.
But the world of Man-Bat seems too insular, composed purely of himself, his wife and Batman.
Baron Mordo seems to have been imported from an old issue of Dr Strange to pester and bemuse our hero. Renamed as Baron Tyme, he makes Mrs Man-Bat kill people.
Still, after winning a scrap with Batman, our hero goes on to triumph by setting Baron Tyme's lair on fire and leaving him to the not-so-tender mercies of the dark forces he once sought to control.
Man-Bat is triumphant.
But only for a while.
For, Man-Bat is destined to only return for one more issue before his comic folds even faster than his wings.
I'm in Lytham St Annes. I have no way of knowing Man-Bat will meet this fate but, somehow, as I sit on a bench reading it, I instinctively know he will.
Showing posts with label Man-Bat. Show all posts
Showing posts with label Man-Bat. Show all posts
Tuesday, 2 October 2012
Wednesday, 25 August 2010
Batman's Detective Comics #458
All the goofy stuff had been sacrificed in an attempt to make the previously embarrassing strip more "grim and gritty" than it'd previously been but, in all honesty, for the most part it was no more grim and gritty than the early Iron Man stories.
In the end, I think what grabbed me was the cape and the fact that, as he didn't have superpowers, he was one of the few costumed crime-fighters I felt I too could be like. This of course ignored the fact he was a billionaire and I wasn't.
This issue's a perfect example of the Murder She Wrote tendencies, as the man they call "Bats" has a somewhat pedestrian whodunit in which he has to track down a murderer who may or may not be into tattooing.
Needless to say Commissioner Gordon messes up the whole investigation, arresting completely the wrong man, while Batman solves it with ridiculous ease, mostly because the only clue needed lands in his lap. The truth is that, having solved the crime, Batman doesn't even need to do anything. As the villain's just some bloke, Batman could find a phone booth, call the police and let them make the bust.
The fact that he doesn't is of course down to the Sherlock Holmes conundrum.
Despite the boasts, Batman isn't and never has been the world's greatest detective. That's clearly Sherlock Holmes, a man so smart he solved nearly all his cases without even leaving his drawing room. You'd think, therefore, that if anyone could get away with dressing up as a bat, it'd be Sherlock Holmes.
Sadly he couldn't.
Why? Precisely because he solved all his cases without leaving his drawing room. Just how seriously would anyone take a detective who took to dressing up as a bat in order to sit in his own house? To justify such a get-up, it's necessary the detective actually gets off his backside and runs around a bit.
Because of this, Batman couldn't justify dressing up as a bat to stand in a phone booth and call the police. Therefore he has to apprehend the villain himself. He does it of course but you can't help feeling that the talents that once enabled him to face aliens and giant robots every month are going somewhat to waste on such a foe.
I suppose it's an obvious thing that if you want to create an arch-rival for a super-hero, all you need do is reverse that hero's name. So, for Batman, you'd get Man-Bat, for Spider-Man you'd get the Man-Spider and, for Dr Strange, you'd get The Strange Doctor. As far as I'm aware, Marvel Comics never gave us the adventures of The Strange Doctor, though I'd read them if they did.
DC, on the other hand, did give us the adventures of Man-Bat.
I'm just not sure why.
He was hopeless.
In the 1970s, Marvel UK gave us Captain Britain, a strip that started badly and then got worse, ending up, ignominiously, as a back-up strip in their weekly Spider-Man comic and being very badly drawn by Pablo Marcos.
Sadly, the back-up in this comic does nothing to make me any keener on Pablo's work, as we get a Man-Bat tale by him in which Man-Bat's wife turns into a bat then turns into herself then turns into another woman completely, before a Baron Mordo type turns her into a statue.
You can't get round it, Man-Bat just doesn't grab me at all. He looks bad. He's ineffectual. He says, "Skreek!" at the start of every sentence. And everything he does seems to revolve around his wife. I think there might be a good argument that, just as no good super-hero should have parents, no hero should have a wife. Somehow domestic arrangements never sit well in conjunction with super-heroics. With the lameness of its hero and the somewhat random feel of the plot, reading this tale feels like I've blundered in halfway through an Atlas comic.
And that's never a good thing to say about anything.
Labels:
Batman,
Detective Comics,
Man-Bat
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