Showing posts with label Brad Bird. Show all posts
Showing posts with label Brad Bird. Show all posts

Monday, 25 May 2015

Tomorrowland: A World Beyond

 
The trailer for Tomorrowland popped up in the cinema rotation the other week and I couldn’t raise my interest above anything more committed than a half yawned “meh”.  It was my loyalty to my weekly cinema trip that got me through the door to see Tomorrowland rather than any desire to see the film.  I didn’t go to the cinema with negative vibes; I was simply daring Brad Bird to make me interested.  He failed.
As I have yet to make it to America I was not aware that the entire concept of Tomorrowland was based on section of Disney World until the opening section of the film.  Any little nods or winks to this hilarious cash grab passed me by completely.  FYI I am still uninterested.  Not bitter.
PLOT:  After spending thirty minutes watching young Frank Walker (Thomas Robinson) fall off high ledges in the futuristic Tomorrowland we jump forward several tomorrows to the present day in which twenty-something teen Casey (Britt Robertson) finds a pin which gives her a glimpse into the Tomorrowland of the past.  Casey tracks down embittered old Frank Walker (George Clooney) and demands that he takes her to Tomorrowland as it is her life's calling.  They spend an hour of my life traveling to Tomorrowland only for the film to remember that absolutely nothing is at stake.  Suddenly! In fifty-eight days!  The world will end as the film needs a bit of tension.  Nix (Huge Laurie) starts preaching about obesity and starvation while Casey destroys a big ball thereby saving the world from imploding from the power of negative thoughts.  END PLOT.
The idea behind Tomorrowland is cute and had potential.  Who doesn’t want to see a futuristic world in which people mess around on jet packs?  It’s the dream.  Tomorrowland takes a pretty neat concept and turns it into the most boring 2hour experience of my life as most of the events take place on earth and is bookended by two relatively short trips to Tomorrowland.  Tomorrowland got less screen time than the latest reincarnation of Godzilla.  I suppose we will see more of it in the sequel.  Huzzah.
Despite having a big budget the vast majority of the effects were lazy and overly familiar – surely blue splats from laser guns are old hat now?  If Tomorrowland was released in the 80’s or 90’s it probably would have been a childhood favourite along the lines of The Goonies or Jumanji but everything about Tomorrowland felt incredibly dated which is quite an achievement for a movie advertising the future.
I am not the biggest George Clooney fan in this world or tomorrows but even I could see that he was slumming it and poor Hugh Laurie really can’t remember if he is British or American anymore judging by his wavering accent.  Britt Robertson graduated at the top of her class in the 'Maggie Grace School of Teenagering' and her performance was equal parts open mouthed wonderment and uncharming sass.  It was tough to sit through.  Robertson reminded me why I refuse to have the Nickelodeon channel on in my house.  The less said about the Athena (Rafferty Cassidy) the better.
I really wish that I could use the argument that I was not the target audience to justify or at least soften some of my hatred for Tomorrowland but I cannot do that. It is a family film and in order for a film of this type to succeed it has to appeal to all members of the family.  I can’t see kids being amazed at jet packs no matter how enthusiastic Frank Walker is for them and I can’t see adults being fooled into thinking that it is a good film just because George Clooney is the lead.  Tomorrowland is a complete dud.  It gets 2/10.
Oddball, saving the world from negative thoughts since 1970.

Wednesday, 28 December 2011

Mission Impossible: Ghost Protocol



Regardless of the quality of any film I am easily lured in by slick trailer and Mission Impossible: Ghost Protocol (hereinafter referred to as MI4) definitely had one of those. 

PLOT:  Ethan Hunt (Tom Cruise) and his team of Benji (Simon Pegg), Jane (Paula Patton) and shifty Brandt (Jeremy Renner) find themselves framed for blowing up the Kremlin.  With nuclear war pending Ethan and his team must travel to Dubai and Mumbai in order to track down the terrorist.  END PLOT

The plot of MI4 is standard fare with the tried and tested Russian terrorism/nuclear threat storyline being recycled once more but let’s be honest – nobody is going to see MI4 for complex storytelling.   Aside from a few lags in pacing which induced several brief moments of boredom the plot did a decent job of moving us from one exotic and action packed location to another.

The set pieces were impressive especially Ethan scaling the Burj Khalifa building.  The main strength of MI4 is that despite all the futuristic technology such as camera fitted contact lenses it keeps its action reasonably grounded.

The score is the familiar MI theme and pops up regularly throughout the film with my favourite moment being the extended opening credits sequence.

I am not a fan of Tom Cruise and I will never understand why other people are (that's the real mission impossible).  In MI4 Cruise deploys his evil dead eyes and fake white smile in their usual manner.  Cruise isn’t getting any younger and as the sacrificial ritual to keep him looking radiant is no longer working it was necessary to introduce a potential young replacement for Ethan in the form of 40 year old Jeremy Renner.

I like Jeremy Renner (just as well as he is appearing in a couple of blockbusters in 2012) and he was good fun as Brandt.  The problem is Renner is at least ten years too old – cast someone else in that age range and reboot.  

Simon Pegg kept to his usual shtick which was amusing in parts but he is always weaker without Nick Frost.

Josh Holloway got his arse of a Hawaiian beach for a little cameo and Ving Rhames phoned in a one scene performance and earned the easiest $7.7million in history (IMDB).

The most intriguing thing to come out of MI4 is the discovery that Brad Bird is very capable of directing a live action feature.  It is easy to compare aspects of MI4 to The Incredibles but this is no bad thing.

Mission Impossible:  Ghost Protocol was a fun experience which required me to do nothing more than disengage my limited brain functioning capabilities and tag along for the ride.  Mission complete.  7/10.