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Showing posts with label ammonite. Show all posts
Showing posts with label ammonite. Show all posts

Tuesday, 31 December 2024

NYE 2024 Mix

Staying in has been proclaimed as the new going out many times now. New Year's Eve is often the most overrated night out of the year but in the past we had fun going on NYE and I'm sure they'll be loads of people who do tonight. We have no plans to do anything major and hence will be in by the time 2025 comes around at midnight. In place of a crowded dance floor here's a Bagging Area NYE 2024 mix, starts out dubby, then goes Tricky, and then thumpy before calming down slightly and finishing with the return of a long gone 60s icon. 

Everything on it was released this year and it's quite David Holmes and Hardway Bros heavy (which probably explains a lot of what I've listened to this year). I wanted to find room for several other tracks but also wanted to keep it down to under 80 minutes for those of you who still burn things to CD to play in the car (that may just be me). I tried to fit Acid Klaus in but couldn't make it work, Hardway Bros' Murky didn't find a place (and should have) and there's one segue where it's a bit off- Audacity isn't really for mixing more sequencing, and sometimes my patience gets replaced by my 'it'll do' attitude. But if you want a shuffle to some chuggy, leftfield, acidic, dubby, thumpy and ultimately life affirming electronic music at some point tonight, it might do the trick. 

NYE24 Mix

  • Red Snapper and David Harrow: Hold My Hand Up
  • Theis Thaws: Fly To Ceiling (David Holmes Mix)
  • Silvertooth: Shut Um Down (A Dub From Outer Space)
  • Ammonite: You Don't Know Me (David Holmes Remix)
  • C.A.R.: Anzu (Hardway Bros Remix)
  • Peak High: Dance Hall Days (Hardway Bros Remix)
  • Causeway: Dancing With Shadows (Marshall's Club Mix)
  • Ben Hunt: Shimmering Lights (Rude Audio Remix)
  • Lisa Moorish: Sylvia (David Holmes Remix)
  • Raxon: Your Fault
  • Puerto Montt City Orchestra: Hey You (10:40 Remix)
  • 100 Poems: Dubmobalearicswithmybreaksman

David Harrow celebrated turning 60 in 2024 by releasing music every month. One of those releases was a four track EP called Tight Chest with jazz/ techno/ dub/ surf legends Red Snapper. This was the lead track, a wonderful piece of 2024 dubbiness that should have got more attention than it did. 

Theis Thaws was an album that saw the return of Tricky (Adrian Thaws) with French producer Mike Theis and singer Rosa Rocca- Serra. David Holmes' remix, as everyone said when it came out, was approximately three minutes too short but even at only three minutes eighteen seconds it packs a powerful if slightly paranoid punch. 

Silvertooth, from South London, released Shut Um Down in November, a cover of  Gil Scott Heron song, partly inspired by Sean Johnston's continuing ALFOS parties. It came in a variety of versions with two ALFOS aimed dubs- rolling pianos, chuggy dubby beats, and a lovely low slung groove.

Ammonite makes very ethereal music, layers of voice and gossamer drones. She remixed Holmes' Emotionally Clear into an ambient track. Holmes returned the favour by pumping Ammonite's You Don't Know Me up into an electronic banger. 

C.A.R.'s Anzu lit up late 2023. The remixes came out in 2024, courtesy of GLOK and Hardway Bros. Sean's Hardway Bros remixes have been in full flow for the last few years and the standard is uniformly high. This one and the Hardway Bros Dub were on heavy rotation at Bagging Area back at the start of the year.

Peak High's cover of Wang Chung's Dance Hall Days was a delight, coming after the equally superb Was That All It Was in 2023. The Hardway Bros remix dubs things down, turning the 80s pop down a bit, and finds that BPM sweet spot that Sean knows very well.

Causeway are on Chris Massey's Manchester label Sprechen but the duo (Marshall Watson and Alison Rae) are based in California,a world away from South Manchester. Dancing With Shadows is the 80s teen film anthem you missed, the sounds playing in the disco where Molly Ringwald has a revelation while dancing with the wrong boy. It came with a slew of remixes- the one here is Marshall's own. 

Ben Hunt's Shimmering Lights came out last month on Paisley Dark with a range of remixes, all of which hit the spot. Rude Audio remixes are often in the 98 BPM dub area. This one whacks it up and heads for end of the night Underworld vibes, the vocal sample, 'I see patterns in everything', twisting around like Karl Hyde in the mid- 90s. 

Lisa Moorish's comeback single in April was a beautiful electro- pop tribute to Sylvia Plath. David Holmes' remix did exactly what you'd want from a Holmes remix. 

Raxon's Your Fault was an autumn '24 highlight although I didn't catch on until later. It is fabulously wonky dance floor euphoria from Cologne, sounds shifting in and out, everything shifting and moving as if the floor is giving way. 

Puerto Montt City Orchestra's Hey You came out on Brighton's Higher Love label, the home of many, many good releases. It's a cover of 80s indie band 14 Iced Bears Hay Fever with original singer Rob Sekula returning to do the vocals. On the 10:40 remix Jesse sent this woozy 2024 c86 song through a Spiritualized filter, everyone involved laid back in the sun. 

100 Poems have released three albums this year, each one stuffed full of beautiful, brilliant tunes and a open minded anything goes attitude to making music and to life. Mike Wilson named the band after a collection of Seamus Heaney poems and the inscription on Heaney's headstone- 'walk on air against your better judgement'- is what the music is all about. On the third of the three albums, Balearic As A System Of Belief, Mike used the voice of Jim Morrison, a late 60s interview where he was talking about the future of music and how it would be electronic. And there may be a better way to see 2025 in than by listening to the utterances of the Lizard King repurposed for 2024/ 5 but I can't think of one at the moment. 

Happy New Year everyone- in or out, have a good one. 


Sunday, 1 December 2024

Fifty Minutes Of Blind On A Galloping Remix

A year ago David Holmes released Blind On A Galloping Horse, an album that over four sides of vinyl and seventy minutes of music pulled together many of the political, emotional, cultural and psychological strands that seemed to come together in 2023. Protest in the face useless governments, , self- reliance, a roll call of the lost, the ongoing influence and spirit of Andrew Weatherall, the voices of refugees, humanity and community, the need to find the space and peace to clear one's head from all the noise and clutter that is out there. A beacon maybe, a call to arms perhaps, a face looking back at you from the crowd. I've played it again several times recently and it still hits all those spots. 

The songs from Blind On A Galloping Horse have been remixed, a slew of like minded souls refitting David's songs and Raven Violet's vocals into new sounds and shapes. There are over thirty of them, every single one worth hearing. It seemed to me that as we approach the end of 2024, a year on from the Galloping Horse, a Sunday mix of some of those remixes was in order. 

I featured each song only once, avoiding multiple versions- there were multiple remixes of several of the songs and all of the highest quality. There's some real high tempo bangers too which I held back from until part way through this mix when Timmy Stewart raises the bpms after a slow burning first twenty five minutes, and when I think of the remixes that didn't make this mix- Heidi and Lovefingers, Rich Lane, Decius, Sonic Boom, X- Press 2, Cosmodelica, Skymas, Daniel Avery- I think a volume 2 might be in order some day. 

There's more Holmes available at NTS this week, David's monthly God's Waiting Room show, two hours of the best music money can buy- this month includes his new remix of Five Green Moons, Spiritualized, V/Z and Poly High School Band's version of Midnight Cowboy. Listen here

Fifty Minutes Of Blind On A Galloping Remix

  • Emotionally Clear (Ammonite Remix)
  • Yeah x 3 (The Vendetta Suite's Reason To Drift Remix)
  • Blind On A Galloping Horse (Sons Of Slough)
  • Agitprop 13 (GLOK Remix)
  • Hope Is The Last Thing To Die (Timmy Stewart's 11th Hour Remix)
  • It's Over, If We Run Out Of Love (Hardway Bros Live At SSL Dub)
  • Stop Apologising (Horse Meat Disco Vocal Remix)
  • Necessary Genius (Phil Kieran Vocal Remix)

Emotionally Clear is one of Blind's slower, more blissed out songs but with several questions at its heart- do you believe in the absence of evidence? Do you believe in unjust punishment? Do you believe in cognitive dissonance? On her Ammonite Remix Amy Spencer breaks the song down into its barest bones, a spectral, whispery, ambient gauze with Raven Violet's vocals looped, FXed and chopped up. 

The Vendetta Suite is Belfast's Gary Irwin, a veteran Holmes associate and the in house engineer at Exploding Plastic Inevitable studio and label. This remix, one of a pair, keeps the drifting, ambient feel going. The Vendetta Suite's album from 2021, The Kempe Portal Stone, is well worth your time and attention if you haven't heard it. 'Got my mind on freedom/ And one foot out the door', Raven coos, and then the line taken from David's track from a GLS 10" from 2021, 'love is a mystery'.

Sons Of Slough (Ian Weatherall and Duncan Gray) bring the dub to the album's title track, a dissection of the world and its madness sent to the dub section via rim shots, a slowed down bassline, melodica, and also stir in a deeply Power, Corruption And Lies-era New Order feel. 

Andy Bell in his GLOK guise took Agitprop 13 and kept things weird and experimental, bass and synth with rumbling rhythms and layers of backing vocals- it builds insistently, more and more coming to the foreground. 

Hope Is The Last Thing to Die was the opening shot of the Blind On A Galloping Horse album, released as a single back in September 2021, a response to the incompetence and idiocy of governments in the face of modern crises, Covid and climate change. It lit up autumn 2021 for me and has done so repeatedly since. Timmy Stewart, another Belfast connection who DJs and produces as Black Bones, turns David's protest song and call to resistance into something tough and metallic. The rat tat tat of the snare breaks through, like a pipe being tapped with a monkey wrench.  

Sean Johnston's remixes of It's Over, If We Run Out Of Love are among his best Hardway Bros remixes, that cosmic/ ALFOS groove spinning out onto the floor with a lovely, brain twisting distorted synth riff and disco arpeggios.

Stop Apologising is the most direct song on the album, a genuine three minute glam pop anthem, Raven singing of self reliance, the importance of being grounded and 'the wonders of psychedelic therapy'. Horse Meat Disco turn everything up to eleven, add an enormous glam disco stomp, Goldfrapp amped up to the max, big piano chords, and keep it all going and going and going... 'Stop apologising for things you never done/ Stop catastrophising put your feet back on the ground'. 

Necessary Genius is David's tribute to the misfits, artists, dreamers, outsiders and radicals who make the culture, a roll call of the great and good- Serge and Jane, John Coltrane, Angela Davis, Samuel Beckett, Ennio Morricone- and particularly some of those who we have lost in recent years- Terry Hall, Andrew Weatherall, Sinead O'Connor. Phil Kieran is another Northern Irish DJ, musician, producer and remixer and his remix of Necessary Genius is a blinder, full on basement club, messy dance floor music and the perfect fit for those people listed in the lyrics.