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Showing posts with label raz and afla. Show all posts
Showing posts with label raz and afla. Show all posts

Sunday, 11 January 2026

An Hour Of 2025 Part Three

This is my third and final Sunday mix pulling together some of my favorite tracks from 2025 (the first one, ambient and instrumental, is here and the second, dub and dance, is here). This one starts out folky, strays from dub to cosmische and Balearic, and picks from the past too with two covers, some Stone Roses inspiration and Mazzy Star, songs borrowing from the years 1971, 1989, 1993 and 1999. Going back to go forwards. 

An Hour Of 2025 Part Three

  • Joao Leao: One Of These Things First
  • Sydney Minsky Sargeant: Summer Song
  • Coyote: Battle Weary
  • Stereolab: Flashes From Everywhere
  • Psychederek: Thinkin' Bout U Pt. 4 (Jupiter/ Reprise)
  • Saint Etienne: Alone Together (Hove Lawns Sunset Mix)
  • Pale Blue Eyes: How Long Is Now (Richard Norris Remix)
  • Red Snapper: Ban- Di- To
  • Five Green Moons and Brix Smith: Boudica
  • Raz and Afla: Windowlicker
  • 10:40 Present Retro Fit: Lavender Mist
  • Four Tet: Into Dust (Still Falling)

Joao Leao is a Brazillian- Canadian artist. This cover of a Nick Drake song came out on 7" in February on Toronto label Local Dish, a lovely, slightly tropical and ever so sweetly melancholic version of the original. 

Sydney Minsky Sargeant's solo album Lunga was a 2025 highlight, an album with some songs that date back to his teenage years growing up in Todmorden and the flipside to Syd's main job as leader of Working Men's Club. Lunga is downtempo, personal, acoustic guitar based with echoes of Syd Barrett in the singing and Nick Drake in the playing. Summer Song is reflective, a little lost, the sound of the end of summer. 

Notts Balearic veterans Coyote continue to drip feed new songs and tracks. 2025 saw a six track mini- album, Wailing To The Yellow Dawn, a collaboration with Peaking Lights and two singles including the one here, the dubbed out sounds of Battle Weary with the vocal sample iterating, 'Sufferin' is a poor man's crime'.  

Stereolab returned after a long gap with a new album, Instant Holograms On Metal Film, an album stuffed full of vintage synths, motorik rhythms, wit, invention and (crucially) good songs. Flashes From Everywhere starts out like an easy listening track and then goes krauty and flirts with being poppy. 

Stretford's Psychederek released the four track EP Thinkin' Bout U in August, four different versions of the song, covering everything from Pacific State style dance to broken down, beach bar Balearica (Pt. 4, the one I've included here), kind of proving there's no such thing as a definitive or final version. You can always find another way to do something. 

Saint Etienne released four versions/ remixes of Along Together (a track from 2024's The Night). The Hove Lawns Sunset mix re- imagines West Sussex as a Mediterranean island, slo mo beats and sunset by the pool vibes. Bob, Pete and Sarah then announced an album that would be their last and a tour this year that will be ditto. I think we'll miss them when they're gone.

Pale Blue Eyes are from Sheffield, an indie/ krauty trio. Richard remixed the song as a cosmische autobahn trip, soaring away from South Yorkshire and into 70s West Germany.

Red Snapper were all over my 2025. A tour in March to celerbate the 30th anniversary of Reeled And Skinned, a new album Barb And Feather, and an appearance on Sounds From The Flightpath Estate Volume 2 with the percussion mayhem of Qraqeb. Ban- Di- To is amped up jump blues done 2025 style. 

Five Green Moons second album, Moon 2, was a second strong dub/ folk set from Justin Robertson, who is really in a purple patch at the moment. Brix Smith appears on Boudica. Surviving The Fall/ leading an uprising against the Romans- similarly troublesome I'd imagine. 

Raz and Afla released their cover of Aphex Town's Windowlicker, an Afro- futurist dancefloor bomb that repositions Aphex Twin somewhere new. 

Jesse Fahnestock's 10:40 released An Alternative History back in April, a track Jesse made inspired by a post here at Bagging Area where I imagined an alternate history of The Stone Roses, one where they didn't mess it up after June 1990 but kept going and recorded singles, EPs and albums all the way through the 90s culminating in a gig at Raglan Road scout hut in Sale, up the road from me, where Ian and John first rehearsed way back. You can read that post here. Jesse fired up his studio, sampled Ian and built a new/ imaginary Roses track. The third version, Lavender Mist, went all backwards and is named after Jackson Pollock's painting of the same name. For a while Jesse had the idea that I might provide the vocal but I bottled it. Probably for the best. My singing voice hasn't been the same since I gave up smoking. I always planned to include Lavender Mist on an end of year mix but Mani's death in November added an extra poignancy to everything Roses related. You may have seen the photos from the funeral of his former bandmates carrying his coffin out of Manchester cathedral. A very sad loss. 

Four Tet's Mazzy Star sampling Into Dust (Still Falling) was my favourite single of 2025, a lush and slinky tune that (as I said elsewhere) sounded like summer in the summer and sounds like winter in the here and now. Kieran Hebden can do little wrong for me- his album with William Tyler was as good an album as any other released in 2025 and as Four Tet has been on a roll of superb albums in the last decade with New Energy in 2017, Sixteen Oceans in 2020 and Three in 2024.  

Sunday, 2 November 2025

Forty Five Minutes Of Cover Versions Part Four


One more cover version Sunday mix then I'll leave it alone for a while. I've been finding cover versions in all sorts of places since I started the first mix four weeks ago, songs springing to mind at random moments. Most of the ones I've chosen do something with the source material, take it somewhere else emotionally or stylistically. Some rip the original to shreds, some pay their respects but still tear it up. Some nod their head to their influences or pay something back. 

Forty Five Minutes Of Cover Versions Part Four

  • Spectrum: True Love Will Find You In The End
  • Spiritualized: Any Way That You Want Me
  • The Kills: Pale Blue Eyes
  • One Dove: Jolene
  • Galaxie 500: Don't Let Our Youth Go To Waste
  • John Cale: All My Friends
  • Monkey Mafia: As Long As I Can See The Light
  • Raz and Afla: Windowlicker

Sonic Boom formed Spectrum after Spacemen 3 split up and his cover of Daniel Johnson's True Love Will Find You In The End is a gorgeous, angelic take on the song. Released in 1992 as a single and later included in two versions on a Sonic Boom/ Spectrum compilation.

Two years earlier Jason Pierce/ J Spaceman flew the Spacemen 3 coop first, releasing the first Spiritualized single, a cover of The Troggs 1966 single. Jason doesn't radically alter it but he makes it a Spiritualized song all the same. 

The Kills cover of The Velvet Underground's Pale Blue Eyes is gloriously ragged and fuzzed up, the guitar stuttering and ripping a hole in the speaker while Alison gives deadpan vocals. It was a B-side to their 2012 The Last Goodbye single.

One Dove's dubbed out, trippy reggae cover of Dolly Parton is a blast, Dot's beautifully off key vocals perfect for the band's blissed out but slightly on edge comedown re-imagining of the song. It came out as one of the B-sides to the 1993 single release of Why Don't You Take Me.

Galaxie 500 recorded several fantastic covers- their take on New Order's Ceremony may be the best NO cover ever recorded. Their cover of Jonathan Richman's Don't Let Our Youth Go To Waste is superb, Jonathan's ninety second original stretched to to seven minutes, a thrilling Galaxie performance, the rumble of drums and bass matched by Dean's trebly, overdriven guitar. They only existed for four years, 1987 to 1991, but what a great band they were. 

John Cale covered LCD Soundsystem's All My Friends for LCD's own release of the single back in 2007- it came out as the B-side on 7" along with a sister 7" that had  Franz Ferdinand cover of the same song. Cale's version, piano, clipped krautrock guitars and his lived in, baritone voice give James Murphy's song a new dimension- when Cale sings, 'where are your friends tonight?', it conjures all sorts of imagery. 

Monkey Mafia's cover of Creedence Clearwater Revival's was a 1998 single, a late 90s revisiting of a 1970 song, a call out to the weary travelers and wanderers, a song about going home. Pre- millenial tension?

Raz and Afla's cover of Aphex Twin's Windowlicker came out this year, a fantastic synths and percussion Afro- electronic floor filler- well, I can imagine some floors that it might fill. 

Friday, 25 April 2025

Windowlicking

Friday in late April. How did that happen? In my head it feels like we're only a few weeks into 2025 and yet next week it's going to be May. We got back from Marrakech a week ago today, Easter is gone and there's another four day week on the horizon. My head's still spinning from everything we saw and did out in Morocco, I haven't yet written in any detail about the musicians we saw playing in the desert last Thursday night and there's a post about Brian Jones and the Master Musicians of Joujouka and Sufi desert trance music that's been percolating in my head for a few days. 

Eliza is in Bali- and that's a whole other story- she came back from university last summer and went straight into work, working at the day care club that Isaac used to go to. Having saved up enough money to pay off her student overdraft and finance a bit of travelling she dropped it on us with about ten days notice before departure that she'd booked a flight to Bali and was going off for a month travelling solo- she flew the day before we flew to Morocco. When she was due to land in Bali, me and Lou would be landing in Marrakech, none of us with a working phone, all three of us needing to buy SIM cards and being in completely different continents and time zones. You'll be relieved to know all has been fine in Bali and she's having the time of her life.

Sometimes things just fall into place. This track came to me two days ago, one of those things which shouldn't work but does brilliantly, a track that re- configures an older one into something entirely, wonderfully new- this is an Afro- Beat, Afro house cover version of Aphex Twin's 1999 track Windowlicker by Raz and Afla...

Raz and Afla are a duo. Raz Olsher is a producer from Hackney and Afla Sackey is a musician from Ghana- they style themselves as taking 'a cosmic journey through the African continent and beyond'. Heavily percussive but light on its feet, with wordless and spooked vocal sounds, brightly coloured synths and funked up African guitars, this take on Windowlicker does exactly what good cover versions should- it re- imagines the original, shifts it somewhere else, throwing new light on an old song. You can buy it at Bandcamp.

Aphex Twin's Windowlicker is one of Richard D. James' freakiest, sleaziest and out there pieces of music, heavily processed and filled with gasps and moans, that diverts into various future sounds- a drum 'n' bass intro, a weird, time- stretching middle section, some futuristic alien dub, and a nerve shredding noisy ending.  

Windowlicker