Volcanic Tongue

Last year I did a series of posts called Bagging Area Book Club and never got around to writing about any of David Keenan's books, several of which were on a list of potential posts. His appearance at AW62 has given me the prompt I needed to do it and also coincides with the release of an album and a book- both called Volcanic Tongue, both by Keenan.

Volcanic Tongue- A Time Travelling Evangelist's Guide To Late 20th Century Underground Music (the book) is a compendium of David's writing about music- interviews, articles, think pieces and in depth conversations with the likes of Nick Cave, Kevin Shields and John Martyn. It's a big book, in all senses- thick and with a heavy page count but also big in terms of ideas and creativity. 

Volcanic Tongue (the album) is a compilation of songs from bands that passed through the Glasgow record shop David ran with his partner Heather Leigh, also called Volcanic Tongue. The bands on the album, twenty of them, are from the underground, the underground of the underground, bands that self- released small runs of albums, handed out CD- Rs at gigs, put on nights in rooms above pubs and hoped get to enough people through the door to break even, bands that passed through David and Heather's shop between 2005 and 2015. Rock n' roll bands, folk bands, psychedelic bands, ambient outfits, drone duos, bands like Ashtray Navigations (blissed out drone/ folk) and Idea Fire Company (piano ambient/ avant garde), Counter Intuits (scuzzed up and fuzzed up garage rock) and Bronze Horse (acoustic guitar, handclaps and echo). Find it at Bandcamp, double vinyl and digital, a treasure trove of music. 

David Keenan's novels are a wild trip. The first I read was the legendary This Is Memorial Device, a love letter to the world of post punk bands and a fictional Airdrie rock group, Memorial Device. For The Good Times is set in Belfast during the 1970s, a tense tale of an IRA foot soldier, a kidnapping and Perry Como, a book that delves deep into a murky demi- world. I read Xstabeth not long after, a novel with some genuinely breathtaking passages, a story told by a teenage girl from St Petersburg, Russia. Xstabeth is haunted by ghosts and saints, Russian history and literature. Mystical and I found quite profoundly affecting. The fourth Keenan novel I tackled was Monument Maker, a weighty, experimental, time travelling story that has little actual narrative and detours into theology, sex, enigmas, the siege of Khartoum, Medieval cathedrals, the pyramids and God knows what else. It's partly also an exercise in what an author can do with the written page. It's both confusing and inspiring. 

David's partner Heather Leigh recorded an album in 2020, Glory Days- modernist folk music played on pedal steel and synth that sounds like the soundtrack to any and all of the above. 

In Fade

AW62

AW62 was last weekend, a proper gathering of the clans at The Golden Lion in Todmorden, an 18th century stone walled pub nestled into a gap between a hill and the canal, to celebrate the life of Andrew Weatherall on what would have been his 62nd birthday. Andrew's brother Ian, one of the event's key movers, said that it was planned as a party that had 'everything except Andrew'. The line up of DJs and acts was testament to the spirit of the man, a diverse and exceptional bunch of DJs, writers, artists, producers, publishers and bands. 

Some highlights from a weekend packed full of them- this is necessarily a highly selective account drawn from my at times unreliable memories. Everyone who attended will have their own version and highlights but these were some of mine. 

Friday night saw Richard Fearless DJing in the downstairs bar, a vinyl techno masterclass- minimal, sleek, machine music, emotive and huge sounding on the pub's recently upgraded sound system, causing quite a stir among the crowd and packing the space in front of the DJ booth out with dancers. 

I took this picture while Fearless was playing. It may not be in focus or even a vaguely coherent picture but it sums the night up quite well from where I was standing. 

Saturday night was split between upstairs and downstairs. Upstairs Duncan Gray played a house set and then Scott Fraser took over at midnight. Downstairs David Holmes headlined, picking up where Matt Hum left off. David has played The Golden Lion often in recent years. He changes his set every time, saying he doesn't plan it too much, just goes with the flow and the feel in the pub. His set on Saturday night was out of this world, a huge range of dance music, from spangly chuggers to amped up noise, breakbeats and the sudden switching to huge piano tracks. Towards the end of his set, a 2 am finish, I was stuck in a corner by the door, just enjoying the music and the volume. Joe Strummer's voice came out of the speakers, his famous 'people can do anything...' speech from a radio show followed by ecstatic synth noise (an unreleased Holmes and Matty Skylab track, David said afterwards). There was a pause at 2am and then two or three more tunes, one a rumbly, garage band guitar song, one an explosion of synth chords, a wall of noise, and then finishing with the huge, extended Leftside Wobble remix of Tomorrow Never Knows, The Beatles most experimental, most progressive song filling the pub and scrambling heads. Thoughts were indeed laid down and voids were very much surrendered to. 

Saturday afternoon was our turn to play again, The Flightpath Estate DJs given the privilege of being part of the proceedings. Me, Baz, Martin, Dan and Mark played throughout the afternoon and into the evening. At one point I looked out into the space in front of the booth and saw author David Keenan and White Rabbit Books publisher Lee Brackstone  dancing and singing along to a song I was playing, the magnificent One Of Those Things by Dexys, from 1985 (a song even Kevin Rowland eventually had to accept he'd ripped off from Warren Zevon's Werewolves Of London). 

One Of Those Things

I spoke to David Keenan at some point, excitedly telling him about the experience I had reading Xstabeth a few years ago, a book which at several points blew my mind a little. This photo has me and David, me somewhat out of focus, mind probably still blown. 

Saturday afternoon also saw the fabled raffle and auction, Claire Doll's hard work and creativity raising  thousands of pounds for charity, Weatherdolls and Sabres cross stitch and a box of records found in Andrew's lock up when it was cleared out, promo copies of the David Holmes remix of Smokebelch and other delights. Golden Lion landlady Gig conducted the auction action in her own inimitable style. Holmes bid for and won this Gnostic Sonics banner.

Sunday saw the crowds, fans, punters and artists drawn back to the pub and its beer garden, bathed in early April sunshine. Andrew's friends Sherman and Curley played dub and ambient sounds the whole afternoon. Meanwhile the Sunday afternoon literary event came in three parts- a Lee Brackstone hosted discussion with Andrew's partner of seventeen years Lizzie Walker, Two Lone Swordsman guitarist Chris Rotter, Ian Weatherall and The Flightpath's own Martin Brannagan, Lee asking the questions which included 'when did you first meet Andrew?' which drew a range of funny responses. 

The second part was Lee and David Keenan, an interview and a reading from his new book Volcanic Tongue. The third was Keenan interviewing  Adrian Sherwood, a fascinating half hour with one of Andrew's heroes, the main man of UK dub whose reminiscences and thoughts could and should fill a book. David Keenan (and David Holmes, sitting on the front row) unpicking all sorts of aspects of On U Sound and Sherwood's music and career and the nature of dub. Genuinely amazing to sit in on and as much a part of the weekend as the DJs and music. 

Adrian Sherwood The Producers Series #1

This hour long Sherwood mix comes from the Test Pressing blog, published back in 2010. The tracklist can be found at Test Pressing- Creation Rebel, African Head Charge, Dub Syndicate and Doctor Pablo all feature. 

Sunday night finished with the twin attack of The Jonny Halifax Invocation playing live upstairs and Sherwood DJing downstairs. Criminally I missed both- having been at The Lion since Friday night, suffering from a distinct lack of sleep and having to drive home at some point that night, I called it a day at around 6 pm. 

Everyone involved in AW62 should give themselves a well earned pat on the back and maybe have a bit of a lie down- Waka and Gig at The Golden Lion, Ian Weatherall, Claire, Lizzie and Curley with the raffle and auction and merch, all the DJs and bands, Lee and David bringing the literature angle (books and writing were as big for Mr Weatherall as music was). It was a brilliant weekend and event- heart warming and inclusive, packed with energising and exciting music, and filled with great people. The Lion always draws a lovely bunch of punters and AW62 was no exception. And when the lie down is over and everyone's recovered, more please next year...

Forty Five Minutes Of GLOK

Two disclaimers before getting into the body of this blog.

1. I had been trying to put together an Andy Bell mix for some time and couldn't get it right until I separated the Andy Bell material from the GLOK stuff. I'm still not sure that I've got it right but it's better than the earlier attempts.

2. Between putting this GLOK mix together and  writing this post I spent several hours in local pubs with predictable effects and then came home and wrote this. 

Andy Bell's music outside Ride has been a revelation to me in recent years. His connections with Andrew Weatherall and the tracks they recorded together, his initially anonymous, house and kraut influenced tracks as GLOK and then his solo albums have been some of my most played music. GLOK's cosmische, pulsing, never-ending waves of synths and guitars music have hit the spot in all sorts of ways. This is a selection not a Best Of, some GLOK tracks that hopefully work together as one piece. 

 Forty Five Minutes Of GLOK

• Pulsing (Ambient Version)
• Kolokol
• That Time Of Night (Edit)
• Somaside
• Pulsing (Citadel Version)
• Cloud Cover (Andrew Weatherall Remix)
• Memorial Device
• Indica (Pye Corner Audio Remix- GLOK Edit)

Pulsing and Kolokol are both from the intended to be anonymous debut GLOK album, released in July 2019. Pulsing later saw the light of day as an EP called The Citadel. Andrew Weatherall's urban ambient remix, harking back to Two Lone Swordsmen in some ways, came out on there an the subsequent album of remixes, Dissident Remixed. 

Somaside was sent out to everyone who bought the follow up album, 2021's Pattern recognition, which suffered from endless delays due to pressing problems and vinyl backlogs. Pattern Recognition is a superb album. The only reason that more of its tracks don't appear on this mix is that so may of them are so long that they'd use up so much time of my self- allocated thirty to forty minutes. 

Memorial Device is from Pattern Recognition and also the name of an imaginary Airdrie post punk group/ 21st century novel by David Keenan. 

Indica was on Andy's solo album The View From Half Way Down, the Bagging Area album of the year in 2020. Pye Corner Audio remixed the entire album superbly. The GLOK remix is Andy remixing a remix of himself.