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Showing posts with label the moonlandingz. Show all posts
Showing posts with label the moonlandingz. Show all posts

Tuesday, 29 July 2025

It's Where He's From

Seeing Iggy Pop live at Manchester's Victoria Warehouse at the end of May has lived long in my memory. Two months on I can still get a little buzz of excitement from the thought of it and as Iggy has wended his way across Europe since then I get the same excitement from seeing clips of various gigs and festivals popping up in my social media. 

Iggy's solo career is perhaps the definition of uneven, wildly varying solo albums from the genius of 1977's The Idiot and Lust For Life to albums where he barely sounds interested or has unsympathetic bands bludgeoning songs to death. In between there are lots of Iggy albums that have some cherries and some stinkers and much in between. His 21st century solo albums run a similar gamut. 2016's Post Pop Depression felt like a late career high point, a top 5 solo Iggy album. 2001's Beat 'Em Up was uninspiring hard rock. In between he did a jazz album, an album sung mainly in French, a sixteen song album that saw him reunited with The Stooges on four songs including a song each with Peaches and Green Day, some reflective  crooning and story telling, and on 2023's Every Loser songs with musicians from Jane's Addiction and Guns 'N' Roses that try to cover every style he's played with on every previous album. 

This is a pick 'n' mix of 21st century solo Iggy Pop, not necessarily the best four, just four Iggy solo songs from the last quarter of a century plus a collaboration from this year that you might have missed from a few months ago. 

In 2003 Iggy released Skull Ring, a seventeen song monster with Green Day, Peaches and Sum 41 all in tow and seven songs recorded with a group Iggy put together called The Trolls. Sadly of the four musicians that formed The Trolls only two are still alive, guitarists Whitey Kirst and Pete Marshall. Bassist Mooseman was the victim of a drive by shooting, a case of mistaken identity and drummer Alex Kirst was killed in a hit-- and- run in 2011. 

The remaining four songs on Skull Ring were recorded with The Stooges, the first fruits of a re- union that led them to festival stages all over the world. The four songs on Skull Ring had Iggy with Scott Asheton and Ron Asheton, Minutemen's Mike Watt playing bass and Steve Mackay from Funhouse rejoining on sax. When Ron died in 2009 James Williamson rejoined. Scott died in 2014, Steve Mackay in 2015. The four songs were Little Electric Chair, Skull Ring, Dead Rock Star and Loser. 

Skull Ring

Sludgy guitar riffs, overloaded sound and Iggy chanting 'Skull rings/ Fast cars/ Hot chicks/ Money'. It's good enough and more than a little a little tongue in cheek. 

2009's Preliminaires was a quieter affair, jazz and blues and bossa nova, a definitive attempt to something completely different. On Les Feuilles Mortes (Autumn Leaves) Iggy covered a 1940s standard in the original French. It suits him. 

Les Feuilles Mortes

In 2016 Iggy released Post Pop Depression, an album written and recorded with Josh Homme (Queens Of The Stone Age) and Matt Helders (Arctic Monkeys) and followed it with a tour. The album was a big success, strong songs, well recorded and played by a band who knew how Iggy Pop should sound. Gardenia, Break Into Your Heart, Paraguay and American Valhalla all sounded like first rate Iggy Pop and Sunday saw him accepting his age and place in the bigger scheme of things as the band cranked out the best backing tracks he'd had for years. 

Sunday

In 2018 Iggy collaborated with Underworld on a four track EP, Teatime Dub Encounters. Both parties sounded like they given it their best shot and it was fun for the time it lasted. On Bells And Circles Iggy sings/ speaks about the golden days of the 1970s, when you could smoke on the plane rather than now when you just get told 'you can't do that'- and if it sounds a bit 'old man shouts at the clouds' thats because it is. 

Bells And Circles

There's probably a follow up post to this one about Iggy's various guest vocal appearances but for the moment can I just remind you that earlier this year, before he set off on tour, Iggy recorded a vocal with The Moonlandingz, a song called It's Where I'm From, and it still sounds like a 2025 highlight, Iggy's elder statesman melancholy hitting all the right spots.


 

Wednesday, 23 April 2025

It's Where I'm From


The Moonlandingz are Lias Soudi, Adrian Flanagan and Dean Honer. All three have a rich history of music in other projects including Decius and Fat White Family for Lias, Acid Klaus for Adrian, and I Monster for Dean but currently The Moonlandingz is where it's at for them- their second album, No Rocket Required, is lined up for release later this month. Ahead of it, released yesterday, is It's Where I'm From, a single with Iggy Pop singing on it (released a day after Iggy's 78th birthday). 

It's Where I'm At is a beautiful, heartfelt, melancholic number, a ballad for the 21st century, a jazzy lullaby with Iggy at his most rueful, 78 years of hard won wisdom, staring down the barrel of the gun of mortality. Adrian wrote the song fifteen years ago, sitting at home whacked up on morphine following a bike accident that left him with two broken arms and sticking two metaphorical fingers up at the doctor who told him he might never regain the full use of his arms- home studio, one finger and a thumb on the Mellotron and a drum machine. Filled out with live drums and some Gallic sax, Adrian approached Iggy for vox and thankfully, he said yes. 

Iggy likes to dip out of rock and into chanson and jazz from time to time. In 2019 he recorded Free, a sombre, contemplative album of ambient jazz with nods to Lou Reed and Dylan Thomas. In 1999 he recorded Avenue B, a reflective, post- divorce album with several acoustic, jazz inflected, spoken word songs, including the title track...

Avenue B

Tuesday, 28 January 2025

The Sign Of A Man And The Birth Of A Smirk

The Moonlandingz have returned with their first single in eight years. The Moonlandingz are a trio- Lias Saoudi (Fat White Family, Decius), Adrian Flanagan (Acid Klaus) and Dean Honer (All Seeing I, Add N To X)- and have cooked up The Sign Of A Man, with Lias in fine form on vocals over hyperactive Europop (not far musically from last year's Acid Klaus single on GLS). The video looks like New Order's True Faith crossed with Bauhaus (the design school not the goth band). It's all good fun and an album is promised later this year. There won't be many songs this year dissecting modern masculinity while containing the line 'if you take out the bins'. 


Lias is busy with Decius as well. Birth Of A Smirk is the second single ahead of their second album out this Friday, a housed up song with with more 80s vibes, this time Visage but spliced with bleep techno. Everything Lias is involved with is gold- last year's Fat White Family album for a recent example, not mention last autumn's Decius single Walking In The Heat, in which Lias had fun cleaning the car. 




Wednesday, 3 May 2017

Sweet


I heard this a few days ago for the first time and it's buzzing around my head quite a bit. The Moonlandingz started as a fictional band (created for an album by The Eccentronic Research Council who I do have an album by and members of Fat White family who I don't but probably should). They have now turned into a real band with a real album out. This song has a buzzing, nagging guitar riff, some spacey effects and a vocal by a singer repeatedly stating that he doesn't feel alright.

Sweet Saturn Mine

The wonderful Maxine Peake is in the video.