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Archive for the ‘Frank Ferguson’ Category

Blu-Ray Review: Cheyenne – The Complete Series (1955-62).

Posted in 1955, 1956, 1957, 1958, 1959, Adele Mara, Alan Hale, Angie Dickinson, Arthur Hunnicutt, Audrey Totter, Bob Steele, Claud Akins, Clint Walker, Denver Pyle, Don "Red" Barry, DVD/Blu-Ray Reviews, Faith Domergue, Frank Ferguson, George Waggner, Harry Lauter, Jack Elam, James Coburn, James Garner, James H. Griffith, Janes Gleason, Joe Kane, Lew Landers, LQ Jones, Marie Windsor, Michael Pate, Myron Healey, Nestor Paiva, Paul Landres, Peggie Castle, Penny Edwards, Phil Carey, R.G. Springsteen, Ray Teal, Robert J. Wilke, Slim Pickens, Television, Thomas Carr, Warner Archive, Warner Bros. on June 23, 2025| 10 Comments »

Cheyenne (1955-62) was more than just an excellent 50s Western TV show. It was the first hour-long Western, the first hour-long dramatic TV show to run more than a single season. It was also the first TV series produced by a major studio (Warner Bros.) that wasn’t derived from an established film property.

Now on Blu-Ray from Warner Archive — 107 episodes on 30 discs, Cheyenne is one of the best examples of classic TV in high definition I’ve seen so far. Scanned in 4K from the original camera negatives, these things are just stunning.

In its first season, Cheyenne shared its time slot with King’s Row and Casablanca, two WB shows based on their films. After the first season, those two vanished and Cheyenne had other slot-mates (Sugarfoot in the third season).

Clint Walker plays Cheyenne Bodie, a cowboy/scout riding across the post-Civil War West. Each week, he rides into a new spot and happens upon a new batch of folks. The plots are very much in line with what the laters B Westerns had been — and what we think of today as a 50s Western. 

Cheyenne was raised by the Cheyenne after his parents were killed by another tribe. He later lived with a white family (the particulars vary a bit from show to show). He’s fair, kind, strong and always ready to help out those in need. And as if to prove the idea that “no good deed goes unpunished,” Cheyenne’s servant nature often lands him in a real mess. 

Warner Bros. put their major-studio muscle behind their TV product, and it shows. Cheyenne fits right in with what Warners was doing with Western features in the late 50s. From the sets to the casts to the music, these episodes play like 50-minute versions of what WB was sending to theaters. For example, James Garner and Angie Dickinson appear in a second-season episode (“War Party”) about the same time they were in Warner’s Randolph Scott picture Shootout At Medicine Bend (1957).

The directors who did episodes of Cheyenne is a bit of a Western Who’s Who, with pros like George Waggner, Paul Landres, Thomas Carr, Joe Kane, Howard W. Koch, Paul Henreid, Lew Landers and Arthur Lubin.

Same with cinematographers. Shooting Cheyenne were folks like Harold E. Stine, Carl E. Guthrie, Bert Glennon, Ted McCord, William H. Clothier, Harold Rosson, William P. Whitley and Ellis W. Carter.

From week to week, the cast was incredible. Here’s just a sample of the folks who turn up over the course of the show: James Garner, Jack Elam, Ray Teal, Myron Healy, Bob Steele, Kathleen Crowley, Leo Gordon, Ann Robinson, Rod Taylor, Marie Windsor (above), Adele Mara, Gerald Mohr, Peggie Castle, Robert J. Wilke, Penny Edwards, Dennis Hopper, James Griffith, Angie Dickinson, John Qualen, Lee Van Cleef, Denver Pyle, Phil Carey, James Coburn, Nestor Paiva, Slim Pickens, John Carradine, Frank Ferguson, Joan Weldon, Tom Conway, Guinn “Big Boy” Williams, Edd Byrnes, Evelyn Ankers, John Russell, Claude Akins, Don “Red” Barry, Don Megowan, Dan Blocker, Adam West, Connie Stevens, Faith Domergue, James Drury, Lorne Greene, Mala Powers, Merry Anders, Alan Hale Jr., R. G. Armstrong, Ahna Capri, Ellen Burstyn, Sally Kellerman, Michael Landon, Harry Lauter and Ruta Lee. In three of the early episodes, LQ Jones (below) is his sidekick Smitty. (I left out dozens because it would’ve made for a pretty ridiculous paragraph.)

Cheyenne was a hit and it made Clint Walker a star. With a hit show, the exacting schedule that came with it, no features on the horizon, and an exclusive contract that paid him just $150 a week, after the third season, Walker was unhappy.

Clint Walker: “… I found out they [Warner Bros.] turned down some pretty nice features that I could’ve done… I heard that when people inquired, they were told, ‘When Clint Walker does features, he’ll do ‘em for Warner Bros.’ So that’s where we had the difference of opinion.” *

So, Clint Walker, well, walked. The show zigzagged to a “fake Cheyenne,” Bronco Layne (Ty Hardin) and kept going until Walker was coaxed back into the saddle. Warners put him in the excellent Fort Dobbs (1958), which I’d love to see make the leap to Blu-Ray. Bronco Layne got his own series for a while, called simply Bronco.

This is an excellent TV series, a consistent favorite of fans of 50s Westerns — and for good reason. And Warner Archive has given us all good reason to pick up this set. They look wonderful. The audio has plenty of punch. They’re uncut and have the original WB openings and closings in place. A nice slipcover thing holds the seasons nice and neat.

Cheyenne was a home run back in 1955 — and it’s a home run on Blu-Ray 70 years later. Highly, highly recommended.

*From a phone conversation with this author back in 2010.

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Blu-Ray Review: The Alaskans – The Complete Series (1959-1960).

Posted in 1959, Claud Akins, DVD/Blu-Ray Reviews, Frank Ferguson, George Waggner, Jacques Tourneur, James Garner, Jesse Hibbs, John Dehner, Julie Adams, Karen Steele, Lee Van Cleef, Leo Gordon, Marie Windsor, Myron Healey, Ray Teal, Roger Moore, TV, Warner Archive, Warner Bros. on December 4, 2024| 3 Comments »

A while back, Warner Archive dug the series Colt .45 out of their vaults for a stunning Blu-Ray set. They’ve done it again with a Warner Bros. series that’s been even harder to see over the years — The Alaskans (1959-60) starring Roger Moore and Dorothy Provine.

Roger Moore stars as Silky Harris, a con man in Skagway, Alaska during the state’s Gold Rush. Jeff York is his cohort Reno McKee and Dorothy Provine is the saloon singer Rocky Shaw. It looks and plays much like the other Westerns WB was putting on TV in the late 50s, only this one trades the Wild West for gold-crazy Alaska (which had recently become a state).

Of course, the Alaska we see here is actually the WB backlot. One of Roger Moore’s complaints about the show was how miserable it was wearing a parka in the California sun.

A TV show is almost like a living thing. It’s born, it grows and hopefully it finds its way. Most shows’ early episodes are a far cry from that first season’s final ones. With The Andy Griffith Show, for instance, Andy’s take on his character is almost completely different going from Season 1 to Season 2. And look at how The Man From UNCLE changed as it went to color (and maybe the suits saw the success of Batman).

Though The Alaskans was part of a terrific ABC Sunday-night lineup (all Westerns!), and it boasted an incredible roster of guest stars — from Julie Adams and Claude Akins to Frank Ferguson and Leo Gordon to Ray Teal and Lee Van Cleef to Marie Windsor and Efrem Zimbalist, Jr., the show never quite took off. After a single season, it was done. (Moore was then coerced into joining the cast of Maverick when James Garner left).

The Alaskans has the look and feel of the other WB TV Westerns of the period (and reportedly some recycled Maverick scripts), but something never quite clicks. (Jeff York’s character often seems totally unnecessary.) Close, but no cigar.

But all these years later, with this nice Blu-Ray set at our disposal, it’s easy to give The Alaskans some grace. There’s that cast, directors like Jesse Hibbs, Leslie H. Martinson, Jacques Tourneur and George Waggner, and gorgeous 4K transfers from the camera negatives. I’ve longed to see it (never thinking I would), and even though its shortcomings were what I’d been warned about, it’s easy to recommend it.

It’s more than just a curio from the early days of Moore’s career, and I’m grateful to Warner Archive for putting it out. 

And back to that idea of TV shows being like living things. The Alaskans didn’t get a second season, but here’s its chance at another life. Check it out.

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Blu-Ray Review: Colt .45, The Complete Series (1957-1960).

Posted in Alan Hale, Bob Steele, Charles Bronson, DVD/Blu-Ray Reviews, Frank Ferguson, George Waggner, Glenn Strange, John Doucette, Leo Gordon, Lew Landers, Lyle Talbot, Oliver Drake, Paul Fix, Paul Landres, Ray Teal, Robert J. Wilke, Roy Barcroft, Television, Warner Archive, Warner Bros., Wayne Morris on April 22, 2024| 8 Comments »

Well, here’s one I never thought we’d see, especially on Blu-Ray. Colt .45 (1957-1960) was one of Warner Bros’ Western shows of the late 50s — based (rather loosely) on their 1950 film starring Randolph Scott. It didn’t become a rerun favorite like Maverick or Cheyenne, and they haven’t been seen anywhere in years. (I saw a couple of episodes in 16mm at a Western film show ages ago.) Now all three seasons are available, and looking just heavenly, in a new Blu-Ray set from Warner Archive.

Wayde Preston plays Christopher Colt, a government agent posing as a Colt gun salesman. As he roams the West, he gets involved in all sorts of stuff, usually leading to some fancy shooting on his part. In the first season’s titles, Preston shoots toward the camera, then does some nice pistol-spinning as he puts his twin Colts back in their holsters. (Reminds me a little of the titles to The Rifleman.)

Wayde Preston and James Garner hanging around the Warner lot.

Though they run just half an hour and the budgets were obviously pretty slim, it’s a good show. All the WB Western series looked good, benefitting from excellent stock footage, using some nice WB sets and boasting terrific guest stars. Colt .45 featured Charles Bronson, Wayne Morris, Angie Dickinson, Robert Conrad, John Doucette, Ray Teal, Frank Ferguson, I. Stanford Jolley, Kathleen Crowley, Lee Van Cleef, Jack Lambert, Glenn Strange, Leonard Nimoy, Virginia Gregg, Paul Fix, Robert J. Wilke, Dorothy Provine, Lyle Talbot, Roy Barcroft, Adam West and Sandy Koufax(!).

Some solid directors worked on it, too — guys like Lee Sholum, Paul Landres, George Waggner, Lew Landers, Edward Bernds and Oliver Drake. 

The first season is excellent, but then things kinda went awry. Wayde Preston left the show (the usual pay dispute, they say), making for a short second season. For the third season, Donald May took over as Sam Colt, Jr., Christopher Colt’s cousin.

Warners evidently badmouthed Preston and he had a hard time landing parts around town. He was brought back toward the end of the third season, now supporting his cousin Sam. Colt .45 didn’t last beyond that third season and Preston eventually headed to Italy to make spaghetti Westerns and Anzio (1968).

With just two-and-a-half seasons (only 67 episodes), and a star who disappears midstream, it sorta makes sense that Colt .45 wouldn’t enjoy the perpetual syndication of other Western shows of the period. When it’s good, it’s really good, usually because of a solid story or an exemplary performance — Wayne Morris and John Doucette, for example, are excellent in their episodes.

Then there are the Blu-Rays. I’ve never seen a black & white TV show look this good — ever. There’s not a lot of old TV on Blu-Ray. I Love Lucy! and The Andy Griffith Show are, and they can’t hold a digital candle to this set. It’s stunning. From the logo in the grips of Preston’s Colts to the sewn-up holes in John Doucette’s shirt, the detail here is really incredible. (Of course, this highlights stuff like the stock footage stage driver looking nothing like the guy who speaks to Preston seconds later, but who cares?) The contrast is perfectly dialed in and the grain is just right. Whoever twiddled the knobs on this thing, I’d like to buy you lunch! Same goes for the folks in the vaults watching over this old material.

In short, the fact that Colt .45 made its way to video at all is a real surprise. That it would come out of left field looking like this, well, that seems like a miracle. Colt .45 – The Complete Series comes highly recommended. I think you’ll like the show, and I know you’ll be blown away by the care Warner Archive has given it.

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Olive Films: A Westerns Checklist.

Posted in Allan Dwan, Audrey Totter, Ben Cooper, Brian Donlevy, Budd Boetticher, Burt Lancaster, Charlton Heston, Clark Gable, Clint Walker, Dorothy Malone, DVD/Blu-Ray News, Edwin L. Marin, Ernest Borgnine, Fess Parker, Forrest Tucker, Frank Ferguson, Gary Cooper, George Sherman, Glenn Ford, Glenn Strange, Gregory Peck, Hank Worden, James Arness, Joe Kane, Joel McCrea, John Ford, John Sturges, John Wayne, Lydecker Brothers, Margia Dean, Marie Windsor, Maureen O'Hara, Nicholas Ray, Olive Films, Paramount, Paul Fix, Peggie Castle, Raoul Walsh, Republic Pictures, Robert Mitchum, Roy Rogers, Scott Brady, Skip Homeier, Sterling Hayden, William Castle, William Witney, Zachary Scott on August 27, 2023| 11 Comments »

You may remember a recent post about Olive Films shutting down. They put out some great DVDs and Blu-Rays over the years, particularly things from Republic and Paramount. (In fact, I watched their The Night Riders this morning, one of my favorite B Westerns.)

Some of these titles have already been re-issued by others (or are on the way). But some may never see the light of day again, given the current state of physical media. From Republic’s Three Mesquiteers series with John Wayne to a handful of Regalscope pictures, there are some real jewels here.

For those trying to pick these things up before they’re either gone or getting crazy collectors’ prices, here’s a list of their Westerns, ranging from the Silents into the 60s. If I missed anything, please let me know.

Special thanks for Laura from Laura’s Miscellaneous Musings, who was a HUGE help with bringing this thing together. 

Wagon Tracks (1919)
Neath The Arizona Skies (1934)
The Lawless Nineties (1936)
The Lonely Trail (1936)
King Of The Pecos (1936)
Overland Stage Raiders (1938)
Red River Range (1938)
Santa Fe Stampede (1938)
Pals Of The Saddle (1938)
The Night Riders (1939)
Three Texas Steers (1939)
Wyoming Outlaw (1939)
Westward Ho (1939)
Man Of Conquest (1939)
Frontier Horizon (AKA New Frontier) (1939)
Dark Command (1940)
In Old Oklahoma (AKA War Of The Wildcats) (1943)
Ramrod (1947)
Angel And The Badman (1947)
Pursued (1947)
The Fighting Kentuckian (1949)
South Of St. Louis (1949)
Rio Grande (1950)
Silver City (1951)
Bullfighter And The Lady (1951)
Only The Valiant (1951)
High Noon (1952)
Denver & Rio Grande (1952)
Pony Express (1953)

Woman They Almost Lynched (1953)
Johnny Guitar (1954)
Run For Cover (1955)
The Americano (1955)
King And Four Queens (1956)
Stranger At My Door (1956)
Gun The Man Down (1956)
The Quiet Gun (1957)
Showdown At Boot Hill (1958)
Ambush At Cimarron Pass (1958)
The Hangman (1959)
The Jayhawkers! (1959)
McLintock! (1963)
The Hallelujah Trail (1965)
The Night Of The Grizzly (1966)

I’ll forever appreciate the folks at Olive Films. Night Of The Grizzly was my first commentary track.

The non-Westerns list is now available over at The Hannibal 8.

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Blu-Ray Review: Rancho Notorious (1952).

Posted in 1952, Arthur Kennedy, DVD/Blu-Ray Reviews, Frank Ferguson, Fritz Lang, Fuzzy Knight, I. Stanford Jolley, Jack Elam, John Doucette, Marlene Dietrich, RKO, Warner Archive on March 3, 2023| 20 Comments »

Directed by Fritz Lang
Screenplay by Daniel Taradash
Story by Silvia Richards
Produced by Howard Welsch
Director Of Photography: Hal Mohr
Film Editor: Otto Ludwig
Music by Emil Newman

Cast: Marlene Dietrich (Altar Keane), Arthur Kennedy (Vern Haskell), Mel Ferrer (Frenchy Fairmont), Gloria Henry (Beth Forbes), William Frawley (Baldy Gunder), Lisa Ferraday (Maxine), John Raven (Chuck-a-luck dealer), Jack Elam (Mort Geary), George Reeves (Wilson), Frank Ferguson (Preacher), Francis McDonald (Harbin), Lloyd Gough (Kinch), John Doucette (Whitey), Russell Johnson, Fuzzy Knight, Emory Parnell, Kermit Maynard, Tom London, I. Stanford Jolley

I love Fritz Lang’s Hollywood movies, Rancho Notorious (1952) in particular. I’ve written about it on this blog before, and it’s got a chapter in my long-promised book.

With the new Blu-Ray from Warner Archive, well, here it is again.

First, the movie. It’s very, very Fritz Lang. You have Chuck-A-Luck, a retreat for outlaws run by Altar Keane (Marlene Dietrich) — sort of an Old West variation on Dr. Mabuse and his criminal network. Then you have Vern Haskall (Arthur Kennedy), whose fiancé (Gloria Henry) is raped and murdered in a holdup eight days before their wedding. Vern is absolutely consumed with revenge, another Lang favorite, and his journey for justice leads to Keane, gunslinger Frenchy Fairmont (Mel Ferrer) and Chuck-A-Luck.

As the ballad that runs throughout tells use, it’s a story of “hate, murder and revenge” — themes that served Lang well in all those terrific noirs.

All this is placed in a low-budget, studio-bound (though there’s a little Iverson Ranch and Republic Western street in there), Technicolor setting that comes off rather dreamy and operatic. Somehow it seems more dated that Lang’s Western Union from 1941. But let me be perfectly clear — all of these are good things.

Rancho Notorious is often compared to Nick Ray’s Johnny Guitar (1954). Some folks hate it, some find it corny and laughable (especially that song). For me, however, it’s just wonderful, one of the few films I’ve watched back to back on the same evening (had to make sure I actually saw what I thought I saw).

Now, on to the new Blu-Ray. Warner Archive often shows us just how good an older film can look in high definition. Their exquisite restoration of Anthony Mann’s The Naked Spur (1953) is a shining example. Rancho Notorious has been given a new 4K transfer from the original nitrate Technicolor negative, and it’s just incredible. From the B&W RKO logo to the final fade, it’s as sharp as anything I’ve ever seen on a TV, highlighting the detail (thanks to the nitrate, grain’s almost nonexistent) and depth of Hal Mohr’s cinematography. The artifice of the whole endeavor is more noticeable than ever, and I stopped it a number of times to study the costumes, sets and backdrops.

The audio has been given plenty of attention, too, and it’s as clear as a bell. (The old DVD’s audio level was a bit low.) If Fritz Lang’s weird Western is ever gonna get the reappraisal it so richly deserves, this is the way to make it happen.

Warner Archive keeps raising the bar. This is a stunning, as-close-to-perfect-as-you-can-get presentation. Highly, highly recommended.

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Blu-Ray News #351: Rancho Notorious (1952).

Posted in 1952, Arthur Kennedy, DVD/Blu-Ray News, Frank Ferguson, Fritz Lang, Jack Elam, RKO, Warner Archive on December 9, 2022| Leave a Comment »

Directed by Fritz Lang
Starring Marlene Dietrich, Arthur Kennedy, Mel Ferrer, Gloria Henry, William Frawley, Jack Elam, George Reeves, Frank Ferguson

When The Warner Archive brought Fritz Lang’s Rancho Notorious to DVD back in 2009, I was overjoyed. They’ve now got a Blu-Ray coming in January — and I’m maybe even more excited.

Since that DVD hit our players, the picture has become one of my favorite 50s Westerns. It’s one I return to quite a bit, finding something new each time. That’s something you can say about most of Lang’s films.

Can’t wait to see Hal Mohr’s gorgeous Technicolor in high definition. Highly, highly recommended.

Thanks to John Knight for the news.

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DVD News #334: Audie Murphy Western Double Feature.

Posted in Audie Murphy, Ben Cooper, Columbia, Critics' Choice, DVD/Blu-Ray News, Frank Ferguson, Raymond Hatton, Sidney Salkow, Ted de Corsia, William Witney on December 10, 2021| 2 Comments »

Here’s another Critics’ Choice release, the appropriately-named Audie Murphy Western Double Feature. It gathers up a couple of mid-60s pictures Murphy did for Admiral Pictures, distributed by Columbia. Both were in Techniscope and Technicolor.

Arizona Raiders (1965)
Directed by William Witney
Starring Audie Murphy, Michael Dante, Ben Cooper, Buster Crabbe, Gloria Talbott

Shot at Old Tucson, this one has Murphy and William Witney keeping the 50s Western thing going as long as they can. It’s a remake of Texas Rangers (1951), and it’s always good to see these folks at work.

The Quick Gun (1964)
Directed by Sidney Salkow
Starring Audie Murphy, Merry Anders, James Best, Frank Ferguson, Ted De Corsia, Raymond Hatton

Sidney Salkow directed this one. Shot at Iverson, it’s got a great cast (I’d watch Frank Ferguson in anything).

Both of these were part of Columbia’s MOD program, and it’s great to see them paired up at a great price.

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Talking Johnny Guitar With Robert Bellissimo.

Posted in 1954, Ben Cooper, Denver Pyle, Ernest Borgnine, Frank Ferguson, John Carradine, Nicholas Ray, Olive Films, Paul Fix, Podcasts, Republic Pictures, Royal Dano, Scott Brady, Sterling Hayden, Ward Bond on November 11, 2021| 3 Comments »

It was an honor to be the guest on Robert’s podcast yesterday. He turned it around quick, and it’s ready now. Check it out.

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Pre-50s Westerns Blu-Ray News #298: Blood On The Moon (1948) & Rachel And The Stranger (1948).

Posted in Charles McGraw, DVD/Blu-Ray News, Frank Faylen, Frank Ferguson, RKO, Robert Mitchum, Tom Keene, Walter Brennan, Warner Archive, William Holden on March 16, 2020| 5 Comments »

Warner Archive has announced Blu-Ray releases for a couple of pictures we’ve all been pining for — Robert Wise’s Blood On The Moon and Norman Foster’s Rachel And The Stranger (both 1948).

From its cast (Robert Mitchum, Charles McGraw) to its brooding tone to its cinematography by Nicholas Musuraca, Blood On The Moon is one of the best examples of film noir creeping into the Western — and a big indicator of what the 1950s had in store for the genre. It’s terrific, and I can’t wait to see it in high definition.

Rachel And The Stranger is about as far from Blood On The Moon as you can get, a lighter, sweeter film with an unbeatable cast: Loretta Young, Robert Mitchum and William Holden. It was helped along at the box office by, of all things, Robert Mitchum’s marijuana arrest. Warner Archive is promising an uncut version — Howard Hughes cut over 10 minutes out of it — with Waldo Salt’s writing credit restored. This is a big, big deal.

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50s Westerns Blu-Ray Want List.

Posted in Allan Dwan, Andre de Toth, Anthony Mann, Audie Murphy, Barbara Stanwyck, Barry Sullivan, Ben Johnson, Budd Boetticher, Burt Kennedy, Clayton Moore, Clint Walker, Dale Evans, Dale Robertson, Delmer Daves, DVD/Blu-Ray News, Frank Ferguson, Fred F. Sears, George Montgomery, George Sherman, Glenn Ford, Gordon Douglas, Guy Madison, Hank Worden, Jack Arnold, Jacques Tourneur, James Coburn, James H. Griffith, Jay Silverheels, Jeff Chandler, Joel McCrea, John Ford, John McIntire, John Payne, John Sturges, John Wayne, Julie Adams, Kirk Douglas, Lesley Selander, Lippert/Regal, Mara Corday, Marie Windsor, Paul Landres, Phil Karlson, Randolph Scott, Ray Nazarro, Republic Pictures, Richard Widmark, Robert Mitchum, Rory Calhoun, Roy Rogers, Sam Katzman, Sam Peckinpah, Sterling Hayden, The Lone Ranger, Universal (International), William Castle, William Elliott, Yvonne DeCarlo, Zachary Scott on September 4, 2019| 22 Comments »

A while back, I asked for Want Lists of the 50s Westerns still lost on the high-def trail. Here they are, presented in chronological order. The titles in bold are the ones that were brought up most frequently.

With the recent news about Fox/Disney’s lack of interest in their back catalogs appearing on shiny silver circles, getting this finished and posted seemed very timely. Many of these, mind you, haven’t even turned up on DVD yet.

The Virginian (1946)
Albuquerque (1948)
Coroner Creek (1948)
Whispering Smith (1948)
3 Godfathers (1949)
Colorado Territory (1949)
Hellfire (1949)
Streets Of Laredo (1949)
Ambush (1950)
Branded (1950)
Devil’s Doorway (1950)
The Nevadan (1950)
Saddle Tramp (1950)
Short Grass (1950)
Showdown (1950)

Trail Of Robin Hood (1950)
Across The Wide Missouri (1951)
Along The Great Divide (1951)
Apache Drums (1951)
Best Of The Badmen (1951)
The Great Missouri Raid (1951)
Inside Straight (1951)
Man In The Saddle (1951)
Red Mountain (1951)
The Redhead And The Cowboy (1951)
The Secret Of Convict Lake (1951)
The Texas Rangers (1951)
Westward The Women (1951)
Vengeance Valley (1951)
Warpath (1951)
The Big Sky (1952)
Bugles In The Afternoon (1952)

Hangman’s Knot (1952)
The Lawless Breed (1952)
The Lusty Men (1952)
The Naked Spur (1952)
Ride The Man Down (1952)
The Savage (1952)
The Story Of Will Rogers (1952)
Untamed Frontier (1952)
Ambush At Tomahawk Gap (1953)
Charge At Feather River (1953)
City Of Bad Men (1953)
Devil’s Canyon {1953)
Escape From Fort Bravo (1953)
The Great Sioux Uprising (1953)
Jack McCall, Desperado (1953)
Last Of The Comanches (1953)
The Last Posse (1953)
The Silver Whip (1953)
The Stranger Wore A Gun (1953)
Wings Of The Hawk (1953)

Tumbleweed (1953)
Apache (1954)
The Bounty Hunter (1954)
Cattle Queen Of Montana (1954)
The Command (1954)
Dawn At Socorro (1954)
The Law Vs. Billy The Kid (1954)
The Outcast (1954)
Ride Clear Of Diablo (1954)
Silver Lode (1954)
Wyoming Renegades (1954)
The Yellow Tomahawk (1954)
At Gunpoint (1955)
Chief Crazy Horse (1955)
The Last Frontier (1955)
The Man From Bitter Ridge (1955)
Shotgun (1955)
Smoke Signal (1955)
Tennessee’s Partner (1955)
The Violent Men (1955)
Wichita (1955)
Backlash (1956)

Dakota Incident (1956)
Fastest Gun Alive (1956)
Fury At Gunsight Pass (1956)
Great Day In The Morning (1956)
The Last Wagon (1956)
The Lone Ranger (1956)
The Maverick Queen (1956)
Reprisal! (1956)
Seven Men From Now (1956)
Stagecoach To Fury (1956)
Tribute To A Bad Man (1956)
Copper Sky (1957)
Domino Kid (1957)

Dragoon Wells Massacre (1957)
Hell Canyon Outlaws (1957)
From Hell To Texas (1958)
Frontier Gun (1958)
The Lone Ranger And The Lost City Of Gold (1958)
Face Of A Fugitive (1959)
Last Train From Gun Hill (1959)
No Name On The Bullet (1959)
Thunder In The Sun (1959)
Yellowstone Kelly (1959)
The Alamo (1960)
Hell Bent For Leather (1960)
Cheyenne Autumn (1964)
Firecreek (1968)
Pat Garrett & Billy The Kid (1973)

As this was being compiled, a few titles actually made their way to Blu-Ray, one of them being the exquisite new Wagon Master (1950) from Warner Archive.

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