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Archive for the ‘Jesse Hibbs’ Category

Kino Lorber’s Audie Murphy Blu-Rays keep on coming, with set Number 5 arriving in June. We get three more of Murphy’s pictures for Universal International, including two under-appreciated pictures from producer Gordon Kay.

Walk The Proud Land (1956)
Directed by Jesse Hibbs
​Starring Audie Murphy​, Anne Bancroft​, Jay Silverheels, Morris Ankrum

This was a nice change of pace for Murphy, playing an Indian agent. It’s got a great cast and gorgeouos CinemaScope photography from Harold Lipstein.

Seven Ways From Sundown (1960)
​Directed by Harry Keller (& George Sherman)
​Starring Audie Murphy​, Barry Sullivan​, Venetia Stevenson​, John McIntire​, Kenneth Tobey

The second, and some say the best, of Murphy’s last run of Westerns for Universal, produced by Gordon Kay. These films have always gotten a bad rap, but seen today, they hold up really well. Barry Sullivan is terrific. George Sherman directed maybe half the picture (the location stuff) before he and Murphy had a disagreement and Harry Keller was brought in.

Y’all have been wanting this one since I started up this blog all those years ago.

Bullet For A Badman (1964)
​Directed by R. G. Springsteen
Starring Audie Murphy​, Darren McGavin​, Ruta Lee​, Beverley Owen​, Skip Homeier, George Tobias

Darren McGavin is excellent, as always, in this one, and Ruta Lee knocks a good part out of the park. Murphy has to get outlaw McGavin and the money he stole past a crooked posse and plenty of Indians. All this is complicated by the fact that Murphy is married to McGavin’s ex-wife and raising his son. This one bears a Universal logo — U-I was no more.

These movies come highly, highly recommended — they’ll look great, and I’m so stoked to have done commentaries for Seven Ways From Sundown and Bullet For A Badman. Coming June 24th.

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A while back, Warner Archive dug the series Colt .45 out of their vaults for a stunning Blu-Ray set. They’ve done it again with a Warner Bros. series that’s been even harder to see over the years — The Alaskans (1959-60) starring Roger Moore and Dorothy Provine.

Roger Moore stars as Silky Harris, a con man in Skagway, Alaska during the state’s Gold Rush. Jeff York is his cohort Reno McKee and Dorothy Provine is the saloon singer Rocky Shaw. It looks and plays much like the other Westerns WB was putting on TV in the late 50s, only this one trades the Wild West for gold-crazy Alaska (which had recently become a state).

Of course, the Alaska we see here is actually the WB backlot. One of Roger Moore’s complaints about the show was how miserable it was wearing a parka in the California sun.

A TV show is almost like a living thing. It’s born, it grows and hopefully it finds its way. Most shows’ early episodes are a far cry from that first season’s final ones. With The Andy Griffith Show, for instance, Andy’s take on his character is almost completely different going from Season 1 to Season 2. And look at how The Man From UNCLE changed as it went to color (and maybe the suits saw the success of Batman).

Though The Alaskans was part of a terrific ABC Sunday-night lineup (all Westerns!), and it boasted an incredible roster of guest stars — from Julie Adams and Claude Akins to Frank Ferguson and Leo Gordon to Ray Teal and Lee Van Cleef to Marie Windsor and Efrem Zimbalist, Jr., the show never quite took off. After a single season, it was done. (Moore was then coerced into joining the cast of Maverick when James Garner left).

The Alaskans has the look and feel of the other WB TV Westerns of the period (and reportedly some recycled Maverick scripts), but something never quite clicks. (Jeff York’s character often seems totally unnecessary.) Close, but no cigar.

But all these years later, with this nice Blu-Ray set at our disposal, it’s easy to give The Alaskans some grace. There’s that cast, directors like Jesse Hibbs, Leslie H. Martinson, Jacques Tourneur and George Waggner, and gorgeous 4K transfers from the camera negatives. I’ve longed to see it (never thinking I would), and even though its shortcomings were what I’d been warned about, it’s easy to recommend it.

It’s more than just a curio from the early days of Moore’s career, and I’m grateful to Warner Archive for putting it out. 

And back to that idea of TV shows being like living things. The Alaskans didn’t get a second season, but here’s its chance at another life. Check it out.

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Directed by Jesse Hibbs
Starring John Payne, Mari Blanchard, Dan Duryea, Joyce Mackenzie, Barton MacLane, James Griffith, Lee Van Cleef, Myron Healey

Universal’s German “branch” has announced an upcoming nine-movie Blu-Ray set featuring a good, but somewhat random, selection of Westerns — many available on Blu-Ray for the first time.

There are two Audie Murphy pictures, Jesse Hibbs’s Ride Clear Of Diablo (1954) and Gunpoint (1966).

Jesse Hibbs’s Rails Into Laramie (1954) is a cool, sadly under-seen 50s Western with a really terrific cast. It’s been on my Want List for quite some time. 

Also in the set are Jacques Tourneur’s Canyon Passage (1946), George Sherman’s Comanche Territory (1950), Douglas Sirk’s Taza, Son Of Cochise (1954), Smoke Signal (1955), Lonely Are The Brave (1962) and The Ride To Hangman’s Tree (1967).

While packages like this tend to lead to some duplication in your DVD/Blu-Ray collection, they offer up some really good stuff. Recommended.

Thanks to (birthday boy) John Knight for the tip!

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Kino Lorber’s three-Blu-Ray Audie Murphy Collection is gonna be a good one. I’m not sure what I’m more excited about, that I get to do commentaries for two of ’em, or that these films are coming out, period.

Kino Lorber’s Blu-Ray of Night Passage (1957) is one of the best-looking Blu-Rays of a 50s Western I’ve seen, and these should look terrific, too. Universal International’s Westerns from this period were beautifully shot — and they’ve taken pretty good care of them.

The Duel At Silver Creek (1952)
Directed by Don Siegel
Starring Audie Murphy, Faith Domergue, Stephen McNally

Don Siegel’s first Western, and first film in color, is a fun, fast-paced little picture with gorgeous camerawork from Irving Glassberg. It’s also got a terrific supporting cast — Hal Mohr, Walter Sande, Frank Wilcox, Harry Harvey, Lee Marvin (his first Western), etc. It has fun with the conventions it tosses into the mix.

The story goes that Siegel’s cut of the picture was barely an hour long. The prologue tacked onto the picture to pad out its running time works perfectly. Siegel and Murphy would work again on The Gun Runners (1958).

Ride A Crooked Trail (1958)
Directed by Jesse Hibbs
Starring Audie Murphy, Gia Scala, Walter Matthau, Henry Silva, Joanna Moore

Audie’s an outlaw reformed more or less by circumstance. Walter Matthau is a lot of fun as a judge Murphy gets mixed up with. Gia Scala and Joanna Moore look terrific.

Jesse Hibbs was a good director for Murphy; they’d already had great success with To Hell And Back (1955). This was Hibbs’ last feature before embarking on a busy run (about a decade) as a TV director. Harold Lipstein shot it in CinemaScope and Eastmancolor.

No Name On The Bullet (1959)
Directed by Jack Arnold
Starring Audie Murphy, Charles Drake, Joan Evans, Warren Stevens, R.G. Armstrong, Whit Bissell

Over the years, U-I got pretty smart with their Audie Murphy movies. They learned to give him a strong supporting cast, and they built movies around his strengths as an actor. (I don’t think he was anywhere near as limited as some say he was.) No Name On The Bullet (1959) might be the best example fo the latter approach. It’s well-written by Gene L. Coon, later of Star Trek fame, and he gave Murphy some terrific lines. Jack Arnold’s no-frills style is a perfect match for the material.

There’s nothing better than a little low-budget movie where everything clicks to create something much bigger than it should’ve been. This is one of those movies. (On a personal note, this is one of the pictures that launched my obsession with 50s Westerns.)

The set gives you the three movies on separate discs, contained in a slipcover. Trailers and commentaries are included (I’m doing the first two.) Highly recommended. Now, when will someone get around to Tumbleweed (1953) and Seven Ways From Sundown (1960)?

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Audie Leon Murphy
(June 20, 1925 – May 28, 1971)

Audie Murphy — the most-decorated American soldier of World War II and later a major star of 50s Westerns, was born on this day in 1925. He’s seen here with Dan Duryea in Ride Clear Of Diablo (1954). it’s one of his best.

We all owe Audie a real debt. Two debts, actually. One for his service — and it certainly took its toll on him, and another for all those terrific movies.

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960

Back in 2014, gathering everybody’s favorite DVD and Blu-Ray picks for the year turned out to be a lot of fun. It’s since become an annual thing.

Thanks to everybody who sent in their picks for 2016. This was a great year for 50s Westerns on DVD and Blu-Ray (and 2017 is shaping up to be just as good, or maybe better). Here’s the Top 10, according to your votes.

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10. Desperado (1954, Warner Archive, DVD)
It was a tie between this Wayne Morris picture and his earlier Desert Pursuit (1952). They’re both solid, offbeat little Westerns — and it’s real treat to have them available in such stellar condition.

9. Yellow Sky (1948, Kino Lorber, Blu-Ray)
Thanks to William Wellman, we didn’t have to wait till the 50s for Hollywood to start making 50s Westerns. The town of Yellow Sky is populated by only an old prospector and his daughter — until some slimy outlaws come riding up.

8. Western Union (1941, Kino Lorber, Blu-Ray)
Randolph Scott in Fritz Lang’s second Technicolor movie. There’s so much cool stuff in this movie, and it looks wonderful.

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7. Black Horse Canyon (1954, Universal Vault, DVD)
For years, Joel McCrea’s Universal Westerns were missing on DVD. It’s great to have them so easy to track down. This is a good one.

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6. Comanche Station (1960, Explosive Media, Blu-Ray)
The last of the Scott-Boetticher Westerns turns out to be the first to make its way to Blu-Ray, and as I see it, the others can’t get here soon enough. This thing’s incredible.

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5. She Wore A Yellow Ribbon (1948, Warner Archive, Blu-Ray)
John Ford’s She Wore A Yellow Ribbon (1948, above) is one of the most beautiful color movies ever shot. The proof is pressed oh-so-magnificently into this Blu-Ray. It also features one of John Wayne’s finest performances.

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4. Roughshod (1949, Warner Archive, DVD)
This gets my vote as the best of the “noir Westerns.” I was real happy to see the response this picture got. It’s a shame it’s not better known.

3. Cariboo Trail (1950, Kino Lorber, DVD/Blu-Ray)
The transfer here is a minor miracle, demonstrating how good CineColor can look. They wisely didn’t go overboard with the cleanup, so it still retains its true film look. And, of course, this is a solid picture from Edwin Marin and Randolph Scott.

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2. Johnny Guitar (1954, Olive Films Signature Edition, DVD/Blu-Ray)
Olive’s new Signature edition is a marked improvement over their old release, which was terrific. The restored 1.66 framing makes a big difference, and the supplemental stuff is excellent.

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1. One-Eyed Jacks (1961, Criterion Collection, DVD/Blu-Ray)
Opinions of Marlon Brando’s Western are all over the place, so I was really surprised to see it land in the top spot. However, judging it simply in terms of its superb presentation, I don’t see how anything could beat it. It’s stunning, a big fat reward to all of us who’ve suffered through those awful tapes and discs over the years. I’m proud and honored to have been involved with Criterion’s work here. (Note: Having worked on the One-Eyed Jacks extras, I did not feel comfortable taking part in the vote this time around.)

In closing, the discs on this list highlight the impact the video presentation can have on our appreciation of these old movies. Many of these have been available, in some form, for years. One more thing: your reasons for not buying a Blu-Ray player are rapidly running out.

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Pillars Of The Sky HS sized

New York’s 92nd Street Y is hosting a class on Westerns of the 50s. Hosted by Kurt Brokaw, Associate Teaching Professor at The New School and senior film critic of The Independent magazine, it’s got a really terrific roster of films. The classes are Tuesday nights, beginning April 14, with two films each night.

Man, I wish I could get to this.

Week 1
Broken Lance
(1954) Directed by Edward Dmytryk, starring Spencer Tracy, Robert Wagner, Jean Peters, Richard Widmark, Katy Jurado
The Badlanders (1956) Directed by Delmer Daves, starring Alan Ladd, Ernest Borgnine, Katy Jurado

Week 2
Saddle The Wind
(1958) Directed by Robert Parrish, starring Robert Taylor, Julie London, John Cassavetes
Dawn At Socorro (1954) Directed by George Sherman, starring Rory Calhoun and Piper Laurie

Week 3
Pillars Of The Sky
(1956) Directed by George Marshall, starring Jeff Chandler, Dorothy Malone, Ward Bond, Lee Marvin
Backlash (1956) Directed by John Sturges, starring Richard Widmark, Donna Reed, William Campbell, John McIntire

Diablo TC

Week 4
Ride Clear Of Diablo
(1954) Directed by Jesse Hibbs, starring Audie Murphy, Dan Duryea, Susan Cabot
The Outriders (1950) Directed by Roy Rowland, starring Joel McCrea, Arlene Dahl, James Whitmore, Barry Sullivan

Week 5
Back To God’s Country
(1953) Directed by Joseph Pevney, starring Rock Hudson, Marcia Henderson, Steve Cochran, Hugh O’Brien
Black Horse Canyon (1954) Directed by Jesse Hibbs, starring Joel McCrea and Mari Blanchard

Week 6
Seven Men From Now
(1956) Directed by Budd Boetticher, starring Randolph Scott, Gail Russell, Lee Marvin, Walter Reed
Gun Fury (1953) Directed by Raoul Walsh, starring Rock Hudson, Donna Reed, Philip Carey, Lee Marvin

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obrien-keller-murphy

Harry Keller directing Audie Murphy and Joan O’Brien in Six Black Horses (1962).

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Ray Enright and Dorothy Malone on the set of South Of St. Louis (1949).

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Jesse Hibbs directing Gia Scala (left) and Joanna Moore (right) in the Audie Murphy picture Ride A Crooked Trail (1958).

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Rails Into Laramie TC

Thanks to everyone who entered the 50s Western Matte Painting Contest. Unfortunately, there was no winner.

The image (seen below) was from Rails Into Laramie (1954), a good Universal-International Western directed by Jesse Hibbs. As is typical of films from this period, there is no credit of any kind for the matte work.

If you get a chance to see Rails Into Laramie, I recommend it. James H. Griffith, one of my favorite character actors, has a good-sized part — and John Payne was on a real roll in the mid-50s.

Of all the entries I received, John Knight came closest. He was pretty sure it was a Universal-International picture.

Matte Painting

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