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Archive for the ‘Harry Keller’ Category

Directed by Harry Keller
Produced by Gordon Kay
Written by Burt Kennedy
Director Of Photography: Maury Gertsman, ASC
Film Editor: Aaron Stell, ACE
Music Supervision by Joseph Gershenson

Cast: Audie Murphy (Ben Lane), Dan Duryea (Frank Jesse), Joan O’Brien (Kelly), George Wallace (Will Boone), Roy Barcroft (Mustanger), Bob Steele (Puncher), Henry Wills (Indian leader), Phil Chambers (Undertaker) Charlita Regis (Mexican dancer), Dale Van Sickel


Let’s kick off 2026 with a look at a solid contender for my favorite video release of 2025 — Via Vision’s Blu-Ray of the Audie Murphy picture Six Black Horses (1962), paired with The Wild And The Innocent (1959).

I’ve spent plenty of time on this blog (and in commentaries) championing Murphy’s last pictures for Universal International — a run of seven low-budget Westerns produced by Gordon Kay. They’ve been done dirty over the years, often dismissed as “serviceable” and “routine.” A couple of them, Hell Bent For Leather and Seven Ways From Sundown (both 1960), have been singled out, but they all have something to recommend them.

You can tell that the budgets have shriveled up a bit — they only cost around $500,000 to $600,000 each. But the films themselves are quite good, thanks to solid direction, tight scripts, fabulous casts and gorgeous location photography. Plus, Murphy was clearly getting more confident as an actor.

This time around, Ben Lane (Murphy) and Frank Jesse (Dan Duryea) are hired by Kelly (Joan O’Brien) to escort her through Apache territory to meet up with her husband.

Well, that’s what she says she’s hiring them for.

Written by Burt Kennedy just a couple years after the last of the Budd Boetticher/Randolph Scott Ranown pictures, Six Black Horses has that lean, mean, efficiency that Kennedy was knocking out so effortlessly back then. (I may be way off base here, but I think there are echoes of Six Black Horses in Monte Hellman’s 1966 The Shooting.)

The small cast is excellent, the dialogue is good and most of the picture takes place outdoors, which is a great way to expand a tight budget. It was shot in Utah and just outside of Las Vegas — and in the same section of the U-I backlot used for Curse Of The Undead (1959).

Audie’s supported in this one by Dan Duryea, Roy Barcroft and Bob Steele. George Wallace, Commando Cody in Radar Men From The Moon (1952), is despicable as a scalp hunter who’s got the Apaches all stirred up.

Joan O’Brien — who worked with the likes of John Wayne, Cary Grant, Tony Curtis, Elvis and Jerry Lewis — has a good role here, given more to do than just look pretty. (Ms. O’Brien passed away in 2025.)

Audie befriends a dog early in the film and he tags along for the rest of the 80 minutes. He’s such a pretty dog; I’m assuming he’s a mixed breed. Dogs can be annoying in movies, but not here.

For decades, it was hard to see Six Black Horses. I saw a faded 16mm print of it over 30 years ago (Six Pink Horses?) and used to have a sorry-looking bootleg VHS of it. The fine folks at Via Vision have thankfully rectified this situation.

Via Vision has done a tremendous job with Six Black Horses. It’s an excellent transfer, sharp as a tack with the Eastman Color dialed in just right and perfect 1.85 framing. They didn’t go overboard with the cleanup — there’s a speck of dust here and there, a line or two, even some changeover cues. To me, that’s a good thing. Such “artifacts” are part of the movie-watching experience, or at least they used to be, and I miss ’em.

There are no extras for this film, or for the accompanying The Wild And The Innocent (that looks just as good). The single-disc set, called Audie Murphy: Double Feature Collection One, is Region Free and the price is excellent. Collection Two consists of Joe Butterfly (1957) and The Texican (1966).

It’s so easy to recommend Six Black Horses. I’ve been evangelizing about these movies for years now. It’s just as easy to recommend this Blu-Ray, which presents a couple of terrific movies in tip-top condition — at a collector-friendly price. As I mentioned up top, this is one of my favorite releases of 2025. Go get it!

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Directed by Harry Keller
Written by Burt Kennedy
Starring Audie Murphy, Dan Duryea, Joan O’Brien, Roy Barcroft, Phil Chambers, Charlita, Bob Steele, George Wallace

One of those last pictures Audie Murphy did for Universal International and producer Gordon Kay, Six Black Horses (1962) gets a bad rap. For starters, the Kay films have been badmouthed for years — and I kinda wonder if any of these people have actually seen the movies.

While you can tell that the budgets have shriveled up a bit, the films themselves are solid. Next, for decades, it’s been hard to see Six Black Horses, which is a real shame. Written by Burt Kennedy just a couple years after the last of the Ranown pictures, it’s got that lean, mean, efficiency that Kennedy was knocking out so effortlessly back then.

Plus, Audie’s supported by Dan Duryea, Roy Barcroft and Bob Steele. Joan O’Brien, who passed away a few months ago, worked with the likes of John Wayne, Cary Grant, Tony Curtis, Elvis, Jerry Lewis and Sam Katzman. Hard to top that.

Thanks to the new Blu-Ray from the fine folks at Via Vision, Audie Murphy Double Feature Collection, Volume One, Six Black Horses is out there in high definition. Its co-feature is The Wild And The Innocent (1959). Via Vision always does nice work and this is a terrific Murphy movie. Highly recommended.

Thanks to John Knight for the tip.

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Kino Lorber’s Audie Murphy Blu-Rays keep on coming, with set Number 5 arriving in June. We get three more of Murphy’s pictures for Universal International, including two under-appreciated pictures from producer Gordon Kay.

Walk The Proud Land (1956)
Directed by Jesse Hibbs
​Starring Audie Murphy​, Anne Bancroft​, Jay Silverheels, Morris Ankrum

This was a nice change of pace for Murphy, playing an Indian agent. It’s got a great cast and gorgeouos CinemaScope photography from Harold Lipstein.

Seven Ways From Sundown (1960)
​Directed by Harry Keller (& George Sherman)
​Starring Audie Murphy​, Barry Sullivan​, Venetia Stevenson​, John McIntire​, Kenneth Tobey

The second, and some say the best, of Murphy’s last run of Westerns for Universal, produced by Gordon Kay. These films have always gotten a bad rap, but seen today, they hold up really well. Barry Sullivan is terrific. George Sherman directed maybe half the picture (the location stuff) before he and Murphy had a disagreement and Harry Keller was brought in.

Y’all have been wanting this one since I started up this blog all those years ago.

Bullet For A Badman (1964)
​Directed by R. G. Springsteen
Starring Audie Murphy​, Darren McGavin​, Ruta Lee​, Beverley Owen​, Skip Homeier, George Tobias

Darren McGavin is excellent, as always, in this one, and Ruta Lee knocks a good part out of the park. Murphy has to get outlaw McGavin and the money he stole past a crooked posse and plenty of Indians. All this is complicated by the fact that Murphy is married to McGavin’s ex-wife and raising his son. This one bears a Universal logo — U-I was no more.

These movies come highly, highly recommended — they’ll look great, and I’m so stoked to have done commentaries for Seven Ways From Sundown and Bullet For A Badman. Coming June 24th.

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Directed by Harry Keller
Starring Audie Murphy, Barry Sullivan, Venetia Stevenson, John McIntire, Kenneth Tobey

One of the last run of pictures Audie Murphy did for Universal International, produced by Gordon Kay and directed by Harry Keller (with a day or two by an uncredited George Sherman), Seven Ways From Sundown (1960) is a good one. Murphy’s as cool as ever, and there’s a great part for Barry Sullivan. Plus, John McIntire and Kenneth Tobey are along for the ride.

Explosive Media has announced a May 22 release for the picture on DVD and Blu-ray. It’ll be in its original 1.85 and region free.

It’s a solid picture (and it gets a chapter in my book). Highly, highly recommended.

Thanks to John Knight for the news.

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Joan Weldon
(August 5, 1930 – February 11, 2021)

Joan Weldon, a lovely actress who appeared in some terrific pictures in the 50s, has passed away at 90.

She appeared with Randolph Scott in two Westerns, The Stranger Wore A Gun (1953) and Riding Shotgun (1954), both directed by Andre de Toth, along with The Command (1954) with Guy Madison, Gunsight Ridge (1957) with Joel McCrea and Day Of The Badman (1958) with Fred MacMurray. But the big one, the one she’s known for, is Gordon Douglas’s great giant ant picture Them! (1954).

She was quote a singer and did a lot of musical theater, including appearing with Forrest Tucker in The Music Man.

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Quantez (1957)
Directed by Harry Keller
Starring Fred MacMurray, Dorothy Malone, James Barton, Sydney Chaplin, John Gavin, John Larch, Michael Ansara

Just finished recording a commentary for Harry Keller’s Quantez (1957), a film I appreciate more every time I see it. It feels awkward to plug these things when I work on ’em, but this one is something special. The movie is ripe for rediscovery — and I think it’s the best commentary I’ve done.

It’s also a picture with superb art direction and cinematography, so high-definition will be a big plus.

Horizons West (1952)
Directed by Budd Boetticher
Starring Robert Ryan, Julia Adams, Rock Hudson, John McIntire, Raymond Burr, James Arness, Dennis Weaver

Horizons West (1952) has the great cast of contract players — Adams, Hudson, McIntire, Dennis Weaver — and gorgeous Technicolor we expect from Universal International Westerns of the early 50s. It’s a post-Civi War story of Ryan’s ambitions getting the best of him. Budd Boetticher keeps it short on running time and long on action. 

The color will make this one really pop on Blu-Ray. I’ll be recording a commentary for it next week. Both pictures are expected in May from Kino Lorber. 

There haven’t been many 50s Westerns riding up on DVD or Blu-Ray lately. These will help make up for it.

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Directed by Harry Keller
Produced by Rudy Ralston
Written by M. Coates Webster
Music by Stanley Wilson
Cinematography: John MacBurnie
Film Editor: Harold Minter

Cast: Allan “Rocky” Lane (Marshal Rocky Lane), Eddy Waller (Sheriff Nugget Clark), Mona Knox (Alice Scott), Roy Barcroft (Ed Brill), Isabel Randolph (Deborah Cranston), Richard Crane (Deputy Dan Reed), William Henry (Bert Cranston), Edward Clark (Printer Tom), Pierre Watkin (Head Marshal), Stanley Andrews (Henry Scott), Boyd ‘Red’ Morgan, Fred Aldrich, Art Dillard, Roy Engel, Marshall Reed, Tex Terry, Dale Van Sickel, Black Jack

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I’m embarrassed to admit that this is the first Allan “Rocky” Lane picture to be featured on this blog. I’ve got to get around to Monte Hale, too!

Thundering Caravans (1952) was one of Lane’s later pictures for Republic. His last, El Paso Stampede (1953), was released a little over a year later. Republic would be done with the series Western entirely after 1954’s Phantom Stallion with Rex Allen.

Allan Lane grew up in Grand Rapids, Michigan, and dropped out of Notre Dame to give acting a go. He was spotted and signed by Fox, but moved over to Warner Bros. That didn’t work out so well, and Lane gave up the movies for a while. He was back in supporting parts at Fox in the mid-30s, and after a few thing like RKO’s The Law West Of Tombstone (1938), he made his way over to Republic.

After serials like King Of The Royal Mounted (1940) and The Tiger Woman (1944) with Linda Stirling, Lane was launched as a Republic cowboy star. Next, in 1946, he took over the Red Ryder role after Wild Bill Elliott left the series. When that ran its course, he was back to playing Allan “Rocky” Lane through 1953. From there, he did mostly TV guest roles until providing the voice of Mr. Ed (1961-1966). 

Thundering Caravans has Lane a marshal coming to the aid of the sheriff of Edgewater, who’s trying to get to the bottom of a series of robberies. Wagons of ore are disappearing, and the local newspaper is badmouthing the sheriff as election days comes near. 

Eddy Waller is a hoot as Nugget, the sheriff. Waller was a constant in these Lane pictures, but he wasn’t a sidekick in the regular sense. While he’s always named Nugget Clark, he’s a different character from film to film. In Thundering Caravans, he and Lane don’t know each other at all.

Roy Barcroft doesn’t have a lot of screen time as Ed Brill, an escaped convict, but he gets to be plenty despicable before he’s through. Barcroft was a given in Republic pictures at this time, since he had an exclusive 10-year contract with the studio. They put him in everything they could.

The girl this time around is Mona Knox, an actress and pinup girl who appeared in a handful of films and some TV in the 50s and 60s. She appeared in Flying Leathernecks (1951), The Las Vegas Story (1952) and a couple of Bowery Boys pictures. She doesn’t have a whole lot to do in Thundering Caravans.

Harry Keller was an editor turned director, and he did a number of these later Lane Westerns, including the last one, El Paso Stampede. (He did the Rex Allen’s last, too.) Keller made the move to TV, with some Universal-International Westerns here and there — Quantez (1957), Day Of The Badman (1958) and Seven Ways From Sundown (1960). As with a lot of editors who climb into the director’s chair, you can count on Keller’s pictures to be well-paced, with some solid actions scenes.

Solid action was the order of the day at Republic as their series Westerns wound down. They’re short (usually under an hour), with plenty of riding and shooting (some of it stock footage), and the casts and sets are kept to a minimum. Thundering Caravans looks like it was shot at Iverson Ranch — some rear-projection footage is definitely Iverson.

It’s a shame Republics like Thundering Caravans aren’t around on DVD or Blu-Ray. They’re a lot of fun. 

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John Gavin
(April 8, 1931 – February 9, 2018)

John Gavin, who played Jack Loomis in Hitchcock’s Psycho (1960) and Julius Caesar in Kubrick’s Spartacus (1960) has passed away at 86. He also appeared in the sublimely wonderful Quantez (1957, above),  a sadly under-appreciated 50s Western from Universal-International, starring Fred McMurray and Dorothy Malone (who just passed away herself) and directed by Harry Keller.

Gavin was almost cast as James Bond for Diamonds Are Forever (1971). He served as ambassador to Mexico during the Reagan administration. He was married to Constance Towers.

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Between takes on Quantez (1957).

Dorothy Malone (Dorothy Eloise Maloney)
January 30, 1924 – January 19, 2018

One of my favorites actresses (especially in Westerns), the great Dorothy Malone, has passed away.

I first remember seeing her in The Big Sleep (1946), as the sexy girl in the Acme bookstore. And she made a huge impression on me in Harry Keller’s Quantez (1957), a sadly under-appreciated Fred MacMurray Western from Universal. She won a Best Supporting Actress Oscar for Douglas Sirk’s Written On The Wind (1956). But for me, it’s Quantez.

Her other Westerns include South Of St. Louis (1949), The Nevadan (1950), Saddle Legion (1951), Tall Man Riding (1955), Pillars Of The Sky (1956) and Warlock (1959). Oh, and The Last Voyage (1960) is terrific.

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obrien-keller-murphy

Harry Keller directing Audie Murphy and Joan O’Brien in Six Black Horses (1962).

malone-enright-st-louis

Ray Enright and Dorothy Malone on the set of South Of St. Louis (1949).

hibbs-scala-moore sized

Jesse Hibbs directing Gia Scala (left) and Joanna Moore (right) in the Audie Murphy picture Ride A Crooked Trail (1958).

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