Showing posts with label Beachcomber. Show all posts
Showing posts with label Beachcomber. Show all posts

Friday, June 4, 2021

The Ultraviolet Widow


 The Ultraviolet Widow
(1956) by Frances Crane

Pat and Jean Abbott are at it again. Off on vacation to Mexico where they want to sprawl in the sun, catch some fish, and go hunting, they land themselves in the middle of a mystery that has everything from a pale, luminous ghost to ancient fossils to buried treasure...oh, and of course...murder.

They encounter Mrs. Howe, a woman from their neighborhood back in California, and she invites them to Alamos. A quiet little town with quick access to the kind of hunting that Pat has been looking for. While there they are introduced to the Van Gilder family--Nora Howe's daughter Marta and son-in-law Rex Van Gilder as well as their house guest, Audrey Peters. Audrey is a wealthy widow and Rex Van Gilder has her lined up to be his next wife. Also in the household: Eileen Kerry, Rex's niece and ward; Dale Owen, a geologist who's sweet on Eileen; a dictatorial housekeeper by the name of Bessie, and Jack Quitos, Van Gilder's sinister air pilot.

The Van Gilder house comes complete with fossilized skeletons, a deep well leading to tunnels full of of fossils, and its very own ghost. But the ghost is very well-regulated and well-behaved. It appears rarely and when it does it always appears at a few minutes after midnight and just briefly at that. It's like it doesn't want to bother anyone. It appears at its appointed hour on the night Audrey Peters is sent to her death down the deep well. After the murder, when everything else is in an uproar, it appears at an odd time and everyone has to wonder if it has anything to do with the murder. Of course, if Pat and Jean hadn't been on the spot, nobody would have known it was murder. 

The Van Gilders and the local doctor are sure that the drunken woman just stumbled into the well and fell to her death. But Pat's quick eye soon picks up on the clues that indicate that Audrey had help into the well. When the police are convinced of foul play, they believe that only Marta, who was about to be ousted as Rex's wife, had a motive. But Audrey had a quarrel with Jack Quintos not long before. And maybe Audrey had changed her mind about marrying Rex after all. Audrey had also signed some kind of document which needed witnesses (a new will?)--but the envelope with the paper has disappeared. And maybe Bessie wasn't keen on her employers choice in a new wife (not that she cares much for Marta either)--in fact, maybe Bessie had hopes of getting Rex all for herself. 

The plot moves fast through a second attempted murder, the discovery of a historic treasure, and the secret of the ghost's odd appearance--ending in a flurry of burned evidence, an attempt on Pat's life, and a an old-fashioned shoot-out. But Pat and the local police finally get their man...or woman.

This was one of the strongest of the Pat and Jean Abbott series I've read. Not quite as humorous and/or light and breezy as the North books and Jean isn't as quick-witted as Pam North. But she's definitely better at staying out of tight places and is quite good at getting Pat out of difficult situations (such as a well that's being filled in--with him in it!). This particular outing sees the couple working together quite well as a team. The mystery isn't complicated and clever readers will spot what's really going on with all that fossil hunting fairly quickly. A good, solid read. ★★ and 1/2.

[Finished 5/31/21]

First line: It isn't everyone who gets to see a ghost, even in Alamos, Sonora, Mexico, where legend has them as plentiful as the handsome arches of the old Spanish-style palaces.

Last lines: I had never in my life seen Patrick shoot a tigre. In fact, I had never seen a tigre.

****************

Deaths = one pushed into well

Wednesday, May 12, 2021

The Haunted Attic


 The Haunted Attic (1932) by Margaret Sutton

The second in the Judy Bolton series. After the flood in the first book wiped out their home (as well as many others in the town of Roulsville), Judy and her family move into a new home in Farringdon. The house was previously owned by a family with thieves among their members and the mother (and leader of the gang) was killed in the house. It's said that she haunts the place and many strange lights, weird noises, and even a ghostly specter have been seen and heard. Judy and her brother Horace aren't afraid of the rumors--and plan to root out the truth behind the "ghost."

Some of the items stolen belonged to Lorraine Lee's family. Lorraine is a wealthy, popular girl at the new high school that Judy will attend and is someone she hopes to be friends with. She will face some difficulties with that--Lorraine is jealous of Judy's friendship with Lois Farringdon-Pett (Lorraine's best friend) and suspicious of her friendliness with girls who attend the mill school. But Judy hopes that an investigation into the ghost will also help her track down Lorraine's family heirlooms and that her wish to be friends will be granted.

Judy and her brother Horace begin finding clues in the apparently haunted attic that explain the noises, lights, and even the white "ghost" that has appeared at the window. But it is Judy who discovers the secret hiding place of all the stolen items and arranges for the Chief of Police to be on hand at her Halloween party--just in time to catch the "ghosts" who are responsible for the haunting. There is also a sub-plot involving Peter Dobbs, Judy's childhood friend who has never known the truth of his parentage. Judy manages to sort that out as well.

There is a lot to like about the Judy Bolton mysteries. She is a down-to-earth girl detective and perhaps a bit more realistic than Nancy Drew. She isn't nearly as well-to-do and she ages with her books--from high school through a marriage later in the series. As with all these early young adult mystery stories there are a lot of coincidences and a lot of interweaving of the plots, but very enjoyable and fun to read. One thing that I didn't care much for in this one was Judy's preoccupation with being liked by the fashionable set at school and Lois's treatment of Judy over the Halloween party invitations. Honestly, if you've already promised a friend to attend their party, then any future invitations should be turned down--no matter who they're from. On the other hand, Judy does have an extreme reaction to Lois in return. Of course, this sort of high school dramatics is a thing, I know--though not a thing I ever understood. Fortunately, it's all smoothed out in the end. Just as the stolen items are found and the bad guys are caught and the mysteries are explained. Good clean fun and light entertainment.★★

First lines: "You could take a few of the pictures, Judy. You always admired them so."

Last line: "Even detectives have to sleep," he said, "but, Judy, girl, don't think for a minute that your Dad doesn't appreciate what you've done for Peter and Lorraine and all of us."

**************

Deaths = 3 (one shot; one auto crash; one natural) [more than one would generally expect in a vintage girl detective mystery]


Wednesday, April 28, 2021

The Ivory Snuff Box


 The Ivory Snuff Box
(1912) by Arnold Fredericks (Frederic Arnold Kummer)

Monsieur Lefevre calls upon his young friend Richard Duvall to help him in a matter of extreme importance. Never mind that Duvall just that day got married and is planning to embark on his honeymoon. The honor of France is at stake! Duvall isn't happy about leaving his new bride Grace so soon, but he does owe Lefevre his loyalty. BUT when he learns the object of his mission he thinks the Prefect of Police has lost his marbles. It appears that the ivory snuff box of the French ambassador in London has gone missing. Quelle horreur! He's about ready to grab his bags, join his wife, and leave when he realizes that there must be more to this than meets the eye. Surely Lefevre wouldn't request his help in a matter of pure theft.

So, trusting his friend and mentor, he leaves Grace behind, joins up with Monsieur Dufrenne, an elderly expert in ivory antiques who can identify the heirloom, and heads to London to get the details from Ambassador de Grissac. The box was stolen while the ambassador was in his dressing room--alone save for his valet. It seems obvious that the gentleman's gentleman must have taken it but the box was nowhere to be found: not on his person and not among his things. Since the theft happened the valet has been kept locked in his room, and Duvall insists on interviewing him. When the room is unlocked, the man is found dead, with writing implements about him, but no sign of any written documents. It's soon discovered that Noel (the valet) wrote a note to a friend by the name of Oscar Seltz, cancelling an engagement for the evening. Duvall's instincts tell him that Seltz is the key to the whereabouts of the missing box. He and Dufrenne set out on Seltz's trail--a trail that will lead them to a nerve specialist in Belgium.

Meanwhile, Grace is not left pining in France for her new husband. Oh, no. Monsieur Lefevre calls on her to explain why she and Duvall cannot set sail on the honeymoon just yet and she demands to help in some way. So, she is sent to Dr. Hartmann's ostensibly to be cured of sleepwalking (a condition more easily faked than most nervous disorders). She is to keep a watching brief and if Duvall fails in his mission to recover the snuff box before it reaches the doctor, then her job will be to steal it back. 

This is very much a thriller with a romantic touch thrown in and very little mystery. We know immediately who the bad guys are. The only question is how many hair-raising adventures will our heroes and heroine have before the grand finale? There is the obligatory evil genius scene at the end where it looks for all the world like Dr. Hartmann has won and Duvall is sent back to France in disgrace. The only real mystery is how did Duvall manage to get the upper hand after all. But for all the standard thriller qualities, this was a fun read. I do wish Grace could have continued to be the strong heroine throughout the entire novel. She starts strong, does well in her "sleepwalking" role and observation duties, and then falls apart when Hartmann gets his hands on Duvall. I can see how that was made necessary for the plot to work as it did, but would have liked to see a better solution that allowed Grace remain heroic to the end. I am also curious as to how old our elderly expert is. If he really is the frail, old man that he's depicted in certain scenes, I can't see him managing as well as he does in others when he needs must play the hero. But overall, a grand adventure and worth the day's reading. ★★ 

First line: The last thing that sounded in Richard Duvall's ears as he left the office of Monsieur Lefevre, Prefect of Police of Paris, were the latter's words, spoken in a voice of mingled confidence and alarm, "The fortunes of a nation may depend on your faithfulness."

Last line: "Dear old Lefevre," said Duvall, as he drew Grace to him and kissed her.

******************

Deaths = one stabbed

Sunday, April 18, 2021

An Ad for Murder (slightly spoilerish)


 An Ad for Murder (original title: Notice of Death; 1982) by John Penn (Palma Harcourt & Jack H. Trotman)

Major Tom Cheryl, DSO, is a World War II veteran. In the normal way of things he doesn't scare easily. But when a series of newspaper ads in the literary section confidently assert: "Coming Soon: The Death of Major Cheryl," he is a bit unnerved. He tells himself that it's just a coincidence--that some author has just happened to pick his name for the title of his new book. But people in the village begin to talk and look at him expectantly...as if he might fall over dead at any moment. And then the accidents start happening. The brakes malfunction on his car. There's a swift push that nearly lands him under a bus. And then a motorcycle rider nearly runs him down and does kill his faithful boxer, Sal.

The death of his dog finally spurs Cheryl to contact Scotland Yard. Chief Inspector David Taylor is assigned to look into matters, but beyond discovering that some (unknown) unauthorized person has used a London publishing house's letterhead to make the request for the insertion of the ads he is able to get no further. Cheryl and his family can think of no one who would wish him dead and his service career wasn't such to have gained him enemies of that sort. Matters become far more serious when a hand-delivered package explodes as Major Cheryl's wife opens it and she is killed instantly. Did the killer miss his target? Rumors in the village now suggest that the major has been behind this all along and the real target was Aileen Cheryl from the beginning. The ads were just a red herring. Is the rumor mill full of truth this time? With a murder to investigate, Taylor finds evidence of a trail that leads to a diabolically cold-blooded killer and an unexpected ending.

SPOILER AHEAD (I must spoil the plot just a bit to explain my slight dissatisfaction. I do not reveal the culprit.)

I first read An Ad for Murder back in the 1990s. I enjoyed the mystery so much that I immediately put John Penn down on my list of authors to look for--and had little success in the used bookshops and sales until the Hoosier Hills Bookfair in the 2010s. Someone must have unloaded their small collection of titles and I scooped them up. Reading this a second time, I still find the plot enjoyable and the characters are well-drawn and interesting. I do cry foul at the lack of real clues available to give readers any inkling of the motive prior to the final few chapters. As far as it goes, I suppose you could say it was fair--after all Inspector Taylor finds out late in the game as well. But we still couldn't have figured it out based on the previous seventeen chapters.

Overall, I did find this to be an enjoyable read. The husband and wife team writing as John Penn do have a real flair for character and narrative. The book moves quickly and holds the reader's interest. If it weren't for my slight dissatisfaction over the way the culprit and motive are revealed, it would be a four-star book. As it is:  and 1/2.

First line: For a moment he was shocked--stupidly shocked, perhaps--but shocked nevertheless.

Last line: "No, No," said Taylor. "I didn't...I couldn't...I'm sorry Miss Lee."

***************

Deaths = 3 (one explosion; one poisoned; one fell from height)

Monday, April 12, 2021

Why Kings Confess


 Why Kings Confess (2014) by C. S. Harris (#9 in the Sebastian St. Cyr [Viscount Devlin] series)

Regency England, January 1813: A Frenchwoman from Sebastian St. Cyr's past is found badly injured beside the body of the Dr. Damion Pelletan in the Cat's Hole, a lane in one of London's worst slum areas. Sebastian is brought into the case because his friend, surgeon Paul Gibson, was the one who stumbled upon the couple and he wants Sebastian to find out what happened and why. The woman has suffered a horrible blow to the head and the man...well, he was stabbed in the back and then someone removed his heart. 

When the woman, Alexandrie Sauvage, regains consciousness, they find that she remembers little of the attack and can offer little help in tracking down the culprit/s. But she (and Sebastian) definitely remembers the brutal betrayals of wartime that she experienced with Devlin. Neither trusts the other--she because he is Lord Jarvis's son-in-law and he because he feels she's just as much to blame for certain deaths in Spain as he is. He's also quite sure that she isn't telling him everything she knows...and he's troubled by the relationship that seems to be developing between Alexi and his friend Paul.

Working in the dark (sometimes quite literally), Sebastian learns that Dr. Pellatan was tied to a secret French delegation tasked with approaching the British about the possibility of an end to the long-running war between the two countries. Is someone trying to sabotage the mission? It certainly appears that way when other members of the delegation are killed as well. Jarvis is said to oppose a settlement with Napoleon--could he be behind it? There are also members of the exiled French royal family in England. Could the deaths be related to a plot to retake the French throne? But then there are also a few more personal victims in the ever-mounting body count--is the motive related to secret passions and revenge? Sebastian needs to find out before the danger he skirts on a regular basis reaches those he holds most dear.

One thing I really enjoyed about this story was the focus on Paul Gibson. While Sebastian and Hero are great characters and I am interested in following the development of their life together, we haven't spent a lot of time with Paul other than his reports to Sebastian on the various post mortem examinations he's done. This entry in the series shows more of Paul's struggles with pain (from the loss of his leg in the war) and it gives him a budding romantic relationship which I hope to see develop more fully in the future. He has grown beyond side-kick status to have a storyline of his own and I certainly hope it continues.

The action and danger are every bit as thrilling as the other titles in the series. And I continue to enjoy the way Harris mixes actual political intrigues with other motives to provide plenty of red herrings and possible threads to follow. It would be nice, however, if just once Devlin could engage in a fight with a bad guy and NOT have to see Paul for stitches. It's hard to believe that the man has any place on his upper body that does not have an ugly scar--and, given how often he's been involved in murder investigations over the past ten months to a year, it seems impossible that he's had time to heal properly. But that's a small quibble...and I highly recommend the series to those who enjoy a historical mystery. 

First line: Paul Gibson lurched down the dark, narrow lane, his face raw from the cold, his fingers numb.

Last line: And still they stood, her hand creeping out to take his, their gazes meeting as the wind snatched at her hair and her lips curve into a trembling smile.

************

Deaths = 11 (four stabbed; three natural; two beaten/hit on head; one blown up; one fell from height)

Monday, April 5, 2021

Gently in the Sun


 Gently in the Sun (1959) by Alan Hunter

Rachel Campion was a beautiful young woman who likes men and whom men like a lot. She was faithful (after her fashion) to her boyfriend/boss--but he had to understand that she just couldn't help liking other men. And liked being with them. She was secretary and lover to Alfred Mixer and, though he doesn't want to admit, he was very jealous of Rachel. Anyone at the Bel-Air guest house could tell you that. And when Rachel is found strangled to death on the beach Mixer is at the top of the Devon County Constabulary's suspect list. But Mixer has an alibi of sorts and there is little real evidence, so they decide to call in the Yard.

Inspector George Gently is sent to investigate and at first it looks like the local police have tagged it right. But his seeming (to local Inspector Dyson) random questions and even more eccentric methods unearth other motives. There's the painter who lied about how well he knew Rachel--well enough, in fact, to paint a very provocative portrait of her. Then there's the two fishermen, Dawes and Hawks, who have an odd relationship to the dead woman...and to each other. And then, just as Gently thinks things are becoming clear, he discovers another corpse buried in the sand on the beach. This one is about twenty years old and it looks like Rachel's death may not be as simple as he thought.

At some point in my pre-blogging life, I read an Alan Hunter Inspector Gently novel (either Landed Gently or Death on the Heath--I'm not certain which came first) and pronounced it so good that I put him on my "To Be Found" list and over the years I've accumulated a fair number of them. I pull one off the TBR shelf every once in a while and discover that I can't figure out why I thought I needed these so much. It's not that they're bad. Most are fairly decent little mysteries and very quick reads. But they're just not all that and there are certainly other authors that I could have spent more time looking for with more exceptional results. I may have to go back and reread those books mentioned above to see if I can figure out what grabbed me initially.

This particular title is a perfectly fine outing at the beach with Gently and there are some humorous bits where he "goes tourist" and buys some outlandish shirts to wear in the summer heat. But it does leave a something to be desired in the way of actual clues--for a police procedural, there's not a whole lot of evidence-gathering and just barely enough suspect-questioning. At one point, Gently sits down beside one of the suspects. They're on a bench facing the beach. And they just sit there. Neither one says anything. they don't even really look at each other--just at the beach. And, suddenly, it all clarifies for Gently. He just knows how it all happened and who did it and everything. Does he tell us? Of course not, we've got a couple more chapters to go and one more bit that will muddy the waters and make Gently question, just briefly, whether he actually has it right. But as of that moment on the bench...he knows. If I had been given more clues to work with then maybe I would have too. 

First line: Even at this hour in the morning, when the dew still clung heavily to the rough, wiry blades of the marram, one could tell that by early afternoon the temperature would be nearing ninety.

Last line: He had lately, he said, married off his youngest daughter; now, excepting for his housekeeper, he was living there alone.

************

Deaths = 3 (two strangled; one blown up in boat gas tank explosion)

Monday, March 29, 2021

Money in the Morgue


 Money in the Morgue (2018) by Ngaio Marsh & Stella Duffy

New Zealand. December 1942. Chief Detective Inspector Roderick Alleyn is undercover at Mount Seager Hospital, working on a top secret mission to uncover the meaning behind coded radio messages that have been intercepted. His cover as writer in need of rest and quiet for his nerves allows him to remain anonymous while waiting for sight or sound that will help him with his mission. One everning as a storm breaks over the hospital grounds, he finds that it never rains, but pours. A floodgate of mysterious events is about to be opened.

Mr. Glossop is the courier for the pay packets of various government establishments in the area. His elderly van busts a tire (as he has warned the powers-that-be it will for months) and he is stranded at the hospital for the night. Not that it matters much. The raging storm washes away bits of the bridge on the only available road--making the trip a dangerous prospect at best. Matron Ashdown insists that he deposit the remaining wages in the hospital's safe to spend the night safely tucked away with the hundred pounds winnings of hospital clerk Rosamund Farquharson (whose horse has proven lucky). 

That same night, Sydney Brown, the grandson of an elderly man who has been on the edge of expiration for quite some time, has finally come to his grandfather's deathbed--just in time for the man's last moments. There is some confusion over getting word to Matron and the hospital porter, in what seems to be a drunken fit, pushes the trolley with the man in a body bag back and forth between the morgue and the office.

Meanwhile, a restless Mr. Glossop, cooped up in a hot, airless room decides he'd rather sleep with his cot lodged in front of the safe and moves to the matron's office. The entire establishment soon echoes with the courier's cries of "Thief! Robbers! Safe. Thief. Help! Thief. No!" after he finds the safe open and most horribly empty. Alleyn is forced to break cover and begin an investigation and the first thing he notices is that the body bag doesn't seem to be quite as full as it ought to be. Expecting to find the missing money bag, he (and all gathered round) are astonished to find that Mr. Brown's body is indeed gone, but it has been replaced not with stolen loot but with another corpse. Alleyn must get to the bottom of the theft, missing corspe, and murder, all while keeping an eye out for clues that will help him with his true mission at the hospital. He has one long night ahead of him and he deputizes Sergeant Bix, commander of the servicemen who are recuperating at the hospital, to act in the stead of his trusted friend Inspector Fox.

Continuation novels and brand new stories featuring beloved characters are almost always an iffy prospect. There have, of course, been a fairly good number of excellent Sherlock Homes novels written by others. But there has also been numerous really bad ones. I was thrilled when I heard that Jill Paton Walsh was going to used Sayers' source materials and give Lord Peter fans Thrones, Dominations and another chance to read about their favorite sleuth. That story was okay, but nothing like what Sayers would have given us herself. I've read all the others because I love Lord Peter and I kept hoping she'd get it more absolutely right (she never made it as far as I'm concerned). After reading reviews by bloggers I respected, I have completely ignored all of the Sophie Hannah novels about Poirot--I wasn't up to seeing Poirot through Hannah's eyes. The word on the blogging street about Money in the Morgue was generally positive, so when I found it would help me with one the reading challenges I'm doing I decided to give Duffy's rendering of Inspector Alleyn a try.

Overall, I found it to be an enjoyable book. The plot has a number of twists and turns and I can say that I did not see the finale coming at all. The new characters are interesting as are their interactions. I'm not quite sure that she got Alleyn right--particularly when he was interviewing suspects. I liked him best when he was interacting with Sergeant Bix. It definitely reminded me of Alleyn and Brer Fox. A random thought I had was on the naming of the sergeant. I'd be interested to know how complete the chapters Marsh left were and if all the primary characters were named as they appear in the final product. Whether Marsh left a complete roster or Duffy provided/changed any names, I also wonder if  Bix was a deliberate attempt to parallel Inspector Fox as the military man steps in as Alleyn's right-hand man for the investigation. Somehow, I think if the sergeant had held the moniker Bassington or some such polysyllabic or hyphenated surname then it wouldn't have been the same.

A major conceit of the book is a connection with A Midsummer Night's Dream. On the one hand, this rings true as the entire night's events have a very dream-like (though I think the participants may opt for nightmarish) quality. Everything happens in the dark and certain events seem to happen in slow-motion. There is also an almost fairy-like glow in the hidden cave that Alleyn investigates at one point. And Alleyn, of course, is known for quoting Shakespeare. However, I don't see a correlation between our characters and those in the play. Alleyn refers to himself as Puck--but that only works for me if you view Puck as the closest thing to a protagonist in the play. Alleyn certainly is not mischievous and the only "tricks" he plays on anyone is "playing" them (as he calls it) to try and get them to tell the truth about the night's events. 

This mystery should work really well for those who like their detective fiction in the Golden Age style but may not yet know Marsh's detective. It definitely has the right flavor. It also works for those of us who aren't quite as picky about Inspector Alleyn as we are about other classic detectives (Lord Peter and Poirot) and don't mind if everything rings absolutely true or not. It has a good plot with surprises and provides a lovely view of the New Zealand countryside during the WWII years. ★★ and 3/4...not quite a full four.


First line: At about eight o'clock on a disarmingly still midsummer evening, Mr. Glossop telephoned from the Transport Office at Mount Seager Hospital to his head quarters twenty miles away across the plains.

Last lines: He paused and set aside his pen. He would write from Aukland.

**********

Deaths = one smothered

Monday, March 22, 2021

The Coconut Killings


 The Coconut Killings (1977)

Friends of Detective Chief Superintend Henry Tibbett and his wife, Emmy, decide to retire to the idyllic Caribbean island of St. Matthew's (mythically located in the British "Seaward" Islands). They've just got their pub and inn up and running when their young bartender is accused of murdering a United States senator in a brutal machete attack. The Colville's are convinced that Sandy Robbins couldn't have possibly have committed such a cruel crime and beg Henry to come to the island and straighten matters out. 

Of course, he can't do so without proper authority, but that soon comes. A previous assignment saw him in the area and, as he has experience in the Caribbean, his superiors think he's just the man for the job. It isn't long until it becomes clear that Sandy is a convenient scapegoat and the wealthy British who oversee most of the island just want someone official to rubberstamp the "investigation" and prove them right. But that's not the way Henry Tibbett works--especially when his "nose" tells him there's more going on than racial unrest. Sure, the black revolutionary movement seems ready to take advantage of the situation, but everything indicates that Sandy wasn't part of the movement. So, why was the senator killed? And, if Sandy didn't do it, then who did?

A second brutal slaying and a kidnapping leads Tibbett to look for clues in--of all places--New York City, which in turn leads him to a hide-out deep in the island's rain forest. Everything he uncovers seems to point corruption springing from important political and economic sources. But he still needs to find the person behind it all...before racial unrest turns into a full-blown revolution.

This is a decent, quick read. The mystery plot is serviceable and the primary characters are well-drawn (some of the secondary, revolutionary characters less so). But it does miss a certain something. In the mysteries I've read by Moyes, I find that I much prefer Henry Tibbett when he stays in Europe. The Caribbean background is not Moyes' forte--as I note in my review for Black Widower (where Tibbett got his much-valued experience in the tropics). This outing fares a bit better in my ratings simply because I don't think the clues are quite so obvious. At least we're not hit over the head with them as in Widower


First Line: My dear Emmy, This is to let you know that John and I finally succumbed to your propaganda and went to the Caribbean for a holiday.

Last Line: And he handed Derek Reynolds a yellowing envelope, with a Tampican postmark franking an oblong, purple four-penny stamp.

**************

Deaths = 3 stabbed/slashed with machete

Wednesday, March 10, 2021

Bodies from the Library: Lost Tales of Mystery & Suspense from Agatha Christie & Other Members of the Golden Age


 Bodies from the Library: Lost Tales of Mystery & Suspense from Agatha Christie & Other Members of the Golden Age (2018*) by Tony Medawar (ed)

A delightful anthology of short stories and screenplays from the Golden Age of Detection--stories that have either never been published before or only once upon a time in newspapers or magazines. Of particular interest (to me) are the earliest detective story by Georgette Heyer, and stories by A. A. Milne, Arthur W. Upfield, and Vincent Cornier. It was wonderful to have more to read by Heyer and Milne (I thought I had read all their work) and Vincent Cornier was a brand-new author for me. I will say that I had feelings of deja vu with the stories by John Rhode and Agatha Christie--even though these have supposedly never been collected before, I definitely had the feeling that I had read these. The Anthony Berkeley story reminded me of Christie's thrillers with young couples (the Beresfords and Bobby Owens & Lady Frances [Frankie] Derwent...etc.). A lot of fun. Overall, an enjoyable collection and I look forward to reading the second and third anthologies. 

"Before Insulin" by J. J. Connington: Squire Wendover asks his friend Chief Constable Sir Clinton Driffield to help him determine the legitimacy of an unexpected will.

"The Inverness Cape" by Leo Bruce: Sgt. Beef must figure out who bought the second cape and murdered a harmless old woman--in full view of her sister.

"Dark Waters" by Freeman Wills Crofts: A man thinks he has the perfect plan for undetected murder--but fate and Inspector French have other ideas.

"Lincke's Greatest Case" by Georgette Heyer: Top secret submarine plans (it's always submarine plans...) are copied and sold to the Germans, but it appears that no one could have done it. The Yard's brightest young detective, Roger Lincke, is put on the case to find out where the leak is.

"Calling James Braithwaite" by Nicholas Blake: James Braithwaite hires Nigel Strangeways to "keep his eyes open" but doesn't have a chance to tell him just what for before he's thrown overboard from the ship that bears his name. Did the escaped psychiatric patient do it? Or is the killer closer to home?

"The Elusive Bullet" by John Rhode: Robert Halliday has an argument with his (he hopes) future father-in-law. The the man is found shot to death on a train that Halliday himself has traveled on--with a firearm. Inspector Hanslet thinks he has his man--but Dr. Priestly isn't so sure. And when the Halliday's prospective bride comes to him for help, he decides to investigate to be sure.

"The Euthanasia of Hilary's Aunt" by Cyril Hare: Money runs through Hilary Smyth's hands like water. He thinks he's gotten onto a good thing when he makes the acquaintance of his not-long-for-this-world wealthy aunt. But Aunt Mary is definitely on to him

"The Girdle of Dreams" by Vincent Cornier: Poor Mr. Blayne. An elderly woman approaches him at his jewelry establishment with a fabulous golden girdle. Despite her refusal to give its provenance, he's persuaded to keep it and show his partners for their opinion of the matter. Before he knows it, he's in a dream-like state; he has opened the safe; and the lady has disappeared with the girdle and a mass of jewels that aren't hers. The police doubt his story, but Professor Wanless believes it absolutely and soon brings the miscreant to justice.

"The Fool & the Perfect Murder" by Arthur W. Upfield: A man in the outback thinks he has committed the perfect murder to mystify the police. He doesn't know that when Detective Inspector Napoleon Bonaparte is put on a case perfect murders are no longer mystifying.

"Bread Upon the Waters" by A. A. Milne: Another young waster who loves money but not work, tries to figure out the perfect way to get rid of a rich uncle. He fastens onto the idea of committing a separate, unrelated murder first and somehow getting uncle's death hooked up with that--of course, he, the young waster, will have no motive for the first murder and the police will go looking for somebody else. But as so often happens with these things...there's just one little hitch in the plan.

"The Man with the Twisted Thumb" by Anthony Berkeley: Veronica Steyning slaps her employer's husband across the face, loses her job as a nursery governess, and plunges into a plot of intrigue in Monte Carlo. She and her new friends Geoffrey and Archie wind up involved with the Man with the Twisted Thumb. Lots of high adventure and hi-jinks.

Quote: Perhaps since eleven o'clock that same evening surprises had ceased to exist for Veronica.

"The Rum Punch" by Christianna Brand: Sgt. Troot, eager for his holiday in four days' time, goes up to the Hall to manage parking for a big event--only to find himself landed in the middle of a murder case. Will he be able to clear it up in time to head to the beach?

"Blind Man's Bluff" by Ernest Bramah: Max Carrados is deputized to guard a young American carrying secret plans. He'll have to outwit a cunning crook and a master of ju-jitsu to keep the plans safe.

"Victoria Pumphrey" by H. C. Bailey: Victoria Pumphrey is the last, impoverished Pumphrey in a long line of Pumphreys. She's been wasting her talents as a typist in a lawyer's office when an opportunity for investigation and adventure is provided. She naturally takes advantage of it and helps the last scion of another landed family.

"The Starting-Handle Murder" by Roy Vickers: "And I would have gotten away with it, it weren't for that meddling Department of Dead Ends."...and a gentlemanly feeling that I can't let someone else hang for my crime...

"The Wife of the Kenite" by Agatha Christie: Herr Schaefer is a German who made it through the first World War and headed to South Africa where his plans go off the rails because of Revolution. He thinks he's going to make it through this latest bloodshed...until he finds that revenge is sometimes a long time coming.

First line (from "Before Insulin"): "I'd more than the fishing in my mind when I asked you over for the weekend," Wendover confessed.

Last line (from "The Wife of the Kenite"): "This is the day in which the Lord hath delivered mine enemy into my hand..."

*All stories written pre-1960.

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Deaths = 13 (one natural; two hit on head; two hanged; two drowned; two shot; two poisoned; two stabbed)

Sunday, February 14, 2021

The Cannibal Who Overate


 The Cannibal Who Overate (1962) by Hugh Pentecost

The first of the Pierre Chambrun mysteries set in the Hotel Beaumont. The Beaumont is the most luxurious of the luxury hotels in New York City and everything runs like clockwork, thanks to Chambrun's exquisite managerial skills. It even runs like clockwork when Aubrey Moon, the superrich, sadistic own of one of the Beaumont's rooftop suites tries to disrupt everything and everybody with the planning of his annual birthday bash. He doesn't want much--just exotic foods and flowers flown in from all corners of the globe, the chorus of the Metropolitan Opera to sing "Happy Birthday," and to-the-second timing on every single item on the agenda. It's enough to make most men tear their hair out--but not Chambrun.

But, then a high-class call girl commits suicide in one of the hotel's suites and it's revealed that she was under pressure to kill Moon. Not that anyone would weep at his passing. Moon has made a life out of destroying those who annoy him--driving men and women to suicide, ruining careers, and bankrupting his foes. Apparently he has pushed one of his victims too far because someone with a lot of money to spend is throwing it at people in the "Moon Club"...those who have a reason to want Moon dead. Now they have an added incentive (beyond their hate and thirst for revenge) of $10,000 to put themselves and all of Moon's victims out of their misery. 

Chambrun doesn't care for Moon any more than anyone else and really wouldn't mind much if someone did the vicious man in, but he does care about the Beaumont and doesn't want any unpleasantness to mar its reputation. So he sets to work trying to discover the person behind the murder plot. Working with Jerry Dodds, his chief of security at the Beaumont, and Lt. Hardy of the NYPD, he helps to catch the mastermind in the act.

Not a bad beginning to the highly successful series. The characters aren't quite fully realized and Chambrun is not nearly as central to the story as he will become later in the series. I did realize fairly quickly where the plot was headed, but this was an enjoyable afternoon's read and a series that I do recommend overall. ★★

First Lines: It was Monday. This Saturday would be the Great Man's birthday.

Last Line: Fill up the glasses, Wills, I'd like to drink to that.

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Deaths = 4 (one hanged; one shot; one natural; one hit on head)

Tuesday, February 2, 2021

The Double-Jack Murders


 The Double-Jack Murders (2009) by Patrick McManus 

Sheriff Bo Tully has quite a bit on his plate. And it's not just the barbeque from the big shindig that kicks off the first chapter. A crazy killer has escaped, vowing vengeance on the lawman who was silly enough to try and put him behind bars (that would be Tully). He's also taken on a 75-year-old missing persons case that most likely ended in murder. His good friend Agatha Wrenn has asked him to look into the disappearance of her father and his assistant. The two were a pair of gold miners who disappeared just when it was rumored they had found a huge vein of gold in Blight County. Agatha's mother always told her that her husband Tom Link wasn't the disappearing kind, so Agatha grew up assuming he and Sean had been murdered. And now she wants to know for sure. 

Tully doesn't mind digging around in old (really old) mysteries, especially when it will suit his purposes for flushing out Lucas Kincaid--the killer on his track. So he loads up his ex-Sheriff father Pap and a tracker by the name of Dave and the three head out to Deadman Creek for a little camping, a little gold mine hunting, a little ancient murder solving, and...to set himself up as bait for Kincaid. He's also got the best shot in the sheriff's office, Deputy Brian Pugh on tap to play sharpshooter and pick Kincaid off if he tries anything. Trouble is...after Kincaid has two tries at killing him things go silent. No more evidence of Kincaid and, more troubling, not one peep out of Pugh. Did Kincaid give up that easily? Did he get Pugh first and decide that a dead deputy was as good as a dead sheriff? Just how man murders will Tully wind up solving after all?

The beginning of this one gave me dĂ©jĂ  vu. I am quite sure that I have never read a Patrick McManus mystery before, but that whole beginning where Sheriff Tully installs his deputy in the upper floor of his house with a scope rifle to watch out for a mentally unstable escaped killer with Tully on his hit list seemed awfully familiar to me. I'm not so positive about the whole barbeque in his "front yard" (the sprawling meadow around his house), but the deputy with the rifle--yes. 

Anyway...this is a decent, fast read. I didn't find it nearly as hilarious as the blurbs on the cover seemed to think I would:

The Funniest Writer Around Today (or at least in 2009)

I mean sure if you like your humor laced with macho self-appreciation or jokes about killing people (at least I think they're joking) or shooting in general or all men loving trucks--then, yeah, this is a rollicking yuck-fest. But for those of us who aren't all that keen on jokes about guns/shooting/killing and etc.--not so much.  It wasn't offensive--just not funny. The primary mystery (the missing miners) wasn't too difficult to figure out. I didn't get the slight twist, but I did recognize the motive and have it attached in the general direction. ★★

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Deaths = 3 shot

Wednesday, January 13, 2021

Crimson Snow


 Crimson Snow (2016) by Martin Edwards (ed)

Once again Martin Edwards has gathered together a delicious selection of holiday treats for the Golden Age mystery lover. We have Christmas ghosts, spurious Santas, mysterious strangers who leave no tracks in the snow-covered country-side, and criminous carolers...among other mysterious fare. Well-known authors such as Margery Allingham, Michael Gilbert, Julian Symons, Edgar Wallace, and Josephine Bell appear with those who may not be as familiar to mystery fans. All but two are seriously good mysteries and Josephine Bell closes the book out with a very dark and sad tale that brings home the plight of those who left alone on Christmas. There's even one story that offers a final challenge to the reader--with the answer at the end of the book. Can you figure out Cork's secret? Overall, an excellent collection for Christmas--or any time you're in the mood for a holiday mystery or twelve. ★★★★

A quick look at the stories enclosed.

"The Ghost's Touch" by Fergus Hume: In which a schemer is caught in his own ghostly trap.

"The Chopham Affair" by Edgar Wallace: a heartless blackmailer gets his just desserts from a very surprising source.

"The Man with the Sack" by Margery Allingham: Albert Campion puts a stop to a Christmas-time diamond theft.

"Christmas Eve" by S. C. Roberts: Sherlock Holmes and the puzzle of the purloined pearls.

"Death in December" by Victor Gunn: When Chief Inspector Bill "Ironsides" Cromwell accepts his sergeant's invitation to spend Christmas at Cloon Castle, his family's country seat, he's gloomily anticipating a stay with silly party games, chitchat with people he doesn't know, and other social inconveniences. He immediately perks up when a mysterious figure crosses the drive between them and the castle--leaving behind no footprints. And there's soon more ghostly and murderous incidents to investigate. A fitting Christmas present for savvy detective.

"Murder at Christmas" by Christopher Bush: Ludovic Travers spends a week with his colleague for Christmas and golfing. While there he becomes involved in the murder of a swindler whose body is found in the woods.

"Off the Tiles" by Ianthe Jerrold: In the days between Thanksgiving and Christmas, an artist falls to her death from the tiled roof. Some say it was suicide; some say it was a deadly accident--Inspector James Quy soon knows it is neither.

"Mr. Cork's Secret" by MacDonald Hastings: Montague Cork's insurance company underwrites a policy covering a fabulous ruby and diamond collection known by the unappealing (to me anyway) name of Alouette's Worms without his input. He's uneasy about the transaction and follows the jewels to the Paradise Hotel...where he becomes embroiled in murder and robbery.

"The Santa Claus Club" by Julian Symons: The wealthy business bigwig Lord Acrise receives a death threat which tells him that he will die at the annual Santa Claus Club dinner where all the members (all wealthy) dress up as old Saint Nick and hold a raffle in support of charity. He asks private investigator Francis Quarles to attend as his guest and quasi-bodyguard, but murder strikes despite the detective's presence.

"Deep and Crisp and Even" by Michael Gilbert: Sergeant Petrella trails a suspicious character encountered when he (Petrella) took part in a round of Christmas caroling. Just who is the man who gave drinks to the carolers in Mr. Hazel's house? [Just my two cents...I like Michael Gilbert a lot. This story? Not so very much.]

"The Carol Singers" by Josephine Bell: The death of an elderly woman on Christmas Eve results in a long investigation to bring the crime home to the villain/s of the piece. 

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Deaths = 10 ) four shot; one drowned; one stabbed; one strangled; one fell from height; one poisoned; one natural)

Monday, December 28, 2020

The Clue of the Runaway Blonde/The Clue of the Hungry Horse


 The Clue of the Runaway Blonde (1947) by Erle Stanley Gardner

First of two novellas featuring Sheriff Bill Eldon. Eldon is an old-fashioned sheriff who relies more on his knowledge of people and how they behave than on new-fangled ideas such as forensic evidence  and finger-printing--that's what he has his undersheriff George Quinlin for. But the political bigwigs don't think that Eldon is the man for the job anymore and are hoping to show him up for the old fogey he is and get a younger man on the job. 

When a young blonde woman is found stabbed to death in the middle of Sam Beckett's new field with no footprints leading to or from the body, it looks like a real stumper has come along and it should be just what they've been waiting for. Difficulties arise when circumstantial evidence seems to point towards Quinlin's household and so they bring in a "consulting criminologist" to outshine the sheriff. But Eldon isn't out of the hunt and he proves that newer doesn't always mean better.

For a novella-length story, this little mystery packs quite a lot of action and detection into 120 pages. Eldon becomes quite interested in the old Higbee place (in the middle of Beckett's new land) and what he thinks the girl may have been doing there. He follows up clues that the criminologist doesn't even notice and proves that he's still got what it takes to keep law and order. There is also the subtext of politicians trying to manipulate civic appointments to their liking and Gardner certainly shows what he thinks of that.

A fun, quick-paced story with a clever answer to the seemingly impossible crime. ★★★★

First line: Cold afternoon sunlight made a carpet of long shadows back of the eucalyptus trees along the road as Sam Beckett opened the gate of the old Higbee place and drove his tractor into the eighty-acre field.

Last lines: The sheriff chuckled. "This here consulting criminologist didn't know it. If he did he didn't think of it--not until I pointed it out to him."

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Deaths = one (stabbed)

********************************************************


 The Clue of the Hungry Horse (1947) by Erle Stanley Gardner

Sheriff Eldon's political enemies are still searching for ways to oust him out of office. This time they have a rich, L.A.-based businessman named Calhoun on their side when an unknown woman is found dead in his stable. Things don't start off too good for Eldon when the woman is initially identified as Calhoun's daughter. Eldon's mistake is just the kind of thing those opposed to him are ready to jump on. 

The doctor is ready to call it an unfortunate accident--the poor girl was kicked in the head by a nervous horse. But Eldon insists on murder (grabbing for headlines--in the opinion of the antagonistic District Attorney). When the evidence starts coming in, it begins to look like Eldon assisted the murderer to escape, but when the actual weapon is planted on an unsuspecting innocent witness Eldon knows he's got his murderer and is ready to defend his deductions before the Grand Jury.

Once again, Gardner puts together a quick-paced murder mystery. Though not quite as solidly plotted as Runaway Blonde, it is still a good puzzle mystery. The character of the sheriff is a big draw and it's definitely fun to see him get the better of those who are out to see his downfall. ★★

First line: It was 7:55 when Lew Turlock answered the phone and was advised that long distance was calling Miss Betty Turlock.

Last line: The sheriff chuckled. "I saw her," he said. And then, a few seconds later, as he was slipping out of his outer garments, added, "first."

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Deaths = one (hit on head)


Sunday, December 20, 2020

Thirteen at Dinner


 Thirteen at Dinner (1933; APA as Lord Edgware Dies) by Agatha Christie 

While Poirot and Hastings are attending a performance of the impressionist, Carlotta Adams, the renowned actress Jane Wilkinson (aka Lady Edgware) approaches Poirot. It seems the lady would like very much to divorce her current husband so she can marry the wealthy Duke of Merton (and move even further up the social ladder). Ms. Wilkinson is used to getting her way and can't stand the fact that her husband is being so obstructive and refusing to grant the divorce. In fact, if Monsieur Poirot cannot convince him to divorce her, then she'll just have to jump in a taxi, drive up to the house, and kill him.

Despite the fact that Poirot does not usually dabble in divorce cases of any sort, he is intrigued and surprises Hastings by agreeing to visit Lord Edgware. But they both get a bit of a shock when Edgware declares that he can't understand what they're talking about--he's written to his wife telling her quite plainly that she's welcome to her divorce. Poirot senses that there is something peculiar going on even after he tells the delighted actress that all should be smooth sailing in the divorce department. He's proved right the next day when Inspector Japp tells him that Lord Edware has been murdered and both the butler and secretary declare that Lady Edgware did it.

It appears that a woman announcing herself as Lady Edgware arrived at the house, went into the library to speak with her husband, and left. Lord Edgware was discovered the next morning stabbed to death. Japp isn't worried about the case at all except for one small fact--he's been told that Poirot visited the dead man the day before his death and Japp wants to know just what's up. Well, he's a bit deflated to hear that Lady Edware's motive isn't nearly as strong--after all, she was going to get her divorce. But--still you can't deny the evidence of witnesses, now can you?

But then...he finds out that there's a roomful of witnesses prepared to swear that Jane Wilkinson spent the evening at a dinner party held at the home of Sir Montagu Corner. She never left the dinner table once except when she was briefly called to the phone for what seems to have been a prank phone call. So other suspects must be found. Lord Edware wasn't a particularly nice man--his daughter admits to hating him; he had thrown his nephew (and now the new Lord Edware) out of the house and cut off his allowance; and the butler and a sum of money recently withdrawn by the lord have now disappeared.

Poirot suddenly remembers Carlotta Adams and her very successful impersonation of Jane Wilkinson and becomes worried for her safety. He and Hastings rush to her rooming house, but are too late. Carlotta Adams is also dead from an apparent overdose of veronal. Somebody got Carlotta to impersonate Lady Edgware--but who? And whose hand held the knife that killed Lady Edware's husband? Poirot poses five questions that must be answered before he'll be able to identify the killer and he almost forgets about them when it looks like he finds the culprit by another means. Japp is happy with the initial solution, but Poirot is not and he goes back to his five questions once more.

This is a fine use of one of Dame Agatha's favorite ploys--impersonation. And getting to the bottom of who plotted the impersonation and to just what use it is put is the whole point and the fun of the thing. Of course, I've read this one before and have seen the Suchet version of it more recently, so I really wasn't fooled by the red herrings and distractions that Christie puts in the reader's way, but it was still enjoyable to watch her try. Christie is one of my many comfort reads and I am having a very good time working my way through her work (more or less in publication order). ★★★★

First line: The memory of the public is short. Already the intense interest and excitement aroused by the murder of George Alfred St. Vincent Marsh, fourth Baron Edgware, is a thing past and forgotten.

Last line: P.S.--Do you think they will put me in Madame Tussauds?

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Deaths = 3 (two stabbed; one poisoned)

Saturday, December 19, 2020

What Remains of Heaven


 What Remains of Heaven (2009) by C. S. Harris is the fifth in the Sebastian St. Cyr, Viscount Devlin, historical mystery series set in the early 1800s. Devlin has gotten quite a reputation as a solver of crime. So, when the Bishop of London is found dead in the recently opened church crypt in his home village, the Archbishop of Canterbury naturally asks the gentleman sleuth to investigate the death of his (the Archbishop's) favored successor. Devlin might have turned him down, but the sneaky prelate brought his friend and Sebastian's favorite aunt, the Duchess of Clairborne, along to ensure his acquiescence. But when they tell him that the Bishop was found beside the remains of a corpse murdered several decades ago, he's definitely intrigued.

As Devlin begins to dig into the Bishop's recent appointments, he finds a startling coincidence--Miss Hero Jarvis had been to see the man on a regular basis and was apparently the last appointment prior to his death. Hero and Sebastian have a rocky past--their fathers have been at odds politically and Sebastian has more than irritated man who is the power behind the Prince Regent on numerous occasions. The situation has also been complicated by a brief, unexpectedly passionate encounter which may prove to have long-lasting effects on our detective's life. But there are many who have much stronger reasons to have removed the Bishop from this earthly plane.

There is the butcher who had an odd encounter with the Bishop that day--a butcher who has somehow managed to produce enough cash to open a fairly new little shop just a short time after returning from serving a penal transportation. There is the nephew who argued with him and the widow his eldest brother who has secrets of her own. And there's Lord Jarvis himself...who desperately did not want The Bishop of London to be appointed as the Archbishop's successor. Not to mention the well-to do politicians who resented the Bishop's stance on slavery. Devlin's investigations lead him from the back alleys of Smithfield to the powerful residents of Whitehall and suspects range from those already mentioned to William Franklin, the bitter son of American patriot Ben Franklin, who blames the Bishop for his inability to find a welcome in either country.

Once the second corpse is identified, a whole new set of motives is revealed--including a well-guarded secret within his own family. Finding the killer may also reveal a truth about himself that will bring his world crashing down, but his sense of justice won't let him rest until he discovers the killer.

I really enjoy these historical mysteries. Harris mixes political intrigue with standard mystery motives and the reader must be on her toes to figure out which type of motive will carry the day. Harris is a scholar of the French revolution and 19th Century Europe and it definitely tells in her depictions of the period. The details are vivid and she manages to make us feel like we've learned a lot about the period without also feeling like there have bee massive info dumps of historical material. The characters are also well-drawn and intensely interesting--even those who are not so likeable. However, I do hope that we will (soon!) get to the point that we can stop throwing earth-shattering revelations about his family at Devlin. Let the poor man be for a bit! I appreciate having real characters that we can relate to, but I do get tired of constant drama in the lives of my heroes and heroines. ★★★★

First line: His breath coming in undignified gasps, the Reverend Malcolm Earnshaw abandoned the village high street and struck out through the lanky grass of the churchyard.

Last lines: He expected her to make one of her usual provocative remarks on the inequities of modern English marriage laws. Instead, she gave a strange, soft laugh and said, "Perhaps I shall."

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Deaths = 4 (one hit on head; two stabbed; one burned in fire)

Friday, December 4, 2020

Mrs. Jeffries & the Feast of St. Stephen


 Mrs. Jeffries & the Feast of St. Stephen by Emily Brightwell (Cheryl Lanham Arguile)

In the weeks leading up to Christmas Mrs. Jeffries and the rest of the servants at Inspector Witherspoon's residence are getting ready for the holidays when their master is handed a rather unpleasant Yuletide gift. The wealthy Stephen Whitfield had been hosting a seasonal dinner of his own his sister-in-law and a few friends when he fell dead into his plate of soup. Whitfield just finished telling those gathered that he had a very special announcement. He then turned red, began to shake, told the guests they had all turned blue and something was wrong with the lights before falling forward onto the table. They are all shocked, but believe he has suffered from a heart attack until the doctor who had been quickly summoned from across the street announced that he believed it was poison and that the police must be called in.

It is soon established that the cause of death was a liberal dose of dried fox gloves leaves in the bottle of Bordeaux brought as a gift by Maria and Basil Farringdon, two of the guests. Whitfield had been the only one to drink the wine--everyone else sticking to the usual sherry before dinner. But Whitfield had guzzled the stuff down like a man who'd just crossed the desert with no liquid refreshment at hand. At first glance you'd think the Farringdons the likely culprits, but it winds up that anyone in the house could have dumped an envelope full of dried bits into the wine at any time. The butler had opened the wine and left it on the stand in the drawing room. Then Whitfield led his guests off to admire his Christmas decorations and everybody milled about in such a way that nobody knew where anybody else was for sure at any given time. It's all a muddle for Inspector Witherspoon--everyone had an opportunity, but the motives keep fading away like snow flakes on a warm window. His superior officer is being pressured to have the case solved by Christmas and so Witherspoon is pressured as well. He just doesn't think his "inner voice" (as his housekeeper Mrs. Jeffries has called it) is going to speak up this time.

But his secret weapon is at work--the secret weapon he doesn't know he has. Mrs. Jeffries, Mrs. Goodge (the cook), Smythe (who handles the horses), Betsy (the maid), and Wiggins (the footman) are all on the case...along with his good friends and neighbors Mrs. Luty Bell Crookshank and her butler Hatchett. Each of these characters have their own sources and methods and can usually collect enough gossip and clues to help Mrs. Jeffries unobtrusively direct Witherspoon's inner voice to reveal the solution. The group have a tough case this time....and Witherspoon is on his way to meeting where the case will most likely be reassigned to another inspector when light finally breaks and the inner voice can speak. 

These Victorian era mysteries are very light and fluffy and this one was just what I needed at the moment. A little bit of holiday festivity thrown in with the cozy little investigations of the servants. I did spot the murderer and how exactly it all happened before Mrs. Jeffries, but I didn't mind. It was nice to visit these old friends (I've read several of these over the years). A good solid read for when you don't want anything too taxing. ★★

First lines" "I do hope you like this, Stephen." Maria Farringdon smiled as she handed the bottle of Bordeaux to her host.

Last line: "And if he does, I 'elp ya hunt him down," Wiggins offered.

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Deaths = 5 (poisoned)

Miss Marple: The Complete Short Stories


 Miss Marple: The Complete Short Stories (1985) by Agatha  Christie (all stories originally published 1960 or earlier). This collection includes all the Miss Marple stories from The Thirteen Problems, The Regatta Mystery, Three Blind Mice, and Double Sin. The first of a set of stories centered around Miss Marple, her nephew, and some friends who comprise the "Tuesday Night Club"--a gathering where each member submits the story of mystery to which only they know the answer. The others are supposed to try and figure out the answer. Of course, Miss Marple outshines them all. Later stories show her involved in mysteries as they happen to folks in St. Mary Mead and to her friends in other villages. A very nice, comfortable little collection. ★★

"The Tuesday Night Club":  Here Sir Henry Clithering tells the story of poisoning. Three people sat down to a dinner and it seems that all three ate the same things. But only one of them dies of arsenic poisoning (or even gets sick). How was it done? And who did it? Miss Marple knows.

"The Idol House of Astarte": Dr. Pender takes center stage next with a tale of a seemingly impossible murder cloaked with a bit of mysticism. The murder was committed on the night of a costume party near the grove of Astarte. The grove was on the estate of Sir Richard Haydon, a man who was rival of his cousin Eliot for the love of the beautiful Dianna Ashley. The grove contained a mysterious summer house which was rumored to have been a place where secret rites were held long ago. Diana decided to dress the part of Astarte--appearing in a mysterious glow in the summer house. The vision startled Sir Richard and he then stumbled to the ground. when the others reached him, he was dead from a knife wound...but there was no knife to be found.

"Ingots of Gold": Raymond West, Miss Marple's nephew and a famous author, tells of a visit at the home of his friend John Newman. Newman has started a search for a Spanish ship, which has been rumored to have sunk off the Cornish coast during the rout of the Spanish Armada--with a cargo of gold. Also in the vicinity Inspector Badgworth who is more interested in the recent sinking of the Otranto, a ship that most definitely did have gold ingots aboard but the gold has been stolen. Newman disappears and when he's found tied up in a hollow near the cliffs, he tells West and the Inspector that he ran afoul of the men who have absconded with the ingots. Can Miss Marple get to the bottom of this mystery?

"The Bloodstained Pavement": Joyce is the artist in the group and she tells a story that speaks to her artistic eye--noticing details that only an artist...or another woman like Miss Marple might see. Her story also takes place in Cornwall in a small coastal village where she had gone to paint. A couple comes to the same hotel as does a previous acquaintance of the husband's. The three arrange to meet at a nearby beach--the couple rowing to the sight and the other woman walking along the coast. Later, Joyce notices the wet bathing things hanging out to dry while she is painting and chatting with a man from the town. She's aghast when she sees that she has painted bloodstains on the pavement in front of the hotel. The man tells her a story of previous violence at the hotel and says that whenever someone sees the bloodstains, then a death will follow within 24 hours. Two days later, she reads in the paper that Margery (the wife of the pair) had disappeared while swimming in the sea at another location. A week later her body is found with a wound in the head. Was it just a fatal accident or was it murder?

"Motive v. Opportunity": Next up is the attorney Mr. Petherick. He tells the club about Simon Clode, a wealthy client who has long since passed on. At one time he had a granddaughter on whom he doted, but she died while young. Clode became more and more obsessed and depressed by her death and turned to a questionable spiritualist to contact his daughter in the afterlife. After several "conversations" with the little girl, he decides to leave Eurydice Spragg, the medium, everything he has to the disadvantage of his niece and two nephews. Mr. Petherick disapproved, but had no valid reason to prevent the short and to-the-point will from being witnessed and signed in his presence. After Clode died, everyone was surprised when the envelope containing this latest will was opened and the paper was blank. The club investigates, but it seems that those who had a motive to substitute a blank page had no opportunity and those who had an opportunity had no motive. Miss Marple sees straight through to the truth.

"The Thumbmark of St. Peter": Miss Marple tells the story of her niece Mabel who wed unwisely and soon regretted it--for her husband was a bit of bully and they quarreled often. After one particularly heated argument, the husband died mysteriously the next night. Small villages just can't resist gossip and soon rumors are flying round that Mabel has poisoned her husband. Mabel called upon her aunt to help her out of her mess. Miss Marple was able to discover that the man was indeed poisoned and the guilty party was soon identified.

"The Blue Geranium": This time the story-telling takes place around the table at the Bantrys. Arthur Bantry tells about his friend George Pritchard, who had a very irritable, semi-invalid wife with a fondness for psychics. Mrs. Pritchard consults Zarida, the last in a long line of such women, who gives her a dire warning: On the full moon, she must watch for the signs. A blue primrose means caution, a blue hollyhock means danger, and a blue geranium means death! Over the course of the moon's phases, the signs appear--on her floral wallpaper flowers that were never blue before suddenly change color. And on the morning she is found dead within her locked room, there is a blue geranium just above her bed.

"The Companion": Dr. Lloyd tells of two middle-aged women he saw when on a holiday (for his health), Miss Mary Barton and her companion Miss Amy Durant. He was sure that they were just the type of women that nothing exciting ever happened to. But he was wrong. The very next day Miss Barton is drowning and Miss Barton attempts to bring her ashore and save her. Dr. Lloyd appears on the scene and artificial respiration is unsuccessful. The next thing he knows, Miss Durant is dead too. She apparently committed suicide and left a note that seemed to indicate that she was remorseful for having caused Miss Barton's death. But there's more to the story...as Miss Marple knows.

"The Four Suspects": Sir Henry gives us another tale about Dr. Rosen who was instrumental in the downfall of a secret German organization. The doctor knew that eventually members of the group who had escaped punishment would seek him out and exact revenge, but he was satisfied that he had done the right thing and hoped to finish a research project before they got to him. He is found dead at the bottom of his staircase--possibly an accident, possibly not. The four members of his household fall under suspicion, but they all claim to have been out at the time (but no corroboration of their whereabouts). Miss Marple uses clues from the story and her own knowledge of gardens to point out the culprit.

"A Christmas Tragedy": Miss Marple relates the time she was certain that a man was going to kill his wife while they were all staying at the same hotel over the Christmas holidays. There were several "accidents" which could have been fatal. But when the wife is killed in what looks like a burglary gone wrong, the husband has a cast iron alibi. If Miss Marple hadn't noticed two key facts while on the scene, the murder might not have been solved.

"The Herb of Death": Mrs. Bantry takes her turn at presenting a puzzle for the group. She tells of a dinner party where fox gloves leaves were mixed in with sage and everyone at the dinner became ill. Everyone recovered except the ward of the host. The young woman died and it was initially thought that the leaves were simply mixed in by mistake. But Miss Marple spots the clues that prove murder...and correctly names the murderer as well.

"The Affair at the Bungalow": Jane Heiler, a beautiful actress, tells this story. She presents it as having happened to "a friend," but the others are quite sure that the story is Jane's own. While on tour with a play, she was called in by the police to be identified by a young man who claimed she had written a letter and requested his presence at a certain bungalow which belonged to another actress. He had met her there and then been drugged.  A robbery had taken place at the bungalow and he is being held as a suspect. But when Jane arrives at the police station, the man says that she isn't the right woman. What really happened? Miss Marple knows...even though she says she doesn't while the group is all together.

"Death by Drowning": Rose Emmett has been found drowned in the river near St. Mary Mead. She was pregnant and her lover had refused to marry her so everyone thought she had killed herself. But Miss Marple knew she'd been murdered. When she hears that Sir Henry Clithering is in town for a visit, she asks him to investigate. She has no proof and doesn't think the local police will take her reasons seriously. She writes down the name of her suspect and asks Sir Henry to find a way to discover whether she's correct. When an apparently unshakeable alibi is produced, it begins to look as if Miss Marple has made her first mistake....but Christie fans know that can't be possible.

"Miss Marple Tells a Story": Mr. Petherick brings a man accused of murdering his wife to see Miss Marple. When the man sees the elderly sleuth, he's doubtful that she can help him, but Petherick convinces him to tell his story. Mr. Rhodes and his wife were staying at a hotel. She had gone to bed and he was working in the adjoining room. Only he and a chambermaid (who brought fresh towels) had access to the rooms and there are witnesses who can state that no one else came near the rooms. The case looks very black against Mr. Rhodes and he didn't impress the jury much at the inquest. But never fear...Miss Marple can prove his innocence if anyone can.

"Strange Jest": Two cousins, Edward Rossiter and Charmian Stroud are introduced to Miss Marple at a party. They become convinced to share a problem with the lady. It seems that their recently deceased uncle had always told them that they'd be well taken care of when he was gone. But when he died, they found that he had sold securities and withdrawn his money from the bank with no evidence as to what was done with it. He had talked a lot about gold and burying your treasures in the garden, so the pair had gone on a digging spree with no luck. After Miss Marple hears what happened on his deathbed, is taken to the house where he lived, and has a good look round, she's able to help the young people find their inheritance in an unlikely place. But then elderly men do sometimes like to have their little jokes.

"The Case of the Perfect Maid": Miss Marple's maid asks her mistress to help her cousin Gladys--also a maid. Though Gladys is a bit outspoken in her ways, she's an honest girl. But now there is a stain on her character. She had been working for the Misses Skinner and one of the ladies' brooches had gone missing. It was found but then, after a dish was broken, Gladys was given notice and now people are starting to talk. Miss Marple has barely begun to work when the Skinners find a paragon to replace Gladys...but all is not what it seems.

"The Case of the Caretaker": Miss Marple has had the flu and is still feeling rather peaked, so Dr. Haydock brings her a little puzzle to get her mind off her troubles. He has written up the details of mysterious death and wants to see if she can give him the solution. The story concerns the return of handsome Harry Laxton to the village of his childhood. The boy who was a bit of scapegrace has done well for himself and married a beautiful young woman of wealth. He takes over what's left of his childhood home--tears it down and builds a lovely house for his new bride. But the villagers can't give up the gossip about his past and there's one person who is very upset that the old house has been torn down. When tragedy strikes, who is behind it?

"Tape-Measure Murder": Mrs. Spenlow is late for her appointment with Miss Pollitt, the dressmaker. Miss Pollitt has been ringing and knocking at the door to no avail. Mrs. Spenlow's neighbor soon notices the commotion and comes to help--when Miss Hartnell tries to look in the windows, she discovers Mrs. Spenlow dead on the hearthrug. Everyone is convinced that the husband did it, after all the man showed so little emotion when he was told his wife was dead. And what kind of alibi is it to say that he'd received a phone call from Miss Marple asking him to come to her cottage and then the lady wasn't home. Miss Marple is certain he's telling the truth, but how to prove it? 

"Greenshaw's Folly": Raymond West winds up witnessing an old lady's will and finding out that she needs someone to compile her grandfather's diaries for publication. He suggests his niece Louise for the job and then, after only two days at the lady's home at Greenshaw's Folly, she witnesses a murder that couldn't have happened. Miss Marple is able find out how it was done and by whom.

"Sanctuary": Diana "Bunch" Harmon is intent on placing her flower arrangements in the church when she finds a dying man on the chancel steps. The man tries to speak, but is only able to say "sanctuary" and something that sounds like her husband, the vicar's name Julian. She gets help quickly, but nothing can be done to save the man who was shot. His relatives arrive--insist that he'd been depressed lately and must have killed himself and seem more concerned about collecting his possessions (especially his coat) than they are about the man's death. Bunch can't get his last words out of her head and she takes the problem straight to Miss Marple. The two women find themselves in the middle of a rather exciting adventure and eventually discover why the man was seeking sanctuary.

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Deaths (from all stories) = 21 (five poisoned; six natural; two stabbed; two hit on head; two drowned; one fell from height; two hanged/strangled; one shot)