The Murder Wheel

 The Murder Wheel (2023) by Tom Mead

Edmund Ibbs is a young, idealistic lawyer working for the defense in what looks like a hopeless case. Dominic Dean, bank manager, and his wife Carla took a ride on the Ferris wheel at the local fair. But only one of them survived the ride. When their carriage reached the top, there was a shot and Dean was dead before he could receive medical attention. Carla swears that she's innocent and Ibbs wants to find a way to make a jury think she could be. He hears about a mysterious "limping man" who had been following Dean and was seen leaving the fair after the shot by the man who operated the Ferris wheel. He starts looking for answers--interviewing workers at the bank and learning that there had been a robbery at the bank not long before. Is there a connection?

Ibbs is also an amateur magician and decides to take in a show featuring Professor Paolini. During one of the illusions, a dead man falls out when a locked crate is opened....and it is Varga, the operator of the Ferris wheel. When another impossible crime happens in the theater, Ibbs finds himself the prime suspect. But fortunately, Joseph Spector, the expert on impossible crimes is on hand to investigate and between the two of them, they will discover who is responsible for each murder. Do they all tie in with the robbery? And if so, does that mean that Titus Pilgrim, an underworld crime boss, is at the back of it? Or are there different culprits with different motives? We will have to wait and find out.

Tom Mead is carrying on the tradition of John Dickson Carr and other locked room/impossible crime experts from the Golden Age...and doing it well. Using the magician's stocks-in-trade (the art of distraction and sleight-of-hand), he makes it difficult to keep your eye on the ball and figure out which cup it's really under. I absolutely fell for one of the red herrings and was busy trying to tie it to one of the suspects. This kept me from spotting the clues that Mead obligingly sprinkled through the text (and which he helpfully footnotes during Spector's wrap-up scene). I'm still not sure I completely understand how the body got in the crate--even with the delightful little map/diagram that we're given. But I'm trusting that it really does make sense to those more able to decipher the layout. 

Just as with a good magic show, I thoroughly enjoyed being mystified and I really liked the opening mystery with the Ferris wheel. It was also satisfying that we came full circle and had a second helping of attempted murder on the wheel, creating an exciting finish for our hero. This second adventure in the Joseph Spector series is nearly as good as the first and it is another terrific effort at recapturing the spirit of the Golden Age of Detection. ★★★★

First lines: It began with the book. If not for the book, the rest of it would not have happened.

Last lines: Ibbs looked back at the old man. Spector's pale eyes gleamed.
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Deaths = 12 ( four natural; four shot; one beaten to death; one broken neck; one fell from height; one hanged)

Shadow of Madness

 Shadow of Madness (1950) by Hugh Pentecost (Judson Philips)

Dr. John Smith, a criminal psychologist, decides that what he really needs is a fishing trip. He hasn't been fishing and camping since he was young and so he gathers camping gear and his fishing gear and decides to head out into the woods.  And gets lost. And gets captured by a madman with a Thompson submachine gun. When someone asks him later how he got into the dangerous position he finds himself, he responds:

Because I am an idiot. I haven't been fishing for twenty years, Mr. Cornwall. I got the urge for the great outdoors. Do I fish off a bridge near my own comfortable lodgings? No. Do I mosey along a pleasant winding stream through the farm lands in the neighborhood? No. I strike out for the great outdoors. I am a woodsman. I am going to camp out--an idea I haven't had since I was twelve years old, a frighteningly long time ago. I strike out into the woods. I have all the modern camping gadgets from Abercrombie and Fitch. After one hour of fishing I cannot find my camp or my equipment. After four hours I find myself confronted by a young man with a machine gun. That, Mr. Cornwall, is the history of my idiocy.

Yes, Dr. Smith is taken prisoner by Mark Douglas. A madman with a mission. Someone has been blackmailing Mark over a crime worthy of the District Attorney's attention and Mark has had enough. He's been pushed over the edge. He knows the blackmailer must be one of eight people--his wife or one of seven "friends" he's known all his life. He brought them all to this secluded lake where they spent their younger days swimming, boating, fishing, and sleeping in the large cabin. Then he wrecked the cars and told them if the blackmailer didn't confess...or they didn't work together to expose him/her...then he would kill them all rather than endure anymore demands. Now that Dr. Smith has wandered into the party, he's expected to play by the same rules. Can the man who works with criminal insanity on a regular basis defuse the ticking time bomb that Mark has begun? And when murder strikes among the party can he solve that little problem as well?

This was one of the most interesting mysteries/thrillers/suspense stories that I've read in quite a while. The opening chapter is amazing. The set-up intriguing. The way the doctor goes about interviewing the captives and working on Mark is fascinating. Pentecost does a brilliant job in building the tension and bringing in the back ground that the doctor needs to understand the currents running under the surface among these people. Did I spot the blackmailer and/or killer? Not exactly. I was kind of leaning their way, but didn't get there before the reveal. Speaking of the reveal, that was the most disappointing part of the story. After the big build-up, I expected a bit more oomph in the finale. It's not that it wasn't good--it just wasn't great. So I couldn't quite bump the star rating all the way to the top. ★★★★

First line: The small gray man pushed his way through the brush and came out into the clearing.

Last line: "Why not?" the Doctor said. "Why not?"
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Deaths =  5 (one shot down in war; one stabbed; one natural; two car accident)

Consequences of Sin

 Consequences of Sin (2007) by Clare Langley-Hawthorne

1910 England (mostly). Ursula Marlowe--heiress, Oxford-educated, wanna-be journalist (but NOT a women's fashion/gossip/society writer), and suffragette--receives a phone call that plunges her into murder and a mystery linked to a South American expedition from twenty years ago. Winifred Stanford-Jones, a friend and fellow suffragette, asks for Ursula's help when her (Freddie's) lover is killed in compromising circumstances. Freddie is arrested--after all, what are the police supposed to think when Laura Radcliffe is stabbed to death in Freddie's own bed? 

But then Laura's father commits suicide and Ursula finds links to an expedition that her own father, as well as Colonel Radcliffe and other prominent men had sponsored. When another sponsor's daughter is killed, it begins to look like someone has a vendetta against those who backed the trip to South America. But Colonel Radcliffe was the only survivor of that doomed expedition...or was he? Ursula tries to get her father and their legal advisor, Lord Wrotham, to give her information that will help find the real killer and set her friend free, but they insist that she stay out of it. But Ursula can't do that...she'll  get to the bottom of this--with or without their help. But will she survive long enough to share what she learns?

Here we go again...strong-willed woman meets supportive man (yes, Lord Wrotham is a young legal advisor and, though he seems to through obstacles in her way, he actually admires her intelligence and courage). It's a little bit more believable this time around because we're in the middle of the "votes for women" era. So in the middle of the story, Ursula--who has never been anywhere outside of England--suddenly decides to go traipsing off to South America where a massacre took place during an expedition her father and other backers funded to see if the man she (and the backers) think may be running amok and killing people right and left is still in the jungle or not. And she manages to disguise herself as a man and successful navigate booking passage so she can travel alone on the boat. And then she goes off by herself to find the man in the back of beyond. I'm sure that could happen. And why on earth did she suddenly abandon her male disguise in the middle of it all? That was baffling.

I wanted to like this more than I did. It had an interesting opening and the premise for the murders actually worked well. But the story dragged a bit up till the point that Ursula goes running off to South America. Lots of action from that point on, but her trip wasn't quite plausible enough. It would have worked better if she'd been given at least a bit of experience as a traveler. The other quibble I have is how rapid things turned to romance. Even faster than usual in these romantic historical mysteries. I'm giving all of the star value to Ursual, whom I really do like as a character, and the mystery itself. ★★★

First line: When the telephone rang downstairs so early that Saturday morning, Ursula Marlow knew it could only be bad news.

Last line: "Always."
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Deaths = 7 (three natural; one accident; one stabbed; one shot; one strangled)

Murder Enters the Picture

 Murder Enters the Picture (1942) by Willetta Ann Barber & R. F. Schabelitz

Christopher "Kit" Storm is a moderately successful commercial artist who also does portraits and acts as an artistic consultant to the New York Police Department. He regularly assists his friend, Captain Tony Shand with sketches of the crime scenes as well as the suspects interviewed. And has gotten more intimately involved in more recent cases (see my review of Murder Draws a Line) But he and his new bride, Sheridan (Sherry), are off on their honeymoon--little suspecting that a plea from Sherry's aunt will embroil them even more deeply in murder than ever before.

Sherry's Aunt Mattie asks the couple to stop by the Plateau, home to the Mints and a place that Sherry knew well growing up. It seems that Uncle Ezra (long since deceased) has recently been seen roaming the grounds--or rather his ghost has. And Aunt Mattie wants them to check in on Sara (the seer of ghosts) and find out what's going on. What's soon to be going on is murder. Andrew Mint, the heir of the Mint's Meats business and fortune is soon found murdered--killed by the stab of an ice pick. He's quickly followed by other members of the family. The youngest of the clan goes missing for a while (but found safe, thankfully); a field is set on fire; there's a question whether some valuable etchings have been sold (and replaced with replicas); there's blackmail; and a whole slew of motives swirling about. Kit is quick with his sketches and spotting the clues he captures in them--but Chief JIm Lang doesn't know Kit like Captain Tony Shand does and is more apt to view him with an eye of suspicion. After all, isn't odd that Kit's always on the spot when another body is discovered? Kit will have to work hard to convince Lang of his innocence and even harder to put the sketched clues together to identify the culprit. Especially if he doesn't want to become the killer's final victim.

There are a lot of things to like about this series. I love the drawings that accompany the stories and the fact that if I were better at spotting all the clues then I could have had solid evidence to justify my suspicions. Yes, I did spot the killer (after an initial miscalculation)--and most of the motive--but I missed the biggest clues in the sketches that would have supported my theory.] Barber and Schabelitz also provide terrific characters with interesting personalities and good interactions. The mystery itself is solid and all the clues are provided, as well as enough red herrings to muddy things nicely. 

My biggest complaint is Sherry. Not as a character--but as a narrator. I noted my dislike of Sherry's "Had-I-But-Knowning" in the previous review and it's still in evidence here (though toned down a bit). I really think we could do without it altogether and get rid of Sherry's first-person narration and we'd have a better book. I'm not a huge fan of first-person perspective in general and Sherry's perspective just doesn't sit well. You'd think since she's a newlywed and all that we'd get a lot more of Kit in this story than we do--after all, the book's conceit is based on his sketches. But other than the last few chapters and the places where it's necessary to bring him in so we can have another sketch, we don't see a lot of him. The first couple chapters he's there in name only. It's really a bit bizarre.

Don't think that means I didn't enjoy the book. I did. Quite a lot. It's a fun book and a good mystery despite my quibbles with the narrative voice. ★★★★

First line: Ezra's ghost, come back to haunt the Plateau!

Peter Plow is handsomer than any man has a right to be; that is, in a vigorous, reckless, half-ugly sort of way. (p. 21)

Last line: But, in time, that would come too.
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Death = 5 (four stabbed; one poisoned)

The Gaunt Stranger

 The Gaunt Stranger (The Ringer; 1925) by Edgar Wallace

Lewis Meister is a crooked lawyer. He represents criminals--for a steep price, usually a hefty percentage of whatever ill-gotten goods they've managed to get their sticky fingers on. And he isn't above "shopping" them to the authorities if he thinks it's in his best interests. But he's done it once too often. Henry Arthur Milton, known throughout the underworld as the Ringer, was Meister's partner in crime for a good while and they did quite well. Then Meister set him up and mismanaged his defense in such a way that he was sent to prison. Prison was never meant to hold the likes of the Ringer, though, and he escaped to Australia where he plotted his revenge. Because nobody shops the Ringer and gets away with it. Nobody. Just ask Toby the "nose" (police informant) who ratted on him once...oops, you can't. The Ringer introduced Toby to his favorite weapon, the knife, and Toby won't be ratting on anyone else. Ever. The Ringer is a master of disguise and, now, London is buzzing with the rumor that he's back in England and ready to mete out his own particular brand of justice to the crooked lawyer.  

Inspector Alan Wembury doesn't much care for Meister, but he cares for murder even less and is determined to foil the Ringer's plans to kill the lawyer. But it's hard to defend against a man who could be anybody...the Ringer's gift of disguise is that good. He's also got an added worry, the young woman whom he has loved since they were young is working for Meister (who gave her a job "out of the goodness of his heart" when her brother was sent to jail for robbery) and he's afraid of what the Ringer will do if she gets in the way of his plans.

The gaunt stranger is a mysterious figure haunting Flanders Lane where Meister lives. The stranger watches Meister. He watches Wembury and the division's doctor. He watches Mary Lenley. He watches everyone connected with the case. But who is he? And is he the Ringer or is he on the side of the angels?

One of Wallace's thrillers, we learn from Curtis Evans' excellent introduction that it was reworked into a stage play and a revised novel called The Ringer. There is plenty of suspense as we wait to see if the Ringer will succeed in his quest for vengeance and how many others he will kill along way. Since we know "who" the culprit is and what the crime will be, the only real mystery for the reader to try and solve is who, among the characters introduced, the Ringer really is. I'm pleased to say I figured that out--but didn't figure out the reverse of the coin (spoiler coded using ROT13) [Xabjvat gung gur Evatre jnf ABG gur tnhag fgenatre, V qvqa'g svther bhg jub gur fgenatre jnf--gb or ubarfg, V guvax Gur Tnhag Fgenatre vf n cbbe gvgyr, orpnhfr bapr V'q svtherq bhg gung gur gvgyr punenpgre vfa'g gur Evatre, V ernyyl qvqa'g cnl zhpu nggragvba gb uvz ng nyy.] The story is pretty standard fare from Wallace. My one complaint--even though this is a fairly short book, it seemed to take for-ev-er for the Ringer to really get busy. As it stands, it could easily have been a short story. There needed to be more real action in the 190-ish pages to warrant its length. Otherwise, good characters--I particularly liked Inspector Wembury. He's quite human and is willing to give Mary's brother a chance to make things right. ★★★

First line:  Flanders Lane, Deptford, is narrow and dingy.

Last line: He raised the glass to his lips and did not put it down until the enormous quantity had disappeared, and Alan watched him, fascinated.
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Deaths = 7 (one fell from height; one drowned; one hanged; three stabbed; one shot)

 ~~~This book was given to me as a review copy by Stark House in exchange for an honest review. All comments are my own and I have received no payment of any kind.

That Affair Next Door

 That Affair Next Door (1897) by Anna Katharine Green

Synopsis (from the book blurb): Miss Amelia Butterworth prides herself on being an observer of human nature, especially of the people she sees every day from her usual spot at her front window--that is, until she witnesses the prelude to a ghastly murder. Late at night two people enter her neighbor's home, but only one leaves, The next morning a young woman is found dead, crushed beyond recognition beneath a cabinet. But her death was no accident--it soon comes to light that she was stabbed by a seemingly innocuous item: a hat pin.

Rife with social tension and mistaken identity, the messy case is assigned to veteran detective Ebenezer Gryce. He expects Miss Butterworth to demurely return home, but she was there at the beginning of this case and she intends to see it through to the end. Miss Butterworth is determined to solve the mystery before the detective, but what begins as a battle of the sexes soon turns into a fight for the ever-elusive truth.

Miss Butterworth is your standard nosy neighbor--not that she would admit it. But she misses nothing that happens outside her house and she's especially interested in the house next door which belongs to the Van Burnam family, a well-known and well-to-do. So, it isn't surprising that she just happens to look outside when a carriage pulls up to the house around midnight. And it isn't surprising that she's very interested--especially since the house has been closed up while the family is away. So, who on earth could these late-night visitors be and why don't they turn on any lights while they're there? Then man leaves--leaving the woman in total darkness. When there is no sign of life the next day, Miss Butterworth calls on the policeman doing his rounds to investigate. And when the police seem all too eager to fasten the guilt on the younger son of the family, Miss Butterworth sees it as no more than her duty to ensure that justice is done--even if i means going out late at night with her maid and investigating a Chinese laundry or playing nurse to an anonymous young woman or being called an old busybody.

This is quite a complicated story from the pen of the grandmother of American mysteries. We have everything from husband and wife conflict to missing jewelry to quick costume changes to mistaken identity. We have suspicion focusing on first one then another of the Van Burnam family and then a surprise twist ending that makes Miss Butterworth reconsider everything she thought she knew about the case--but she still manages to stay a few steps ahead of Gryce and the police. I certainly didn't spot the correct killer or motive. A clever early American mystery. ★★★★

First line: I am not an inquisitive woman, but when in the middle of a certain warm night in September, I heard a carriage draw up at the adjoining house and stop, I could not resist the temptation of leaving my bed and taking a peep through the curtain of my window.

Last line:  He has never lifted the veil from those hours, and he never will, but I would give much of the peace of mind which has lately come to me, to know what his sensations were, not only at that time, but when, on the evening after the murder, he opened the papers and read that the woman he had left for dead with her brain pierced by a hat-pin, had been found on that same floor crushed under a fallen cabinet; and what explanation he was ever able to make to himself for a fact so inexplicable.
*****************

Deaths = one stabbed

[finsiehd on 3/11/26]

An Affair to Remember

 An Affair to Remember: The Remarkable Love Story of Katharine Hepburn & Spencer Tracy (1996) by Christopher Andersen

(From the dust jacket): She was a living legend, a symbol of fierce independence who defied convention to live life on her own terms. He was the greatest screen actor of all time, the personification of the rock-solid American male. During their twenty-six years together, Katharine Hepburn and Spencer Tracy mesmerized the world with their famous on-screen chemistry like no other couple. Yet their private love affair--which ended only with Tracy's death in 1967--remained shrouded in secrecy. Now, as Hepburn turns ninety, international best-selling author Christopher Andersen draws on his own extensive conversations with Kate--as well as those who knew the legendary duo intimately--to paint the first full, inspiring portrait of these beloved American icons and the life they shared. As Andersen did in Jack and Jackie, in An Affair to Remember he reveals the strength, wit, and dignity that characterized that historic partnership--and offers new revelations, including: 

New information about Hepburn's pre-Tracy affairs with Howard Hughes and others./The five family suicides that haunted Kate her entire life--and ultimately shaped her approach to the man she loved./Tracy's Other Women--from Joan Crawford to Loretta Young to Gene Tierney and Grace Kelly; why Kate never forgave Ingrid Bergman for having a secret romance with Spencer./The true, shocking extent of Tracy's alcoholism and undiagnosed depression; his erratic, often violent behavior, and how Kate bravely tried to tame the demons that drove him./How J. Edgar Hoover came close to destroying their careers./Never-before-told details of their physical relationship--including how Kate helped him to overcome impotency./The real reason why Tracy would not divorce his wife Louise, and marry Kate--and what Kate would have said had he asked her.

An Affair to Remember is, first and foremost, a poignant love story--the often funny, sometimes heartbreaking, always captivating portrait of a Great American Romance.

My take: While I learned a great deal about Spencer Tracy and a little bit about Katharine Hepburn (I've read two previous biographies about Kate)--and those things were very interesting, I didn't feel like the book lived up to its billing. Nearly the entire first half is spent giving us the biographies of these two fascinating people. Then the real focus on the on the relationship begins. But even then, a fair number of the remaining pages are devoted to them separately (Kate off on the East Coast working in Shakespeare or in the Congo filming The African Queen; Spencer fretting away on the West Coast or working on his separate projects...or more often off on a drunken bender). 

I'm not sorry I read this--as I mentioned I learned a lot about Spencer Tracy that I didn't know and I did learn more about their relationship than I already knew. But...it's not quite the book as advertised. I expected more of a spotlight on the love affair than we got. Spencer and Kate have quite an interesting dynamic--and looking back on the relationship from 2026, there are many aspects that are troubling. Particularly when you consider what an independent woman Kate was in all other aspects. Quite an interesting book for those who are fans of either (or both) star or who are interested in the golden age of movie making. Just know that the love affair does not really get top billing, despite the credits. ★★★

First line: Lying on the floor, her head resting on the down pillow she had brought in from her bedroom, Katharine Hepburn pulled the blind back, slid the patio door open a crack, and breathed in the California night air.

Last line: Theirs was an affair to remember.

The No. 1 Ladies' Detective Agency

 The No. 1 Ladies' Detective Agency (1998) by Alexander McCall Smith

When Precious Ramotswe's father dies, she sells his cattle (with his life-time-given blessing) and buys two things--a house and a building in which she can set up a detective agency. She is gifted with an incredible memory (fostered by the cousin who helped bring her up when her mother died) and a deep understanding of people--two qualities that will serve her well when she begins her work. Her cases cover everything from errant husbands to wayward daughters to fraudulent insurance claims to deceitful doctors. She deals with each case with quick efficiency and a kind heart (for those who deserve it). But one case follows her through the book--the case of a missing eleven-year-old boy, feared dead, but perhaps taken by a witch doctor. If Mma Ramotswe can find the boy alive, she will consider herself a real detective.

Though there are mysteries here and Mma Ramotswe does solve them, this is less a detective book than a commentary on life in Botswana. McCall Smith gives the reader a sweeping look at life in the small towns and countryside in this part of Africa. As we follow our detective on her cases, we meet everyone from the local shopkeepers to school-age children to mechanics and gangsters. We are shown at once that people are the same everywhere, even as we see the differences that come with life in Botswana. The appeal of the people and the descriptions of place compensate for the simplicity of the mysteries Mma Ramotswe solves. The best of them is the one that takes the longest to unravel--the missing boy. [SPOILER]  And I'm pleased to say that she's successful. Not necessarily the kind of mystery I prefer, but quietly satisfying in other ways. ★★★

First line: Mma Ramotswe had a detective agency in Africa, at the foot Kgale Hill.

"We are the ones who first ploughed the earth when Modise (God) made it," ran an old Setswana poem. "We were the ones who made the food. We are the ones who look after the men when they are little boys, when they are young men, and when they are old and about to die. We are always there. But we are just women and nobody sees us." (p. 34)

Last line: "Of course I will," said Mma Ramotswe.
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Deaths = 5 (three natural; one hit by train; one eaten by crocodile)

The Avenging Chance

 The Avenging Chance & Other Mysteries from Roger Sheringham's Casebook (2004*) by Anthony Berkeley

The collected short works of Anthony Berkeley [Cox] and this second edition contains added material--one "lost story," an article by Berkeley on why he writes detective stories, and one parody. I originally read the first edition back when it first came out and was pleased to find this copy at our annual community book fair in 2018. I remembered reading some of these--especially the title story since it has appeared in various anthologies and was the basis of Berkeley's novel, The Poisoned Chocolates Case. But I didn't remember the solutions to most of them. My favorites among the stories are "White Butterfly" and "Perfect Alibi," but all of them have their merits and only "Unsound Mind" and the parody (which didn't strike me as at all amusing) were well and truly disappointing.  ★★★★

"The Avenging Chance": A box of poisoned chocolates--sent to one man and brought home by another--kills Joan Beresford. Who was the intended victim? [one poisoned]

"Perfect Alibi": Eric Southwood, a notorious rake, very conveniently dies while visiting the home of his latest conquest. He was shot while out in the woods--but everyone with a motive also appears to have an iron-clad alibi. [one shot]

"The Mystery of Horne's Copse": Could also be called "The Case of the Reappearing Corpse." Frank Chappell keeps finding the corpse of his cousin (and the man who would be his heir). But when he brings the authorities to examine the body, it disappears. Is he going crazy? Or is someone trying to drive him there? [one stabbed]

"Unsound Mind": A man rings up the police station to announce that he's just taken prussic acid and left a note to explain everything. But when Chief Inspector Moresby gets there, he's sure it's murder. But can he prove it? [one poisoned]

"White Butterfly": Mr. Warrington says that his pretty but volatile wife has left him for another man. But the village gossips say that he has done away with her and got rid of the body. Sheringham is certain the woman has been killed, but just who did it and where her body is, is the question. [one strangled]

"The Wrong Jar": Cynthia Bracey is poisoned by arsenic in one of her medicines. But how did it get there? Did the doctor accidentally grab the wrong jar when making up the medicine? Did the nurse have it in for her patient? Was the husband tired of his wife? Did the doctor's assistant meddle with the prescription? Sheringham will find out. [one poisoned]

"Double Bluff": Several witnesses all claim to have recognized James Meadows as the man who shot  Mrs. Greyling in the middle of the busy town. Can they all be wrong? Sheringham believes so. [one shot]

"'Mr. Bearstowe Says...'": Mrs. Hutton is quite taken with Mr. Bearstowe and impresses this upon Roger Sheringham when they have a chance meeting at a party. Two years later, Mr. Hutton has gone missing while bathing and a body is found drowned. Sheringham has to wonder what exactly Mr. Bearstowe said to Mrs. Hutton and what did he (and she) do? [one drowned]

"The Bargee's Holiday": An additional short, short story, found after the first edition of this collection of stories, in which Roger Sheringham correctly deduces when and where the next major campaign of WWII will take place simply by speaking with a couple of men on leave and meeting up with their commanding officer in a bookstore. The reader is asked to figure out how Sheringham did it.

First line (1st story): When he was able to review it in perspective Roger Sheringham was inclined to think that the Poisoned Chocolate Case, as the papers called it, was perhapes the most perfectly planned murder he had ever encountered.

Last lines (last story--the parody): I wish I could remember my idea. It was such a brilliant one.

*All stories originally written/published pre-1960

The Fourth Postman

 The Fourth Postman (1948) by Craig Rice

"Please, Mr. Postman, look and see

Is there a letter, a letter for me..."

John J. Malone finds himself representing Rodney Fairfaxx when a procession of postmen get themselves killed in the alley that runs beside the Fairfaxx house. Rodney is a small, mild-mannered man who just likes to collect stamps while waiting patiently for a letter from his sweetie, a woman whose name appeared on the Titanic passenger list and whom everybody (except Rodney) has accepted as lost at sea. The police (in the person of Captain Daniel von Flanagan) believe Rodney has been driven crazy by the non-appearance of letters and has decided to take it out on the innocent postmen who are not delivering the goods. But when Malone takes a look at the scene of the crimes and considers the circumstances, he knows his client didn't do it...and what's more, he knows that von Flanagan knows it too. So....

Who would want to kill a postman? [A question posed by several of our characters.] And...who would want to kill three postment? These are questions that John J. Malone and Captain Daniel von Flanagan are trying to answer. But to my mind, the more burning question is why on earth, after two of your fellow postmen have been bashed on the head while going down an alley short-cut, would you--as the third postman to take this route--go down that alley? If I'm the third postman, I'm going to take the long way round and avoid that alley like the plague.

Another observation, as soon as one of the characters announced to all and sundry that he was changing his will--and definitely not in y'all's favor; in fact, none of you are gonna get anything now--I fully expected another murder/attempted murder. And, by golly, I was right. But not in the way I thought. 

Anyway, Malone, von Flanagan and Helene Justus spend the rest of the book running around town looking for hammers, making mysterious phone calls, tracking down motives for either killing postmen or seeing that Rodney Fairfaxx takes the rap, feeding their newfound doggy friend beer, and trying to keep Jake Justus, currently suffering from a bad case of chicken pox, safely at home in bed. Malone discovers that Rodney's family (a brother and a niece and nephew) and neighbors (who are the wife and daughter of one Rodney's dearly departed friends) all might have a motive to keep postmen and Fairfaxx from seeing one another. But who wanted it enough to kill? 

Malone's antics with his new booze-hound side-kick and the interactions with Helen and Jake (and the doctor who keeps popping in and out to attend to the chicken pox) are well worth the price of admission. The quirky motive behind the murders adds a bit of spice to the proceedings and it all makes for a fun, fast-paced mystery. ★★★★

First line: The sound of a dead body falling is like no other sound on earth, as any effects technician who has tried to create it in a radio studio will tell you.

"I can't arrest all of 'em," von Flanagan muttered. He added, "Besides, butlers don't commit murders."
You'd be surprised what butlers will do," Malone said. (p. 151)

Last line: Then he leaned his head back and went to sleep.
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Deaths = 8 (three hit on head; two natural; one shot; two car accident)

Frederica

 Frederica (1965) by Georgette Heyer

Vernon, the Marquis of Alverstoke, is at the top of the ton; the highest  levels of fashion. He is wealthy and handsome and the hope of every mother determined to make an excellent match for one of her daughters in the Marriage Mart. But...Alverstoke is easily bored by the ladies of the ton and never spends longer more time than a brief flirtation or discreet liaison on any of them. Then along comes Frederica Merriville with her three younger siblings. He's never met a woman like her.

The Merrivilles are distant cousins and Frederica is determined that Cousin Alverstoke will launch her sister Charis into ton on her come out. There is nothing that Alverstoke would less--as he's already explained to his sisters who have wheedled and schemed and everything in between trying to get him to host a ball in their daughters' honor. Hosting balls bore him and he hates being bored. But there's something about Frederica that appeals to him--she's not pretty and she's "on the shelf" (an elderly twenty-four [!], no longer seeking a entree into society for herself), but she can talk to him without resorting to coquettish ways and (gasp) even argue with him. Her sister Charis is a beauty, a diamond of the first-water, and he suddenly realizes that helping Frederica to bring her out into society will put his sisters' noses so far out of joint that they (the nose) may be facing backward. And what great fun that will be! 

What he doesn't bargain on is becoming fond of Frederica's two younger brothers--Jessamy and Felix and serving as a father-figure/guardian stand-in. But at least with Felix, he is never bored. Felix is a scientifically-minded young fellow who gets into the most extraordinary scrapes all in the interests of science--from disappearing overnight on a steam packet (to get an up close and personal experience of the steam engine) to going up in a hot air balloon and then falling out of it when it had a bad landing. Jessamy isn't far behind, having a run-in with some Londoners when he tries out the latest conveyance (an early form of the bicycle). No, boredom has never been so far away. And...he also doesn't bargain on becoming fond of Frederica. She interests him more than any woman of the ton ever did. But does she interest him enough to make this confirmed bachelor settle down for life?

So often bookish quizzes and challenges either want to know your "guilty pleasure" reads or have a prompt asking you to read a "guilty pleasure" book. I generally say that I don't really have any guilty pleasure reads: If I like reading a thing, then I like it and will own up to it. There's no feeling guilty about it. That said, if I have to choose a guilty pleasure read then I will claim historical romances for that category simply because I'm not a big romance fiction reader. And if I'm going to read romance then there's nothing better than one of Heyer's Regency romances. I love the research Heyer has put into getting the period right; I love making my way through the colloquialisms of the time--everything from "top-lofty" to "making a cake" of oneself to "ninnyhammer." [As an aside, it's a shame that there is not even a hint of a mystery in this particular Heyer--some of the romances do have a bit of mystery as well--because it's chock full of words and phrases that could have been used as the GAD Word of the Day.]

This is another of Heyer's best. Frederica makes for an admirable love-interest for Alverstoke. She's able to give plenty in their verbal give-and-take and she has enough force of character to stand up to him. The subplots involving Felix and Jessamy are well-done, incorporated nicely, and most interesting. I find Charis and Harry (the eldest Merriville--mostly off at Oxford) a bit disappointing, but I suppose the whole family can't be interesting. The one thing that keeps this from being a full five stars is the fact that, despite being a Regency romance, the romance is very definitely flying under the radar. In fact, for most of the book, Frederica doesn't even realize that romance is in the works for her. But the finely-drawn characters and the various storylines carry the day and make this a compelling historical fiction read. ★★★★

First line: Not more than five days after she had despatched an urgent missive to her brother, the Most Honourable the Marquis of Alverstoke, requesting him to visit her at his earliest convenience, the widowed Lady Buxted was relieved to learn from her youngest daughter that Uncle Vernon had just driven up to the house, wearing a coat with dozens of capes, and looking as fine as fivepence.

Last lines: "If I promise faithfully not to blow the house up? If you please, Cousin Alverstoke...?"

Escape While I Can

 Escape While I Can (1944) by Melba Marlett

Elizabeth and her mother go to northern Michigan for a month's vacation while Elizabeth waits to hear results of her applications for teaching positions. Little does she know that she won't be leaving any time soon. They receive an invitation to dinner at the Brandons, the remaining members  of a once prominent and extremely wealthy family. Now the Brandons are reclusive--staying away from most neighbors and they normally don't take to strangers. But apparently Thayer, the sole male member of the family, has seen Elizabeth and taken quite a shine to her. 

Not long after the dinner, Elizabeth's mother, who has always had a weak heart, dies and the Brandons immediately take Elizabeth in--helping with funeral arrangements and giving the young woman a place to stay. And giving Thayer the chance to woo her. She is sure that she'll hear good news from her applications any day, but when no offers come she decides to marry Thayer. Thayer's pleasure in his new bride is short-lived and soon Elizabeth realizes that she has made a mistake. She finds the household difficult to understand. Effie, the eldest Brandon, seems to fear something (insisting that all doors be locked); Anne is often heard weeping and railing against Effie's strictures; Maggie, an adopted sibling, is treated poorly. Her husband is moody and they quarrel often. And his family is really quite odd--there have been strange deaths in the past, their dogs are now accused of attacking sheep, and now a little girl belonging to a vacationing family has disappeared from their beach. There is secrecy and fear hanging over the house. Elizabeth takes her last one hundred dollars and leaves her husband and the Brandons behind.

Eight years of successful teaching later, Effie writes to let Elizabeth know that Thayer has died of pneumonia and that she needs to come back so his affairs can be settled. As soon as she returns, the atmosphere makes its impression again and Elizabeth realizes there is still something to be feared on the Brandon property. Two people are attacked and there is a murder before Lieutenant Stark (who had investigated the missing child) can discover the truth behind all of the incidents in the Brandons' past.

So, one of the strongest parts of this story is Elizabeth. I really liked the fact that despite her naive plunge into matrimony, she was aware enough to realize that things were not right in the Brandon family and that things were not going to get better with her husband. So often in these stories we have the heroine staying in the uncomfortable or even threatening circumstances, thinking that it's all going to work out. 

The mystery is fair. There really wasn't much choice for culprit, so the real mystery is what really happened to the little girl. I was glad to find out that it wasn't as nasty as what we were led to believe even though I still didn't like what use the killer made of her death. But if you like a bit of midwestern melodrama, a smidgen of suspense, and stories about troubled families, then this is definitely the mystery for you. I found it to be a decent read by an author that I hadn't sampled before. ★★★

First line: Today I found in the back of my bureau drawer an old letter from Maggie Mitchell, and my first look at the fine, sprawling handwriting brought back last summer as clearly as the lifting of the lid of my rose jar brings back last June's Killarneys and Talismans and Ophelias.

Last line: Lieutenant Stark says I couldn't find a better place to live or one as convenient for him.
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Deaths = 13 (five natural; two car accident; one hanged; two shot; one poisoned; one hit with axe; one fell from height)

Troubled Daughters, Twisted Wives

 Troubled Daughters, Twisted Wives: Stories from the Trailblazers of Domestic Suspense (2013) by Sarah Weinman (ed)

A collection of 14 suspenseful tales by notable domestic suspense authors such as Shirley Jackson, Vera Caspary, Charlotte Armstrong, and Dorothy B. Hughes as well as others. In general, I'm not a huge fan of domestic suspense novels, but this is an excellent collection with just a couple stories that didn't strike me as all that suspenseful. But there are also a couple that are downright creepy. ★★★★

"The Heroine" by Patricia Highsmith: Lucille Smith has just found the perfect job in the country as nurse to two children. She loves her job and working for the family.But something within her tells her that it's not quite enough. [one natural]

"A Nice Place to Stay" by Nedra Tyre: Our protagonist grew up poor--never knowing if she'd have a roof over her head. She's a nice woman...but she'd kill for a nice little place of her own. (four natural; one stabbed)

"Louisa, Please Come Home" by Shirley Jackson: Three years ago Louisa Tether ran away from home. She's doing very well for herself--found a job and nice place to stay. But each year on the anniversary of her run, her mother's voice is on the radio begging her to come home. When she decides to do so, she finds that you just can't go home again.

"Lavender Lady" by Barbara Callahan: "Lavender Lady" is the title of our heroine's most famous (and most requested at concerts) song. The story reveals the dark history behind the lyrics and the anguish our heroine feels each time her fans demand to hear it. (one hit on head)

"Sugar & Spice" by Vera Caspary: Mike Jordan tells our narrator that he knows who murdered a famous actor and gives her a jolt--it seems well-bred, middle class girls can commit murder just as calmly as she might knit a sock. (one natural; one poisoned)

"Don't Sit Under the Apple Tree" by Helen Nielsen: Loren is the secretary to a married boss, who winds up being wife number two. She thinks she's made it in life...but then the anonymous phone calls start. 

"Everybody Needs a Mink" by Dorothy B. Hughes: And that's just what Meg, our heroine, gets. She's always dreamed of something a little bit fancier than her own life, but has been realistic enough to know she'll never see some of the luxuries she's dreamed of....until an unnamed benefactor suddenly gifts her with a beautiful mink coat..... [Not really a mystery--except for wondering who the man was and why he did it. Not, to my mind anyway, really suspenseful.]

"The Purple Shroud" by Joyce Harrington:  George Moon cheats on his wife once too often.  Don't be fooled by that placid smile, George.[one hit on head]

"The Stranger in the Car" by Elisabeth Sanxay Holding: Carrol Charleroy, wealthy businessman, is more like a neurotic housewife when it comes to his home and daughters. When Julia, his youngest--and the only one of his kids who still lives at home, gets into a bit of a jam, he gets things even more tangled by trying to keep everything from his wife. [one shot; one poisoned]

"The Splintered Monday" by Charlotte Armstrong: Sarah Brady is staying with her nephew and his wife aft er the funeral of his sister, a domineering hypochondriac. The family always tiptoed around the very trying matriarch and now Sarah feels like she's getting the same treatment. What is being hidden from her? [one poisoned]

"Lost Generation" by Dorothy Salisbury Davis: Very chilling story of town "justice" gone really wrong. [one shot]

"The People Across the Canyon" by Margaret Millar: More of a science fiction/fantasy story than a mystery. Marion Borton is worried when the family moves into the house across the canyon. She's afraid that their quiet home in the country will be ruined by loud music or cars or a huge number of children She's even more worried when she sees what effect the family has on her daughter....

"Mortmain" by Miriam Allen Deford: The greedy Miss Hendricks decides to hurry her patient into the afterlife so she can enojy the money he's got stashed in his safe. She knows there's danger from his little pistol. But she doesn't see the danger in the other items stored with cuffs...at least not until it's too late. [one poisoned]

"A Case of Maximum Need" by Celia Fremlin: An elderly woman tries to refuse the phone the social worker insists she needs (in case anything should happen to the woman). She's tells the social work that "it's a danger" but she doesn't explain that the danger isn't to herself....

First line (1st story): The girl was so sure she would get the job, she had unabashedly come out to Westchester with her suitcase.

Last line (last story): "It's too dangerous"--for them.

The Plumley Inheritance

 The Plumley Inheritance (1926) by Christopher Bush

Major Geoffrey Wrentham has just arrived back in England after wrapping things up abroad after the end of the Great War. He's at loose ends and think he'll look up his old friend Ludovic Travers after checking in with his financial advisors. He learns two things from the financial wallahs--that Henry Plumley, the business magnate with whom Wrentham had invested money, had gone a bit mad while Wrentham was out of England and the finances are not all that they should be and that Travers has been serving as one of Plumley's secretaries (after Travers was invalided out of the war). Wrentham learns that Plumley is going to give a speech that very night and figures that Travers will be on deck for the event, so the major decides to kill two birds with one stone and try to see both men at the event.

He doesn't see Travers and he doesn't get a chance to talk to Plumley because the man drops dead in the middle of his speech. And a very odd speech it was. One of Plumley's other secretaries hands the man a note and suddenly the businessman starts spouting off about treasure and lillies and gardens. When Wrentham finally runs Travers to earth, he finds that Plumley had his secretary on a scavenger hunt shortly before he died--finding particular bits of wire, pine cones, used suitcases, waterproof cement,methods for making glass opaque, and other odd things. 

Plumley had more than one residence and one of them just happens to be in the village where Wrentham grew up. Travers has to stay in London to wrap up Plumley's affairs, so the major heads home to stay with his father and to scout around. He discovers that Plumley did some rather odd things in the garden the last time he was at his country house--ordering the replanting of the garden border and redesigning an old well among them. Just as Wrentham has been writing clues down like mad and tidying up his notes to share with Travers, someone steals his notes, sets a booby trap (that gives the major one of several knocks on the head), and Plumley's other secretary, Andre Moulines, is found dead from wounds very similar to Wrentham's. Next thing we know, someone has been digging up the gardens at both of Plumley's residences...someone else is in search of buried treasure. Will Wrentham and Travers figure out the hidden message in Plumley's last speech before their unknown rival? Will Burrows, the local policeman, arrest one of them for Moulines murder--or if not that, then for impeding an officer in the pursuit of his duties? And, in the midst of all the treasure-hunting, will anyone figure out who killed the secretary? 

So...what we have here is the very first of the Ludovic Travers mysteries by Christopher Bush. Except...our protagonist is Geoffrey Wrentham. The man who does nearly all the on-page legwork and brainwork is (you guessed it) Geoffrey Wrentham. Ludo (as he's known to his friends) comes across as a bright side-kick to the hero. I somehow don't think that the most auspicious beginning for a series sleuth. But then maybe Bush didn't plan on a series. Or maybe he started out thinking that Wrentham was going to be his main man. I don't know--but other than figuring out the last bit of the treasure hunt puzzle (with a clue that unless I missed it Bush didn't even give to us), Travers really doesn't do much of the detective work here. Wrentham isn't the best detective in the world (our culprit gets the best of him repeatedly), but he does decipher about 90% of the treasure puzzle. Nobody really figures out the murder--we get a convenient confession letter left mailed to Wrentham after the bird has flown. 

On the other hand, I really enjoyed Wrentham and his boys own adventure antics. It's a shame that Bush didn't make him just a little more perceptive and a little less prone to getting bashed on the head. He could have made a very appealing lead detective. Fortunately (from previous experience), I know that Bush polishes up Travers and makes him into a better detective than his first appearance would leave us to believe possible. This one is an enjoyable read even though the tale leaves a bit to be desired. ★★★

First line: Geoffrey Wrentham yawned sleepily and stretched his long legs, then, eyes opening to the sun of a July evening, started up quickly.

The reception of money was to him [the vicar] much of a mystery. That he generally found somethin in the bank when he was there was enough for him. (p. 40)

People talked about the army and its stereotyped phraseology, but that was plain as the way to the parish church compared with the sort of drivel those lawyer blokes could produce when they really got going. (p. 53)

A more unlikely conspirator than Ludovic Travers could hardly be imagined. He did not possess that keenness of manner and that incisiveness of speech which would appear to be the distinguishing marks 

of the human bloodhound. (p. 67)

The thing was that you never knew just what he [Travers] was capable of doing or when he was going to do it. Such was Wrentham's faith in him that he would have consulted him on anything, form toothache to tattooing, and have been sure of an answer. (p. 68)

Last line: "By Jove!" exclaimed Wrentham; "there goes one more bloke who'll remember the Plumley inheritance!"
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Deaths = 5 (one poisoned; one natural; one fell from height; one hit on head; one in the war)

A Death for a Double

 A Death for a Double (1990) by E. X. Giroux

Buford "Buffy" Sanderson, young friend of London barrister Robert Forsythe, asks the sometime amateur sleuth to look into the goings-on at the Dower House. The Dower House near the village of Safrone has been bought by Anthony Funicelli a wealthy Italian-American businessman whom Sanderson stayed with during an exchange year in the States. Apparently, Funicelli has been receiving death threats and, in the words of a movie, "the call is coming from inside the house." Once Fortsythe is established in the house, he learns from Funicelli that the threats are coming on his personal notepaper and make references that only those who live at the Dower House would know.

And who's at the Dower House, you might ask? The businessman's much younger, beautiful wife, Lucia--who is recently pregnant. Funicelli's strong-willed mother, Mama Rosa--who's on hand to make sure her daughter-in-law has a safe and healthy pregnancy. Hansel and Gretchen--Funicelli's adult children from a previous marriage. Funicelli's cousin, Fredo Clemenza--a poor relation and a near identical double for his rich cousin. There's also Tip, the houseman--brought from Mexico and indebted to his master (or is that indentured?); Mrs. Flower, the cook, and her son Jacob, who tends the gardens and nurses hate, and her other son Noah, a gentle soul with the mind and emotions of a six-year-old. 

Most of the household have reason to hate the master of the house from Hansel and Gretchen, who believe Funicelli to be responsible for their mother's death, to Fredo, who is completely dependent on his cousin, to the Flowers who believe Funicelli to be responsible for the deflowering of the daughter of the house, to Tip, who says Funicelli keeps him working for him by threatening his (Tip's) family's security in the States. But when murder rears its ugly head, it isn't Anthony who is shot and killed in his personal elevator...it's his double Fredo. Did the killer miss his mark or was Fredo the target all along. Forsythe will have to sift through the red herrings to find the answer.

Three stars seem to be the standard for the Giroux series. Each one is perfectly fine--with a decent mystery and mostly interesting characters, but just lacks a certain something that would boost the rating. For this one, I miss Forsythe's secretary, Sandy. She doesn't make an appearance until the very end and then it's she who poses the really vital questions that turn the solution slightly on its head. The other thing that nags me a bit in this outing is the final death (which a good armchair detective will catch if they read every bit of this review)--I had a bit of a difficulty with that one (as did Forsythe--it really made him angry). The surprise for me wasn't in the final twist (I thought that was the complete solution)--it was the bit just before that I didn't see coming. Forsythe seems to think that justice will be served in the end, but it's not quite as satisfying to think that Mama Rosa will be dishing it out instead of the courts. ★★★

First Line: Robert Forsythe decided he might qualify for the Guiness Book of World Records as the only person in London who had never entered any of the outlets of a world-famous chain of hamburger restaurants.

Last Line: "Because of a child named Noah, Sandy, and a little dog he called Blackie."
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Deaths = 5 (one trampled by horse; one natural; two car accident; one shot)

The Further Adventures of Sherlock Holmes: The Great War

 The Further Adventures of Sherlock Holmes: The Great War (2021) by Simon Guerrier

Another adventure for Holmes & Watson! Wait...not that Watson. Augusta Watson is young VAD (Voluntary Aid Detachment) member serving at a hospital near the frontlines in France in 1917. She's a very frustrated service member--after being trained in medicine, ambulance (and other) driving, mechanics, and various other skills, she's being used as skivvy for the nursing staff. Got dirty linens that need washing--let Watson do it. Got patients that need all sorts of bodily fluids cleaned up--let Watson do it. And her attitude sometimes let's her frustration show. So, she's surprised to find that when she's been called to Matron's office (again) it's not to have the riot act read.

She's to have the honor of showing the latest dignitary to visit the front around the hospital. These men generally come to see what "can be done for the boys in the trenches" and then don't seem to get anything done. But when she sees that this particular guest is the illustrious Mr. Sherlock Holmes, she's even less thrilled than usual. You see, with her last name she's had to endure every kind of joke possible--especially when she (a woman!) expressed the desire to study medicine. Nobody takes her seriously and she blames the celebrity of Holmes and his biographer. 

But she can't help but get interested when she realizes the detective is there to investigate a mystery and not just dole out empty promises about making things better. Holmes is on the trail of a young officer who was injured at the front and supposedly died at the hospital, but there is no record of him. Not as having been on the ward. Not as having been dead on arrival and sent straight to the morgue. No record at all. Watson is assigned to assist Holmes in his inquiries and the further they dig, the more they come to realize that there is a deeper plot...one that seems intent on causing unrest and higher casualities among the soldiers--on both sides of No Man's Land. It's up to Holmes and Watson to find those behind the plot and put a stop to it.

Not every entry in "The Further Adventures" series of Holmes stories is created equal. I don't seem to be able to resist these whenever I come across them--in used bookstores, at our annual community book fair, or at Barnes & Noble--and I've let myself in for some real stinkers (The Veiled Detective, I'm looking at you). But once I got over the fact that we just had to have a nurse's aid by the name of Watson, I settled down and enjoyed this one. The mystery is a good one with several well-placed clues and a lot of war-time adventure. I was just a bit worried that we were going to venture down the path blazed by Laurie King (throwing this Holmes & Watson into a relationship), but I don't think that was the plan. And by the end of the story I was hoping that Guerrier had penned another. There are some sentences here and there that refer to an adventure in which Augusta Watson gets to meet the Dr. Watson. But, alas, it seems that adventures has not yet been discovered among Watson's papers.

Overall, an enjoyable Holmes pastiche. ★★★★

First line: By the first week of December 1917, I thought myself quite inured to the horrors of war.

Las line: Nonetheless, do write and say if, for the sake of your archive, you should also care for my own account of those events.
**********************

Deaths: 8 (six shot; two stabbed)

Dangerous Crossing

 Dangerous Crossing (2017) by Rachel Rhys

It's 1939 and as Europe heads towards another world war, Lily Shepherd is headed for a new life in Australia. Leaving her parents and brother behind (sadly) as well as memories she'd rather forget, Lily is taking part in a program that gives her passage to the land down under and an opportunity to find employment. But during the weeks spent aboard ship she finds a different sort of opportunity--the chance to sample a world full of adventure, new friends, dancing, visits to some of the wonders of the world, and a taste of life among the upper classes. But that world is also full of danger--men with only one thing on their minds; men with grudges against certain groups of people--including some of Lily's new friends; and women who are so bored with life that they will try anything at least once. Lily thinks she may find romance with a young law student who is traveling with his sister...but when a friend disappears one night (apparently lost overboard--or was she pushed?) and another death occurs, she finds herself in the middle of a terrible situation and nowhere to go.

First thought: I am not a fan of present tense--especially when it seems to be done in such a weird way. It's like it's trying to be partially first-person present tense and mostly omniscient present tense and not quite successful at either. This, I'm sure, colored my reading somewhat. There was all the makings of a really good mystery, but somewhere it went a bit off course and we wound up with a middle-of-the-road story. The background was good. And the beginning started well. But once we settled in onboard ship, we spent way too much time on the weird interpersonal interactions between Lilly and the Campbells. And, honestly, wound up with very little mystery. It's obvious what happened to Maria (the friend who disappears overboard) and the second death happens right before our eyes, so we know immediately who did it. If Rhys had simply wanted to write a historical story set aboard a ship, that would have been one thing. But--she states plainly in her afterword that she thought the journal written by a friend of her mother's about doing just what Lily did would make a marvelous basis for a "historical crime novel." And the blurb led me to expect just that, so I think it natural that I felt a bit let down. 

As a historical novel, it is a good solid read (especially if you don't mind or can get past the present tense). But if you're looking for a great historical crime or mystery novel, then I don't think it quite meets the case. ★★★

First line: Sandwiched between two policemen, the woman descends the gangplank.

Last line: GREETINGS FROM THE NEW LADY CULLEN STOP MARRIED TWO WEEKS STOP SETTING OFF FOR NYERI KENYA TOMORROW STOP IF EATEN BY LIONS MY PEACH SILK IS YOURS STOP ELIZA
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Deaths = 4 (one drowned; one stabbed; one bled to death; one suicide)

Aristotle Detective

 Aristotle Detective (1978) by Margaret Doody

Synopsis (from the back of the book): When a violent murder leaves a prominent citizen dead and a falsely accused suspect in exile, a master philosopher turned part-time sleuth is drawn into the baffling mystery. The scene is Athens, 332 B.C.; the murder weapon is a bow and arrow; the investigator, an in inexperienced young boy. There is only one mind capable of putting together the puzzling pieces--that of the great and wise Aristotle. Stephanos does the legwork, exploring the ins and outs of the city, and the master ponders the clues and weighs the evidence in a splendidly dramatic trial before the supreme tribunal of Athens. Aristotle unmasks the villain in a dazzling display of deductive logic.

My take: This was just a snooze-fest for me. We have Aristotle set up as a Holmes wanna-be with Stephanos acting as his active Watson. Though Stephanos has more of a stake in the mystery since the wrongly accused man is his relative. I'm afraid that I didn't find any "splendidly dramatic" moments nor "dazzling display[s] of deductive logic." The villain of the piece is pretty obvious very early in the book and viewing all of this through the eyes of Stephanos was excruciating. He may be filling the shoes of Watson in this story, but the original Watson is far more appealing. 

Others on Goodreads have rated this much more highly--so perhaps one needs a more philosophic mind to really appreciate it. I guess I'm just not a philosophic girl. ★

First line: It was in the month of Boedromion in the waning of the third moon after the summer solstice that the terrible deed was done that was to have so long and arduous a consequence.

Last line: "Polygnotos commanded the best rhetoric of all."
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Deaths = one stabbed

Masterpieces of Mystery: Amateurs & Professionals

 Masterpieces of Mystery: Amateurs & Professionals (1978) selected by Ellery Queen

In the 1970s Ellery Queen put together a set of red leatherette books featuring the best of the best short stories and novellas--a large number of which appeared in the Ellery Queen Mystery Magazine. This particular edition features amateur sleuths and professionals, ranging from hotel manager Pierre Chambrun to the dedicated cops at the 87th Precinct. Of course, in any collection it would be an extraordinarily difficult task to pick stories where absolutely everyone thought every story was the all-time best. And it's true here. My favorites are the Chambrun (even though I spotted the answer early), "The Stripper," "The Happy Days Club," "Smash & Grab," "Cause for Suspicion," and "The Botany Pattern." These are all nicely plotted with good clues that the reader can spot. The rest are decent mysteries--so no duds--but not quite as fair or interesting as those mentioned. ★★★ 3/4

"Chambrun & the Electronic Ear" by Hugh Pentecost (Judson Philips): Chambrun is disgruntled to find that the FBI is playing spy games in his hotel. He's even more upset when wire-tapping leads to murder. [one broken neck]

"The Poisoned Dow '08" by Dorothy L. Sayers: Montague Egg, wine salesman extraordinaire, must help the police discover how a man was poisoned using one of Egg's firm's bottles of wine. [one poisoned]

"The Stripper" by H. H. Holmes (Anthony Boucher/William Anthony Parker White): Jack the Stripper, a serial killer who strips before he kills, is terrorizing a southern California town. Sister Ursula's friend, Professor Flecker, thinks he may know who it is and writes a cryptic letter asking her to put him in touch with her police friend, Lieutenant Marshall. But he's killed before he can speak with Marshall. If Sister Ursula can decipher Flecker's cryptic last message, she will be able to name the murderer as well. [one stabbed--plus others not named]

"The Affair at the Bungalow" by Agatha Christie: Jane Heiler, a beautiful actress, tells this story. She presents it as having happened to "a friend," but the others are quite sure that the story is Jane's own. While on tour with a play, she was called in by the police to be identified by a young man who claimed she had written a letter and requested his presence at a certain bungalow which belonged to another actress. He had met her there and then been drugged.  A robbery had taken place at the bungalow and he is being held as a suspect. But when Jane arrives at the police station, the man says that she isn't the right woman. What really happened? Miss Marple knows...even though she says she doesn't while the group is all together.

"Wally the Watchful Eye" by Paul W. Fairman: Could also be titled "How to Solve a Murder in Two easy lessons. Wally is a clerk in the local grocery store who longs to be a private eye. He signs up for a correspondence course on detection and solves a murder disguised as suicide before completing all his lessons. [one gassed]

"The Happy Days Club" by James M. Ullman: A mutual fund company gets suspicious when the Happy Days Club in Iowa seems to be following their buy and sell movements--almost before they make them. They hire James & Bennett, couple of industrial espionage men, to find out how it's done.

"They Can Only Hang You Once" by Dashiell Hammett: Sam Spade pays a call on the uncle of his client--a lawyer who thinks his cousin is putting pressure on the old man. But before Spade can fulfill his commission there is murder in the house. [two shot]

"Wild Goose Chase" by Ross Macdonald (Kenneth Millar): An anonymous woman hires Lew Archer to attend a trial--to use his judgment about how the jury reacts to the defendant. If they appear to think him guilty, then she just might have to give evidence...evidence that could damage her. [two shot; one car accident]

"File #1: The Mayfield Case" by Joe Gores: A rookie investigator gets a little too emotionally involved with a case of a defaulted loan. [one stabbed]

"About the Perfect Crime of Mr. Digberry" by Anthony Abbot (Fulton Oursler): Mr. Digberry is a master wigmaker who seems to be the latest victim of "The Driller," criminal who is extorting money from various well-known people. But when it's noted that Digberry's escapades with The Driller coincided with the murder of one of Digberry's most famous clients, he immediately comes under suspicion. Thatcher Colt gets to the bottom of the surprising case. [one shot]

"The Devil Is a Gentleman" by Charles B. Child: Inspector Chafik J. Chafik of the Baghdad police investigates the murder of the most recent admirer of a beautiful dancer who is suspected of being a spy. [one stabbed]

"A Winter's Tale" by Frances & Richard Lockridge: A miserly old man who was thought to have died from a fractured skull is found to have froze to death. Captain Heimrich must figure out how he froze to death in an 80 degree house. [one froze to death]

"Clancy & the Shoeshine Boy" by Robert L. Pike (Robert L. Fish): Lt. Clancy investigates the murder of an eccentric old man who was rumored to have a stamp and coin collection. But was it worth killing for? Along the way he reforms the grandson of a shoeshine "boy" who just happens to give him the one clue he was missing. [one beaten to death]

"Smash & Grab" by Henry Wade (Sir Henry Aubrey-Fletcher: There's a rash of smash and grab robberies taking place across London and when the latest hits a jewelry store, Detective Constable John Bragg, fresh from the Downshire countryside, has his chance to make his mark at Scotland Yard.

"The Motive" by Ellery Queen (Dannay & Lee): When the son of a local farmer is hit on the head and left in a ditch, the town is upset that the sheriff's deputy assigned to the investigation can't find the killer--especially when other deaths follow. But how do you track a killer who's left no clues and seems to have no motive? [three hit on head]

"Cause for Suspicion" by George Harmon Coxe: Dr. Paul Standish refuses to believe that a woman who tried to kill herself once has finally succeeded. Everything tells him that this time it's murder. [one poisoned]

"The Stollmeyer Sonnets" by James Powell: A straight-up farce about the cold war spy era where stamps serve as stand-ins for the arms race and spies aren't above a little blackmail over spicy sonnets. Our hero--a Canadian Mountie who reminds me of Dudley Do-Right--manages to save the day despite himself.

"The Botany Pattern" by Victor Canning: The Department of Patterns looks for patterns that others don't see. Viaur is new to the department but immediately spots a connection between a series of murders. Six men have died and four more are on the list--will Viaur and Papa Grand (head of the department) be in time to save the last four? [one shot; one stabbed; one blown up and others unnamed]

"H as in Homicide" by Lawrence Treat: Two women, who have just met, head west in a car. They stop for the night in a small town--where one of the women's ex-husband just happens to live. She winds up strangled. Did he do it? And, if not, who--and why? [one strangled]

"Nightshade" by Ed McBain: It's just a regular evening at the 87th Precinct. Steve Carella and the boys look into the killing of a young actress, the bombing of a black church, the stabbing of a family....and ghosts who steal jewelry. [five stabbed; one shot]

First line (1st story): Mrs. Veach, the motherly-looking chief operator on the switchboard at the Beaumont Hotel was the first one to detect something irregular about the telephone in Room 912.

Last line (last story): "You can't win 'em all," O'Brien said.