Showing posts with label Writing. Show all posts
Showing posts with label Writing. Show all posts

Sunday, November 28, 2021

CROCKETT'S DEVIL by Evan Lewis: TWO-DAY SALE!


The Steeger Books/Altus Press annual Black Friday/Cyber Monday Sales is now underway, and one of the new items (among many) is this epic adventure by Yours Truly. Orders over $35 are 30% off thru midnight tomorrow, with the promo code 2021TURKEY30. See the details (and the hundreds of other books) here: https://steegerbooks.com/

A swell Christmas gift for you and everyone on your list!

Tuesday, May 18, 2021

"The Case of the Reckless Writer" (1944)


Here's an inspiring saga for wannabe writers from the pages of Key Comics #2, back in March of 1944. Who wrote it and drew it? Don't know. Who posted it to ComicBookPlus? Someone called "rez."







Friday, August 9, 2019

A PROMISE TO ZORRO - A 100th Anniversary Story by Evanston McLewis


NOTE: Zorro made his debut 100 years ago in the August 9, 1919 issue of ALL-STORY WEEKLY, in the first installment of the serial "The Curse of Capistrano" (later published as The Mark of Zorro). The Facebook page "Zorro - 100 Year Anniversary Celebration"(HERE) has encouraged fans to post stories, videos, posters and other tributes today, and this is mine.

THE LITTLE VILLAGE of Reina de los Angeles was no more. It had been engulfed by the American city of Los Angeles, while the former Spanish province of Alta California was now one of nearly forty States comprising the United States of America.
The once splendid hacienda of Don Alejandro de la Vega, which had been located on the outskirts of the village, was now one home among many in a city of more than 50,000 souls, with that many more residing within the boundaries of Los Angeles County.
In the glaring light of day, the old hacienda showed its age, but on this night of nights gay lanterns bathed the house and patio in a roseate glow, as if defying the ravages of time. For this was indeed a special night. It was the 100th birthday of the city’s oldest living resident, the man affectionately known as Don Diego de la Vega.
Though the Spanish title of Don had gone by the wayside, it was still afforded Diego as a mark of respect. For more years than most Angelenos could recall, Don Diego had thrilled the city’s children with wild tales of adventure, wherein a romantic figure he called Zorro rode up and down El Camino Real protecting the poor and weak and punishing evildoers.
Most adults accepted his stories with a wink and a nod, in the belief the indefatigable Zorro was a figment of Don Diego’s imagination. When other ancient residents advanced the claim that Zorro was no myth—that they actually recalled those days when he rode the highway righting wrongs with his blade—they were dismissed as unreliable. Their memories were feeble, it was said, and they’d confused Don Diego’s tales with reality.
Now the birthday fiesta was in full swing. While the adults drank wine, feasted and danced to the music of guitars and mariachis, Don Diego sat on the patio with a bevy of children at his feet, holding them in thrall with his still-strong voice. He was clad for the occasion in the resplendent style of his youth—trousers and jacket of gold brocaded satin, a ruffed white shirt of heavy silk, boots of finest leather and a wide silk sash of brilliant red.
As ever on such occasions, Don Diego was deeply engrossed in his story, altering his voice to portray various characters, and sweeping his arms about dramatically during the sword fights.
Suddenly one of the children spoke. “Please, sir! Are your stories true? Was Zorro really real?”
Don Diego paused, blinking, and peered about. An Anglo lad of less than ten held his arm high, waving frantically. Don Diego studied the boy’s clean, intelligent features and earnest manner, and smiled. “What is your name, son?”
“Johnny, sir,” the boy said.
“Well, then, Johnny, sir. What do you think? Was Zorro real?”
The boy chewed his lip. “I can’t decide. The deeds you describe are fantastic, but your stories are most convincing.”
Don Diego favored him with a nod. “Gracias, young man. I have seldom received so fine a compliment. As to whether Señor Zorro was real, I leave that for you to decide. After all, if he exists in your heart and mind, does he not truly exist?”
Johnny’s face twisted in thought. “Perhaps,” he said at last. “I still can’t decide.”
Don Diego resumed his tale, and when he had finished, a man appeared at his side, proffering a glass of wine. The fellow was powerfully built, but his shoulders were stooped, his face deeply lined, and his hair as white as Don Diego’s own.
Don Diego addressed the children, “Do you recall Zorro’s faithful servant Bernardo, the man who could not speak? Coincidentally, my own servant—and my very good friend—bears the same name.”
The children clapped and whistled, as Bernardo, with a shy smile, shambled away. But he had taken only a few steps when a party guest blundered into him, knocking him to the ground.
This second fellow, a tall, well-dressed man with a pointed beard, had been kicking up his heels with more enthusiasm than skill, and stumbled into Bernardo’s path.
Now, eyeing the servant on the ground before him, the bearded man flew into a rage. “Lowlife scum! Dare you impede the pleasures of your betters? You will rue the day you crossed paths with Ramon Ignacio Cortez!” And with that, the fellow raised a boot and stomped heavily on Bernardo’s ankle.
Bernardo’s mouth flew open, and though no sound came out, the scream penetrated to the core of Don Diego’s being.
Don Diego was on his feet in an instant, rage coursing through his veins. “You, señor, are a scoundrel and a bully! Your conduct is a stench in the nostrils of decent human beings. You should count yourself lucky Señor Zorro is not here to teach you manners!”
The force of Don Diego’s words took Cortez aback, but he quickly recovered his haughty expression. “Zorro!” he scoffed, curling a lip. “The imaginary Señor Zorro! The delusions of a dotard! You, old one, are fortunate I am without my sword, or this birthday would surely be your last.”
Don Diego stood rooted in place, fists clenched and quivering, as Cortez turned his back and strutted into the hacienda. Then Don Diego knelt at Bernardo’s side, examining his ankle and calling for assistance from the servants.


THE OLD HACIENDA was blessed with many guestrooms, one of these occupied by Johnny and his parents. The boy’s mother had attended college in the East with Don Diego’s granddaughter, and the family had taken advantage of this occasion to visit Los Angeles.  
Johnny lay awake, listening to his mother’s rhythmic breathing and his father’s robust snores, until certain both were deep in sleep. Then he slipped from bed, donned a robe, and silently left the room. He crept past other guestrooms to the stairs, and descended quietly to the living room, where he had last seen Don Diego. His imagination was afire with the adventures of Zorro, and he longed to hear one last story before surrendering to sleep.
He rounded the corner just in time to glimpse Don Diego make his way—with the aid of an elegant cane—to the giant fireplace. The old man’s back was to him, and Johnny was about to announce himself when Don Diego pressed fingers to a particular spot on the mantel. To Johnny’s astonishment, a panel at the rear of the fireplace slid away, revealing a dark opening. Taking an oil lantern from the mantel, Don Diego ducked his head, stepped through the opening and disappeared.
Johnny stood gaping, hardly believing his eyes, until the panel slid silently shut, and the fireplace was as before.


LEANING HEAVILY upon his cane, Don Diego made his way down the old stone steps. This hidden passage had not been traversed in many years, and he used the lantern to swipe cobwebs from his path. His progress was slow, for the myriad pains of age had long ago invaded his limbs.
By the time he reached the bottom, he was winded, and paused for breath. Here the steps opened into a room containing an oak table, a battered sea chest, and a large wardrobe, all covered with the dust of decades. Though the lamp failed to pierce the gloom beyond the wardrobe, his mind’s eye pictured the stable that had once housed his black stallion Tornado. So many memories, now reduced to stories listeners refused to believe.
Don Diego placed the lamp on the dusty table and approached the wardrobe. He pulled upon the handle, but the hinges proved as fickle as an old man’s muscles, and it required all his strength to pry the door.
At once, he was smote by the pungent odor of moth balls, but was pleased to note they had done their job. The black silk capes, shirts and trousers hanging within were coated with dust, but appeared free of holes.
Bending over the sea chest, Don Diego struggled to open the rusty latch, but found himself unequal to the task. He needed his old friend Bernardo now more than ever, but the poor fellow was still unable to stand.
He beat at the latch with the head of his cane, producing no better result, and, for perhaps the first time in his life, Don Diego felt despair.
That was when a voice spoke to him from behind.
“It’s true!” the voice said. “Zorro was real, and you were he!”
Don Diego turned, astonished, to behold the young lad who had interrupted his story.


HALF AN HOUR LATER, Johnny was back in the upstairs hallway. His head still swam with the enormity of what he had learned. Don Diego and Zorro were one and the same!
The old sea chest, when it finally opened, contained a flat-topped black hat with a wide brim, a black silk mask, an old flintlock pistol, a long, braided bullwhip and the finest sword Johnny had ever imagined.
As he’d helped Don Diego transform himself, Johnny had received detailed instructions on the mission he was to accomplish upstairs. He paused now, counting doors to be certain he stood before the correct guestroom, then carefully turned the latch.
Slipping quietly into the dark room, he paused until he could discern the man snoring in the great oak bed. Señor Ramon Ignacio Cortez, Don Diego had explained, was a business associate of his son-in-law. The man was visiting from Santa Barbara, and, like Johnny’s family, had chosen to spend the night.
Johnny stepped to the bed, placed a hand on the man’s shoulder, and gave it a tentative shake. “Señor Cortez!” he hissed. “Wake up! You are needed!”
With a great snort, Cortez thrashed in his sleep, dislodging the hand. But Johnny steeled himself, gripped the man harder and shook him with force.
“Wake up, señor! Wake up! There is an intruder in the house!”
This time, Cortez sputtered awake, staring dumbly into Johnny’s face.
“It’s likely an Indian, señor! Or perhaps some dirty peon!”
Malevolence gleamed in the man’s eyes. “Indian? Peon?”
“Please, señor, get your sword! You are brave and strong, and the only man to deal with him!”


NEAR THE GREAT FIREPLACE stood an ominous figure. From hat to boots, and to the tips of his gloved fingers, he was clad all in black. Only the eyes were visible, and they burned with the intensity of blue hellfire. This was not Don Diego de la Vega. For the first time in decades, Don Diego was gone, and Señor Zorro, the man once known as The Curse of Capistrano, had taken his place.
Zorro stood with drawn blade, and the sword felt marvelous in his hand. It was of Toledo steel, razor sharp and bright as lightning. Like an old friend, it lent him strength, and—for the moment—banished the pains of age. He felt once again like the hero who had darted about the countryside on Tornado, thumbing his nose at the lancers who tried to catch him.
Hushed voices came to his ears—young Johnny and the bully Cortez descending the stairs.
“Where is this intruder?” came the rough tones of Cortez. “If you have flummoxed me, boy, I shall whip you to bloody rags.”
Johnny’s reply was cut short, for at that moment the two rounded the corner and came face to face with Señor Zorro.
“If there is whipping to be done,” Zorro said, his voice like ice, “I will do it, and the bloody rags will be your own.”
The bearded man’s eyes bulged, then slowly narrowed. “What treachery is this, boy?” He made a grab for Johnny, but the lad had already melted into the shadows.
Zorro spoke again. “You will kindly step a few paces to your left, señor. I do not wish to befoul this fine carpet with your blood.”
Cortez answered with a snort.
With no wasted motion, Zorro uncoiled the whip from his side and cocked his arm. The whip sang through the air, the lash biting into the man’s right ear.
Squealing like a pig, Cortez clapped a hand to his head and launched into a stream of curses. But Zorro had accomplished his aim, for the fellow stumbled to his left, off the carpet and onto the tiled floor.
Zorro returned the whip to his belt. “Now, you would-be whipper of boys and scourge of peaceful servants, we may stage a proper duel.” He raised his sword, and the candlelight played along the blade like dancing flame.
Cortez shook himself and straightened, presenting his own sword. The man, Zorro saw, was bringing himself under control. Though an ill-mannered bully, he was apparently no coward.
The blades met and rang. Cortez attacked fiercely, but when Zorro refused to give ground, they fell into a steady rhythm, taking each other’s measure. Cortez’s wrist was strong, and he knew how to handle a blade. This was no mere tradesmen, but a man who had learned the finer techniques from a master.
Zorro feinted and attempted a particularly clever riposte he had learned from his own master in Spain, but Cortez read it easily, diverted the blade, and countered with a clever thrust of his own. Zorro winced as a streak of fire touched his shoulder.
As the music of the blades played on, Cortez seemed to grow stronger, while Zorro's sword grew heavier with each stroke. Age had returned to his limbs, and he could not rely on the aid of fancy footwork. He could only stand in place, parrying his opponent’s blows and praying for an opening.
Cortez was smiling now, full of confidence. "Your tongue is sharp, señor, but your skills are dull. I perceive this fight will be over quickly."
Zorro feared the man was right. What strength he had was fading fast.
Then the boy Johnny rushed from the shadows, cupping a hand to his ear and pointing down the hallway toward the stairs.
Zorro understood. The ringing blades had roused the household, and other guests would soon be flooding into the room.
He had no choice now. If he failed to end this quickly, he faced either discovery or death.
An inspiration struck him.
"Atención, señor! Have you seen this one?" Lowering his blade, Zorro raised his left hand, reached behind his ear, and produced a lush red rose.
As Cortez stared dumbfounded, Zorro's blade flashed past his guard like a living thing, made a quick twist and came away red.
Cortez dropped his sword and screamed, hands clawing at his face. Shouts of alarm came from the houseguests in the hallway. And while Cortez was oblivious, Zorro pressed the secret latch on the fireplace and ducked through the opening unseen.


THE PANEL had barely closed when people in sleeping gowns poured into the room. Johnny remained in the shadows as they passed, then slipped among them from behind.
"Look!" a woman cried in horror. "It is Señor Cortez, and he’s been hurt!"
The once-proud bully stood slumped before them, one hand covering his cheek. And from under that hand came drops of blood, making red splotches upon the white tiles below.
Don Diego's son-in-law rushed forward, gripping his associate by the shoulders. “Ramon! What has happened here?”
“An excellent question!” said another voice.
Heads turned toward the hallway, as Don Diego came hobbling into the room. His white hair was awry, and his sleeping gown hastily tied over what appeared to be black silk pajamas. He waved his cane at the group. “What is all this tumult? Cannot an old man sleep peacefully on his own birthday?”
The group dutifully parted, and Don Diego made his way to the center of the room. He bent, with great effort, to pluck the red rose from the floor, and flourished it in the face of Ramon Cortez. “Buenes tardes, señor,” he said with great politeness. “I perceive you have suffered some difficulty. Did you encounter, perhaps, a housemaid who resisted your charms?”
Cortez glared at him through hate-filled eyes. “I was attacked by a gang of ruffians, who sprang upon me unawares!”
“Indeed!” Don Diego exclaimed. “These are truly turbulent times. And to think such a thing happened here in my own house! But please, señor. We cannot allow that cut on your cheek to become infected. Will you not let us see it?”
With much wincing and gritting of teeth, Cortez removed the blood-soaked hand from his face, bringing gasps from all assembled.
For there upon his cheek, cut deep into the flesh, was a large and perfectly formed Z.
“Hm,” Don Diego mused, “how odd! It would appear that one of those ruffians was that figment of my imagination known as Zorro.”


AFTER CORTEZ had been led away and the guests returned to their rooms, Don Diego sat alone with Johnny near the great fireplace.
“The thing I don’t understand,” Johnny said, “is how you pulled that rose from behind your ear. Did you have it hidden there just in case?”
Don Diego smiled mysteriously. “A magician,” he said, “never reveals his secrets. And neither does Señor Zorro, if he can help it. But look here!” He raised a hand, reached behind Johnny’s ear, and produced another rose. “With enough determination, all things are possible.”
Johnny laughed, clearly delighted.
“Still,” Don Diego said, “Zorro and I are greatly in your debt. Is there any other favor I might grant?”
“Yes,” Johnny said. “You could write up your wonderful adventures of Zorro and have them published as dime novels. Then I could enjoy them again and again.”
 Don Diego pursed his lips. “I am afraid my skill at writing is limited to a single letter etched in flesh. But if Señor Zorro now inhabits your imagination, I trust you will be able to visit him there.”
From the hallway, a woman’s voice called, “Johnny! Where are you?”
“It’s my mother,” Johnny said with a sigh. “We start home tomorrow—to Illinois—and I may never see you again. But I make you this birthday promise, Don Diego. When I grow up, I will write up your adventures myself, and someday Zorro will be famous all over the world.”
Just then, a woman in a dressing gown rounded the corner and eyed them with frank disapproval. “Johnston McCulley! You come to bed right this instant, you scamp. I’ve been looking for you everywhere!”


Thursday, February 28, 2019

Watch "TOO MANY CROCKETTS" now on Amazon



Mr. Gary Heck, a film producer from down Texas way, has put together a TV pilot based on one of my short stories. You can view the trailer on YouTube, and, if you have $1.99 in you pocket, the 30-minute film on Amazon. That's here: TOO MANY CROCKETTS on Amazon

Saturday, October 8, 2016

It's Out! The Best American Mystery Stories 2016


My thanks to the folks at Publishers Weekly for the kind words. The book is now on sale. Here's what's in it:
"The Little Men" by Megan Abbott (from Bilbiomysteries)
"Okay, Now Do You Surrender?" by Steve Almond (from Cinncinati Review)
"Toward the Company of Others" by Matt Bell (from Tin House)
"Fool Proof" by Bruce Robert Coffin (from Red Dawn: Best New England Crime Stories)
"Safety" by Lydia Fitzpatrick (from One Story)
"Christians" by Tom Franklin (from Murder Under the Oaks)
"A Death" by Stephen King (from The New Yorker)
"For Something to Do" by Elmore Leonard (from Charlie Martz and Other Stories)
"The Continental Opposite" by Evan Lewis (from Alfred Hitchcock's Mystery Magazine)
"Street of the Dead House" by Robert Lopresti (from nEvermore!)
"Lafferty's Ghost" by Dennis McFadden (from Fiction)
"The Tank Yard" by Michael Noll (from Ellery Queen's Mystery Magazine)
"Trash" by Todd Robinson (from Last Word)
"Christmas Eve at the Exit" by Kristine Kathryn Rusch (from Ellery Queen's Mystery Magazine)
"The Mountain Top" by Georgia Ruth (from Fish or Cut Bait: A Guppy Anthology)
"Mailman" by Jonathan Stone (from Cold-Blooded)
"Rearview Mirror" by Art Taylor (from On the Road with Del & Louise)
"Border Crossing" by Susan Thornton (from Literary Review)
"Entwined" by Brian Tobin (from Alfred Hitchcock's Mystery Magazine)
"God's Plan for Dr. Gaynor and Hastings Chiume" by Saral Waldorf (from Southern Review)
plus:
A Foreword by Otto Penzler and an Introduction by Elizabeth George

Wednesday, September 14, 2016

The Continental Nomination


"The Continental Opposite" and I are honored to be noticed by the Private Eye Writers of America. The winner will be announced this Friday night in New Orleans. Wish I could be there. With four other fine tales in the running, the odds ain't good, but my fingers will be crossed. Toes too.

Wednesday, February 24, 2016

Braggin' Time: BEST AMERICAN MYSTERY STORIES 2016


Yeah, I've been slacking for the past few months. It's a cryin' shame, and I'm dutifully embarassed. But I got a jolt in the arm the other day with word from Otto Penzler that "The Continental Opposite" has been selected for this year's volume of The Best American Mystery Stories. Who else will be in it? I don't know, but I've seen Internet leaks naming Megan Abbott, Todd Robinson and Robert Lopresti, so I know I'll be in good company. The book is several months away, but Amazon is already taking pre-orders. That's here: 
The Best American Mystery Stories 2016

Saturday, August 8, 2015

The Writers Conference Blues


This is Day 2 (of 3) of the annual really big writers conference here in Stumptown. Once again, me and the usual gang of intellectuals are helping people hone their pitches, manuscripts and cover letters. Sadly, though, we are soldiering on without the services of the Right Reverend Cap'n Bob Napier, who is busy babysitting his granddaughter and attending a wedding reception for one of his wife's shirttail relatives, twice removed. For those of you who have become accustomed to seeing our thrilling photos of Bob in action, we offer these encores from 2013 & 14. Hopefully we'll have new pulse-pounding pics for you next year, and hopefully he'll still be wearing the same shirt. 


Monday, July 27, 2015

Yikes! I'm in Mystery Scene!


Thanks, Bill! Your check is in the mail.

This appears in the new, Summer 2015 issue, and is of course, copyright © 2015 by KBS Communicatios, L.L.C.

Wednesday, May 6, 2015

Now in AHMM: Daffy Dill and and Candid Jones in "FLASH!" by Richard Sale!


When AHMM Editor Linda Landrigan invited me to select and introduce a story for the magazine's Mystery Classic department, the choice was a no-brainer.

"Flash!" - from the May 29, 1937 issue of Detective Fiction Weekly, is one of my pulp favorites, and a great introduction to reporter Daffy Dill (one of my favorite pulp characters) and author Richard Sale (one of my favorite pulp writers). And as a bonus, it also features Sale's number two DFW hero, hardboiled photographer Candid Jones.

The storytelling itself is special because "Flash!" contains not a single word of ordinary prose. It's told entirely in the form of letters, telegrams, news reports, radio bulletins and one-sided telephone calls. And as those familiar with Daffy have come to expect, it's both funny and fun.

You'll find all this, plus my two-page Intro yapping about Richard Sale's life and career, in the just-out June 2015 issue of AHMM. Where can you get a copy? As you may recall when I was hyping "The Continental Opposite" (in the May issue), AHMM is carried by most Barnes and Noble stores, and is offered in a variety of eFormats by Amazon (HERE), B&N (HERE), Google Play (HERE) and Magzter (HERE).

And in case you missed it, I said a few words about Mr. Sale, along with Hammett, Cleve F. Adams, Lester Dent and others on the AHMM blog a while back. That's HERE.

Monday, April 13, 2015

"The Continental Opposite" Rides Again


Recently I expressed my thanks to all the good folks who posted reviews of, spread the word about, or helped behind the scenes with, my new story "The Continental Opposite" (that's HERE).

I'm pleased to add another name to that list. Derringer Award-winning mystery writer Robert Lopresti has posted a blush-inducing review of the tale on his blog, Little Big Crimes (you'll find that HERE). Mr. Lopresti is the author of more than 50 short stories, thirteen of which - featuring his curmudgeonly fictional mystery writer Leopold Shanks - are included in the collection Shanks on Crime, and the novel Such a Killing Crime.

I wish to state categorically that Mr. Lopresti and I have never met (though we did brush shoulders three years ago in the May 2012 AHMM), we are not related by blood or marriage, and no money has passed between us. (But after that kind review, Robert, rest assured the check is in the mail.)

A lengthy free preview of "The Continental Opposite" is still playing on The Mystery Place site (HERE), and eCopies of the magazine are offered by Amazon (HERE), B&N (HERE), Google Play (HERE) and Magzter (HERE).

Thursday, April 2, 2015

The Continental Op doesn't give a damn . . .


, , , but the Continental Opposite does . . .
and he (Pete Collins) and his alter-ego (me) wish to thank all those who've helped bring his story to light.

We'll start the roll call with AHMM Editor Linda Landrigan and Senior Assistant Editor Jackie Sherbow, who saw fit to include the tale in their fine magazine, and who chose to publish a lengthy excerpt (HERE) on the Mystery Place website.

Then there are those folks who've featured the story on their blogs, including Janet Reid (HERE), Don Herron (HERE), Cap'n Bob Napier (HERE) and James Reasoner (HERE). And those who've helped spread the word here and there, such as Patti Abbott, J. Kingston Pierce, Ethan Hobart and Matthew Clark.

Pete and I are equally grateful to our pre-submission readers, who included Misters Herron and Napier, Richard Robinson, Richard Prosch, John Hegenberger and my stalwart Writing Groupers (in alphabetical order): Jackie Blain, Christine Finlayson, Kassandra Kelly, Becky Kjelstrom, Doug Levin, Ann Littlewood, Marilyn McFarland and Angela Sanders.

And finally to Phil Stanford, whose book Portland Confidential introduced me to the seamy underbellly of Portland in the 1950s, and Mr. Samuel Dashiell Hammett, without whom--well, you know.

If I've forgotten anyone (as I surely have) I deserve to have the Op tie my neck in a knot (which he surely will).

The May 2015 AHMM may still be lurking on the racks of your neighborhood Barnes and Noble store, and is instantly available for your e-reader from Amazon (HERE), B&N (HERE), Google Play (HERE) and Magzter (HERE).

Thursday, March 19, 2015

"The Continental Opposite" in AHMM


I'm mighty pleased to announce that the May 2015 issue of AHMM is now on sale, featuring a story inspired by Mr. Dashiell Hammett - and the great nonfiction book Portland Confidential by Phil Stanford.
 
It's 1953, and Portland's mayor, police chief and half the force are in the pocket of the mob. Things are so bad that the even the local branch of the Continental agency is corrupt, so the bosses bring Hammett's Continental Op out of retirement and send him to Portland to clean up the town. And it's going to be a big job, so this is only the first in a series . . .

If you can't find a print copy of this issue at your local Barnes & Noble, there are several places you can grab an e-copy. And it's cheaper. Here are a few I know about:
- Amazon offers single issues for Kindle, iPad or PC for $3.49. That's HERE.
- Barnes & Noble sells it for Nook, also $3.49, HERE.
- Google Play has it for android devices, $3.49, HERE
- Magzter sells it for $3.99, HERE

And here's a preview. It's FREE. 

Tuesday, March 17, 2015

It happened at Left Coast Crime


Well, a swell time was had by all. I moderated a panel called "Without a Fedora: New Directions in Noir" (wearing a fedora, of course) with Bret R. Wright, Roger Hobbs, Robert Downs and Baer Charlton, and another (due to the lamentable absence of Steve Mertz) called "Mean Streets: Pulp Detectives of the Past & Present," with Craig Faustus Buck, William E. Wallace, Tim Wohlforth and Dale W. Berry. Somehow, I failed to take any selfies. I also failed to take photos of Angela Sanders moderating a fine panel called "Not Just Cats & Quilts, the Evolution of the Cozy," or of the esteemed Richard and Barbara Robinson gracing the panels with their presence. Nuts.


The Right Reverend Cap'n Bob Napier enthralls the crowd on "It's a Living: Odd Jobs & Strange Professions." With moderator Linda Joffe Hull, Diane Vallere, Tammy Kaehler and Camille Minichino.


Christine Finlayson (far right) wrangles "The Great Outdoors: Murder in Nature," with Shannon Baker, Mark Stevens and Christine Carbo.


David Schlosser (left) waxes eloquent on "Editing Your Own Work: Approaches to Rewriting," with Hannah Dennison, Margaret Lucke, Philip Margolin and Judith Janeway. 


And Doug Levin shows off the 2002 book containing his first published story. It was priced at well over two hundred bucks, but well worth it, I'm sure. 

Thursday, December 11, 2014

"TOO MANY CROCKETTS" on YouTube



My story "Too Many Crocketts," about the grandson of Davy Crockett and his inner voice/ancestral hitchhiker Old Davy, has a twisty history. It was written for the magazine Great Western Fiction back in 2008, but the mag folded before it appeared. It was then expected to appear in the proposed anthology series Six-Guns and Shootouts in 2009, but that project died a-borning.It was finally published online by BEAT to a PULP in 2012, and in the BTAP anthology Trails of the Wild in 2013.

NOW, it's in post-production as a TV pilot from Heck Films. The film even has its own Facebook page, HERE. Meanwhile, two sequel stories have appeared, "Crockett's Never Quit," (online HERE) and "The Pride of the Crocketts," in the anthology A Fistful of Legends (HERE).

As if that's not complicated enough, the series is actually a spin-off of a series of present-day mystery stories featuring Tennessee State Representative David Crockett, also plagued by the spirit of Old Davy. Two of those tales have thus far appeared in Alfred Hitchcock's Mystery Magazine: "Mr. Crockett and the Bear" in May 2012 and "Mr. Crockett and the Longrifle" in May 2014. Sheesh! I don't call this blog Davy Crockett's Almanack for nothin', you know.

Wednesday, October 15, 2014

How to SUCCESSFULLY Pitch Your Project at a Writers Conference

Jackie Blain hates to sing her own praises, but geez, somebody ought to. She’s a writer, AND a screenwriter, AND a teacher of both, AND a professional editor and writing coach, AND, for the past ten years or more, she’s been running the Pitch Practice room at the Willamette Writers Conference, which is widely (and justly) regarded as the best such conference on the West Coast.

I know, because for most of those years I’ve been there with her, helping folks craft pitches for novels, screenplays, self-help books, memoir, non-fiction, graphic novels, children’s books and projects so unusual they defy categorization. We’ve helped many hundreds of people discover how to put the best face on their project and pitch it like a pro. And it’s been immensely gratifying to have many of those people return and share their success stories – requests for chapters, pages, outlines, proposals, and in some cases even full manuscripts.

Now, at last, Jackie is sharing her pitch-honing techniques with the rest of the world. This entertaining book leads you step-by-step through the process of making your pitch ready for prime time.

Jackie dishes out solid, time-tested techniques for finding your hook, zeroing in on the heart of your story and crafting pitches for occasions. You’ll know what to say next time you’re in the elevator with Steven Spielberg, and you’ll be ready for the agent who wants an in-depth description.

You’ll find all that and more in HOW TO SUCCESSFULLY PITCH YOUR PROJECT AT A WRITERS CONFERENCE, and you’ll be two legs up on everyone who has NOT read this book. Get it now. At this price, it’s a steal. 

Buy it here!
How to Successfully Pitch Your Project at a Writers Conference: real life advice from the Pitch Practice Room

Wednesday, August 6, 2014

Pitch Practice in Action


Yeah, as I mentioned, the annual Willamette Writers Conference was last weekend, and for the sixth or seventh year in a row I spent most of all three days hanging around the Pitch Practice room, helping folks refine their pitches, providing quick input on first chapters and query letters, and offering advice on plot problems. By Saturday afternoon (Day 2) I was dang near brain dead, and by Sunday night I was a zombie. As usual, it was well worth it. I met many nice and talented writers, including at least two future stars, Erica Steele Adams and Christi R. Suzanne. Names to be reckoned with.

This year, for the first time, we had to do without the valiant leadership of Jackie Blain, who recently left our humble burg for the bright lights of New York City. Here's hoping she'll grace us with her presence next year.

Joining me in fielding literary ptiches were many fine writers, and I'm indebted to them all. Sadly, I failed to get incriminating pictures of two of them - Debbie Guyol and Holly Franko. (Sorry folks. See comment above about being brain dead). We also had a crew of screenwriters recruited by Portland filmmaker David Poulshock listening to film pitches. Thanks gang!

Lisa Albers

Marlene Howard

Kassandra Kelly

Becky Kjelstrom

Ann Littlewood

The notorious Cap'n Bob Napier

Angela Sanders

D'Norgia Taylor-Price

Our soul and inspiration, Jackie Blain