Happy New Year to one and all! I hope you had a chance to enjoy the holiday.
The weather here has not been very good, it put paid to my customary New Year's Day drive in the Scottish Borders, and walking (squelching) through the countryside nearer to home didn't appeal much. Never mind; I've spent a useful few days sorting out cupboards and tidying up some of the accumulated clutter.
I've chucked out some things that should have been gone a while ago, and re-organised most of the lead mountain in large plastic boxes which slide neatly under the couch in my soldier-painting room. This frees up a lot of useful space in my other cupboards, and I've even updated my lists of what is in each box, so that is all gratifying in a rather specialised way!
Other than that I have spent my evenings watching DVDs. First off, I watched a BluRay I obtained of Las Aguilas Azules - it may not be obvious that this is The Blue Max, which I hadn't watched since it was released in 1966 (which is not yesterday).
Visually, it is a delight - I spent a lot of time wondering how they had filmed the in-flight sequences. It is not a period I know a great deal of, so I will bow to those who are offended by the inaccuracies in the 'plane conversions or the uniforms, but it looks terrific. The script is woeful; there was a novel somewhere in the background, I understand, but it has been well dumbed-down to ensure that audiences will understand the plot. The dialogue is frequently embarrassing - budgerigar level - and the stereotypes on show, the class issues and the general treatment of female characters are fairly moronic; I guess that "of their day" would be fairer.
Having said all of which, I enjoyed it; two and half hours well spent. I recall that back in 1966, for some reason I can't really remember, I watched it in a mid-week afternoon matinée at a cinema in Galashiels. The audience consisted largely of pensioners, I recall, and it seemed to be acceptable to converse at normal levels of volume in the theatre during the show; I was probably glad that the dialogue didn't need a lot of concentration.
I am, of course, continuing with my alphabetical Shakespeare campaign, working my way through the BBC's colour TV series circa 1980. Since Xmas I have watched Measure for Measure and The Merry Wives of Windsor, both of which were really very good. Merry Wives in particular is a riot, and the BBC deployed many excellent actors (in 1982); Richard Griffiths, Ben Kingsley, Alan Bennett, Prunella Scales and Michael Bryant, along with some lesser personal favourites of my own, including Richard O'Callaghan and the magnificent Elizabeth Spriggs.
I got through Merry Wives in a single sitting, hugely entertained, and reinforced only by a quart of black tea and the odd Digestive biscuit. Great stuff indeed, though the end does get decidedly weird, doesn't it?